Music & Concerts
FALL ARTS 2016: Albums
Against Me!, Idina, Etheridge and more have fall albums ready
New music releases are generally sparse during the summer and then pick up dramatically during the fall months when record labels traditionally unleash some of the yearās most exciting offerings. This year proves no exception, as the calendar is jammed with a great roster of diverse new releases that should generate plenty of anticipation for fans of just about any musical genre.
The latest from Against Me!, featuring transgender vocalist Laura Jane Grace, is āShape Shift With Me,ā due today (Sept. 16). Look for her memoir āTranny: Confessions of Punk Rockās Most Infamous Anarchist Selloutā Nov. 15.
Today also brings new releases by British electronic duo AlunaGeorge, āI Rememberā; South-African hip-hop combo Die Antwoordās āMount Ninji and Da Nice Time Kidā; Mac Miller with āThe Divine Feminineā and the latest by R&B superstar Usher, āHard II Love.ā
Vocalist extraordinaire Idina Menzel will release her first non-holiday studio album since 2008 when āIdinaā drops on Sept. 23. The same date brings a new album byĀ Kristin Chenoweth, āThe Art of Eleganceā; āNatural Causesā by the talented pop vocalist Skylar Grey and the second album by 18-year-old Canadian sensation Shawn Mendes, āIlluminate.ā
September 30 brings the long-awaited new album by the quirky and amazingly gifted pianist/singer/songwriter Regina Spektor, āRemember Us to Life.ā Also due on the 30th is the latest from Bon Iver, one of the criticsā favorite artists of recent years, who returns with ā22, A Millionā; alternative icons Pixiesā second post-reunion studio album, āHead Carrierā and fast-rising singer/songwriter Banks with āThe Altar,ā featuring the single āFuck With Myself.ā
Some of the key new albums due in October include the latest by the long enduring punk-pop trio Green Day, who return Oct. 7 with āRevolution Radio,ā the bandās first album in four years. Due the same day is the latest from LGBT icon and musical legend Melissa Etheridge, āMemphis Rock and Soul,ā a tribute to the Stax record label. Also slated for Oct. 7 are new releases by acclaimed electro-indie duo Phantogram, OneRepublic, Norah Jones and a 20-year retrospective collection by influential British alternative rockersĀ Placebo, āPlace for Us to Dream.ā
Electro pioneers the Orb are back on Oct. 14 with āChill Out, Worldā, along with the latest by the Naked and Famous, āSimple Formsā; pop vocalist JoJoās āMad Loveā and the extraordinary jazz saxophonist Donny McCaslin with āBeyond Now.ā
Superstar crooner Michael BublĆ© is back with āNobody But Meā on Oct. 21, which will feature a duet with pop star Meghan Trainor. Hair-metal survivors Bon Jovi, still a massive global concert draw, is back on the 21st with āThis House is Not For Sale.ā Also that day, gay-friendly gospel singer Amy Grant will release āTennessee Christmas.ā Despite the title cut (a song from her first holiday record in 1983), this is an all-new collection of recordings, her first such effort since 1999.
Pop sensation Tove Lo will unleash āLady Woodā on Oct. 28, along with the latest by acclaimed lesbian artist and OUTmusic Award winner Rachael Sage, āChoreographicā and Australian electronic pop duo Empire of the Sun with āTwo Vines.ā
Upcoming releases already announced so far for November include the latest by Danish indie-popsters Efterklang, āLeaves ā the Colour of Falling,ā Nathan Sykes, former member of British boyband the Wanted, with āUnfinished Business,ā trippy electronic pioneers Enigma with their first album in eight years, āThe Fall of a Rebel Angel,ā the first new rock album by Sting in 13 years, ā57th and 9thā and the veteran heavy metal supergroup Metallica with āHardwired ā¦ to Self-Destruct.ā
There are plenty of other upcoming releases widely expected to land sometime this fall but without official release dates. The big one is the first solo studio album by Lady Gaga since her largely panned 2013 release āArtpop.ā
Others include rapper 50 Cent with āStreet King Immortal,ā Azealia Banks with āBusiness and Pleasure,ā a new studio album by pop/hip-hop hit makers Black Eyed Peas, the latest by iconic pop diva Christina Aguilera, a new batch of harmonic California pop from Haim, āDigital Distortionā by Iggy Azalea, a new release by dance/pop legend Kylie Minogue, the latest by rapper Wiz Khalifa and a string of new rock albums by heavy-hitters such as U2, Soundgarden, the Rolling Stones, Pearl Jam, the Offspring, Nine Inch Nails, Modest Mouse, Metric, Lush, Incubus, Guns Nā Roses, Brand New, Avenged Sevenfold and Linkin Park.
The big upcoming archival release this fall is coming from the massive catalogue of the late David Bowie. Last year Bowie announced a series of career-defining box sets that will ultimately represent the definitive library of his amazing and historic catalog, all remastered and presented with top-notch quality and attention to detail. āFive Years: 1969/1973ā hit last fall and covered his albums from āSpace Oddityā through āPin-Ups,ā along with live albums and a batch of rarities.
