a&e features
Local gay man makes top 10 on ‘The Voice’
Maryland’s Rayshun LaMarr is on Team Adam and hoping for the prize
Rayshun LaMarr, a Fort Washington, Md., gay man, is currently in the top 10 on ‘The Voice.’ (Photo courtesy NBC)
Rayshun LaMarr belted out just the first five words of “Don’t Stop Believin’” during his blind audition on “The Voice” before judge Adam Levine slammed his button. Fellow judge Alicia Keys followed suit and before LaMarr had even gotten to the chorus he had the attention of two of the biggest names in the music industry.
LaMarr, 33, originally hails from Chapel Hill, N.C., but now lives in Fort Washington, Md. He performed in Sound Connection, an agency band that performed at weddings and corporate functions, prior to his appearance on the show. He also battled lymphatic cancer, a struggle he openly shared with viewers during his audition where he had support from his partner Alex Holmes, as well as his mother, aunt, father and brother.
He decided to join Team Adam and is now in the top 10 of the reality competition series, which airs on Mondays and Tuesdays at 8 p.m. on NBC. LaMarr has become a fan favorite on the show with his performances reaching millions of views on YouTube. LaMarr took a break from his busy day on set of “The Voice” to discuss the typical day in the life of a contestant, his viral blind audition and what Levine is like behind the scenes.
WASHINGTON BLADE: How did your audition for “The Voice” come about?
RAYSHUN LaMARR: I auditioned for the show about four or five times before but I never made it past the executive producers. They were always like, “Great voice, but not what we’re looking for this season.” So, this particular year I was like the auditions are coming around again and I really want to go but I have a gig coming up. I gotta pay my rent. So I can’t afford to do that and miss this gig and be behind on my rent. So I didn’t go. Maybe two days later I did an open mic at my apartment and I recorded it and posted it on the Internet. Literally, two or three days later, I get a call from this guy saying, “Hey, this is one of the producers from ‘The Voice’ would you like to audition?” Now, I thought it was a joke. We were going back and forth for about a week and a half and I didn’t believe anything until I got my plane ticket. I was like of all times this happened to be the year that I didn’t go and it happened to be the year that they reached out to me.
BLADE: During your audition you revealed you battled cancer. Why was that important to share with the audience and the judges?
LaMARR: I went through the whole chemo and cancer thing. I wanted to let anybody know who had gone through what I went through, or anything similar, that everything was going to be OK. That song was very important to me. I just wanted to relay the message of this is my story, this is why I chose this song, this is the song that helped me through while I was in the hospital. That’s why I took the time to tell them why I chose that song and to tell them that story.
BLADE: Your blind audition blew the judges away particularly Adam Levine and Alicia Keys. What was it like being a regular person with two celebrities fighting over you?
LaMARR: It was super cool. I did not expect them to turn around as fast as they did. Granted, everyone wants all the judges to turn around. But I had no clue it would be so soon. I literally sang “Just a small town girl living in a lonely world,” and it was like bam. Adam turned around and then like five seconds later Alicia turned around. I’m like, “Wow. This is crazy.” Now I’m battling thoughts of I’m super excited but I still have to maintain the song. At that point my life actually just changed right then and there.
BLADE: Alicia was gunning pretty hard to get you on her team. Why did you pick Adam?
LaMARR: I am 100 percent a fan of Alicia Keys and all the judges. However, Adam said something that really stuck out to me. Maybe Adam just said it at the right time and that’s what I was looking for. Adam pointed out some of the flaws that were in my performance. He said, “I want to work with you and make you a world-class singer. I don’t just want to fill your head with all the good stuff. I want to make sure you are prepared and the best person you can be.” I wanted that. I didn’t want to go to a coach that was just going to be like, “You’re great. You can sing really well.” I wanted someone I could just grow with. I’m not saying I couldn’t grow with Alicia, but at that particular moment Adam spoke those particular words that made me want to go to him. I get that question every day. People were like, “I thought you were going to choose Alicia.” I thought I was too, honestly. I literally thought I was going to especially when she walked up on stage. There was a lot of that they didn’t show. It was really interesting. I stood up on stage for 10 minutes while they battled it out.
