Arts & Entertainment
Wiz Khalifa implies straight men shouldn’t eat bananas
Twitter slammed Khalifa’s homophobic comment


Wiz Khalifa on ‘The Breakfast Club’ (Screenshot via YouTube)
Wiz Khalifa caused a stir on Twitter after his recent interview with “The Breakfast Club” where he comments that straight men eating bananas is “suspicious.”
“If you bite a banana, you sus,” the rapper says at the start of the interview with no context. “N***as gotta break the banana in half.”
“Why? It’s just a fruit,” host Charlamagne tha God replies.
“I’m just trying to help you out bro. If you in public and you eating a banana, you gotta break it into pieces,” Khalifa says.
People took Khalifa’s comments as homophobic and took to Twitter slam his fruit advice.
Wiz trying to explain why men should break a banana in half and eat it in pieces is the height of homophobia and fragile masculinity and patriarchy. How insecure/ignorant/hateful you gotta be to see a fruit as a d in the mouth? pic.twitter.com/DgaoX8L7Ig
— Leels (@leelabee) July 19, 2018
There are people in my mentions mad at me but Im not the one cancelling a delicious fruit because It’s “gay.” I’m a wiz fan guys, but this is corny and yeah…homophobic. And I’m worried about his potassium intake.
— Quinta (@quintabrunson) July 19, 2018
*dying of hunger on a deserted island*
*finds a bunch of bananas*
wiz: no homo tho
*dies* https://t.co/9tNQxgTBB9— ????-????? (@coffincruiser) July 19, 2018
Now I know why @wizkhalifa looks like he needs potassium. If you are too homophobic to eat bananas, at least take a supplement.
— Jennifer Slopez (@JennSlowpez) July 20, 2018
Wiz Khalifa said in an interview that it’s gay for men to eat bananas. … can you imagine your masculinity being THAT fragile? C’mon Wiz ? #WizKhalifa
— DAVEEherman (@PennMonster) July 19, 2018
Out rapper MNEK also weighed in saying that he had a real experience with not wanting to eat bananas because he didn’t want to appear gay.
not all doom and gloom obvs, plantain is better. but moral of the story, toxic masculinity is a trip. stay fabulous, henny. ??
— M-N-E-K (@MNEK) July 19, 2018
Music & Concerts
J. Lo, Troye Sivan, RuPaul added to WorldPride Music Festival
Two-day event to feature array of musical genres

WorldPride organizers on Tuesday announced two new headliners for the WorldPride Music Festival at RFK Festival Grounds (2400 East Capitol St., N.E.) June 6-7 in Washington, D.C.
Superstar Jennifer Lopez and gay pop artist Troye Sivan are set to headline, while drag trailblazer and TV star RuPaul will also take the stage for a DJ set.
Taking place over two days and nights and across three stages, WorldPride Music Festival will showcase a diverse range of music. Beyond pop stars and drag performances, house, EDM, techno, country, R&B, and a host of other genres will be heard across the weekend.
Featured LGBTQ audience fan favorites include Kim Petras, Rita Ora, Betty Who, and Marina. House and electronic fans will enjoy Zedd, Grimes, Purple Disco Machine, and Sofi Tukker. Other top-billing pop stars include Tinashe, Raye, and Grimes; Paris Hilton is also set to make an appearance.
Other artists that will bring their sounds to one of the stages include Aluna, Anabel Englund, Anne Louise, Coco & Breezy, Crush Club, Dombresky presents Disco Dom, Galantis, Hayla, Kaleena Zanders, Karsten Sollors, Leland + Friends, LP Giobbi, Matt Suave, Patrick Mason, Sasha Colby, Slayyyter, Spencer Brown, Trisha Paytas, and Ty Sunderland.
The music festival came together as a partnership between Capital Pride, Dreamland’s producer Jake Resnicow (who ran WorldPride in New York), and event promoter Club Glow, which has produced several music festivals in the region. Club Glow is set to host a separate festival, Project Glow, also to take place on RFK grounds the weekend prior to WorldPride.
Resnicow, as executive producer, noted that, “WorldPride Music Festival is a moment the world will remember. With legendary artists and our global community coming together, we’re creating an electrifying celebration that unites, uplifts, and amplifies LGBTQ+ voices like never before.”
Given the current political climate and anti-LGBTQ policies sweeping the country, “Hosting this festival in our nation’s capital makes it even more powerful — it’s not just a party, it’s a global movement.” Resnicow added.
Beyond the music, the festival will feature art installations and immersive experiences that celebrate the spectrum of LGBTQ culture, along with food and drink, specialty cocktail lounges, giveaways, and a VIP section. Proceeds from the event will benefit the nonprofit Capital Pride Alliance and other local LGBTQ community organizations, ensuring the festival’s impact extends beyond its two days of programming. WorldPride marks the 50th anniversary of Pride in the capital.
General admission, GA+, and VIP tickets start at $209.

