Arts & Entertainment
‘Star Wars’ screenwriter says Lando is pansexual
Fans both rejoiced and criticized the revelation

Donald Glover as Lando in ‘Solo: A Star Wars Story’ (Screenshot via YouTube)
According to “Solo: A Star Wars Story” writer Jonathan Kasdan, Lando Calrissian is pansexual.
The revelation comes after Lando (Donald Glover) appears to have a flirty interaction with Han Solo in the trailer calling him “baby.” In another scene, his female droid L3-37 (Phoebe Waller-Bridge) says “I’m sure you noticed that Lando has feelings for me.”
In an interview with the Huffington Post, Kasdan says he believes Lando is pansexual.
“I would say yes,” Kasdan says. “He doesn’t make any hard and fast rules.”
“There’s a fluidity to Donald and Billy Dee’s (portrayal of Lando’s) sexuality,” he continued. “I mean, I would have loved to have gotten a more explicitly LGBT character into this movie. I think it’s time, certainly, for that, and I love the fluidity ― sort of the spectrum of sexuality that Donald appeals to and that droids are a part of.”
Some fans were excited for some LGBT representation in the film.
All the people asking “Why does it matter? Who cares?” re: Lando being confirmed as pan: GO TALK TO A PAN PERSON ABOUT IT. Especially any pansexual black men out there. They get to see themselves in the 2nd highest grossing media franchise in the world.
— Coryl Reef; she/they (@corylwrites) May 17, 2018
coworker: oh, lando is pansexual
me: duh
coworker: duh? was it obvious?
me: there’s no way a man like lando would ever be straight— Dawnya ?? (@pinkishdawnya) May 17, 2018
lando is PANSEXUAL, deadpool is PANSEXUAL
it is our time
— grace (@HUGGERSECTlON) May 17, 2018
lando calrissian is a canon pansexual fashion and space icon??? he’s really out there doing the MOST???? i love a legend
— arfa (@roguesanakin) May 17, 2018
Other fans weren’t pleased that Lando’s sexuality would only be addressed off-screen.
Make your characters textually queer, or keep it out your goddamn mouth. This whole “Oh, BTW Dumbledore is gay, Lando Calrissian is pansexual, Frodo Baggins was actually one of the founding members of the House of LaBeija…” Put it in the FUCKING movie or shut up, you coward.
— [kie.ran] (@danblackroyd) May 17, 2018
So this news on Lando’s sexuality- we gotta stop with this queer baiting. Stop saying these characters are queer/fluid and not show it. This is lazy storytelling and doing the bare minimum. pic.twitter.com/qgXytbAD96
— ReBecca Theodore-Vachon (@FilmFatale_NYC) May 17, 2018
“Solo: A Star Wars Story” opens in theatres on May 25.
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(Washington Blade photos by Michael Key)










a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
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