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John Waters teases ‘Polyester’ reissue
Baltimore native claims no children were hurt making his films
John Waters, Divine and Tab Hunter on the set of ‘Polyester’ in 1981. The camp classic will be reissued in a deluxe DVD and Blu-ray edition by The Criterion Collection in 2019. (Blade archives photo courtesy New Line Cinema)
“Polyester” is the next John Waters movie that will be released on DVD and Blu-ray and the Baltimore-based filmmaker is hoping an updated version of his Odorama card will go along with it.
“I want to add the 11th Odorama odor: Wig odor,” Waters told an audience in New York City at a Q&A last month. “glue and sweat.”
Appearing at the IFC Center for sold-out screenings of “Hairspray” and “Female Trouble,” Waters confirmed that “Polyester” will be restored and distributed in 2019 as part of The Criterion Collection, following re-releases of “Multiple Maniacs” and “Female Trouble.”
“They are going to do ‘Polyester’ next year, so I am excited about that,” Waters said. “They are a Class A company. I think they do an absolutely beautiful job.”
“Polyester,” starring Divine and Tab Hunter (sadly, both now dead), tells the story of suburban house frau Francine Fishpaw (Divine), stuck in a dreary marriage, and how her life changes after she meets dashing Todd Tomorrow (Hunter). Filmed in Greater Lutherville for $300,000 and released in 1981, it was part of Waters’ suburbia-based “Trash Trilogy,” along with “Hairspray” and “Cry Baby.”
“Polyester” became known for its Odorama card, which contained 10 scents that movie goers could scratch and sniff as they watched. They ranged from air freshener and roses to smelly sneakers and flatulence. Inspired by the Smell-O-Vision device from the 1960 movie “Scent of Mystery,” the Odorama card was touted with the lines: “It’ll blow your nose!” and “Smelling is Believing.”
Other original smells were: model airplane glue, pizza, gasoline, skunk, natural gas and new car smell. Glue was taken off the card when a LaserDisc version was released.
“Polyester” received positive reviews from critics such as The New York Times’ Janet Maslin.
“Ordinarily, Mr. Waters is not everyone’s cup of tea, but ‘Polyester’ … is not Mr. Waters’ ordinary movie,” Maslin wrote. “This time, the comic vision is so controlled and steady that Mr. Waters need not rely so heavily on the grotesque touches that make his other films such perennial favorites on the weekend Midnight Movie circuit. Here’s one that can just as well be shown in the daytime.”
Known as the “Pope of Trash” and “Sultan of Sleaze,” the openly gay filmmaker came to New York to celebrate the 30th anniversary of “Hairspray” and the 2018 re-release of “Female Trouble.” He had appeared the week before at a “Hairspray” screening and cast reunion in Los Angeles.
At the New York event, moderated by the entertainment writer Michael Musto, Waters was joined by Leslie Ann Powers, the actress who played Penny Pingleton; Joann Havrilla, who played Prudence Pingleton; and Holter Graham, who played I. Q. Jones. Waters said he hadn’t seen Powers in decades and thought she was hiding in the “‘Hairspray’ witness protection program.”
The filmmaker said “Hairspray,” which follows teenager Tracy Turnblad’s efforts to integrate a TV dance show in the 1960s, is “the gift that keeps on giving,” because there have been so many versions of it.
“I say it’s radical because it snuck up on Middle America,” Waters said. “Even racists like it. I’ve been paid to write the sequel two times. There’s been talk of ‘Hairspray on Ice,’ ‘Hairspray in Space.’ What’s left?”
The running joke in the movie is that the 300-pound drag actor Divine, who died in 1988 and played Tracy’s mother Edna, is actually a man but no one knows it except the audience.
In real life, Divine “had no desire to be a woman,” Waters said. “He wanted to be Godzilla. …We created Divine to scare hippies.”
Born Harris Glenn Milstead, Divine off-screen was nothing like Divine onscreen, Waters noted. “He was a kind, gentle man who was a pothead and liked to eat.”
Though he and Divine were good friends, Waters said, Divine eventually wanted to do more than John Waters movies, especially after the scene in “Pink Flamingos” where he ate dog poop.
“He got weary of being with me … because people couldn’t get over the whole eating-shit thing,” Waters said. “He got so sick of talking about that. … He wanted to get away from me and do things without me.”
During a separate Q&A session following the “Female Trouble” screening, Waters reported that none of the child actors in his movies was traumatized by the experience.
