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TV critics take on the fall line up
Even the cable reruns are gay now
The ‘Will & Grace’ reboot returns for its second season (10th total; an 11th has been announced as well) on Thursday, Oct. 4. It’s one show LGBT critics are most looking forward to. (Photo courtesy NBC)
With more broadcast, cable and streaming network programs than ever before, gay television critics have their hands full, in a constant state of binge-watching all the new and returning series.
At the Television Critics Press Tour, which took place in Beverly Hills, the Los Angeles Blade’s Susan Hornik talked to gay television critics about their favorite shows.
Malcolm Venable, senior writer, TVGuide.com
Malcolm Venable (Photo courtesy of Venable)
This fall, I’m excited about the return of “The Deuce,” where the divine Maggie Gyllenhaal this season will be giving less blowjobs in dirty theaters and producing porn in 1970’s New York City. Last season, the series flirted with depictions of gay sex, and here’s to hoping that this season will take those flirtations even further, by showing more same-sex porn and what happens when authorities try to clamp down on it.
Like everyone else with a pulse, I’m also keen to see what ways the Pearsons of “This Is Us” will be making us cry again — I suspect it’s only a matter of time before they push a grandma down a flight of steps or punt a puppy across a football field. Though Denis O’Hare is highly unlikely to return as William’s partner unless the show is going to depict some kind of dead person-alive person romance, we can probably count on some type of LGBTQ representation…or at least more Beth. I need more Beth. I’m also giddy with anticipation for another season of “The Good Place.” It’s a show that never fails to make you happy.
Of course “Will & Grace” comes back again this fall too, and, like a fabulous queen who has faithfully applied moisturizer with SPF every day, this show is aging really well. “Crazy Ex-Girlfriend,” in its final season, promises to be bonkers, and though they’re both animated, “She-Ra” and “Chilling Adventures of Sabrina,” both on Netflix, promise to bring more kick-ass women to the small screen and give lots of queer fangirls new crushes to obsess over.
Jim Colucci, freelance television critic, author of “Golden Girls Forever” and “Will & Grace: Fabulously Uncensored”
Jim Colucci (Photo courtesy of Colucci)
Of all the new and returning fall shows, the thing I’m most excited about, from both an overall and LGBT perspective, is a classic: “Will & Grace.” The show returned last fall, just when the world needed it again, as the current administration regularly threatens LGBT rights.
After all, this was a show that in 1998 — eons ago, as far as LGBT rights go — captured the world’s hearts and minds, and showed the humanity of gay and lesbian characters. That, plus the show has always been one of the wittiest, campiest, and yet most touching sitcoms ever on TV. Now that it’s back for a second “rebooted” season, things are changing — Will’s mom is engaged to Grace’s dad, Jack has a new, steady boyfriend — and the show and its cast is becoming more diverse.
One of the things that stood out most to me when I wrote my book, “Will & Grace: Fabulously Uncensored” is when the show’s creators, Max Mutchnick and David Kohan, told me that they enjoyed deliberately “writing themselves into a corner” with the cliffhanger of every season. It challenged them as writers in determining how to proceed with the next season’s storylines, and therefore ultimately made the show deeper and better. Last season’s cliffhanger sure did force some changes, and I can’t wait to see how those play out.
Brendan Haley, contributing writer for PRIDE.com
Brendan Haley (Photo courtesy of Haley)
As we can expect the forthcoming season three of “The Crown” to debut a brand new cast, it’ll be exciting to see the developments in one relationship in particular, both performance and story-wise, Princess Margaret (Helena Bonham Carter) and her bisexual ex-husband Antony-Armstrong Jones (Ben Daniels).
Antony’s sexuality played a key role in last season’s drama, depicting the harsh judgments that LGBT people faced in the 1960s.
Also, obviously I anticipate the return of “Will & Grace” this coming fall season, knowing several new comedic additions are in store, including the legendary Chelsea Handler, and the talents of Brian Jordan Alvarez (Estefan).
