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SPRING ARTS 2018 ALBUMS: Moby, Kylie, Hayley and more

Minogue slated for a New York Pride appearance in June

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Kylie Minogue, gay news, Washington Blade, albums, album

Kylie Minogue’s new album ‘Golden’ is slated for an April release. (Photo courtesy BMG)

If you look in the dictionary under Zen monk, you might well see a picture of Moby, who at 52, has reached the point in his life where he gives zero fucks about anything except creating music, impeaching Trump and being a tireless animal and environmental activist. Moby’s 15th studio album, “Everything Was Beautiful, And Nothing Hurt” comes out today.

Fans of David Byrne are excited the Talking Heads frontman has a new album, “American Utopia,” his first project in five years.

Bisexual Azealia Banks just signed a $1 million record deal and has has a new 22-track album “Fantasea 11: the Second Wave.” Due out this month, Busta Rhymes and Spice Girls’ Mel B are featured on the rapper’s album.

Before Hayley Kiyoko brings her sexy lesbian hotness to perform at Coachella, you best be prepared to buy her latest album “Expectations,” out March 30.

If you like country music, check out Chase Sansing, who has a brand new song and video out, “Begins With You.” The music is inspired by the rising country star’s struggle as a gay musician in Nashville.

After spending time in Nashville, expect Kylie Minogue’s new album “Golden” to have a country music-inspired feel. Her 14th album drops April 6. And if you’re in New York for the weekend in June, she headlines Pride Island.

It’s so clear watching Janelle Monae’s new sexually ambiguous video, how much Prince has influenced her. Even the name of her new CD, “Dirty Computer,” brings back the memory of Prince’s song, “Computer Blues.” Her project is out April 27.

Ian McCullough is still one sexy mofo. Watching him perform his iconic new wave songs like “The Cutter” and “Do It Clean” is a can’t miss. Echo & the Bunnymen’s new album, “The Stars, The Ocean & The Moon” comes out in May. The new record will feature a mix of both new material and updated Bunnymen classics.

The gayest music to be on the lookout for:

Troye Sivan’s new album will be released this spring. Via Twitter, the much-loved, gorgeous gay pop singer announced a music collab with Ariana Grande. “I’m just doing what all the other pop stars are doing: writing love songs, singing love songs and putting love interests in my music videos,” he told the Guardian. “I think there’s power in living openly and truthfully, while also being gay.”

Pull up to your bumpers with the always fantastic Grace Jones, who has a new music documentary out in April. You’ll get to see live performances of her songs.

Later this year, Lady Gaga will be singing the songs Barbra Streisand performed so gorgeously, in the latest remake of  “A Star is Born.” Gaga will also be starting a new residency in Las Vegas.

Madonna is working on new material, and we so hope things get better for her in the studio. On a recent Instagram, Madge responded to a post a Guy Oseary had up, saying, “Remember when I made records with other artists from beginning to end and I was allowed to be a visionary and not have to go to songwriting camps where no one can sit still for more than 15 minutes.”

Former boy band star Zayn Malik has been teasing beautiful new music from his third album on Instagram. Recently, the British-Pakistan pop star showcased his Hindi singing skills with a cover of Kailash Kher’s song “Teri Deewani.”

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Arts & Entertainment

Demi Lovato comes out as gender non-binary in Twitter announcement

In 2017 Lovato had invited Danica Roem, the 1st openly trans lawmaker in Virginia to the American Music Awards to speak out against bullying

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Photo by Kathclick BIGSTOCK

STUDIO CITY – In an announcement Wednesday, two time Grammy nominee, actor and singer-songwriter Demi Lovato revealed that they are identifying as gender non-binary. Taking to their Twitter account, the 28 year-old Lovato said; “The past year and a half, I’ve been doing some healing and self-reflective work. And through this work, I’ve had this revelation that I identify as non-binary,” they said in the video. “With that said, I’ll officially be changing my pronouns to they/them.”

