Arts & Entertainment
Kevin Hart steps aside as 2019 Oscar host after protests
In the age of #MeToo, a controversial host is toast
UPDATE:Ā Comedian and actor Kevin Hart says he has stepped down from hosting the 2019 Oscars following a controversy over homophobic tweets and comments from his stand up act from as far back as 2009.
Hart said he does not wish to be a distraction and that he is “sorry he had hurt people” afterĀ calls for the Academy to drop him went viral.
Hart had said hosting the Oscars was “a goal on my list for a long time.”
On Thursday, Hart initially responded to outcry over his being named by the Academy as host of the ceremony with a video posted on Instagram, in which he said, āGuys, Iām nearly 40 years old. If you donāt believe that people change, grow, evolve as they get older, I donāt know what to tell you. If you want to hold people in a position where they always have to justify the past, do you. Iām the wrong guy, man.”
This was followed later on Thursday evening with another video, in which the comedian told followers the Academy had called him and offered him an ultimatum: apologize for the tweets or step down as host.Ā He refused to apologize, saying he had “addressed this several times.Ā This is not the first time this has come up.Ā I’ve addressed it.Ā I’ve spoken on it.”
Finally, late in the day, Hart announced via Twitter that he had chosen to step down “because I do not want to be a distraction on a night that should be celebrated by so many amazing talented artists.”
“I sincerely apologise to the LGBTQ community for my insensitive words of the past,” he said.
I’m sorry that I hurt people.. I am evolving and want to continue to do so. My goal is to bring people together not tear us apart. Much love & appreciation to the Academy. I hope we can meet again.
ā Kevin Hart (@KevinHart4real) December 7, 2018
As its much-criticized (and now recanted) decision to add a āBest Popular Filmā category to its awards roster earlier this year clearly revealed, the Oscars are desperate to increase their ever-declining ratings.
Has the Academy Award lost its way? That question is increasingly being asked.
For the broadcast of the Academy Awardsā 90th annual ceremony in 2018, viewership was about 26.5 million people ā around 20% lower than the previous year, it was the first time the figure had dropped below 30 million and the lowest number since Nielsen started tracking Oscar ratings in 1974.
The Hart fiasco was born of a reckless effort to boost its relevance and regain audience.
At first glance, it seemed like the perfect solution to their problem. Hart is immensely popular, performing to sell-out crowds in huge venues like the 69,000-seat Lincoln Financial Field in his hometown of Philadelphia. He topped Forbesā 2016 list of the highest-paid comedians, and heās proven his appeal to movie crowds with box-office hits, like this yearās āNight Schoolā and āJumanji: Welcome to the Jungle.ā
His films have grossed $3.5 billion worldwide, and his social media presence (35 million followers on Twitter, 65 million on Instagram) is impressive. The chance to see what he does as an Oscar host obviously had the potential to draw a lot of viewers that wouldnāt normally tune in.
In addition, Hart had been vocal about his desire to host the Oscars for several years now.
Itās a job that has proven thankless for many celebrities who have done it in the past ā from Chevy Chase to David Letterman to Seth McFarlane, the ceremony has been fronted by a long list of popular comedians who were deemed to have failed spectacularly, and thereās an even longer list of personalities who have been asked and turned it down (as detailed in a recent piece by the Hollywood Reporter).
But Hart had actively been after the gig since at least 2015, when the Los Angeles Times reported him as saying, “If I can start the campaign now and get them into it, I’m all for it. I would just jump at the opportunity.”
Lastly, as only the fourth African-American person ever to host the ceremony (following Richard Pryor, Chris Rock, and four-time host Whoopi Goldberg), Hart would potentially have helped to smooth over the lingering criticism stemming from the #OscarsSoWhite controversy of two years ago, when the lack of diversity among the Academyās award nominations ā and onstage at its ceremony ā underscored the inadequate representation of non-whites within the content produced by the Hollywood film industry. In a year when most of the apparent front-runners seem, yet again, to be white, having a black host might be a way to stave off any resurgence of backlash.
Unfortunately, this solution failed to take into account the messaging it sent on another front.
The Academy ā in typically tone-deaf fashion ā may have chosen a host who checks off several important boxes for image-conscious Hollywood, but in doing so it ignored Hartās problematic history of homophobia.
And as you can see from the Instagram post above, Hart is now positioning himself as a victim of PC culture run amok.