Where the landscape of TV show reboots can sometimes plateau, “Will & Grace” has not only come back harder than where it left off in 2006, it has thrived in a new era of entertainment, receiving nominations for both Primetime Emmy Awards for Outstanding Supporting Actress (Megan Mullally), and Guest Actress (Molly Shannon) in a Comedy Series.
Frank DeCaro, writer/comedian
Frank DeCaro (Photo courtesy of DeCaro)
I’m most excited for the fifth and final season of “Gotham.” I’ve been obsessed with this lush, twisted, delicious, funny, gorgeously costumed, and perversely sexy “Batman” origin story since its debut. What’s not to love? Pansexual girl gangs! Erotic tension between the Penguin and the Riddler! A hunky Mr. Freeze with an enormous freeze gun! Watching it makes me happier than a queer in Arkham, and, hold on to your Batpole, this is one series that is sure to go out with a bang!
Hunter Ingram
Hunter Ingram (Photo courtesy of Ingram)
It’s only been a few months since Pop’s “Schitt’s Creek” wrapped its fourth season, but the Canadian import has left a maple leaf-sized hole in my heart waiting until season five to arrive in 2019. Lucky for us Schittheads, the Catherine O’Hara-Eugene Levy-fronted comedy series saved the final episode of its 13-episode order for a Christmas special, set to arrive in December.
The series has matured from its fish-out-of-water roots into a genuinely uproarious laugh riot with undercurrent of heart and family, and I, for one, can’t wait to see what they do with “Schitt’s Creek” holiday special. Family dinner at Cafe Tropical? Some caroling from Jazzagirls? If nothing else, David and Patrick, TV’s most underrated gay romance, better find themselves under some mistletoe.
Eight seasons in, FX’s “American Horror Story” has hit some scary-good highs and frustrating lows. Many of the former came in its first and third seasons — “Murder House” and “Coven,” respectively — meaning September’s crossover season between the two installments comes with ultra-high expectations.
The tease of a return to LA’s deadliest house and a visit from a few of Miss Robichaux’s Academy’s finest already has my spine tingling. But the addition of the Drama Queen herself, Joan Collins, and the lingering hope for more surprise faces (Jessica Lange, perhaps?) make this the most highly anticipated “AHS” in years. Don’t let us down, Ryan Murphy!
Netflix’s churns out so much original content it’s hard to lose things amongst the deluge. But one thing I’ve kept my eye on is Cary Fukunaga’s “Maniac,” a trippy limited series about a questionable drug trial, starring Emma Stone and Jonah Hill. It was first announced two years ago and since then, the drip-drip of pictures and promises it’s happening have kept me thirsting for more.
With the recent announcement it will arrive Sept. 21 and a psychedelic teaser to boot, this one has already grab my attention. And that’s even without our first glimpses of co-stars Justin Theroux and Sally Field!
Movie stars on the small screen rarely have the same shock value as it had at the dawn of Peak TV. But Julia Roberts is an exception. The Oscar winner is taking on her first series regular (let’s not forget that stellar guest spot on “Friends” in 1996) with Amazon’s “Homecoming,” an adaptation of the popular podcast (Nov. 2). No one doubts Roberts’ talents, but how do they translate to episodic television, let alone a character-driven half-hour thriller that’s already a go for two seasons. I’m ecstatic about the potential, and not just because she finally lands “My Best Friend’s Wedding” co-star Dermot Mulroney as her boyfriend.
Dennis Pastorizo, TV Host, Host of LATV Network’s The Zoo
Dennis Pastorizo (Photo courtesy of Pastorizo)
Shows like “The Big Bang Theory,” “The Voice” and “Dancing with the Stars” seem like they’ve been on forever and are here to stay, so I don’t feel as much anticipation for their premieres. I am, however, thrilled to see the new “Magnum P.I.” with Jay Hernandez. I’m usually weary about remakes but he‘s a hunk and the locations look amazing.
