Arts & Entertainment
GLAAD report finds decline in LGBT representation in Hollywood
Numbers have plunged since 2016

‘A Fantastic Woman’ from Sony Pictures Classic is one of the few films with solid LGBTQ representation in 2017. (Screenshot via YouTube)
Major film studios are severely lacking in LGBT representation, according to GLAAD’s annual Studio Responsibility Index.
The report analyzed the 2017 film releases from 20th Century Fox, Fox Searchlight, Lionsgate, Roadside Attractions, Paramount, Sony, Sony Pictures Classics, Universal, Focus Features, Disney and Warner Bros. Out of the 109 major film releases only 14 (12.8 percent) included LGBTQ characters. There were also no transgender characters included in these films.
This is a decrease from 2016 which had 23 out of 125 films (18.4%) include LGBTQ representation.
Only nine of the LGBTQ characters passed the Vito Russo Test, GLAAD’s LGBTQ equivalent of the Bechdel Test. In order to pass the test, characters must identify as LGBTQ, not be defined by their sexual or gender identity and must be significant to the plot. However, 64 percent of 2017 films passed the test which is 20 points higher than 2016.
Indie films released from smaller studios such as Fox Searchlight and Sony Pictures Classics had more positive LGBTQ inclusion. “Battle of the Sexes,” starring Emma Stone as Billie Jean King and “The Shape of Water,” which features Richard Jenkins as a gay ad illustrator, from Fox Searchlight offered LGBT representation. Sony Pictures Classics also released “A Fantastic Woman” starring transgender actress Daniela Vega as a transgender character.
The report also noted an increase in film characters’ racial diversity.
“With wildly successful films like ‘Wonder Woman’ and ‘Black Panther’ proving that audiences want to see diverse stories that haven’t been told before, there is simply no reason for major studios to have such low scores on the Studio Responsibility Index,” said Sarah Kate Ellis, GLAAD president and CEO, in a statement. “At a time when the entertainment industry is holding much-needed discussions about inclusion, now is the time to ensure the industry takes meaningful action and incorporates LGBTQ stories and creators as among priorities areas for growing diversity.”
GLAAD is hopeful that 2018 will be a better year for LGBTQ inclusion noting the recent film releases of “Love, Simon” and “Blockers.”
GLAAD called for film studios to strive for 20 percent of annual films to include LGBTQ characters by 2021 rising to 50 percent by 2024.
Read the complete study here.
Impulse Group DC held “10’s Across the Board: A Celebration of 10 Years” at Bravo Bravo (1001 Connecticut Ave., N.W.) on Sunday, Dec. 14. Impulse Group DC is a volunteer-led 501(c)(3) and affinity group of AIDS Healthcare Foundation dedicated “to engaging, supporting, and connecting gay men” through culturally relevant health and advocacy work.
(Washington Blade photos by Michael Key)













Rob Reiner, most known for directing untouchable classics like “The Princess Bride,” “Misery,” “When Harry Met Sally…,” and “Stand by Me,” died Dec. 14 alongside his wife, Michele Singer Reiner, in their Los Angeles residence. While investigations are actively underway, sources have told PEOPLE Magazine that the pair’s son, Nick Reiner, killed his parents and has been taken into custody.
Reiner was a master of every genre, from the romantic comedy to the psychological thriller to the coming-of-age buddy movie. But in addition to his renowned work that made him a household name, Reiner is also remembered as a true advocate for the LGBTQ community. In 2009, Reiner and his wife co-founded the American Foundation for Equal Rights, helping fight against California’s Prop 8 same-sex marriage ban. They were honored at the 2015 Human Rights Campaign Las Vegas Gala.
In a statement, HRC President Kelley Robinson said: “The entire HRC family is devastated by the loss of Rob and Michele Reiner. Rob is nothing short of a legend — his television shows and films are a part of our American history and will continue to bring joy to millions of people across the world. Yet for all his accomplishments in Hollywood, Rob and Michele will most be remembered for their gigantic hearts, and their fierce support for the causes they believed in — including LGBTQ+ equality. So many in our movement remember how Rob and Michele organized their peers, brought strategists and lawyers together, and helped power landmark Supreme Court decisions that made marriage equality the law of the land — and they remained committed to the cause until their final days. The world is a darker place this morning without Rob and Michele — may they rest in power.”
Reiner’s frequent collaborators have also spoken out as the industry is in mourning, including figures like Ron Howard and John Cusack.
A joint statement from Jamie Lee Curtis and Christopher Guest (who starred in Reiner’s “This is Spinal Tap”) reads: “Christopher and I are numb and sad and shocked about the violent, tragic deaths of our dear friends Rob and Michele Singer Reiner and our ONLY focus and care right now is for their children and immediate families and we will offer all support possible to help them. There will be plenty of time later to discuss the creative lives we shared and the great political and social impact they both had on the entertainment industry, early childhood development, the fight for gay marriage, and their global care for a world in crisis. We have lost great friends. Please give us time to grieve.”
While attending the 2019 HRC Los Angeles Dinner, Reiner spoke out about the need for equality: “We have to move past singling out transgender, LGBTQ, black, white, Jewish, Muslim, Latino. We have to get way past that and start accepting the idea that we’re all human beings. We’re all human beings, we all share the same planet, and we should all have the same rights, period. It’s no more complicated than that.”
The Gay Men’s Chorus of Washington perform “The Holiday Show” at Lincoln Theatre (1215 U St., N.W.). Visit gmcw.org for tickets and showtimes.
(Washington Blade photos by Michael Key)



















