BLADE: What’s your daily schedule in preparation for the episodes?
LaMARR: First of all wardrobe, hair and makeup is always first. We wake up at the crack of dawn to go there. Yesterday, we had vocal lessons. Soon as you get your new song we go into a live rehearsal, which is filmed. We practice the song the best that we can. After that we go to dry blocking, which is pretty much on the stage giving you stage directions on where you’re going to go. After dry blocking, you may have another meeting. It all depends on what team you’re on. After your other meeting you have to go to wardrobe and get out of all the stuff you got into. We may have another meeting at the end of the night. Today, we have an iTunes recording. After that, we come back home and we start our very early morning the next day. It’s really tough now. But I like it. It’s something that pushes me to keep going. If I’m sitting around idle, I’m like “What are we doing?” So this is pretty good for me.
BLADE: How much interaction do you get with your coach?
LaMARR: Now that we’re in the top 10, we get a lot of interaction. The other day we had the chance to go to one of Adam’s private studios where he recorded his first hit album. We had one-on-one time, we got to sing for each other. We probably get to see them and talk to them two or three times a week.
BLADE: What’s Adam like to work with?
LaMARR: Adam is the best. He’s super cool. The way you see him on TV, he’s like that. Although he may be portrayed as an a-hole sometimes, he’s not. He’s very honest and genuine. That’s another thing that I appreciate about him. He knows what he likes. He knows what he doesn’t like and he isn’t afraid to tell you. But it’s all in love because he wants the best for you. I’m like a sponge just soaking everything up when I’m around Adam. We call him Papa Adam. He’s one of those people when you walk into the room it’s like, “Hey, what’s up Adam?” and he’s like, “What’s up Ray? Let’s do this song.” You feel comfortable. It’s not everyday you get the chance to work with somebody you’re not afraid to sing around or think that because they’re on this other level that you are beneath him. He puts you on the same level as he is. He talks to you like a regular human being like he is.
BLADE: During knockouts you sang “Fallin,” one of Alicia Keys’ biggest hits, in front of her. Did that make your performance more nerve-wracking?
LaMARR: Absolutely. That particular week I had a breakdown. That was the first and only one that I’ve had since then. Number one, why would they give me an Alicia Keys song? It’s a female song and Alicia Keys is going to be sitting in front of me. She wrote, produced and sang the song. How do I do the song and not overdo the song, not under-do the song and still have respect and integrity for the song in front of the artist and the writer? That was challenging. I was scared up until I got up on stage.
BLADE: Former “The Voice” judge Christina Aguilera recently told Billboard she disliked filming the show because it’s “not about music” but “about making good TV moments.” What’s your experience been?
LaMARR: Well, I disagree. Yes, it’s a television show and yes, we do have to capture some moments. But 90 percent of the show is about music. I’ve never experienced anything else on the show. The only time that’s about creating television moments is during our interviews. But when it comes to the music part, it’s just great. It’s actually real. This is one of the most honest and real shows I’ve ever seen or worked on before. It’s mainly about the music but the story part comes in interviews, B-roll or when you have free time and they want to get into your story. But it’s definitely still about the music.
BLADE: “The Voice” is a popular show but the winners’ careers don’t take off like winners on “American Idol” or “America’s Got Talent.” Why do you think that is?
LaMARR: Honestly, I have no clue. I know some of the winners are really, really good. I have noticed that some of the runners-up have been a little more successful than the winners. Not sure if that’s because winners are restricted by the contract handed out at the end of the show. If I am the winner, hopefully I’d be one of the winners that changed the game and changed that outlook on winners of “The Voice.” Even if I don’t win at this point, I’ve gotten further than I had expected to get. I am super OK with whatever happens. I’ve made so many connections. I have so many great friends that I’ve met here. It’s just the beginning for me. Whenever I do go home it’s the start of a new journey and I’m super excited about it. I’ve already gotten some gigs lined up. I’m like the happiest kid on the block.
