Connect with us

a&e features

Out actor Michael Urie savors sleek, timely ‘Hamlet’ production

New York-based star is former student of D.C. theater titan Michael Kahn

Published

on

Michael Suchman, gay news, Washington Blade

Michael Urie used to rehearse scenes from ‘Hamlet’ just for fun before being cast in the Michael Kahn production. (Photo by Scott Suchman; courtesy STC)

‘Hamlet’ 

 

Through March 4

 

Shakespeare Theatre Company

 

Sidney Harman Hall

 

610 F Street, NW

 

$44-125

 

202-547-1122

 

Shakespearetheatre.org

At 37, Michael Urie has the acting career that he couldn’t imagine as a kid in Plano, Texas.

“I thought maybe I’d be a drama teacher one day but couldn’t see much beyond that. And then I moved to New York City where I felt both instantly at home and inspired by the possibility that I could be a real, working actor.”

Today, Urie’s vast and varied vitae includes classical theater, Broadway musicals, 600 performances of “Buyer and Cellar” (his one-man comedy about a young manager of a mock mall on Barbra Streisand’s Malibu estate) and a successful run on TV’s “Ugly Betty.”

Last week, the approachable actor sat down at an out-of-the-way coffeeshop in Chinatown for tea and some talk about tackling a theatrical milestone. It was like meeting with a fun acquaintance who just happens to know a lot about Shakespeare.

When Shakespeare Theatre Company’s Michael Kahn was asked to do one more play from the bard’s canon before ending his tenure as artistic director, he agreed to stage his third “Hamlet” provided Urie play the title role. As Hamlet, Urie, who studied drama with Kahn at Juilliard School in New York, brings a mix of dramatic and comic talents to the story of the Danish prince whose life is rocked after his uncle murders his father the king, marries his mother and steals the crown. Set in a contemporary, sleek police state, the production certainly resonates.

WASHINGTON BLADE: When Michael Kahn offered you Hamlet, how’d you react?

MICHAEL URIE: I accepted without hesitation of course. It’s a part I’ve wanted to play forever. In the past I’d get studio space and work on it from time to time with another director. We’d bring in other actors and do the ghost scene or the Gertrude scene just for ourselves.

BLADE: Is that a thing actors do?

URIE: Nerds like me, yeah. Coming in, I knew the text. I had played Hamlet’s friend Horatio at South Coast Repertory in California. And I did Hamlet’s “To be, or not to be” soliloquy in Michael Kahn’s class at Juilliard. Jessica Chastain (then-fellow acting student and now movie star) was my Ophelia.

BLADE: Are you into the politics of the play?

URIE: How could you not be? The politics of Shakespeare are as universal and timeless as the way he discusses sanity, love and all the other timeless things you find in his works. The whisper campaign sensibility of our production feels very at home here in Washington. … Referring to the death of his father and his uncle’s shady ascension to the throne, Hamlet says, “But two months dead — nay, not so much, not two. So excellent a king, that was to this Hyperion to a satyr.” Similarly, in real life, we’ve gone from the best possible example of what an American can be to the worst of all likelihoods. I have a great sense of pride that there’s a production of “Hamlet” happening in the nation’s capital the week that the Obamas’ portraits are unveiled and the week that the FBI says the White House is lying. And here I am doing a play about spying and lying.

BLADE: How are D.C. audiences?

URIE: When New York audiences embrace you, it’s very exciting. There’s nothing like it. On the other hand, many of them are career theatergoers, and along with their love of theater is a need to qualify what they’re seeing. They’re inherently all critics. Washington audiences are smart. And with the exception of the critics, I find that audiences are coming to enjoy themselves. They’re not seeing shows four times a week like some New York theatergoers. They’re going once or twice a month. They’re coming to find what they like and not what they don’t like about a show. When I was at the Shakespeare Theatre doing “Buyer & Cellar” a few years ago, my costumer told me a story about three fratty young slightly drunk young guys on the Metro looking at my poster. One of them said, “Look at this! Look at this! See this guy.” And my costumer leaned in to hear what he’d say. “This guy plays a bunch of parts all by himself and he’s awesome. We gotta go.” Their counterparts in New York wouldn’t have even noticed the poster.

