Arts & Entertainment
Disney casts straight comedian as ‘effete’ gay character
The choice has critics asking questions
Jack Whitehall (Photo via Wikimedia Commons)
The choice by producers to cast Jack Whitehall, a straight 30-year old British comedian as Walt Disney Company’s first openly gay character, has critics asking questions.
In the film “Jungle Cruise,” Whitehall is “playing a gay man” and a character who is “hugely effete, very camp and very funny,” a film producer tells the Los Angeles Blade. Disney’s publicity staff says the film is “based on Disneyland’s theme park ride, where a small riverboat takes a group of travelers through a jungle filled with dangerous animals and reptiles, but with a supernatural element.”
Britain’s Sky News reported that fellow actor Chris Salvatore told Disney to “do better,” adding: “Such a dam [sic] shame it’s so hard to find gay actors to play gay roles in Hollywood.”
Actor and producer Emerson Collins added: “It’s too bad there weren’t any out actors who are regularly called some euphemism for ‘too camp’ by casting directors, studios, networks, executives etc. for literally any role who were available for this Disney ‘first.’”
Egyptian-Canadian actor and gay activist Omar Sharif Jr. asked Disney on Twitter: “Your first significant gay role will be played by a straight white man perpetuating stereotypes? Fail! This ship should sink.”
Really @Disney #JungleCruise ? Your first significant gay role will be played by a straight white man perpetuating stereotypes? Fail! This ship should sink. https://t.co/npPESNZaxD
— Omar Sharif Jr. (@OmarSharifJr) August 13, 2018
East London-based lesbian journalist Sophie Wilkinson also questioned Hollywood’s sense of casting:
If Scarlett Johansson wasn’t allowed to play a trans man then Jack Whitehall shouldn’t be allowed to play a gay man. Especially so when you consider there are absolute hundreds of out gay men in Hollywood who are better actors than him
— Sophie WilkINson (@sophwilkinson) August 13, 2018
The announcement, made public over the weekend, has amplified the ongoing critique that Hollywood Film Executives are continuing to marginalize LGBT actors and characters in films. This past May, in an annual report issued by the LGBTQ Media Watchdog group GLAAD —(The 2018 GLAAD Studio Responsibility Index )—the numbers for 2017 revealed that LGBT representation in major motion pictures are the lowest since 2012.
“We hope that next year’s report is able to paint a more promising picture than GLAAD’s 2017 findings,” GLAAD president Sarah Kate Ellis writes in the report, noting that 2018 has so far seen three well-executed, LGBT-inclusive films from major studios: “Annihilation,” “Blockers,” and “Love, Simon.”
“There’s not ample reasons to deny openly gay persons from appearing in those roles,” the film producer, who requested to not be identified, told the LA Blade. There are famous gay/queer actors who play straight roles “exceptionally well,” citing the examples of inimitable Sir Ian McKellen and New York actor Ezra Miller, the 25-year old who is gaining attention for his role as “Flash” in “The Justice League.”
“Speaking to Shortlist magazine, Miller said that he was warned not to share details of his sexuality – he has had romantic relationships with both men and women, and doesn’t identify as heterosexual – because it could hamper his chances of landing a leading film role,” The Telegraph of London noted last November.
“I was told by a lot of people I’d made a mistake,” Miller told Shortlist. “Folks in the industry, folks outside the industry. People I’ve never spoken to. They said there’s a reason so many gay, queer, gender-fluid people in Hollywood conceal their sexual identity, or their gender identity in their public image. I was told I had done a ‘silly’ thing in… thwarting my own potential to be a leading man.”
He added: “I was given a lot of stern talking-tos.”
Commenting on “Jungle Cruise” last week, Whitehall posted on Instagram: “Filming is underway and I am having the time of my life with my amazing co-stars.
The film is due to hit theaters in October 2019, with the cast also including Dwayne “The Rock” Johnson and British actress Emily Blunt.
Reporting by SKY News UK, The Telegraph of London, the staff of the Los Angeles Blade, and wire service reports.
Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino
‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.
The Washington Blade hosted the inaugural WorldPride Boat Parade at The Wharf DC on Friday, June 6. NBC4’s Tommy McFly served as the emcee.
(Washington Blade photos by Michael Key)
The 2025 Capital Pride Honors awards ceremony and gala reception was held at the National Building Museum on Thursday, June 5. Honorees included Cathy Renna, Jerry St. Louis, Ernest Hopkins, Lamar Braithwaite, Rev. Dr. Donna Claycomb Sokol, Kriston Pumphrey, Gia Martinez, Kraig Williams and SMYAL. Presenters and speakers included U.S. Rep. Mark Takano (D-Calif.), Amber Ruffin, Raven-Symoné and Paul Wharton.
(Washington Blade photos by Michael Key)
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