Speaking of remakes and reboots: I am excited to see what the new season of “Murphy Brown” will look like. The show’s been off for 20 years and I’m wondering if its core audience will return and how much more can be done with the characters. And although I never cared for “Last Man Standing” on ABC, I want to see how long it will last on FOX.
Original episodes are currently running on Antenna TV, but if it isn’t available on a streaming service beforehand, I don’t know how much hype can be built around the premiere or if viewers will remember important plot points, given Antenna TV is nowhere near accessible or popular as a Netflix or Hulu.
“The Conners” is definitely going to be must-see-TV, at least for its first episode, because we all want to know what will happen to Roseanne’s character. Only time will tell if she is indeed the glue that kept everything together in that show, or if her supporting cast is strong enough to continue the series’ legacy.
Diane Anderson-Minshall
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Award-winning D.C. chef reaching new culinary heights
Anthony Jones of Marcus DC competing on ‘Top Chef’
In Anthony Jones’s kitchen, all sorts of flags fly, including his own. Executive chef at award-winning restaurant Marcus DC, Jones has reached culinary heights (James Beard Award semifinalist for Emerging Chef, anyone?), yet he’s just getting started.
Briefly stepping away from his award-winning station, Jones took a moment under a different set of lights. Recently, he temporarily gave up his post at the restaurant for a starring small-screen slot on the latest season of “Top Chef,” which debuted in March. (The show airs weekly on Bravo and Peacock).
Before his strategic slice-and-dice competition, however, Jones, who identifies as gay, draws from his deep DMV roots. In the years before “Top Chef” and the top chef spot at Marcus, he was born and raised in Sunderland, Md., in southern Maryland, near the Chesapeake.
Early memories were steeped in afternoons on boats with his dad bonding over fishing, and wandering the garden of his great-grandparents spread with fresh vegetables and a few hogs. “It was Southern, old-school ethics and upbringing,” he said. “Family and food went hand in hand.” Weekends meant grabbing bushels of crabs, dad and grandma would cook and crack them. Family members would host fish fries for extra cash. In this seafood-heavy youth, Jones managed time to sneak in episodes of the “OG” Japanese “Iron Chef” show, which helped inspire him to pursue a career in the kitchen.
Jones moved to D.C. after graduating from college, ending up at lauded Restaurant Eve, and met famed chef Marcus Samuelson, who brought him to Miami to be part of the opening team for Red Rooster Overtown. After three years, Jones moved back to D.C., where he ran Dirty Habit, reinventing and reimagining the menu, integrating West African flavors and ingredients.
Samuelson, however, wouldn’t let a talent like Jones stay away for too long. Pulling Jones back into his orbit, Samuelson elevated Jones to help him open his namesake restaurant Marcus DC, which has been named a top-five restaurant by the Washington Post. Since then, Jones has been nominated as a semifinalist for the RAMMYs Rising Culinary Star in 2026 and won the Eater DC’s Rising Chef award in 2025.
Samuelson’s Marcus is a tour de force interpreting the Black Diaspora on the plate, from the American South to West Africa, along with his signature “Swedopian” touches. Yet it’s Jones who has deeply informed the plate, elevating his own story to date. Marcus DC is primarily a seafood restaurant, which serves Jones well.
“Where I’m from is seafood heavy, and as I’ve progressed in my career, I’ve moved away from meat.” Veggies and fish are hero dishes. His own dish, Mel’s Crab Rice, was not only lauded by the Washington Post, but is framed by his youth carrying home the crustaceans from Mel’s crab truck. It’s a bowl of Carolina rice, layered with pickled okra, uni béarnaise, and crab. Jones also points to a dish on the opening menu, rockfish and brassica, paying respect to a landmark D.C. institution, Ben’s Chili Bowl. Jones reverse engineered a favorite bowl of chili that’s seafood instead of meat forward, leveraging octopus and rockfish along with different riffs of cauliflower: showing his intellectual, creative, and cultural sides.
