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MLB won’t suspend Brewers pitcher Josh Hader for anti-gay, racist tweets

The posts were made when the athlete was 17 years old

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Josh Hader addressing his offensive tweets during a post-game press conference (Photo via Twitter)

Major League Baseball won’t suspend Milwaukee Brewers relief pitcher Josh Hader for old anti-gay, sexist and racist tweets that resurfaced during his first All-Star appearance at the 2018 MLB All-Star Game on Tuesday night.

The tweets, which were posted in 2011 and 2012, included use of the N-word and one tweet that stated: “I hate gay people.”

Yahoo Sports reporter Jeff Passan tweeted that during the game Hader’s family took off jerseys with his name on it and wore generic jerseys.

Hader was unaware of the Twitter firestorm until after the game when he issued an apology to reporters.

“You know, it was something that happened when I was 17 years old,” the now 24-year-old Maryland native said. “As a child, I was immature, and I obviously said some things that were inexcusable. That doesn’t reflect on who I am as a person today, and that’s just what it is.”

When asked to explain the tweets, Hader said, “I’m sure there’s some lyrics, some rap lyrics being tweeted. I really don’t know exactly what’s all out there.”

The MLB won’t suspend Hader for the tweets but will require him to attend sensitivity training.

“During last night’s game we became aware of Mr. Hader’s unacceptable social media comments in years past and have since been in communication with the Brewers regarding our shared concerns,” the MLB said in a statement. “After the game, Mr. Hader took the necessary step of expressing remorse for his highly offensive and hurtful language, which fails to represent the values of our game and our expectations for all those who are a part of it. The Office of the Commissioner will require sensitivity training for Mr. Hader and participation in MLB’s diversity and inclusion initiatives.”

Watch Hader’s apology below.

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Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

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Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

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PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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