“All the kids in my movies turned out fine,” he said. “The little girl that I locked in a refrigerator (in Desperate Living)? She’s fine. … There was nothing weird or anything. They memorized their lines. They’re fine.”
“Female Trouble” focuses on Dawn Davenport (Divine), who turns to a life of crime after she didn’t get cha cha heels for Christmas, kills her daughter Taffy and ends up frying in the electric chair.
Waters said he originally wanted Divine to play both the mother and daughter but concluded it wouldn’t work because of Divine’s age. Instead, he had Divine play both the mother and the father, which means Divine rapes himself.
The famous line delivered by the late Edith Massey: “the world of the heterosexual is a sick and boring life,” had a double purpose aside from its comedic punch, Waters said.
“That was market testing. I wanted to see how many gay people were in the audience.”
Ever the name dropper, Waters said he loves the director Ingmar Bergman because “he had the first puke scene.” He said he met Elizabeth Taylor toward the end of her life and “she looked like Divine.” He said he considered casting Roseanne Barr as the lead in “Serial Mom,” back when she was “a complete liberal,” but eventually chose Kathleen Turner.
Waters said he used to visit courtrooms during criminal trials but can’t anymore “because people recognize me.” He disclosed that Dawn Davenport’s character was inspired in part by Alice Crimmins, a New York woman and Casey Anthony forerunner who was convicted of killing her two children in 1965.
Musto said he had a treat for Waters. “Big surprise,” he said. “Alice is here with us tonight!”
The conversation eventually came down, as it often does, to cha cha heels and Christmas.
Musto asked Waters if the dialogue about them — “Those aren’t the right kind. I told you cha cha heels, black ones!” and “Good girls don’t wear cha cha heels” — aren’t the most quoted lines from a John Waters movie.
Waters said the scene in which the Christmas tree falls over on Dawn’s mother was inspired by a time when a Christmas tree fell on his grandmother.
“I remember the handyman screaming, the maid crying and me being, ‘Is my present hurt?’ She wasn’t injured, but I was obsessed by it.”
He said a lot of his fans seem to have stories about falling Christmas trees.
“It’s usually dogs or liquor.”
Waters said his family always had real trees when he was growing up, never artificial, and his mother frowned on those who decorated with multi-colored lights.
“She was all white lights,” he said. “She would go around the neighborhood and look in windows” and make disparaging remarks about families with multi-colored lights.
Waters marvels that his movies are so embraced today since mainstream studios shunned them initially.
The Criterion Collection, which will distribute “Polyester,” is affiliated with Warner Brothers, one of the largest entertainment companies in America.
“Warner Brothers distributes all of mine now,” Waters said. “Who would have imagined?”
More John Waters fun!
Michael Musto, left, with John Waters in New York on July 27. (Photo by Ed Gunts)
He’s no longer making new movies but there are still ways to enjoy the John Waters sensibility.
“John Waters: Indecent Exposure,” billed as the “first major retrospective of Baltimore native John Waters’ visual art,’ opens Oct. 7 at the Baltimore Museum of Art (10 Art Museum Drive, Baltimore) and runs through Jan. 6. The show will “examine the unapologetic cultural force’s influential career through more than 160 pieces of his work dating back to the early 1990s.” Details at artbma.org.
Waters makes his annual trek to the Birchmere (3701 Mount Vernon Ave., Alexandria) on Thursday, Dec. 20 for “A John Waters Christmas,” his comedy stand-up show. Tickets are $55. Details at birchmere.com.
a&e features
Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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Tickets on sale for chef Patrick O’Connell’s book launch event
Sept. 18 kickoff to feature José Andrés, Tom Sietsema
Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.
Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.
O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.
“I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”
O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.
“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”
The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination.
The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.
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The queer Asian comics building collective joy in D.C.
Spotlighting chaotic ways family, romance, identity take shape in their lives
Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward.
“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.
Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives.
From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together.
“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”
Each performance evoked queer Asian joy through a medium that could use more of its presence.
According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said.
When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”
“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”
But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center.
Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.
“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said.
Family is a major throughline of their comedic repertoires.
Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down.
“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”
Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form.
“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’”
Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church.
“I’ve been finding it hard to escape her,” Kim said.
Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.
Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet.
“As a person of color, I just don’t think I should be with a Swiftie,” they said.
Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training.
“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked.
Laughter is not the only reward for the comics.
To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said.
Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition.
“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”
Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.
Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.
“As long as I can keep doing this, I’m super happy,” he said.
This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).
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