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FALL ARTS 2016: Space, the blues and Indian goddesses

Fall inspirations eclectic and varied among local dance companies



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Dancer Katie C. Sopoci Drake of Dance Metro D.C. (Photo courtesy Dance Metro D.C.)

Dance Metro D.C. (3225 8th St., N.E.) presents its fall presentation of its choreographic grant recipient Stuart Loungway on Saturday, Sept. 17 at 8 p.m. and Sunday, Sept. 18 at 7 p.m. Advanced tickets are $25 and tickets at the door are $30.

On Thursday, Sept. 29 at 7:30 p.m. and Friday, Sept. 30 at 7:30 p.m., Dance Metro D.C. presents “Spacetime Suite” by Katie C. Sopoci Drake at Dance Loft on 14 (4618 14th St., N.W.). The performance is a series of vignettes that connect astrophysical phenomena and human relationships.Tickets range from $18-25.

Step Afrika joins members of the Men and Women of Washington Performing Arts’ Gospel Choir for “The Migration: Reflections on Jacob Lawrence,” a performance at University of District of Columbia Theater of Arts (4200 Connecticut Ave., N.W.) on Friday, Sept. 30 at 8 p.m., Saturday, Oct. 1 at 8 p.m. and Sunday, Oct. 2 at 4 p.m. The performance is based on American painter Jacob Lawrence’s paintings that blend art, music and dance to chronicle the story of African-American migrants moving from the south to the north in the early 1900s. Tickets are $45. For more information, visit

Dorrance Dance, MacArthur “Genius Grant” and musician Toshi Reagon, joined by her band BIGLovely, present “The Blues Project” at the Eisenhower Theater at the Kennedy Center (2700 F St., N.W.) on Wednesday, Oct. 5 at 8 p.m. and Thursday, Oct. 6 at 8 p.m. Tickets range from $25-75. For more details, visit

VelocityDC Dance Festival is at Sidney Harman Hall (610 F St., N.W.) on Friday, Oct. 7 at 8 p.m. and Saturday, Oct. 8 at 8 p.m. The festival will feature a diverse range of dances including ballet, flamenco, tap, hip-hop and more. All shows are $18.

Washington Performing Arts presents Dance Theatre of Harlem at Sidney Harman Hall (610 F St., N.W.) on Friday, Oct. 14 at 8 p.m., Saturday, Oct. 14 at 2 p.m. and 8 p.m. The troupe will perform a premiere work by choreographer Francesca Harper with music, by John Adams, performed by the Attacca Quartet.Tickets range from $30-55.

Keith Holt and the House of Ebony present a voguing showcase in conjunction with the screening of “Un Ballo In Maschera,” as part of the exhibition “Senses of Time: Video and Film-based Works of Africa” at the National Museum of African Art (950 Independence Ave., S.W.) on Oct. 15 from 6-9 p.m. There will be food, cocktails and music by DJ Vjuan Allure. Jack Mizrahi, Mook Mizrahi and body-painting artist Laolou will also make appearances.

Danish Dance Theatre presents Black Diamond, a dance work that combines scenography and lighting, in Eisenhower Theater at Kennedy Center (2700 F St., N.W.) on Tuesday, Oct. 18 at 8 p.m. and Wednesday, Oct. 19 at 8 p.m. Tickets range from $25-75. For more information, visit

Joy of Motion Dance Center holds multiple performances this fall. Youth Dance Ensemble Company, poet Rita Dove and the Interactive Media Research Group presents excerpts from “The Ceiling Floats Away,” “Auksalaq” and “Golden Sparrow” at Lab II in the Atlas Performing Arts Center (1333 H St., N.E.) on Sunday, Oct. 16 at 7 p.m. The performance will be a combination of music, dance, light, poetry and audience interaction.

On Saturday, Nov. 19 at 8 p.m. and Sunday, Nov. 20 at 7 p.m. five choreographers explore the theme of Justice in America through contemporary dance styles at the Jack Guidone Theater at Joy of Motion Dance Center Friendship Heights (5207 Wisconsin Ave., N.W.).

Joy of Motion Dance Center’s youth companies, H.Y.PE. Program and Youth Dance Ensemble Program, perform their fall dance institute concert on Saturday, Dec. 3 at 7 p.m.

Dakshina/Daniel Phoenix Singh presents its 13th annual Fall Festival of Indian Arts at Atlas Performing Arts Center (1333 H St., N.E.) Oct. 21-23.

On Friday, Oct. 21 at 7:30 p.m. Rehan Bashir presents its new dance work “Shahgird,” an homage to Guru Nahid Siddiqui, the Sufi spirit and the heritage of the Punjab region of Pakistan. Mohiniattam dancer Aswathy Nair performs “Tri Shakti Vandanam,” a tribute to Durga, Lakshmi and Saraswathi, the three principal Goddesses of the Hindu Pantheon. Nair also performs  “Amba to Sikhandi: A Journey of Self Discovery” based on the Sanskrit story “Mahabharata.” The finale will be “Mangalam,” an expression of gratitude.

