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Mid-career slump?

Pink’s latest album lacks grit, focus

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Pink, gay news, Washington Blade

PINK’s first album in five years feels overproduced and lacks focus. (Photo courtesy RCA Records)

There’s no doubt that Pink has been one of the most consistent hitmakers of the 2000s. Her fierce hybrid of dance/pop barbed with a rock and roll edge and sprinkled with R&B influences has been a winning formula.

She’s a powerhouse vocalist capable of delivering both genuine emotion and vulnerability, along with a fiery badass attitude. Beginning with her 2000 debut “Can’t Take Me Home,” Pink has scored a remarkable six platinum albums and 15 top 10 singles. Her most recent, 2012’s “The Truth About Love,” notched three top 10 hits, including the no. 1 smash “Just Give Me A Reason.”

Unfortunately, “Beautiful Trauma,” the star’s first album after a five-year absence, is somewhat of a disappointment. This time around she stays mostly in the electro-pop realm, with her rock side deemphasized. Pink is obviously striving to keep a niche in the modern pop marketplace, but in the process of following current sonic trends she loses much of the gritty realness that has always set her apart.

As is typical for pop albums these days, Pink collaborates with multiple producers and songwriters on “Beautiful Trauma” and the result is an overly slick collection that sounds much like any other pop album released in the last few years. It doesn’t help that the material, with a few notable exceptions, is largely bland and forgettable.

The first single, “What About Us,” is far and away the album’s strongest track. It’s a yearning, emotional anthem and a piercing reflection that relationships, and our lives in general, often veer far off the tracks. Pink’s vocal is sincere and deeply felt and she belts it out with dynamic force and authority over glistening keyboards and pulsing rhythm. It’s among the finest singles of Pink’s impressive career.

But surprisingly, “What About Us” reached a paltry no. 25 on the Billboard Hot 100 pop chart. Perhaps the second single, the hip-hop fueled “Revenge,” featuring a high-profile guest spot by Eminem, will perform better. It’s a spiky electronic strut that displays Pink’s tougher side, a sharp contrast to the vulnerability exposed on “What About Us.” Another winner is “Whatever You Want,” an engaging pop nugget with a strong melodic hook that screams for radio play.

The poignant acoustic-guitar based “Barbies” slowly builds intensity as it progresses, culminating in a powerful climax. The gorgeous piano ballad “Wild Hearts Can’t Be Broken” features a graceful string arrangement and one of Pink’s loveliest vocals on the album. The heartbreaking “But We Lost It” would have fit perfectly on Adele’s most recent blockbuster.

One issue is that Pink’s vocals are too high in the mix. Sure, it makes sense to emphasize the power of her singing, but it becomes a bit grating after listening to the album all the way through, and at times it simply seems like she’s shouting. “Beautiful Trauma” is so pristine and overly polished that there’s hardly room to breathe. It becomes too clean and clinical, sapping the grit and rough edge that has always been a hallmark of Pink’s best work.

Ultimately, though, there is little new ground covered here. It all seems a bit rote and far more controlled and toned down than what we’ve come to expect from Pink. There’s no clear direction or focus, it’s overcooked in the studio and the material is surprisingly tame and forgettable. It’s not terrible, but it just doesn’t deliver the goods with the same power and impact as her previous albums.

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Music & Concerts

Washington chorale kicks off Christmas with vibrant program

‘Thine Own Sweet Light’ concerts planned

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(Photo by orson/Bigstock)

The full Washington Master Chorale will return for its annual holiday concert tradition with “Thine Own Sweet Light” on Friday, Dec. 19 and Sunday, Dec. 21 at St. Ann’s Catholic Church (D.C.) and Church of the Epiphany (D.C.).

The concert will feature the rich sounds of the 50-voice, a cappella chorus performing lush, seasonal choral music inspired by the theme of light. Highlights include Edvard Grieg’s “Ave Maris Stella,” Eric Whitacre’s “Lux Aurumque,” and Christopher Hoh’s “Holy, Holy, Holy is the Lord God of Hosts.” The program will also present a new work by Barcelona composer Josep Ollé i Sabaté, along with charming holiday folk songs and seasonal favorites. 

For more details, visit the Washington Master Chorale website.

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Music & Concerts

Queer mega stars (and allies) ready to take D.C. stages this fall

Watch LGBTQ icons light up stages across the DMV as they sing, dance, and drag their way through spectacular shows.

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Doechii performing at WorldPride 2025's closing concert in June earlier this year. (Washington Blade photo by Michael Key)

One of the best ways to welcome fall is by catching LGBTQ performers (and their allies) lighting up some of the D.C. area’s biggest stages. From country and pop to drag and rock, the season is packed with shows you won’t want to miss.

Maren Morris – The country, rock, and pop diva—known for hits like “The Bones” and for standing up against Nashville’s anti-LGBTQ voices—takes the stage at Wolf Trap (1551 Trap Rd, Vienna, Va.) on Friday, Sept. 12 at 8 p.m. Tickets start at $64.

RuPaul – The mother of modern drag and host of “RuPaul’s Drag Race” will spin a DJ set at Echostage (2135 Queens Chapel Rd NE) in Northeast D.C. on Sept. 20. Before RuPaul swaps wigs for headphones, Trade and Number 9 owner Ed Bailey will warm up the decks. For tickets and details visit echostage.com.

Conan Gray – The queer pop prince, celebrated for his Gen Z anthems like “Heather” and “Maniac,” brings his Wishbone Pajama Show to EagleBank Arena in Fairfax, VA, (4500 Patriot Cir) on Sept. 20 at 8 p.m. Tickets start at $113. For more info visit shop.conangray.com/pages/tour.