Rayshun LaMarr says it was nerve-wracking to sing an Alicia Keys hit in front of the singer/judge. (Photo courtesy NBC)
a&e features
Have yourself a merry John Waters Christmas
Annual holiday show returns to Alexandria and Baltimore
When it comes to iconic Christmas scenes in movies, none can top the tree-toppling tantrum thrown by cha-cha heels-deprived Dawn Davenport in John Waters’s fifth full-length feature “Female Trouble” from 1974. Therefore, it’s not surprising that Waters continues to make art out of Christmas, performing his spoken word Christmas tour in cities across the country. Waters has even more reason to celebrate with the release of his new red vinyl 7” single, a cover of Little Cindy’s “Happy Birthday Jesus (A Child’s Prayer)” on the A-side, and “A Pig Latin Visit From St. Nicholas” on the B-side. If you’re still looking for unique Christmas gifts, consider this record. As always, John was kind enough to make time for an interview in advance of his tour dates.
BLADE: John, in preparation for this interview with you, I went back and listened to Little Cindy’s original rendition of “Happy Birthday Jesus (A Child’s Prayer)” on your “A John Waters Christmas” CD.
JOHN WATERS: One thing I did, if you notice, I make the same stumble in my recording that she did in the original.
BLADE: It sounded to me like she got choked up.
WATERS: No, I think she just stumbles over a word, so I stumbled over the same word. It’s appropriation, insanely.
BLADE: Is this a song you first became aware of in your youth or when you were an adult?
WATERS: When I was doing the Christmas album, I had this friend named Larry Benicewicz. He was kind of my idea man with music. He knew every single old record. I would say to him, “Weird Christmas songs,” when we were doing a soundtrack, or a song about bears, or a song about this, and he would give me all these tapes. It was one of the ones he played for me. A lot of the songs I put in my movies and on my records, I did know as a kid. I did not know this one, but I immediately embraced it. I don’t think it’s campy. I think it really is spiritual in a weird way. My doing it makes it a novelty record. I am really for novelty records, and there aren’t any anymore. Why was there not a COVID novelty record? That’s insane. The dance “The Bug” that’s on the “Hairspray” soundtrack would be perfect for COVID.
BLADE: The thing that struck me was that for a Christmas song in the voice of a child, a kind of death pall hangs over it, with lines like, “If I was good you’d let me live with you” and “they nailed you to the cross, they wanted you to die.”
WATERS: All of it! When I see children at midnight mass kneeling in front of a nude man nailed to a cross, I feel like I’m at The Eagle! It is S&M, it’s creepy. I took the same cover (photo) from her record to parody and put my face on it. The same thing I did with The Singing Dogs last year when I covered (their version of) “Jingle Bells.” I’m really into novelty records. I love them and I’m trying to bring them back. I don’t expect anybody to ever play these records. Even The Singing Dogs one said on it, “Please do not play this record” [laughs]. And the flipside, the Pig Latin version, is almost impossible to listen to.
BLADE: I’m so glad you mentioned that. “A Pig Latin Visit From St. Nicholas” reminded me of the lost art of speaking in Pig Latin. I also recall watching the PBS series “Zoom” as an adolescent and learning to speak “ubbi dubbi,” a distant relative of Pig Latin. Do you think that the time is right for a Pig Latin or ubbi dubbi revival?