Dakshina/Daniel Phoenix Singh Dance Company performs “Chakra,” an exploration of Indian mythologies, on Saturday, Oct. 22 at 8 p.m. Indira Kadambi also performs Varsha Rithu, a poetic journey between monsoon season and human experiences.

On Sunday, Oct. 23 at 4 p.m. Alif Laila will present a sitar concert. Kuchipudi dancer Lakshmi Babu performs “Gajananeeyam,” a dance exploration about the incarnation of Ganesha.

Prices range from $35-50. Senior and student tickets are $25.

dance, gay news, Washington Blade

Dakshina/Daniel Phoenix Singh dancer Rehan Bashir will present his new work ‘Shahgird’ at the Festival of Indian Arts at the Fall Festival of Indian Arts on Oct. 21. (Photo by Rehan Khan)

Dana Tai Soon Burgess premieres his first work as choreography-in-residence at the Smithsonian Kogod Courtyard at the National Portrait Gallery (8th St., N.W. and F St., N.W.) on Oct. 28 at 6:30 p.m. Admission is free.


Music & Concerts

Musical icons and newer stars to rock D.C. this spring

Brandi Carlile, Bad Bunny, Nicki Minaj, and more headed our way



Brandi Carlile plays the Anthem this month.

Bands and solo artists of all different genres are visiting D.C. this spring. Patti LaBelle and Gladys Knight will team up to perform at the Wolf Trap in June, and girl in red will play at the Anthem in April. Some artists and bands aren’t paying a visit until the summer, like Janet Jackson and Usher, but there are still plenty of acts to see as the weather warms up. 


Brandi Carlile plays at the Anthem on March 21; Arlo Parks will perform at 9:30 Club on March 23; Girlschool will take the stage at Blackcat on March 28.


Nicki Minaj stops in D.C. at Capital One Arena as part of her North American tour on April 1; Bad Bunny plays at Capital One Arena on April 9 as part of his Most Wanted tour; girl in red performs at the Anthem on April 20 and 21; Brandy Clark plays at the Birchmere on April 25; Laufey comes to town to play at the Anthem on April 25 and 26. 


Belle and Sebastian play at the Anthem on May 2; Chastity Belt performs at Blackcat on May 4; Madeleine Peyroux stops at the Birchmere on May 5; The Decemberists play at the Anthem on May 10; the rock band Mannequin Pussy performs at the Atlantis on May 17 and 18; Hozier plays at Merriweather Post Pavilion on May 17 as part of the Unreal Unearth tour. 


Patti LaBelle and Gladys Knight will sing soulful melodies at Wolf Trap on June 8; Joe Jackson performs at the Lincoln Theatre on June 10; the Pixies and Modest Mouse are teaming up to play at Merriweather Post Pavilion on June 14; Maggie Rogers plays at Merriweather Post Pavilion on June 16 as part of The Don’t Forget Me tour; Brittany Howard headlines the Out & About Festival at Wolf Trap on June 22; Sarah McLachlan plays at Merriweather Post Pavilion on June 27; Alanis Morissette performs at Merriweather Post Pavilion on June 29 and 30

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Music & Concerts

Grammys: Queer women and their sisters took down the house

Taylor Swift won Album of the Year



When the late, great Ruth Bader Ginsburg was asked when there will be enough women on the Supreme Court, her answer was simple: Nine. She stated: “I say when there are nine, people are shocked. But there’d been nine men, and nobody’s ever raised a question about that.” RBG did not attend the Grammy’s last night, but her spirit sure did. Women, at long last, dominated, ruled and killed the night.

Cher, in song a decade ago, declared that “this is a woman’s world,” but there was little evidence that was true, Grammy, and entertainment awards, speaking. In 2018, the Grammys were heavily criticized for lack of female representation across all categories and organizers’ response was for women to “step up.”

Be careful what you wish for boys.

The biggest star of the 2024 Grammys was the collective power of women. They made history, they claimed legacy and they danced and lip sang to each other’s work. Standing victorious was Miley Cyrus, Billie Eilish, SZA (the most nominated person of the year), Lainey Wilson, Karol G, boygenius, Kylie Minogue and Victoria Monét. Oh, yes, and powerhouse Taylor Swift, the superstar from whom Fox News cowers in fear, made history to become the first performer of any gender to win four Best Album of the Year trophies.

In the throng of these powerful women stand a number of both LGBTQ advocates and queer identifying artists. Cyrus has identified as pansexual, SZA has said lesbian rumors “ain’t wrong,” Phoebe Bridgers (winner of four trophies during the night, most of any artist) is lesbian, Monét is bi and Eilish likes women but doesn’t want to talk about it. Plus, ask any queer person about Swift or Minogue and you are likely to get a love-gush.

