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Kevin Hart steps aside as 2019 Oscar host after protests

In the age of #MeToo, a controversial host is toast

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Kevin Hart. (Photo Facebook)

UPDATE:Ā Comedian and actor Kevin Hart says he has stepped down from hosting the 2019 Oscars following a controversy over homophobic tweets and comments from his stand up act from as far back as 2009.

Hart said he does not wish to be a distraction and that he is “sorry he had hurt people” afterĀ calls for the Academy to drop him went viral.

Hart had said hosting the Oscars was “a goal on my list for a long time.”

On Thursday, Hart initially responded to outcry over his being named by the Academy as host of the ceremony with a video posted on Instagram, in which he said, ā€œGuys, Iā€™m nearly 40 years old. If you donā€™t believe that people change, grow, evolve as they get older, I donā€™t know what to tell you. If you want to hold people in a position where they always have to justify the past, do you. Iā€™m the wrong guy, man.”

This was followed later on Thursday evening with another video, in which the comedian told followers the Academy had called him and offered him an ultimatum: apologize for the tweets or step down as host.Ā  He refused to apologize, saying he had “addressed this several times.Ā  This is not the first time this has come up.Ā  I’ve addressed it.Ā  I’ve spoken on it.”

Finally, late in the day, Hart announced via Twitter that he had chosen to step down “because I do not want to be a distraction on a night that should be celebrated by so many amazing talented artists.”

“I sincerely apologise to the LGBTQ community for my insensitive words of the past,” he said.

As its much-criticized (and now recanted) decision to add a ā€œBest Popular Filmā€ category to its awards roster earlier this year clearly revealed, the Oscars are desperate to increase their ever-declining ratings.

Has the Academy Award lost its way? That question is increasingly being asked.

For the broadcast of the Academy Awardsā€™ 90th annual ceremony in 2018, viewership was about 26.5 million people ā€“ around 20% lower than the previous year, it was the first time the figure had dropped below 30 million and the lowest number since Nielsen started tracking Oscar ratings in 1974.

The Hart fiasco was born of a reckless effort to boost its relevance and regain audience.

At first glance, it seemed like the perfect solution to their problem. Hart is immensely popular, performing to sell-out crowds in huge venues like the 69,000-seat Lincoln Financial Field in his hometown of Philadelphia. He topped Forbesā€™ 2016 list of the highest-paid comedians, and heā€™s proven his appeal to movie crowds with box-office hits, like this yearā€™s ā€œNight Schoolā€ and ā€œJumanji: Welcome to the Jungle.ā€

His films have grossed $3.5 billion worldwide, and his social media presence (35 million followers on Twitter, 65 million on Instagram) is impressive. The chance to see what he does as an Oscar host obviously had the potential to draw a lot of viewers that wouldnā€™t normally tune in.

In addition, Hart had been vocal about his desire to host the Oscars for several years now.

Itā€™s a job that has proven thankless for many celebrities who have done it in the past ā€“ from Chevy Chase to David Letterman to Seth McFarlane, the ceremony has been fronted by a long list of popular comedians who were deemed to have failed spectacularly, and thereā€™s an even longer list of personalities who have been asked and turned it down (as detailed in a recent piece by the Hollywood Reporter).

But Hart had actively been after the gig since at least 2015, when the Los Angeles Times reported him as saying, “If I can start the campaign now and get them into it, I’m all for it. I would just jump at the opportunity.”

Lastly, as only the fourth African-American person ever to host the ceremony (following Richard Pryor, Chris Rock, and four-time host Whoopi Goldberg), Hart would potentially have helped to smooth over the lingering criticism stemming from the #OscarsSoWhite controversy of two years ago, when the lack of diversity among the Academyā€™s award nominations ā€“ and onstage at its ceremony ā€“ underscored the inadequate representation of non-whites within the content produced by the Hollywood film industry. In a year when most of the apparent front-runners seem, yet again, to be white, having a black host might be a way to stave off any resurgence of backlash.

Unfortunately, this solution failed to take into account the messaging it sent on another front.