WATERS: Here’s the thing, I never could pick up any language, except Pig Latin. I’ve been in every foreign country. Foreign countries have given me money to learn to speak the language. I can never do it! But Pig Latin…my parents and other parents in the ‘50s spoke Pig Latin so kids couldn’t understand what they were saying. Then my mother taught it to me, and I used it. The hardest take to shoot in “Pink Flamingos” was not eating the dog shit. It was when the cast skipped, in one take, saying “E-way, are-yay e-they ilthiest-fay eople-pay in-hay e-they ole-hay ide-way orld-way.” We’re the filthiest people in the whole wide world in Pig Latin. We had to do so many takes so they could do it once without screwing it up. In “Polyester,” Edith (Massey) answers the phone, “ello-hay.” I did a photo piece where it was all subtitled in Pig Latin. Like “osebud-Ray” (from “Citizen Kane”) or in “Streetcar,” “ella-Stay!” [Laughs] All the iconic dialogue translated into Pig Latin. My assistant who helped me do it, had never heard of Pig Latin. She really got good at it because she lived in many foreign countries and can pick up languages. But it’s not that easy to do it correctly and read it. Your computer will translate into Pig Latin.
BLADE: AI understands Pig Latin?
WATERS: I guess that’s AI. It wasn’t 100% right, but it was close. I can speak it if I look at it, but just do a bit at a time. It was a challenge that no one would possibly care about or want to do.
BLADE: I think you pulled it off very well.
WATERS: If you want people to leave on Christmas morning, you put it on. That’s how you get your guests to leave. It’s time to go.
BLADE: Ood-gay i-bay! How did your relationship with record label Sub Pop, which released 2021, 2022, 2024, and new 2025 holiday singles, come about?
WATERS: I believe the first thing I did for them was “Prayer to Pasolini.” They came to me through Ian Brennan. He’s won a couple Grammys for World Music, but he is also is one of my agents who does the Christmas tour and a lot of my shows, anything with music. He helped me arrange each one of the songs. He had a relationship with Sub Pop. It was perfect. My friends in Baltimore, (the band) Beach House, have had huge success.
BLADE: That’s right, they’re on Sub Pop!
WATERS: Yes! I’m happy to be on it. I’ve even been to the warehouse and posed for pictures like Jackie Suzanne used to do.
BLADE: Is there any chance that “A John Waters Christmas” might be reissued on vinyl by Sub Pop?
WATERS: No. It’s such a nightmare to get the rights and to renew them. You have to find the publisher and the writer, and they usually hate each other. It doesn’t matter if it’s obscure or famous, it’s hard to get. You have to make the deal. The singer doesn’t get anything unless they play it on the radio. It would be so complicated legally, and there would be such a [laughs] tiny audience for it. I hope it will come out again. The same thing with the one for Valentine’s Day. I had two of them that did quite well when they came out; “A Date With John Waters and “A John Waters Christmas.” The “John Waters Christmas” album is still the soundtrack that plays whenever I’m doing my spoken word Christmas show as people are entering the theater.
BLADE: Aside from your annual Christmas show tour, what else do you do for the holidays now, and are there any traditions that you’ve carried over from your family?
WATERS: Certainly! I have two sisters, my brother’s widow, and me, so there are four and we take turns each year to have the Christmas dinner. Mine was last year. An entire sit-down dinner. Mom’s China, the silverware, the entire full dinner. It’s pretty traditional. I don’t have a Christmas tree, but I do decorate the electric chair from “Female Trouble.” That is a tradition in my family. We do have Christmas decorations, but they’re usually weird ones that fans sent me. I have one with Divine knocking over the Christmas tree, and the Christmas tree lights up, all sorts of amazing things. There is definitely a tradition here that might be a little altered, but it is definitely a tradition. I used to have a giant party every year, but COVID ended that. I still wouldn’t want 200 people in my house breathing right now.
BLADE: I was looking at your tour schedule and wondered if there are any new cities in which you’ve never performed the John Waters Christmas show that have been added to this year’s schedule?
WATERS: I don’t think there’s a city in America in which I haven’t done one show! The only places I haven’t been to are Hawaii and Alaska. I could do it there, but it’s too long on a tour. I can’t think of a city I haven’t played in in America over the last 50 years. The Christmas show is completely different every year. It doesn’t matter if you saw it last year.