All Things Go Music Festival – With a lineup that includes Noah Kahan, Lucy Dacus, Kesha, Clairo, Doechii, and more, the beloved LGBTQ-friendly festival takes over Merriweather Post Pavilion (10475 Little Patuxent Pkwy, Columbia, Md.) Sept. 26–28. For tickets and details visit allthingsgofestival.com.

BERTHA: Grateful Drag – This unique tribute brings drag artistry and the sounds of the Grateful Dead to The Atlantis (2047 9th St NW) on Sept. 27. Tickets start at $47 at theatlantis.com.

Peach PRC – Rising Australian pop star and out lesbian, whose confessional tracks like “Perfect for You” and “Forever Drunk” have made her a queer TikTok darling, performs at The Atlantis on Sept. 29 at 6:30 p.m. The show is general admission only. Additional details are on theatlantis.com.

Addison Rae – The TikTok star-turned-pop princess, who’s crossed over into music with glossy hits like “Diet Pepsi” brings her sold out show to The Anthem (901 Wharf St., S.W.) on Sept. 30. Tickets are sold out, but resale options start around $80. For more info visit theanthemdc.com.

The Rocky Horror Picture Show 50th Anniversary – Celebrate the cult classic that’s been a queer midnight-movie staple for decades, with Barry Bostwick (a.k.a. Brad Majors) at the Warner Theatre (513 13th St., N.W.) on Oct. 2 at 8 p.m. Tickets start at $41 via Ticketmaster.

Chaka Khan, Patti LaBelle, Gladys Knight & Stephanie Mills – Four legends, one stage. Between Khan’s funk, LaBelle’s soul, Knight’s R&B, and Mills’ powerhouse vocals, this concert at Capital One Arena (601 F St NW) on Oct. 3 at 8 p.m. promises pure diva magic. Tickets start at $103. For more details visit capitalonearena.com.

Lorde – Joined by The Japanese House and Chanel Beads, the Grammy-winning New Zealand singer-songwriter behind “Royals” and “Solar Power” returns to The Anthem on Oct. 4 at 7 p.m. Lorde has long been embraced by queer fans for her dreamy pop and subversive lyrics. For more info visit theanthemdc.com.

Andy Bell (of Erasure) – The British queer rock icon, best known for synth-pop classics like “A Little Respect” and “Chains of Love,” brings his Ten Crowns Tour to the Lincoln Theatre (1215 U St., N.W.) on Friday, Oct. 17 at 8 p.m. Tickets are $90.45.

Doechii – The self-described queer “Swamp Princess”—and WorldPride 2025 headliner—continues her breakout year with the Live from the Swamp Tour at The Anthem on Oct. 21 at 8 p.m. Known for blending rap, R&B, and avant-garde performance art, Doechii is one to watch. Tickets start at $153.

Neon Trees – The out-and-proud Utah rockers behind “Everybody Talks” and “Animal” perform at the Lincoln Theatre on Friday, Oct. 24 at 8 p.m. Lead singer Tyler Glenn, who came out publicly in 2014, has become a strong queer voice in alternative rock. For tickets and info visit impconcerts.com.

Sasha Colby – The “RuPaul’s Drag Race” Season 15 winner strips down on the Stripped II Tour at the Warner Theatre on Nov. 2 at 8 p.m. Tickets available now on Ticketmaster.

Lola Young – The bisexual indie-pop sensation, whose raw songwriting has earned her millions of TikTok fans and multiple chart soaring hits visits The Anthem on Nov. 9 at 8 p.m. Tickets are still available.

Opera Lafayette

Purcell’s Dido & Aeneas

Featuring Mary Elizabeth Williams as Dido

+ Elijah McCormack, Chelsea Helm

Oct. 16, 7:30 p.m.

Sixth & I 

PostClassical Ensemble

The Pale Blue Do: A Musical Voyage Inspired By Nature

Featuring National Geographic’s Enric Sala, Guest Curator

Wednesday, November 19, 7:30 p.m.

Terrace Theater 

Washington Concert Opera

Gluck’s Iphigénie en Tauride

Starring Kate Lindsey, Theo Hoffman, John Moore, and Fran Daniel Laucerica

Nov. 23, 6 p.m.

Lisner Auditorium

Washington Master Chorale

Sacred Jewel Box

An intimate a capella concert taking place in an architectural jewel, featuring cherished choral gems from Anglican and Catholic tradition and early American hymns. The concert will also present the world premiere of Christopher Hoh’s Holy, Holy, Holy is the Lord God of Hosts, and hymn singing featuring Robert Church, organist and choirmaster at St David’s.

Oct. 18, 7:30 p.m.

October 19, 5 p.m.

St. David’s Episcopal Church

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Music & Concerts

Cyndi Lauper ready to have fun in Virginia

Superstar to bring final leg of farewell tour to Jiffy Lube Live

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Pop icon Cyndi Lauper brings her farewell tour to Jiffy Lube Live on July 24. (Washington Blade file photo by Michael Key)

Superstar Cyndi Lauper will bring the final leg of her farewell tour “Girls Just Wanna Have Fun” to Bristow, Va., on Thursday, July 24 at Jiffy Lube Live. 

Lauper’s international Farewell Tour – her first major headlining run in a decade – kicked off in North America last October, and included her first time ever headlining (and selling out) Madison Square Garden. Lauper’s performances have earned raves from the New York Times, Rolling Stone, Billboard, and many more, and surprise guests have included Chaka Khan, Sam Smith, and Hayley Williams. The tour just visited the U.K. and Europe, and will head to Australia and Japan in April.  

Tickets are available on Live Nation’s website

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