They went on to note, “I feel this best represents the fluidity I feel in my gender expression and allows me to feel most authentic and true to the person I both know I am and am still discovering.”

 

They continued in the thread adding; ” I’m doing this for those out there that haven’t been able to share who they truly are with their loved ones. Please keep living in your truths & know I am sending so much love your way xox”

Lovato also expressed gratitude to the various LGBTQ advocacy groups for their support; “Thank you for your love & support today. Here are a few great organizations and leaders who actively offer education and support:”@glaad, @HRC. @TrevorProject, @LALGBTCenter, @alokvmenon, @mattxiv, @them.

In November of 2017, Lovato invited Virginia Democratic State Delegate Danica Roem, the first openly transgender person seated in a state legislature, to walk the American Music Awards red carpet with them to speak out against bullying. Lovato and Roem were brought together as part of GLAAD’s Together initiative, a campaign for all marginalized communities to stand together.

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Music & Concerts

May pop-up performance features women composers

Whitman-Walker Health and the Goethe-Institut present ‘Kept Under Glass’

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Kept Under Glass, gay news, Washington Blade

(Image via ‘Kept Under Glass: Unheard Women’s Voices’ Facebook event page)

Whitman-Walker Health (1701 14th St., N.W.) and the Goethe-Institut present “Kept Under Glass: Unheard Women’s Voices,” a multimedia street concert, May 5-6 on the corner of 14th and R Streets.

This free event features songs about love and a longing for connection by rarely heard Austian and German women composers, including medieval chants, classical opera and early 20th century works.

The four performances will take place over the course of two evenings at Whitman-Walker’s new cultural center, The Corner at Whitman-Walker. Performances will last 30 minutes while three performers, each in their own window, sings to sidewalk audiences on the other side of the glass.

Event times and other information is available on the event’s Facebook page.

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This queer ‘Genera+ion’ doesn’t care what you think

HBO Max ‘dramedy’ follows the stories of a group of queer students

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Justice Smith, gay news, Washington Blade
Justice Smith stars in ‘Genera+ion.’ (Photo courtesy HBO Max)

If there’s anything pop culture has taught us, it’s that the future belongs to the young.

It’s a statement of the painfully obvious, of course; the patterns of our existence are shaped and defined by the repeating cycle of generations succeeding each other, to the point that we take it for granted. Yet for the same reason, it’s a fact that is easily forgotten – or, perhaps more accurately, ignored – when we are living in the present.

This is especially true if we belong to the generation that “owns” the present, who have suffered through the frustrations of coming of age under the thumb of our elders and are in no hurry to pass the baton to the kids who are next in line.

Pop culture, however, has a way of reminding us that our days are numbered. Driven by the fires of capitalism, which are in turn stoked by the tastes of the most lucrative demographic (and we all know which age bracket they belong to), it repeatedly confronts us with glimpses of our own inevitable irrelevance – and that’s terrifying.

Which is why the history of pop culture is also the history of youth rebelling against age, and while the individual skirmishes in that eternal battle might go either way, only the most delusional among us could doubt which side will always prevail in the end. Usually, these are the ones who respond with the most violent distaste when they see a vision of the world as imagined by young people; clinging to the hope they can hold fast against the winds of change, they dismiss, decry and disparage, attempting to exert control by invoking the same core beliefs and traditional values their own elders used to control them.

Today’s kids, however, will have none of it.

Consider, for instance, the case of gay singer/rapper/songwriter Lil Nas X, who just last week shoved aside the homophobic boundaries of the music industry – yet again – with the debut of the spectacularly subversive video for his newest single, “Montero (Call Me By Your Name),” in which the out Lil Nas appears first wearing a body-hugging sequined onesie, then sporting full Marie Antoinette drag, and finally clad in underwear and a pair of stiletto heels as he performs a lap dance for the Devil himself.