Some gifts scream practical, others whisper luxury, and a few flat-out blur the lines. From cocoa that feels ceremonial to a cologne that linger like a suggestive smirk, this year’s ultimate gift picks prove that thoughtful (and occasionally naughty) presents don’t have to be prosaic. Welcome to your holiday cheat sheet for festive tangibles that get noticed, remembered, and maybe even result in a peck of gratitude planted under the mistletoe. Consensually, of course.
Amber Glass Champagne Flutes
Pop the champs – but make it vintage. These tulip-shaped stunners in amber-tinted glass bring all the Gatsby vibes without the Jazz-age drama. Whether you’re toasting a milestone or celebrating a Tuesday, their seven-ounce capacities and hand-wash-only care make ‘em as practical as they are pretty. Pair with a thoughtful bottle of bubs and gift with a glittering wink. $18, NantucketLooms.com
Disaster Playbook by Here Comes the Apocalypse
Because the end of the world shouldn’t be a solo act, this spiral-bound guide is your step-by-step roadmap to surviving and thriving when everything else goes sideways, which might be sooner than you think. Packed with checklists, drills, and a healthy dose of humor, it’s like a survival manual written by your most prepared (and slightly snarky) friend. Whether you’re prepping for a zombie apocalypse or, more realistically, REVOLUTION!, this playbook’s got your back. $40, HereComesTheApocalypse.com
Wickless Vulva Candles
Bold, luxurious, and completely flame-free, CTOAN’s wickless candles melt from beneath on a warmer, releasing subtle, sophisticated fragrances, like sandalwood or lavender. The vulva-shaped wax adds a playful, provocative element to any space –perfect for a bedroom, living room, or anywhere you want elegance with an edge. A gift that celebrates form, intimacy and self-expression, no fire required. $39, CTOANCO.com
Villeroy & Boch Royal Classic Christmas Collection
Every meal is a mini celebration – with whimsy at every place setting – in Villeroy & Boch’s Royal Classic festive dinnerware collection that hits all the right notes. Made from premium German porcelain, it features nostalgic little toys, nutcrackers, and rocking horses in delicate relief, giving your holiday spread a playful but refined twist. Dishwasher- and microwave-safe, it’s luxe without the fuss. Gift a piece to a special someone, or start a collection they’ll use (and show off) for years to come. $22-$363, Villeroy-Boch.com
Greenworks Electric Lawnmower
You a ’hood queen who considers lawn care performance art – or just wants to rule the cul-de-sac in quiet, emission-free glory? Greenworks’ zero-turn electric mower has the muscle of a 24-horsepower gas engine but none of the fumes, drama or maintenance. Six 60V batteries and a 42-inch deck mean you can mow up to two-and-a-half acres on a single charge – then plug in, recharge, and ride again. It’s whisper-quiet, slope-ready, and smooth enough to make you wonder why you ever pushed anything besides your queer agenda. The perfect gift for the homeowner who loves sustainability, symmetry, and showing off their freshly striped yard like that fresh fade you get on Fridays. $5,000, GreenworksTools.com
Molekule Air Purifier
For the friend who treats their space like a sanctuary (or just can’t stand sneezes), the Molekule Air Pro is magic in motion. Covering up to 1,000 square feet, it doesn’t just capture allergens, VOCs, and smoke – it destroys them, leaving your air feeling luxury-clean. FDA-cleared as a Class II medical device, it’s serious science disguised as modern design. Gift it to your city-dwelling, pet-loving, candle-burning friend who likes their living room as pristine as their Instagram feed. $1,015, Molekule.com
Cipriani Prosecco Gift Set
Effervescent with stone-fruit sweetness and a touch of Italian flair, the Cipriani Bellini & Prosecco gift set brings brunch-level glamour to any day of the week. The Bellini blends rich white-peach purée with sparkling wine, while the dry ’secco keeps things crisp and celebratory. Pop a bottle, pour a flute, and suddenly winter weeknights feel like a party – even with your pants off. $36, TotalWine.com
Woo(e)d Cologne
British GQ recently crowned Woo(e)d by ALTAIA the “Best Date Night Fragrance,” and honestly, they nailed it. Confident without being cocky – smoky gaïac and Atlas cedarwood grounds the room while supple leather and spicy cardamom do all the flirting – it’s a scent that lingers like good conversation and soft candlelight. Gift it to the one who always turns heads – or keep it for yourself and let them come to (and then on) you. $255, BeautyHabit.com
Lococo Cocoa Kit
Keep the run-of-the-mill mugs in the cabinet this Christmas and pull out Lococo’s handcrafted Oaxacan versions that demand you slow down and sip like it matters. Paired with a wooden scoop, rechargeable frother, and Lococo’s signature spice hot-chocolate blend (vegan, gluten-free, with adaptogenic mushrooms), this holiday kit turns Mexi-cocoa into a mini ritual you’ll look forward to. Perfect for anyone who loves a little indulgence with a side of ¡A huevo! energy.