Cupid’s Undie Run, an annual fundraiser for neurofibromatosis (NF) research, was held at Union Stage and at The Wharf DC on Saturday, Feb. 15.
(Washington Blade photos by Michael Key)
















“Fuenteovejuna”
Through March 2
GALA Hispanic Theatre
3333 14th St., N.W.
$27-$50
Galatheatre.org
Inventively staged and strongly acted, GALA Hispanic Theatre’s production of Lope de Vega’s classic “Fuenteovejuna,” vividly brings to life an old but timely tale of injustice and power. A lot of theatergoers will find this work (first published in Madrid in 1619) painfully relevant.
Possibly Lope de Vega’s most produced play, this version of “Fuenteovejuna,” penned by renowned contemporary Spanish playwright Juan Mayorga, is markedly shorter than others you might have seen. While purists may not concur, it’s generally agreed that Mayorga has effectively condensed the plot and modernized the verse.
The action kicks off with cast members jovially sharing jokes that are mostly lost on those of us relying on the production’s English surtitles, but no matter, it creates a happy mood of a contented townsfolk whose lives are soon to be horribly disrupted. (From there on, all translation is clear and presents no difficulties.)
Lope de Vega based the play on a true incident. In 1476 in Southern Spain, village residents, unwilling to accept ongoing abuse, banded together and overthrew a brutish commander.
Here, the Commander/Comendador (played menacingly by Iker Lasker) sets upon the town and specifically the mayor’s daughter Laurencia (Julia Adun in her GALA debut). In short, the all-powerful bully makes the brave young woman’s life miserable, and as he grows increasingly insistent the situation becomes perilous.
Initially she relies on the protection of her male friends. But it’s not enough.
As Laurentia is further harassed and ultimately assaulted, she somehow becomes stronger, and emboldened. Disappointed by the town’s men, she calls on the women to rebel: “Sisters, take your places, and let’s do something that will shake the whole world.”
Like all the classics, the work’s themes are enduring. Justice, decency, and collective identity are among the pressing topics explored.
Also, integral to the play’s story is the love between Laurencia and her fiancé who becomes a target of the Comendador’s savagery. Additionally, there are fine examples of familial love and genuine friendship.
There’s a lot to love about out director Juan Luis Arellano’s glowing production. It moves swiftly and excitingly. He’s assembled a large cast of talented, experienced actors (including Luz Nicolás, who plays Flores, the Commander’s right-hand man) and an outstanding design team.
Arellano has thoughtfully imbued the piece with exceptional modes of storytelling.
For instance, off to the side but still clearly seen, DJ (Aldo Ortega) provides both mediaeval and rock music. Occasionally characters step away from the other players to narrate from a standing mic beneath a dramatic spotlight.
Scenic designer Giorgos Tsappas’s set is both a thing of beauty and unexpected functionality. Comprised of different elements that include a huge silver pendulum, a sandy floor, a curved wooden bench backed by a concrete-esque curved backdrop. All of its parts are smartly and organically integrated into the staging.
At the top of the second act, a door rather surprisingly opens, allowing the Commander surrounded by actors costumed in dark sheep masks, passage to the stage. It’s a striking image.
The set is compellingly lit by stalwart designer Jesús Díaz Cortés. He’s also responsible for the captivating visuals shot from overhead and projected on the imposing back wall. All the visual design work looks subtly expensive.
“Fuenteovejuna” is Lope de Vega at his best, and GALA’s production is the perfect means of introduction or a revisit.