In an Instagram post marking the release, addressed to his own 14-year-old self, Nas fully acknowledged that he was “pushing an agenda… to make people stay the fuck out of other people’s lives and stop dictating who they should be.” It was not an apology, nor an attempt at damage control over an inevitable backlash he already knew would be fierce. Nas was throwing down the gauntlet – it was a given there would be an outcry against the no-holds-barred queerness of the video, and he was sending a clear message that he was there to take on all challengers.

These included the predictable right-wing suspects, like “Blexit” founder Candace Owens and anti-trans South Dakota Gov. Kristi Noem, but also fellow musicians like rapper Joyner Douglas, who lamented in a pearl-clutching tweet that Nas had “dropped some left field ish & all our kids seen it” – joining many other homophobic commentators who trotted out the time-worn and long-discredited idea that any expression of queer sexuality is harmful to children. What’s telling is that while many of these attempts at “cancellation” come from younger voices (most, but not all of them, overtly right-leaning), the justifications behind them are based in ideologies that can safely be called ancient.

Needless to say, Nas has been more than up to the task of swatting aside all these objections in the still-ongoing social media fray, and it has been truly glorious to watch.

At 21, Lil Nas X is a voice that rises from a generation waiting in the wings, and it’s a generation that won’t wait quietly. They’ve caught on to their own inevitability, and they’ve decided they’re just going to go ahead and claim their time right now.

It’s that particularly “now” spirit of youthful rebellion that can be felt in “Genera+ion,” the HBO Max “dramedy” that premiered earlier this month and follows the interwoven stories of a group of queer students at an Orange County high school. Created by father-daughter team Daniel and Zelda Barnz, it depicts the struggles of teens as they try to make sense of their sexuality in a world defined by adults – and often, by the baggage those adults carry with them from their own struggles.

Widely compared to “Euphoria,” HBO’s other show about the severely dysfunctional hidden sex life of high schoolers, it’s a series that opts for a lighter spin. This manifests in the sure-fire humor to be found in typical comedic cliches of teen stories – awkward gaffes, clueless adults, “Mean Girl” style social politics, etc. – but can be found, albeit more subtly, in its handling of dramatic tropes, too. In its pilot episode, for instance, it introduces the relationship between defiantly queer star student Chester (Justice Smith), who has been slapped with his third violation of the school’s “dress code,” and new school counselor Sam (Nathan Stewart-Jarrett) with a scene in which the assumptions of the older man color his perceptions of the younger, resulting in an attempt at guidance that – at least in the beginning – seems more a response to his own inner conflicts than anything being felt by his new charge.

The joke might not seem apparent to those conditioned to assume a power dynamic weighted on the side of an older-and-ostensibly-wiser authority figure, but for anyone who can remember being a kid forced to listen to advice from a grown-up who doesn’t even understand your problem, it’s unmistakable.

“Genera+ion” teases the possibility of an inappropriate relationship blossoming between Chance and Sam, and introduces similarly salacious storylines as it interconnects its young characters’ lives – we meet closeted bisexual Nathan (Uly Schlesinger), whose Grindr-esque hook-ups include his sister Naomi’s (Chloe East) boyfriend, as well as Greta (Haley Sanchez) a Latina with a deported mom and a lesbian crush on artsy and seemingly free-spirited Riley (Chase Sui Wonders), and all of that is just in the first episode – and in each case, our expectations are smashed in short order, along with any egoistic presumption that we know better than they do.

It probably goes without saying that “mainstream” reactions to the show have been mixed. Many critics, such as Vanity Fair’s Richard Lawson, have resorted to snark as they attempt to characterize it, according to conventional notions of storytelling and aesthetics, as an angsty teen drama that tries too hard. But “Genera+ion” transcends these kinds of assessments. It may be messy, confusing, shallow, and even shocking – but that’s the world its teen ensemble (as well as their target audience) lives in.

They may make questionable choices, they may even suffer for those choices, but in the words of a pop culture boundary-pusher from another era, they are “quite aware what they’re going through.”

After all, the clueless adults have already proven they don’t know how to make it better. Why should they listen to anything we have to say?

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