While “Top Chef” is showing Jones’s spotlight side, he also lets his identity show at work. “In the kitchen, I make sure we’re inclusive. We don’t tolerate discrimination. Everyone that’s here should feel confident to express themselves. There are so many different flags in the kitchen.”
Jones says that he didn’t fully express his gay identity until fairly recently. He felt reluctant coming out to certain family members, “you’re scared to tell them about being different,” he says, and while that anxiety ate at him, “I’m lucky and fortunate to have unconditional love and that weight off my shoulders.”
Today, “I’m me all the time, Monday to Sunday. I’m honest with people, and my staff is honest with me.”
“Being a chef is hard,” he says, “and being a chef of color is even more difficult.”
Yet his LGBTQ identity is a juggling act, he says. “I need to keep that balance, because once someone finds out something about you, their opinion can change, whether you want it or not.”
Being on a whole season of TV cooking competition, however, might mean millions more might have an opinion of him (Jones has appeared on TV already, on an episode of “Chopped”). To prepare, he says, “I’ve just kept a level head. It’s just an honor to be on top chef with amazing people happy to be there.”
Plus, this season is set in the Carolinas, and Jones attended Johnson & Wales University in Charlotte, N.C. “It’s a full story of my life, now a monumental moment for me.”
Jones also recently was nominated for a James Beard Foundation Award. “JBF has been a north star, a dream for so long. I always had this goal on my wall.”
Being at the top spot at Marcus DC, making waves through his accolades, and cooking on Bravo means that Jones is highly visible. “I think that if someone has a similar background to me, and can see our story, trajectory, and success, they can have more ability to be themselves. This is my goal.”
Back at Marcus, Jones has plenty up his chef’s white’s sleeves. A new spring menu is in the works. He’ll be launching a new tasting menu “dining experience,” he says, and has plans to work on more events and collaborations with chefs and friends to bring in new talent and share the culinary wealth.
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Introducing the Torchbearers Awards honoring queer, trans women and nonbinary people
Meet the Legends and Illuminators lighting new paths
The Torchbearers Awards are more than recognition—they are a continuation of legacy. They honor the quiet architects of progress in our community: those who organize, advocate, build, and protect, often without fanfare but always with purpose. Rooted in a belief in intentional recognition, this honor names those who carry our movements forward—those who make room for others, who remind us that change is both generational and generative. In a time marked by uncertainty and challenge, these leaders push forward with courage, clarity, and an unwavering commitment to expanding opportunity and equity.
This year’s honorees reflect the full breadth of our community, spanning generations, backgrounds, identities, and industries. From Legends, with decades of leadership and having created pathways for others, to Illuminators, who are lighting new paths with creativity and innovation, each Torchbearer represents the power of intergenerational leadership and the strength found in our diversity. They are organizers, advocates, artists, policy leaders, healers, and changemakers whose lived experiences shape a shared vision for equity and liberation.
This award is our love letter to queer and trans women and nonbinary people who carry the flame when it would be easier to let it dim. To those who consistently show up, who use their voice and visibility and stand firm, often without recognition, so that others may live more freely and fully. The Torchbearers Awards celebrates not just what has been done, but the enduring spirit, responsibility, and collective care that ensure the work continues, and that the flame is always passed forward.