 

View this post on Instagram

 

Stop looking for reasons to be negative…Stop searching for reasons to be angry….I swear I wish you guys could see/feel/understand the mental place that I am in. I am truly happy people….there is nothing that you can do to change that…NOTHING. I work hard on a daily basis to spread positivity to all….with that being said. If u want to search my history or past and anger yourselves with what u find that is fine with me. Iā€™m almost 40 years old and Iā€™m in love with the man that I am becoming. You LIVE and YOU LEARN & YOU GROW & YOU MATURE. I live to Love….Please take your negative energy and put it into something constructive. Please….Whatā€™s understood should never have to be said. I LOVE EVERYBODY…..ONCE AGAIN EVERYBODY. If you choose to not believe me then thatā€™s on you….Have a beautiful day

A post shared by Kevin Hart (@kevinhart4real) on

The Academy ā€“ in typically tone-deaf fashion ā€“ may have chosen a host who checks off several important boxes for image-conscious Hollywood, but in doing so it ignored Hartā€™s problematic history of homophobia.

And as you can see from the Instagram post above, Hart is now positioning himself as a victim of PC culture run amok.

It’s not all that different from the notorious comedy routine for his 2010 TV special, ā€œSeriously Funny,ā€ Hart joked that as a parent, ā€œone of my biggest fears is my son growing up and being gay.ā€ After quickly adding that he had ā€œnothing against gay people,ā€ he went on to say that ā€œas a heterosexual male, if I can prevent my son from being gay, I will.ā€ He went on to joke that every kid has a ā€œgay momentā€¦ but when it happens, you gotta nip it in the bud.ā€

In a 2015 interview withĀ Rolling Stone, Hart confessed that he ā€œwouldnā€™t tell the joke today.ā€ His reasons, however, had nothing to do with the obvious anti-gay bias involved; instead, he deflected by saying, ā€œthe times werenā€™t as sensitive as they are now. I think we love to make big deals out of things that arenā€™t necessarily big deals, because we can. These things become public spectacles. So why set yourself up for failure?ā€

He also responded in an interview with Parade, by saying, ā€œI had one gay joke in my career and it was about my son at a birthday party, and it was before things got as PC as they are now.ā€

In other words, his only remorse was over how it affected his image.

Blaming the current #MeToo movement for creating this atmosphere is not a show of remorse. Neither is saying it’s something he’s sorry about while he keeps doing it.

Apparently, that remorse has not been strong enough to keep him from making more homophobic comments. His Twitter feed has been laced with them throughout his career ā€“ things like ā€œYo if my son comes home & tryā€™s 2 play with my daughterā€™s doll house Iā€™m going 2 break it over his head % say n my voice ā€˜stop thatā€™s gay.ā€™ā€

In one particularly offensive tweet, he called out another Twitter user by saying their profile picture looked ā€œlike a gay billboard for AIDS.ā€

He has repeatedly used phrases like ā€œno homoā€ and ā€œno homo gay,ā€ and lambasted his critics by calling them such names as ā€œf*g boy,ā€ ā€œgay face,ā€ ā€œfat faced f*g,ā€ and ā€œman bitch.ā€

According to an article published by Queerty just this morning, Hart had been deleting many of these posts ā€“ most of which had already been re-Tweeted in protest by thousands of Twitter users after news broke of his Oscar gig.

Thereā€™s also the matter of his treatment of ex-wife Torrei Hart, to whom he admitted being physically abusive in his 2017 memoir, ā€œI Canā€™t Make This Up.ā€ He also confessed in a radio interview last year to having cheated on his current wife, Eniko Parrish, just a few months earlier ā€“ while she was pregnant.

With LGBTQ-focused films like ā€œBoy Erasedā€ and ā€œBohemian Rhapsodyā€ predicted to be in the running, as well as ā€œA Star Is Born,ā€ which features gay icon Lady Gaga, this yearā€™s Oscars are shaping up to have a strong queer presence. With this in mind, placing Hart in the center of the proceedings ā€“ when his long track record of homophobic remarks was already well-documented and should have been taken into account by the Academy before offering him the job ā€“ was always a bad idea.

Whether or not the comedian really believes the homophobic viewpoints he has projected in his comedy ā€“ which, for the record, he has repeatedly insisted he does not ā€“ his selection as host sent a mixed message from the Academy to its membership and to its millions of avid followers, many of whom are either LGBTQ or allies.