Manta Sleep Mask
Total blackout, zero pressure on the eyes, and Bluetooth speakers built right into the straps, this ain’t your mama’s sleep mask — but it could be. The Manta SOUND sleep mask features C-shaped eye cups that block every hint of light while ultra-thin speakers deliver your favorite white noise, meditation, or late-night playlist straight to your ears. With 24-hour battery life, breathable fabric, and easy-to-adjust sound, it turns any bed (or airplane seat) into a five-star sleep suite. Perfect for anyone who treats shut-eye like an art form (or just wants to escape their roommate’s late-night bingin’ and/or bangin’). $159, MantaSleep.com
Shacklelock Necklace
Turn the industrial-chic vibe of a shackle into a sleek statement. Mi Tesoro’s platinum-plated stainless-steel necklace sits on an 18-inch wheat chain, featuring a shackle-style latch pendant that’s waterproof, tarnish-free, and totally fuss-les. Beyond style, it nods to a classic gesture in the queer leather community: replacing a traditional Master lock with something elegant to quietly signal belonging to someone special. Wear it solo for a minimalist edge or layer it like you mean it; either way this piece locks in both your look and your intentions. $90, MiTesoroJewelry.com
Parkside Flask Mojave Edition
Wine nights get a desert glow-up with Parkside’s limited-edition 750-milliliter all-in-one flask draped in sun-washed bronze and badland hues like sage, sand, and terracotta – with magnetic stemless tumblers that snap on for effortless shareability. It keeps your vino chilled for 24 hours, pours without drips (no tears for spilled rosé, please), and even lets you laser-engrave your own mantra or inside joke. Perfect for picnics, surprise rooftop clinks, or gifting to your favorite wine (or desert) rat. $149, HighCampFlasks.com
Mikey Rox is an award-winning journalist and LGBT lifestyle expert whose work has published in more than 100 outlets across the world. Connect with him on Instagram @mikeyroxtravels.
a&e features
Meet Mr. Christmas
Hallmark’s Jonathan Bennett on telling gay love stories for mainstream audiences
Jonathan Bennett believes there are two kinds of people in the world — those who love Hallmark movies and liars. And in Season 2 of Finding Mr. Christmas, which the Mean Girls star co-created with Ben Roy, Bennett is searching for Hallmark’s next leading man.
“It’s so fun for people because everyone in their life has someone they know that they think should be in Hallmark movies, right? The UPS driver, the barista at the coffee shop, the dentist,” Bennett says. “So we’re testing their acting abilities, we’re testing who they are, but we’re also looking for that star quality — the thing that makes them shine above everyone else. It’s almost something you can’t explain, but we know it when we see it.”
