Arts & Entertainment
Starbucks holiday cup sparks social media buzz over lesbian hands theory
speculation started after the company released its seasonal commercial
Great new #christmas campaign from @Starbucks featuring #lesbian couple on the Holiday Cup. pic.twitter.com/GJ6YGG0fGQ
— Rufus Dowling (@rufusdowling) November 13, 2017
Starbucks’ annual holiday cups are causing controversy once again, but this time the scandal involves two people holding hands.
The rest of the pair’s bodies aren’t shown on the cup, which features other holiday doodles like a Christmas tree and presents, leading some people to speculate they are the hands of a lesbian couple.
The theory may have started from Starbucks’ holiday commercial which appears to feature a lesbian couple sharing a cup of coffee and leaning in for a kiss. Social media started to connect the dots and theorized that the hand-holding couple on the cup is the same from the commercial.
Hey social media, are the “Christians” bitching about @Starbucks red cup & inclusive message yet? PS, I’m going w/the hand holders are gay ? pic.twitter.com/eDrwEIenHt
— Krista ? (@durantigger) November 1, 2017
While some people were excited about the possible inclusion, others weren’t happy that Starbucks may have put a lesbian couple on the cup.
The new Starbucks cup has lesbian couple on it. Rom 1:26 “because of this,God gave them over to shameful lust”…
— Jimmy H Peralez (@h_peralez) November 2, 2017
The speculation increased when the coffee company appeared to confirm the holding hands are a same-sex couple on Twitter. One user tweeted Starbucks calling the cups “great” for including a lesbian couple.
“We’re happy you enjoy the new campaign, Rufus,” Starbucks tweeted back.
We’re happy you enjoy the new campaign, Rufus! ?
— Starbucks Coffee (@Starbucks) November 13, 2017
Ultimately, Starbucks is letting customers decide how to interpret the cups.
“This year’s hand-drawn cup features scenes of celebrating with loved ones — whoever they may be,” Sanja Gould, Starbucks’ spokeswoman, said in a statement to the New York Times. “We intentionally designed the cup so our customers can interpret it in their own way, adding their own color and illustrations.”
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
(Washington Blade photos by Michael Key)

