The highly anticipated second in the series hits on Sept. 23. āWho Can I Be Now? (1974ā1976)ā is the first posthumous set in the series, as the legendary superstar died in January shortly after his 69th birthday. The new set will start where the last one left off, including deluxe remastered versions of classic albums like āYoung Americans,ā āDiamond Dogs,ā and āStation to Station.ā Perhaps most intriguing is the previously unreleased studio album āThe Gouster,ā which Bowie eventually shelved. After extensive reworking it morphed into āYoung Americans.ā
Music & Concerts
Gay Menās Chorus starting the year with a cabaret
‘Postcards’ to be performed at CAMP Rehoboth
The Gay Menās Chorus of Washington will perform āPostcards,ā a cabaret, on Saturday, Jan. 18 at 5:00p.m. and 8:00p.m. at CAMP Rehoboth Elkins-Archibald Atrium.Ā
In this performance, the choir will share hilarious and heart-warming stories and songs about the travel adventures theyāve had and hope to have. Songs include āMidnight Train to Georgia,ā āStreets of Dublin,ā āMagic To Do,ā āHome,ā and āI Left My Heart in San Francisco.ā Tickets cost $35 and can be purchased on Camp Rehobothās website.
Music & Concerts
WMCās āComfort and Joyā fuses drama, well-being, light
Soloist describes production as āreverent and beautifulā
āComfort and Joyā
Washington Master Chorale
Sunday, Dec. 22, 5 p.m.
Church of the Epiphany
1317 G St., N.W.
washingtonmasterchorale.org
With its warmth and unfettered imagination, itās no surprise that the Washington Master Choraleās enduringly popular winter program remains a holiday favorite.Ā
This December the Washington Master Chorale (WMC), helmed by out artistic director Thomas Colohan presents āComfort and Joyā a selection of British and American works like āLute-Book Lullaby,ā āI Saw Three Ships,ā āPuer Natusā by Samuel Scheidt and āHosanna to the Son of Davidā by Orlando Gibbons.
In addition to these Christmas classics, WMC will perform 2022 Florence Price Commission Winner Mason Bynesās āEphiphanytideā and Äriks EÅ”envaldsā āNorthern Lights,ā the firsthand accounts of arctic explorers Charles Francis Hall and Fridtjof Nansen and their experiences surrounding the fabled aurora borealis.
Described as āreverent and beautifulā by āNorthern Lightsā tenor soloist Opal Clyburn-Miller, āComfort and Joyā fuses drama and well-being, and the import of light.
And as an artist who uses they/them pronouns, Clyburn-Miller says where classical music is concerned, āit seems people are put in their boxes and thatās where they stay.ā They add, āthereās been some progress. Itās pretty much a traditional art form.ā
With regard to their career, Clyburn-Miller, the Baltimore based Peabody Conservatory student, says the work usually comes through word of mouth: āYou show up, youāre a good colleague and people want to work with you again.ā
The solo piece, according to Colohan, is perfect for Clyburn-Miller. The soloist says in response: āMaybe I have the imagination to think of what Northern Lights might look like in Eastern Europe. Iāve never been that far north but I can put myself in that sense of wonder and astonishment.ā
But the gig hasnāt been entirely without its tests. The lyrics are in Latvian, a new language for the meticulous singer.
āItās been a bit tricky getting the Latvian down,ā they say. āUsually in my singing experience, itās been German, Italian and French, and Iām familiar with Spanish and some Hungarian and Russian, but this is entirely new.ā
A perfect chorale venue requires easy parking; good acoustics; a concert level Steinway, and an excellent organ; a sanctuary wide enough to accommodate a 50-person chorale; and audience friendly loos, says Colohan.
The Church of Epiphany meets most if not all of these requirements.
Raised Catholic in Richmond, Colohan came out at Ohioās progressive Oberlin Conservatory. Around this time, he remembers visiting Washington for a music educatorās conference and partying at JR.ās, Badlands, and other bars. He says, āI saw that D.C. had a huge population of clean-cut gay boys. That journey which started with me being gay, prompted me to ask questions.ā
As WMC artistic director since 2009, Colohan, who lives with his partner in Silver Spring, became increasingly interested in secular poetry and literature, especially the ways in which it intersects with chorale music. For him, that became the heart of the art form.
āMy secular approach is wider than some. Iām like the curator of the museum going down to the basement to bring some stuff up. You cannot hear the music if we donāt sing it.ā
Heās remained conservative as an aesthetic but not an ethos. āI can wear a blazer and not be crazy right wing. Spiritually speaking, Iām Zen Buddhist now.ā
A lot of the concert is about darkness and light. Colohan says, āIn ancient times when the world became darker, the days leading to the solstice were scary and then on the 22nd they saw that days were getting longer and it was lighter.ā
āComfort and Joyā closes with a candle lit chorale memorably singing āSilent Night.ā
Music & Concerts
Pianist Jeremy Denk to play George Mason
Soloist performs Beethovenās Piano Concerto No. 4 alongside FSO
The Fairfax Symphony Orchestra (FSO) and the Center for the Arts at George Mason University co-present Jeremy Denk ā one of Americaās foremost pianistsāon Nov. 23 at 8 p.m. Denk joins the FSO as soloist for Beethovenās Piano Concerto No. 4. The concert, conducted by FSO Music Director Christopher Zimmerman, also includes the regional premiere of āShe Dreams of Flyingā by American composer Quinn Mason, and Rachmaninoffās Symphonic Dances. Tickets are available through the Fairfax Symphony and the Center for the Arts: $65, $55, $40 and half-price for youth through grade 12 (service fees may apply).
A pre-performance discussion with Denk and Maestro Christopher Zimmerman, moderated by Mason Dewberry School of Music Professor John Healey, will take place in Monson Grand Tier, located on the third level of the Center for the Arts Lobby, 45 minutes prior to curtain.
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