It’s not all that different from the notorious comedy routine for his 2010 TV special, āSeriously Funny,ā Hart joked that as a parent, āone of my biggest fears is my son growing up and being gay.ā After quickly adding that he had ānothing against gay people,ā he went on to say that āas a heterosexual male, if I can prevent my son from being gay, I will.ā He went on to joke that every kid has a āgay momentā¦ but when it happens, you gotta nip it in the bud.ā
In a 2015 interview withĀ Rolling Stone, Hart confessed that he āwouldnāt tell the joke today.ā His reasons, however, had nothing to do with the obvious anti-gay bias involved; instead, he deflected by saying, āthe times werenāt as sensitive as they are now. I think we love to make big deals out of things that arenāt necessarily big deals, because we can. These things become public spectacles. So why set yourself up for failure?ā
He also responded in an interview with Parade, by saying, āI had one gay joke in my career and it was about my son at a birthday party, and it was before things got as PC as they are now.ā
In other words, his only remorse was over how it affected his image.
Blaming the current #MeToo movement for creating this atmosphere is not a show of remorse. Neither is saying it’s something he’s sorry about while he keeps doing it.
Apparently, that remorse has not been strong enough to keep him from making more homophobic comments. His Twitter feed has been laced with them throughout his career ā things like āYo if my son comes home & tryās 2 play with my daughterās doll house Iām going 2 break it over his head % say n my voice āstop thatās gay.āā
In one particularly offensive tweet, he called out another Twitter user by saying their profile picture looked ālike a gay billboard for AIDS.ā
He has repeatedly used phrases like āno homoā and āno homo gay,ā and lambasted his critics by calling them such names as āf*g boy,ā āgay face,ā āfat faced f*g,ā and āman bitch.ā
According to an article published by Queerty just this morning, Hart had been deleting many of these posts ā most of which had already been re-Tweeted in protest by thousands of Twitter users after news broke of his Oscar gig.
Thereās also the matter of his treatment of ex-wife Torrei Hart, to whom he admitted being physically abusive in his 2017 memoir, āI Canāt Make This Up.ā He also confessed in a radio interview last year to having cheated on his current wife, Eniko Parrish, just a few months earlier ā while she was pregnant.
With LGBTQ-focused films like āBoy Erasedā and āBohemian Rhapsodyā predicted to be in the running, as well as āA Star Is Born,ā which features gay icon Lady Gaga, this yearās Oscars are shaping up to have a strong queer presence. With this in mind, placing Hart in the center of the proceedings ā when his long track record of homophobic remarks was already well-documented and should have been taken into account by the Academy before offering him the job ā was always a bad idea.
Whether or not the comedian really believes the homophobic viewpoints he has projected in his comedy ā which, for the record, he has repeatedly insisted he does not ā his selection as host sent a mixed message from the Academy to its membership and to its millions of avid followers, many of whom are either LGBTQ or allies.
It’s not the first time the organization has faced this issue.Ā In 2011, Brett Ratner was forced to resign as producer of that yearās Oscar ceremony due to his record of homophobic slurs.
As for the Hart debacle, the Academy has yet to issue a statement.
Theater
āActing their asses offā in āException to the Ruleā
Studio production takes place during after-school detention
āException to the Ruleā
Through Sunday, October 27
Studio Theatre
1501 14th St. NW, Washington, D.C.
$40-$95
Studiotheatre.org
After-school detention is a bore, but itās especially tiresome on the last day of classes before a holiday.
In Dave Harrisās provocative new play āException to the Ruleā (now at Studio Theatre) thatās just the case.
Itās Friday, and the usual suspects are reporting to room 111 for detention before enjoying the long MLK weekend. First on the scene are blaring ābad girlā Mikayla (Khalia Muhammad) and nerdy stoner Tommy (Stephen Taylor Jr.), followed by mercurial player Dayrin (Jacques Jean-Mary), kind Dasani (Shana Lee Hill), and unreadable Abdul (Khouri St.Surin).
The familiar is jaw-droppingly altered by the entrance of āCollege Bound Erikaā (Sabrina Lynne Sawyer), a detention first timer whose bookworm presence elicits jokes from the others: What happened? You fail a test?
Dasani (whoās teased for being named for designer water) dubs Erika āSweet Peaā and welcomes her to the rule-breaking fold. Together the regulars explain how detention works: The moderator, Mr. Bernie, shows up, signs their slips, and then they go. But today the teacher is tardy.
As they wait, the kids pass the time laughing, trash talking, flirting, and yelling. When not bouncing around the classroom, Dayrin is grooming his hair, while Dasani endlessly reapplies blush and lip gloss. At one point two boys almost come to blows, nearly repeating the cafeteria brawl that landed them in detention in the first place.
Itās loud. Itās confrontational. And itās funny.
Erika is naively perplexed: āI thought detention was quiet. A place where everyone remembers the mistakes that got them here and then learns how to not make the same mistakes again.ā
For room 111, the only connection to the outside world is an increasingly glitchy and creepy intercom system. Announcements (bus passes, the schoolās dismal ranking, the impending weekend lockdown, etc.) are spoken by the unseen but unmistakably stentorian-voiced Craig Wallace.