It’s not the first time the organization has faced this issue.Ā  In 2011, Brett Ratner was forced to resign as producer of that yearā€™s Oscar ceremony due to his record of homophobic slurs.

As for the Hart debacle, the Academy has yet to issue a statement.

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Theater

ā€˜Acting their asses offā€™ in ā€˜Exception to the Ruleā€™

Studio production takes place during after-school detention

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Cast of ā€˜Exception to the Ruleā€™ at Studio Theatre (Shana Lee Hill, Khalia Muhammad, Jacques Jean-Mary, Sabrina Lynne Sawyer, Khouri St.Surin, and Steven Taylor Jr.) (Photo by Margot Schulman)

ā€˜Exception to the Ruleā€™
Through Sunday, October 27
Studio Theatre
1501 14th St. NW, Washington, D.C.
$40-$95
Studiotheatre.org

After-school detention is a bore, but itā€™s especially tiresome on the last day of classes before a holiday.  

In Dave Harrisā€™s provocative new play ā€œException to the Ruleā€ (now at Studio Theatre) thatā€™s just the case. 

Itā€™s Friday, and the usual suspects are reporting to room 111 for detention before enjoying the long MLK weekend. First on the scene are blaring ā€œbad girlā€ Mikayla (Khalia Muhammad) and nerdy stoner Tommy (Stephen Taylor Jr.), followed by mercurial player Dayrin (Jacques Jean-Mary), kind Dasani (Shana Lee Hill), and unreadable Abdul (Khouri St.Surin). 

The familiar is jaw-droppingly altered by the entrance of ā€œCollege Bound Erikaā€ (Sabrina Lynne Sawyer), a detention first timer whose bookworm presence elicits jokes from the others: What happened? You fail a test? 

Dasani (whoā€™s teased for being named for designer water) dubs Erika ā€œSweet Peaā€ and welcomes her to the rule-breaking fold. Together the regulars explain how detention works: The moderator, Mr. Bernie, shows up, signs their slips, and then they go. But today the teacher is tardy. 

As they wait, the kids pass the time laughing, trash talking, flirting, and yelling. When not bouncing around the classroom, Dayrin is grooming his hair, while Dasani endlessly reapplies blush and lip gloss. At one point two boys almost come to blows, nearly repeating the cafeteria brawl that landed them in detention in the first place.  

Itā€™s loud. Itā€™s confrontational. And itā€™s funny.

Erika is naively perplexed: ā€œI thought detention was quiet. A place where everyone remembers the mistakes that got them here and then learns how to not make the same mistakes again.ā€ 

For room 111, the only connection to the outside world is an increasingly glitchy and creepy intercom system. Announcements (bus passes, the schoolā€™s dismal ranking, the impending weekend lockdown, etc.) are spoken by the unseen but unmistakably stentorian-voiced Craig Wallace. 

Dave Harris first conceived ā€œException to the Ruleā€ in 2014 during his junior year at Yale University. In the program notes, the Black playwright describes ā€œException to the Ruleā€ as ā€œa single set / six actors on a stage, just acting their asses off.ā€ Itā€™s true, and they do it well. 

Miranda Haymon is reprising their role as director (they finely helmed the playā€™s 2022 off-Broadway debut at Roundabout Theatre Company in New York). Haymon orchestrates a natural feel to movement in the classroom, and without entirely stilling the action on stage (makeup applying, scribbling, etc.), the out director gives each member of the terrific cast their revelatory moment. In a busy room, we learn that Tommyā€™s goofiness belies trauma, that Mikayla is admirably resourceful, and most startling, why Erika, the schoolā€™s top student, is in detention.   

Mr. Bernie is clearly a no-show. And despite his absence, the regulars are bizarrely loath to leave the confines of 111 for fear of catching yet another detention. Of course, itā€™s emblematic of something bigger. Still, things happen within the room.

While initially treated as a sort of mascot, awkwardly quiet Erika becomes rather direct in her questions and observations. Suddenly, sheā€™s rather stiffly doling out unsolicited advice. 

Itā€™s as if an entirely new person has been thrown into the mix.  