Season 2’s cast includes a former NFL player for the Green Bay Packers, a few actors, and a realtor. The 10 men compete in weekly festive-themed acting challenges, one of which included having to ride a horse and act out a scene with Alison Sweeney. The contestants were chosen from a crop of 360 potential men, and Bennett gives kudos to the show’s Emmy-nominated casting director, Lindsay Liles (The Bachelor, Bachelor in Paradise).
“She has a tough job because she has to find 10 guys that are going to be good reality television, but also have the talent to act, carry a scene, and lead a Hallmark movie eventually,” he says. To be the right fit for a Hallmark leading man, Bennett singles out five key characteristics: you have to be funny, charming, kind, have a sense of humor, and you have to do it all with a big heart.
Of course, Finding Mr. Christmas wouldn’t be Finding Mr. Christmas without its signature eye candy — something Bennett describes as “part of the job” for the contestants. “I can’t believe Hallmark let me get away with this. I dressed them as sexy reindeer and put them in harnesses attached to a cable 30 feet in the air, and they had to do a sexy reindeer photo shoot challenge,” he says with a laugh. “This season is just bigger and bolder than last. People are responding to not only all the craziness that we put them through, but also comparing and contrasting the guys in their acting scenes when we do them back-to-back.”
Season 1 winner Ezra Moreland’s career has been an early testament to the show’s success at finding rising talent. On seeing the show’s first winner flourish, Bennett says, “Now to watch him out in the world, just booking commercial after commercial and shining as an actor and a model, I think the show gave him the wings to do that. He learned so much about himself, and he took all that into his future auditions and casting. He just works nonstop. I’ve never seen an actor book more commercials and modeling gigs in my life.”
Bennett has been a star of plenty of Hallmark movies himself, including the GLAAD-award-winning The Groomsmen: Second Chances, which makes him a fitting host. Among those movies are 2020’s Christmas House, which featured the first same-sex kiss on the network and had a major impact on Bennett’s career as an openly gay man. “Hallmark’s been so great about supporting me in queer storytelling. But again, I don’t make gay movies for gay audiences. I make gay love stories for a broad audience, and that’s a huge difference, right? We’re not telling stories inside baseball that only the gay community will understand.”
He continues, “The backdrop of a Hallmark Christmas movie is very familiar to these people who watch. And so when you tell a gay love story, and you tell it no differently than a straight love story in that space, they’re able to understand. It’s able to change hearts and minds for people who might not have it in their lives.”
While Hallmark has become a major staple of Bennett’s career, he started off wanting to be a Broadway actor. And before the first season of Finding Mr. Christmas aired, Bennett took a break from TV to make his Broadway debut in Spamalot, replacing Michael Urie as Sir Robin and starring alongside Ethan Slater and Alex Brightman.
“That was my dream since I was five years old – then I booked a movie called Mean Girls, and everything kind of changes in your life. You no longer become a person pursuing Broadway, you become a part of pop culture,” Bennett recalls. “And to be honest, when I hit 40, I was like, ‘I’m probably never going to get to live that dream.’ And that’s okay, because I got to do other dreams and other things that were just as cool but different. So I honestly never thought it would happen.”
Bennett is still determined to make his way back on Broadway with the right role — he calls Spamalot the “best experience” of his life, after all — but he’s got another Hallmark show lined up with Murder Mystery House, which he co-created. The show was recently greenlit for development and intends to bring the Hallmark mystery movie to life. “It’s kind of like our version of The Traitors,” Bennett admits.
Looking back on both seasons, Bennett says that what makes Finding Mr. Christmas stand out in the overcrowded reality TV landscape is that everyone involved makes it with heart: “This isn’t a show where you’re going to watch people throw drinks in each other’s faces and get into big fights. The thing that has amazed me so much about this show, the more we’ve done it, is that every season, 10 guys come in as competitors, but they leave as a family and as brothers. That’s something you don’t get on any other network.”
Finding Mr. Christmas airs every Monday on Hallmark through December 20, with episodes available to stream on Hallmark+.
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