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Out filmmaker honors late partner with period drama ‘Colette’

Early 20th century literary figure subject of glossy new biopic

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Colette movie, gay news, Washington Blade

Keira Knightley and Wash Westmoreland on the set of ‘Colette.’ (Photo by Robert Viglasky)

The sumptuous and sensual new movie “Colette” is really a love letter from filmmaker Wash Westmoreland to his late husband, the writer and director Richard Glatzer, as well as a tribute to the revolutionary spirit of the legendary French writer herself.

“My late husband was an avid reader. I never knew anyone who could get into books like Richard did,” Westmoreland says. “He just got obsessed with Colette. He read her fiction and started reading biographies and said there’s a film in here. Then I started reading and I agreed with him. This could be an amazing movie.”

But other projects came first, along with a serious health issue. In 2011, Glatzer was diagnosed with ALS, a progressive neurodegenerative disease often known as “Lou Gehrig’s disease”

“For the last four years of his life,” Westmoreland says, “Richard lived with ALS which is a tremendously difficult disease. It’s very destructive to the body, but psychologically he was as strong as a rock. He never had any depression or self-pity. He just wanted to keep making movies. We made two movies during the last years of his life. The last one was ‘Still Alice.’”

Co-directed and co-written by Westmoreland and Glatzer, “Still Alice” (2014) starred Julianne Moore as Alice Howland, a linguistics professor who is diagnosed with Alzheimer’s Disease. Moore’s searing performance won numerous awards for best actress, including the Academy Award, the Golden Globe, the BAFTA Film Award and the Dorian Award from GALECA, the Society of LGBTQ Entertainment Critics.

“By the time the movie was going out into the world he was very ill. We watched the Oscars from the ICU at Cedars-Sinai Hospital,” Westmoreland says. “We snuck in a bottle of Champagne and when Julianne won we whooped so loud they thought it was a medical emergency and all these orderlies came running in. It was a nice moment, but it was an extremely difficult time.”

At the time, Glatzer was communicating with an iPad text-to-voice app that he activated with his toes. After the Oscar ceremony ended, Westmoreland asked his husband what he wanted to do next. Glatzer slowly typed out C-O-L-E-T-T-E. The movie opens next week in D.C.-area theaters.

“He died two weeks later. I knew I had to make the movie for him.”

Known to the world simply as Colette, Sidonie-Gabrielle Colette (played by Keira Knightley) was born in the provincial French town of Saint-Sauveur in 1873. She married Henri Gauthier-Villars (Dominic West), who wrote under the name of “Willy,” and he introduced her to the glittering literary and social world of turn-of-the-century “Belle Époque” Paris. After a tumultuous marriage with multiple infidelities on both sides, Willy and Colette divorced in 1910.

During their marriage and throughout both of her subsequent marriages, Colette had numerous affairs with women, including a long-term relationship with Mathilde de Morny, Marquise de Belbeuf, known as “Missy.” A sculptor and painter, Missy shocked Parisian society by openly having affairs with women, smoking cigars in public and dressing as a man.

Colette wrote until her death in 1953 and during her long career worked as a mime, journalist, actress and novelist. She was nominated for the Nobel Prize in Literature in 1948 and is now best known for her novel “Gigi” (1944) which became the basis for the famous Lerner and Loewe musical.

“Colette lived an incredible life,” Westmoreland says. “She was really a woman well ahead of her time.”

When he and Glatzer began working on the screenplay in 2001, they decided that Colette’s first marriage would be a natural narrative for a feature film. The final screenplay, which Westmoreland finished with Rebecca Lenkiewicz (“Disobedience”), focused on Colette’s marriage to Willy and relationship with Missy, and included the publication of the infamous “Claudine” novels.

“There are so many modern elements to her story,” Westmoreland says. “He had the gift of the gab and would take over the room with an anecdote. But he really wasn’t so good at sitting down and writing an extended piece. So he hired various ghostwriters to work for him, four or five struggling writers who worked in his ‘factory,’ rather like Warhol. Willy would pitch the idea, then he would edit, and then he would sign them, but he didn’t write them. It was sham, really, but he got away with it with his tremendous energy and personality and his huge projection into the social space.”

One of Willy’s ghostwriters was Colette herself. He got her to write for him a series of four novels that became huge bestsellers and claimed he was the author.

When the Claudine novels, witty and brazen stories loosely based on Colette’s own life, became a success, Willy established himself as a very modern “literary entrepreneur.”

“Once the books were a hit, Willie was a marketing genius,” Westmoreland says. “He created a brand: Claudine cigarettes, Claudine perfume, Claudine soap and Claudine dresses. It was like ‘Star Wars’ toys; George Lucas legendarily made more money from the toys than the movies.”

In addition, Colette and Willy also become the first modern celebrity couple—the toast of the Belle Époque.

“They were like John and Yoko or Brangelina,” he says. “Willie know how to feed the public’s fascination by dropping scandalous hints about their private life into the novels. People become fascinated with it, like a modern reality TV show.”

Westmoreland says Colette was one of the first women to write explicitly about sexuality from a woman’s perspective, a notion he says was groundbreaking. He used those aspects of Colette’s story to convince Knightly to take the challenging leading role, telling her Colette was a sexual pioneer who was having sex with men, women and a male-identified woman who can be seen as a forerunner of today’s trans community.

“It was so exciting for her to take on this character who was so courageous in the way she lived her life and so honest in the way he spoke about it.”

Colette’s revolutionary spirit also inspired the casting of some of the minor roles.

Westmoreland cast actor Jake Graf, a trans man, to play a cisgender character, Gaston De Caillavet, a rival of Willly’s. He also cast actress Rebecca Root, a trans woman, to play a cisgender woman, the famous novelist and hostess Rachilde. The movie also features Ray Panthaki, who’s Asian-British, playing Pierre Veber, a member of Willy’s factory who was white in real life; and Johnny K. Palmer, a black actor, playing another white figure, Paul Héon, who was Willy’s secretary.

“This does not happen frequently in making period pieces and too rarely happens in modern narratives, as well,” he says. “Since Colette was part of challenging convention and opening up the world, it felt right that the casting of the movie should reflect that. And besides, they are just great actors.”

 

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Summer in the City: Free exhibits, movies, more fill D.C.’s calendar

America 250 celebrations continue

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Cynthia Erivo and Ariana Grande star in ‘Wicked,’ screening Sept. 12 at Union Market. (Photo courtesy of Universal Pictures)

From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.

Museum exhibitions

The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free. 

The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.

The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.

The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.

Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.

The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.

At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.

The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.

The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3. 

Live performances

On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game. 

Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.

From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.

Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances. 

DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace. 

Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.

Other events

Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.

Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary. 

The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.

For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.

Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.

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Summer in D.C. brings sports, Restaurant Week, festivals, and more

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Washington Spirit CEO Kim Stone hosts Pride Night OUT on Sunday, Aug. 23. (Photo courtesy of Washington Spirit)

Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.

Dining

Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.

New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:

  • Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
  • The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
  • Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
  • Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.

Sports

  • Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements. 
  • Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.

Festivals

  • Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
  • Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods. 
  • The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
  • All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
  • Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.

Art and Music

  • United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club. 
  • The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
  • Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
  • ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
  • 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
  • Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
  • Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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Tickets on sale for chef Patrick O’Connell’s book launch event

Sept. 18 kickoff to feature José Andrés, Tom Sietsema

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Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.

Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.

 O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.

 “I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”

O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.

“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”

The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination. 

The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.

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