BLADE: “Hamlet’s” cast includes your partner of nine years Ryan Spahn, who also studied under Kahn. As Hamlet’s former school pal Rosencrantz, Ryan moves admirably from comic to sinister.

URIE: He is good, isn’t he? Rosencrantz and Guildenstern are such complicated characters. Lots of people feel like Hamlet isn’t justified in the sending his old schoolmates to their deaths. In this production they’re all in with the king and they stand by and watch Hamlet beaten by the guards.

BLADE: A former sitcom star once told me that nothing compares to TV fame. It’s explosive. People who never see a movie or go to the theater watch TV. Was that your experience, and would you do TV again?

URIE: Yes and yes. After “Ugly Betty” was cancelled I did 13 episodes of “Partners,” a CBS sitcom about gay friends from the guys who made “Will & Grace.” Out of the gate we were a hit. After just three months we won a Golden Globe. That never happens. Yet after our ratings dipped, the show was cancelled. We had more stories to tell and our numbers weren’t bad.

BLADE: Was that difficult?

URIE: Yes, but not as hard as when “Ugly Betty” ended. We were a family for four years. Actors rarely have jobs that last that long.

BLADE: Hamlet changes a lot over the play. You make those changes feel real.

URIE: Thanks. It’s true that he can go from horribly depressed to giddy. He’s wildly emotional, wickedly smart and follows his impulses. Hamlet is probably bipolar. He’s always smart but by the end of the play, he has evolved. He has come to terms with mortality and his place in the world. He finds humility and grace.

BLADE: And do you relate to that?

URIE: In the last two years I’ve noticed a change in myself. Not too long ago I was at a rehearsal where I was the oldest person in the room. People looked at me to set the tone. It was different but I liked it. You don’t feel like you have to prove something or try to be liked. My three most recent works — “General Inspector,” Harvey Fierstein’s “Torch Song” and now “Hamlet” — have all been very formative. “General Inspector” was a silly comedy with a big cast. I was the lead but it was collaborative in the sense that I’ll help you get your laughs if you help me get mine. “Torch Song” is a great American story, a beautiful revival that means so much to people. “Hamlet” is a combination of both of those things. I really think everything leading up till today has informed what I’m doing now.

BLADE: Hamlet can seem so ineffective at times, but that’s not you.

URIE: I certainly have never been one to let grass grow under my feet. But that’s the nature of being an actor. You have to keep moving and looking for work all the time.

BLADE: Would you play Hamlet again?

URIE: I never say never. But for a Juilliard-trained actor who embraced the training and sought a career in theater, this production has been the way to do it. I’m so intensely satisfied with our cast and the way Michael Kahn has led me through the role. And the audience’s response has been amazing.

Michael Urie says the sleek, modern ‘Hamlet’ he’s currently in has pertinence to present-day Washington. (Photo by Scott Suchman; courtesy STC)

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

a&e features

Summer in D.C. brings sports, Restaurant Week, festivals, and more

Published

on

Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
Continue Reading

a&e features

Tickets on sale for chef Patrick O’Connell’s book launch event

Sept. 18 kickoff to feature José Andrés, Tom Sietsema

Published

on

Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.

Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.

 O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.

 “I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”

O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.

“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”

The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination. 

The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.

Continue Reading

a&e features

The queer Asian comics building collective joy in D.C.

Spotlighting chaotic ways family, romance, identity take shape in their lives

Published

on

Alex Kim performs at the Pride Comedy Special in Washington, D.C., on June 18, 2026. (Photo by Christina Lee/VOICES)

Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward. 

“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.

Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives. 

From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together. 

“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”

Each performance evoked queer Asian joy through a medium that could use more of its presence.

According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said. 

When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”

“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”

But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center. 

Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.

“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said. 

Family is a major throughline of their comedic repertoires. 

Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down. 

“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”

Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form. 

“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’” 

Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church. 

“I’ve been finding it hard to escape her,” Kim said. 

Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.

Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet. 

“As a person of color, I just don’t think I should be with a Swiftie,” they said. 

Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training. 

“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked. 

Laughter is not the only reward for the comics.

To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said. 

Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition. 

“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”

Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.

Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.

“As long as I can keep doing this, I’m super happy,” he said.

This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).

Continue Reading

Popular