Co-Creators of the Torchbearers Awards: Shannon Alston, June Crenshaw, Heidi Ellis
Torchbearers Awards Advisory Board: Aditi Hardikar, Lesley Bryant, Jasmine Wilson-Bryant, Stephen Rutgers
ILLUMINATOR AWARDEES
- Representative Sharice Davids (she/her), (D, KS-03)
— U.S. House of Representatives - Greisa Martinez Rosas (she/her/ella)
— Executive Director, United We Dream - Paola Ramos (she/her)
— Journalist & Correspondent - Meagan A. Fitzgerald (she/her)
— Journalist & Correspondent - Jessica L. Lewis (she/her)
— Founder / Producer, Play Play DC - Savannah Wade (she/her)
— Founder, OAR Agency - Suhad Babaa (she/her)
— Filmmaker/ Former Executive Director of Just Vision - Ashlee Davis (she/her)
— Global Head of Inclusive Outcomes, Ancestry - Jazmine Hughes (she/her)
— Journalist and Former Editor at New York Times Magazine - Queen Adesuyi (they/she)
— Policy Advisor & Organizer, ReFrame Health & Justice - Michele Rayner, Esq. (she/her)
— Civil Rights Attorney, State Representative (Florida House of Representatives) - Gaby Vincent (she/her)
— Sports/Cultural Commentator and Community Leader - Jenny Nguyen (she/her)
— Founder & Owner, The Sports Bra - Denice Frohman (she/her)
— Independent Artist, Poet / Performer - Vida Rangel (she/her)
— Founder, Our Trans Capital - Roxanne Anderson (they/them)
— Executive Director, Our Space - Ann Marie Gothard (she/her)
— Co-Founder & President, Pride Live (Stonewall National Monument Visitor Center) - Diana Rodriquez (she/her)
— Co-Founder & CEO, Pride Live (Stonewall National Monument Visitor Center) - Wendi Cooper (she/her)
— Founder / Executive Director, Transcending Women - Toya Matthews (she/her)
— City of San Antonio, Texas - Mayor Gina Ortiz Jones (she/her)
— Sports/Cultural Commentator and Community Leader - Charity Blackwell (she/her)
— Poet, LGBTQ Advocate & Community Leader - Wilhelmina Indermaur (she/her)
— Director of Communications, Tyler Clementi Foundation - Em Chadwick (she/her)
— CMO, For Them & Autostraddle - Kylo Freeman (they/he)
— CEO, For Them & Autostraddle
LEGEND AWARDEES
- Sheila Alexander-Reid (she/her)
— Executive Director, PHL Diversity, Philadelphia Convention & Visitors Bureau - Cassandra Cantave Burton (she/her)
— Interim Director of Thought Leadership & Senior Research Advisor, AARP - leigh h. mosley (she/her)
— Photographer / Educator, PhotoFlo Photography - Jenn M. Jackson, PhD (they/them)
— Assistant Professor of Political Science; Author & Columnist, Syracuse University - Jordyn White (she/her)
— COO, Washington Prodigy / VP of Leadership Development & Research, HRC Foundation - AJ Hikes (they/them)
— Deputy Executive Director, ACLU - RaeShanda Lias (she/her)
— Digital Creator, RL Lockhart - Donna Payne-Hardy (she/her)
— Educator, EEO Specialist, Founder of NBJC, Former Leader at the Human Rights Campaign - Courtney R. Snowden (she/her)
— Principal, Blueprint Strategy Group - Gaye Adegbalola (she/her)
— Musician & Activist, Musician / Inductee of the Blues Hall of Fame - Cheryl A. Head (she/her)
— Independent Author, Novelist (Crime Fiction) - Letitia Gomez (she/her)
— The American LGBTQ+ Museum, Board Chair - Lynne Brown (she/her)
— Publisher, Washington Blade - Shay Franco-Clausen (She/Her/Ella/Queen)
— Political Strategist and Organizer - Melissa L. Bradley (she/her)
— Founder & Managing Partner, New Majority Ventures - Meghann Burke (she/her)
— Executive Director, NWSL Players Association - Victoria Kirby York, MPA (she/they)
— Director of Public Policy & Programs, National Black Justice Collective - Joli Angel Robinson (she/her)
— CEO, Center on Halsted - Jeannine Frisby LaRue (she/her)
— CEO, Moxie Strategies - Alice Wu (she/her)
— Film Director (Saving Face, The Half of It) / Screenwriter - Storme Webber (she/her)
— Interdisciplinary Artist / Educator, University of Washington - Kim Stone
— CEO of the Washington Spirit, Washington Spirit - Mickalene Thomas
— American Visual Artist, Mickalene Thomas Studio - Erika Lorshbough (any/they/she)
— Executive Director, interACT - J. Gia Loving (she/ella)
— Co-Executive Director, GSA Network
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D.C. springs back to life with new, returning events
Cherry blossoms, Rehoboth season kickoff, and more on tap
Longer and warmer days are back meaning: It’s time to get out of the house and enjoy Washington D.C.’s many events. Below are a few to check out this spring.