Women power was not just owned by the lady award winners. There were the ladies and then there were the Legends. The first Legend to appear was a surprise. Country singer Luke Combs has a cross-generational hit this year with a cover of Tracy Chapman’s “Fast Car.” When originally released, the song was embraced as a lesbian anthem. When performing “Fast Car,” surprise, there was Chapman herself, singing the duet with Combs. The rendition was stunning, sentimental and historic.

Chapman, like many of the night’s female dignitaries, has not been public with her sexuality. Author Alice Walker has spoken of the two of them being lovers, however.

The legend among legends of the night, however, was the one and only Joni Mitchell. Not gay herself, she embodies the concept of an LGBTQ icon, and was accompanied by the very out Brandi Carlile on stage. On her website, Mitchell’s statement to the LGBTQ community reads, “The trick is if you listen to that music and you see me, you’re not getting anything out of it. If you listen to that music and you see yourself, it will probably make you cry and you’ll learn something about yourself and now you’re getting something out of it.”

Mitchell performed her longtime classic “Both Sides Now.” The emotion, insight and delivery from the now 80-year old artist, survivor of an aneurism, was nothing short of profound. (To fully appreciate the nuance time can bring, check out the YouTube video of a Swift lookalike Mitchell singing the same song to Mama Cass and Mary Travers in 1969.) In this latest rendition, Mitchell clearly had an impact on Meryl Streep who was sitting in the audience. Talk about the arc of female talent and power.

That arc extended from a today’s lady, Cyrus, to legend Celine Dion as well. Cyrus declared Dion as one of her icons and inspirations early in the evening. Dion appeared, graceful and looking healthy, to present the final, and historic, award of the night at the end of the show.

Legends did not even need to be living to have had an effect on the night. Tributes to Tina Turner and Sinead O’Conner by Oprah, Fantasia Barrino-Taylor and Annie Lennox respectively, proved that not even death could stop these women. As Lennox has musically and famously put it, “Sisters are doing it for themselves.”

Even the content of performances by today’s legends-in-the-making spoke to feminine power. Eilish was honored for, and performed “What Was I Made For?,” a haunting and searching song that speaks to the soul of womanhood and redefinition in today’s fight for gender rights and expression, while Dua Lipa laid down the gauntlet for mind blowing performance with her rendition of “Houdini” at the top of the show, Cyrus asserted the power of her anthem “Flowers” and pretty much stole the show.

Cyrus had not performed the song on television before, and only three times publicly. She declared in her intro that she was thrilled over the business numbers the song garnered, but she refused to let them define her. As she sang the hit, she scolded the audience, “you guys act like you don’t know the words to this song.” Soon the woman power of the room was singing along with her, from Swift to Oprah.

They can buy themselves flowers from now on. They don’t need anyone else. Cyrus made that point with the mic drop to cap all mic drops, “And I just won my first Grammy!” she declared as she danced off stage.

Even the squirmiest moment of the night still did not diminish the light of women power, and in fact, underscored it. During his acceptance of the Dr. Dre Global Impact Award, Jay-Z had a bone to pick with the Grammy voters. He called out the irony that his wife Beyoncé had won more Grammys than any other human, but had never won the Best Album of the Year. Yeah, what’s with that?

But then, it brought additional context ultimately to the fact that the winner of the most Grammys individually … is a woman. And to the fact that the winner of the most Best Album of the Year awards … is a woman.

Hopefully this was the night that the Grammys “got it.” Women are the epicenter of The Creative Force.

Will the other entertainment awards get it soon as well? We can hope.

Most importantly, in a political world where women’s healthcare is under siege. Will the American voters get it?

A little known band named Little Mix put it this way in their 2019 song “A Woman’s World.”

“If you can’t see that it’s gotta change
Only want the body but not the brains
If you really think that’s the way it works
You ain’t lived in a woman’s world

Just look at how far that we’ve got
And don’t think that we’ll ever stop…”

From Grammy’s mouth to the world’s ear.

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Music & Concerts

Janet Jackson returning to D.C, Baltimore

‘Together Again Tour’ comes to Capital One Arena, CFG Bank Arena



Janet Jackson is coming back to D.C. this summer.

Pop icon Janet Jackson announced this week an extension of her 2023 “Together Again Tour.” A new leg of the tour will bring Jackson back to the area for two shows, one at D.C.’s Capital One Arena on Friday, July 12 and another at Baltimore’s CFG Bank Arena on Saturday, July 13.  

Tickets are on sale now via TicketMaster. LiveNation announced the 2023 leg of the tour consisted of 36 shows, each of which was sold out. The 2024 leg has 35 stops planned so far; R&B star Nelly will open for Jackson on the new leg. 

Jackson made the tour announcement Tuesday on social media: “Hey u guys! By popular demand, we’re bringing the Together Again Tour back to North America this summer with special guest Nelly! It’ll be so much fun!”

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