Dave Harris first conceived āException to the Ruleā in 2014 during his junior year at Yale University. In the program notes, the Black playwright describes āException to the Ruleā as āa single set / six actors on a stage, just acting their asses off.ā Itās true, and they do it well.
Miranda Haymon is reprising their role as director (they finely helmed the playās 2022 off-Broadway debut at Roundabout Theatre Company in New York). Haymon orchestrates a natural feel to movement in the classroom, and without entirely stilling the action on stage (makeup applying, scribbling, etc.), the out director gives each member of the terrific cast their revelatory moment. In a busy room, we learn that Tommyās goofiness belies trauma, that Mikayla is admirably resourceful, and most startling, why Erika, the schoolās top student, is in detention.
Mr. Bernie is clearly a no-show. And despite his absence, the regulars are bizarrely loath to leave the confines of 111 for fear of catching yet another detention. Of course, itās emblematic of something bigger. Still, things happen within the room.
While initially treated as a sort of mascot, awkwardly quiet Erika becomes rather direct in her questions and observations. Suddenly, sheās rather stiffly doling out unsolicited advice.
Itās as if an entirely new person has been thrown into the mix.
Not all of her guidance goes unheeded. Take fighting for instance. At Erikaās suggestion, St.Surinās Abdul refrains from kicking Dayrinās ass. (Just feet from the audience gathered for a recent matinee in Studioās intimate Mead Theatre, Abdulās frustration resulting from anger while yearning for a world of principled order is palpable as evidenced when a single tear rolled down the actorās right cheek)
Set designer Tony Cisek renders a no-frills classroom with cinder block walls, a high and horizontal row of frosted fixed windows that become eerily prison like when overhead fluorescent lighting is threateningly dimmed.
Still, no matter how dark, beyond the classroom door, a light remains aglow, encouraging the kids to ponder an exit plan.
The Washington Commanders are proud to welcome the LGBTQ community for the fourth annual āPride Night Out!ā on Sunday, Oct. 6 at 1 p.m. at Northwest Stadium in Landover, Md.
This will be a matchup against the Cleveland Browns. The Pregame Pride Party Pass and Club level game ticket includes premier party location and club level ticket all-you-can-eat buffet, beer and wine, an exclusive Commanders Pride T-shirt, pregame entertainment and a postgame photo on the field.
More ticket options are available and $5 of every ticket goes back to Team DC. For more information visit the Commandersā website.Ā
Friday, October 4
āCenter Aging Friday Tea Timeā will be at 2 p.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].Ā
Go Gay DC will host āFirst Friday LGBTQ+ Community Socialā at 7 p.m. at The Commentary. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Saturday, October 5
Go Gay DC will host āLGBTQ+ Community Brunchā at 11 a.m. at Freddieās Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
LGBTQ+ People of Color Support Group will be at 1:00p.m. on Zoom. This peer support group is an outlet for LGBTQ People of Color to come together and talk about anything affecting them in a space that strives to be safe and judgment free. For more details, visit thedccenter.org/poc or facebook.com/centerpoc.Ā Ā
Sunday, October 6
Go Gay DC will host āLGBTQ+ Community Dinnerā at 6:30 p.m. at Federico Ristorante Italiano Freddieās Beach Bar & Restaurant. Guests are encouraged to come enjoy an evening of Italian-style dining and conversation with other LGBTQ folk. Attendance is free and more details are available on Eventbrite.
AfroCode DC will be at 4 p.m. at Decades DC. This event will be an experience of non-stop music, dancing, and good vibes and a crossover of genres and a fusion of cultures. Tickets cost $40 and can be purchased on Eventbrite.Ā
Monday, October 7
Center Aging: Monday Coffee & Conversation will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of their choice. For more details, email [email protected].Ā
Tuesday, October 8
Pride on the Patio Events will host āLGBTQ Social Mixerā at 5:30 p.m. at Showroom. Dress is casual, fancy, or comfortable. Guests are encouraged to bring their most authentic self to chat, laugh, and get a little crazy. Admission is free and more details are on Eventbrite.
Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a peer-facilitated discussion group. It is a safe space to share experiences about coming out and discuss topics as it relates to doing so. For more details, visit the groupās Facebook page.Ā
Trans Support Group will be at 7 p.m. on Zoom. This group is intended to provide emotionally and physically safe space for trans* people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].Ā
Wednesday, October 9
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking ā allowing participants to move away from being merely āapplicantsā toward being ācandidates.ā For more information, email [email protected] or visit www.thedccenter.org/careers.
Thursday, October 10
Virtual Yoga with Charles M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Communityās website.
South Asian LGBTQ+ Support Group will be at 7 p.m. on Zoom. KHUSHDC provides a safe, confidential space for South Asian LGBTQ community members to come together and share experiences. This peer support group is an outlet for South Asian-identified LGBTQ individuals to come and talk about anything affecting them. For more details, email [email protected].Ā