Arts & Entertainment
Gianni Versace’s family calls FX series ‘fiction,’ network responds
the series premieres on Jan. 17
(Screenshot via YouTube.)
Family members of the late Gianni Versace have slammed FX’s “The Assassination of Gianni Versace,” the “American Crime Story” installment about the fashion designer’s murder, calling it a “work of fiction” and claiming they had no involvement in the making of the series.
“The Versace family has neither authorized nor had any involvement whatsoever in the forthcoming TV series about the death of Mr. Gianni Versace,” the family said in a statement. “Since Versace did not authorize the book on which it is partly based nor has it taken part in the writing of the screenplay, this TV series should only be considered as a work of fiction.”
The series draws from “Vulgar Favors: Andrew Cunanan, Gianni Versace, and the Largest Failed Manhunt in U.S. History” by Maureen Orth. Edgar Ramirez stars as Versace alongside Ricky Martin who portrays Antonio D’Amico and Penelope Cruz who plays Donatella Versace. Darren Criss plays Cunanan, who would eventually murder Versace. The series explores Cunanan’s mindset leading up to Versace’s murder as well as the homophobic culture they were immersed in at the time.
FX released a statement in response to the Versace family saying that the series is based on Orth’s book which is believed to be authenticated despite not having input from Versace’s family.
“Like the original American Crime Story series “The People Vs OJ Simpson,” which was based on Jeffrey Toobin’s non-fiction bestseller “The Run of His Life,” FX’s follow-up “The Assassination Of Gianni Versace” is based on Maureen Orth’s heavily researched and authenticated non-fiction best seller “Vulgar Favors” which examined the true life crime spree of Andrew Cunanan. We stand by the meticulous reporting of Ms. Orth,” FX said in a statement.
Series creator Ryan Murphy also released a statement to Variety backing up the authenticity of Orth’s book in relation to the series.
“We issued a statement saying that this story is based on Maureen Orth’s book, which is a very celebrated, lauded work of non-fiction that was vetted now for close to 20 years,” Murphy told Variety. “That’s really all I have to say about it, other than of course I feel if you’re family is ever portrayed in something, it’s natural to sort of have a ‘Well, let’s wait and see what happens’ [stance].”
Murphy told Vanity Fair that Donatella has also been somewhat involved in the making of the series. He says the late fashion designer’s sister had concerns about the portrayal of her children Allegra and Daniel that she has with ex-husband Paul Beck.
“I listened to that. As a father, I understood. I wasn’t interested in going there, out of respect for her,” Murphy says.
The showrunner also claims Donatella sent Cruz flowers for her presentation at the Golden Globes on Sunday.
“The Assassination of Gianni Versace” airs on Wednesday, Jan. 17 at 10 p.m. on FX.
Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.
(Washington Blade photos by Michael Key)
The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.
(Washington Blade photos by Michael Key)
Covering the @NatlCannaFest at RFK Stadium for @WashBlade . Stop by the LGBTQ+ booth and pick up a paper if you are here. pic.twitter.com/is7hnsaPns
— Michael Patrick Key (@MichaelKeyWB) April 20, 2024
Theater
‘Amm(i)gone’ explores family, queerness, and faith
A ‘fully autobiographical’ work from out artist Adil Mansoor
‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W.
$60-$70
Woollymammoth.net
“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre.
Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother.
Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.
WASHINGTON BLADE: What spurred you to create “Amm(i)gone”?
ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?
I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs.
BLADE: Are you more director than actor?
MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning.
I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention.
BLADE: Describe your mom.
MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me.
She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.
BLADE: So, you weren’t exactly hiding your sexuality?
MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full.
So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.
BLADE: Have you encountered much Islamophobia?
MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways.
BLADE: What prompted you to lead your creative life in Pittsburgh?
MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity.
Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career.
BLADE: What are you trying to achieve with “Amm(i)gone”?
MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this.
I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.
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‘Amm(i)gone’ explores family, queerness, and faith
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