The National Museum of Women in the Arts will host “Making their Mark: Works from the Shah Garg Collection” until Sunday, July 26. This exhibition illustrates women artists’ vital role in abstraction, considers historical contributions, formal and material breakthroughs and intergenerational relationships among women artists over the last eight decades. For more details, visit. NMWA’s website.
Art in the Attic will host a pop-up on Saturday, March 14 at 6 p.m. at 1012 Madison St., Alexandria, Va. There will be a variety of vendors selling products across different modes of art. For more details, visit Eventbrite.
Play Play will host “Indoor Recess – The art of play” on Sunday, March 15 at 2 p.m. This event will embody classic recess energy, including opportunities to build and experience community and connections through games, movement, art stations, and creative freedom. Tickets are $12.51 and can be purchased on Eventbrite.
Spark Social will host “Gay Bar Crawl on U Street” on Friday, March 20 at 7:30 p.m. This will be a fun night out in gay D.C. with other gay people, whether you’re visiting D.C., new to the area, or just looking to expand your social circle. Many crawlers have formed lasting friendships and even romantic relationships after just one night out. Tickets are $35.88 and are available on Eventbrite.
Creative Suitland Arts Center will host “EFFERVESCENT: House of Swann” on Saturday, May 30 at 7 p.m. This will be a gay, good time where we will celebrate love, joy, wellness, and visibility for the LGBTQIA+ community. Tickets start at $17.85 and can be purchased on Eventbrite.
SWAG Works DC will host “Unapologetically Her” on Saturday, March 14 at 2 p.m. at 701 E St., S.E. This event is a powerful celebration of womanhood, resilience, creativity, and self-expression in honor of Women’s History Month. This all-women exhibition highlights the diverse voices, stories, and artistic perspectives of women who create boldly, live authentically, and stand confidently in their truth. This event is free and more details are available on Eventbrite.
9:30 Club will host “Gimme Gimme Disco: A Dance Party Inspired by ABBA” on Saturday, March 14 at 6 p.m. There will also be a “Donna Summer Power Hour – The Queen of Disco” segment during this event. It’ll be one hour of music with no skips. Tickets are available on 9:30 Club’s website.
Harder Better Faster Stronger will host “Heated Rivalry Rave” on Friday, March 20 at 9 p.m. at Howard Theatre. This event is open to all ages. Tickets are available on the theater’s website.
CAMP Rehoboth hosts its 25th annual Women’s+ FEST, April 9-12 in Rehoboth Beach, Del. Entertainers include headliner Mina Hartong, a comedian, storyteller, and founder of Lez Out Loud; and singer Yoli Mayor. There are dances, dinners, pickleball, and much more. Details and tickets at camprehoboth.org.
Also in Rehoboth Beach, the Washington Blade’s 19th annual Summer Kickoff Party is set for Friday, May 15 featuring Ashley Biden, who will accept an award on behalf of her brother Beau. State Rep. Claire Snyder-Hall will also speak. More speakers and the venue to be announced soon.
The annual D.C. Cherry Blossom Festival kicks off March 21 at DAR Constitution Hall and culminates with Petalpalooza on April 4, the day-long, outdoor street party with music and art, stretching across Navy Yard, and ending with fireworks over the Anacostia River.
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