Not all of her guidance goes unheeded. Take fighting for instance. At Erikaā€™s suggestion, St.Surinā€™s Abdul refrains from kicking Dayrinā€™s ass. (Just feet from the audience gathered for a recent matinee in Studioā€™s intimate Mead Theatre, Abdulā€™s frustration resulting from anger while yearning for a world of principled order is palpable as evidenced when a single tear rolled down the actorā€™s right cheek) 

Set designer Tony Cisek renders a no-frills classroom with cinder block walls, a high and horizontal row of frosted fixed windows that become eerily prison like when overhead fluorescent lighting is threateningly dimmed.  

Still, no matter how dark, beyond the classroom door, a light remains aglow, encouraging the kids to ponder an exit plan. 

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Out & About

Commanders Pride Night Out is back

Fourth annual event held at Northwest Stadium

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(Washington Blade file photo by Michael Key)

The Washington Commanders are proud to welcome the LGBTQ community for the fourth annual ā€œPride Night Out!ā€ on Sunday, Oct. 6 at 1 p.m. at Northwest Stadium in Landover, Md.

This will be a matchup against the Cleveland Browns. The Pregame Pride Party Pass and Club level game ticket includes premier party location and club level ticket all-you-can-eat buffet, beer and wine, an exclusive Commanders Pride T-shirt, pregame entertainment and a postgame photo on the field.

More ticket options are available and $5 of every ticket goes back to Team DC. For more information visit the Commandersā€™ website.Ā 

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Out & About

Calendar: October 4-10

LGBTQ events in the days to come

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Friday, October 4

ā€œCenter Aging Friday Tea Timeā€ will be at 2 p.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].Ā 

Go Gay DC will host ā€œFirst Friday LGBTQ+ Community Socialā€ at 7 p.m. at The Commentary. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.

Saturday, October 5

Go Gay DC will host ā€œLGBTQ+ Community Brunchā€ at 11 a.m. at Freddieā€™s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.

LGBTQ+ People of Color Support Group will be at 1:00p.m. on Zoom. This peer support group is an outlet for LGBTQ People of Color to come together and talk about anything affecting them in a space that strives to be safe and judgment free. For more details, visit thedccenter.org/poc or facebook.com/centerpoc.Ā Ā 

Sunday, October 6

Go Gay DC will host ā€œLGBTQ+ Community Dinnerā€ at 6:30 p.m. at Federico Ristorante Italiano Freddieā€™s Beach Bar & Restaurant. Guests are encouraged to come enjoy an evening of Italian-style dining and conversation with other LGBTQ folk. Attendance is free and more details are available on Eventbrite.

AfroCode DC will be at 4 p.m. at Decades DC. This event will be an experience of non-stop music, dancing, and good vibes and a crossover of genres and a fusion of cultures. Tickets cost $40 and can be purchased on Eventbrite.Ā 

Monday, October 7

Center Aging: Monday Coffee & Conversation will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of their choice. For more details, email [email protected].Ā 

Tuesday, October 8

Pride on the Patio Events will host ā€œLGBTQ Social Mixerā€ at 5:30 p.m. at Showroom. Dress is casual, fancy, or comfortable. Guests are encouraged to bring their most authentic self to chat, laugh, and get a little crazy. Admission is free and more details are on Eventbrite.

Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a peer-facilitated discussion group. It is a safe space to share experiences about coming out and discuss topics as it relates to doing so. For more details, visit the groupā€™s Facebook page.Ā 

Trans Support Group will be at 7 p.m. on Zoom. This group is intended to provide emotionally and physically safe space for trans* people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].Ā 

Wednesday, October 9

Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking ā€” allowing participants to move away from being merely ā€œapplicantsā€ toward being ā€œcandidates.ā€ For more information, email [email protected] or visit www.thedccenter.org/careers.

Thursday, October 10

Virtual Yoga with Charles M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Communityā€™s website.

South Asian LGBTQ+ Support Group will be at 7 p.m. on Zoom. KHUSHDC provides a safe, confidential space for South Asian LGBTQ community members to come together and share experiences. This peer support group is an outlet for South Asian-identified LGBTQ individuals to come and talk about anything affecting them. For more details, email [email protected].Ā 

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