Arts & Entertainment

GLAAD Media Awards announces 2019 nominees

‘Pose,’ The Favorite,’ ‘Love, Simon’ and more honored for LGBT-inclusivity

Published

8 years ago

January 25, 2019

The 30th annual GLAAD Media Awards were announced on Friday at the Sundance Film Festival in Park City, Utah by “Pose” star Mj Rodriguez (Pose) and Nico Santos (“Crazy Rich Asians,” “Superstore”).

This year GLAAD expanded its nominations in the Outstanding Film – Limited Release category from five nominees to 10. The nominees include “The Favourite,” “Can You Ever Forgive Me?” “Boy Erased and “The Miseducation of Cameron Post,” among others. As for the Outstanding Film – Wide Release category, the teen rom-com “Love, Simon” and Marvel superhero sequel “Deadpool 2” were among the nominees.

For television, Netflix, Hulu and Amazon collectively received the most nominations with 11.

FX’s “Pose,” which made history as the first scripted television series to include a majority transgender cast, was nominated for Outstanding Drama Series along with “Supergirl” (CW), “Billions” (Showtime) and more.

This year GLAAD also opened up the awards to recognize LGBT-inclusive content in video games as well.

“GLAAD has always leveraged diverse forms of media to share LGBTQ stories which change hearts and minds, and as the video game industry reaches new heights of popularity and influence, it is imperative that LGBTQ people and issues are included in fair and accurate ways,” Sarah Kate Ellis, GLAAD President and CEO, said in a statement.

In GLAAD’s music categories, Janelle Monáe, Brandi Carlile, Troye Sivan, Hayley Kiyoko and Years & Years were among the nominees.

“The images and stories recognized by the GLAAD Media Awards over the past 30 years raised the bar for LGBTQ inclusion in the media industry and changed the hearts and minds of countless audience members around the world,” Ellis said. “This year’s nominees are changing the game by showcasing diverse races, genders, religions, ages, geographies, and genres in ways that challenge misconceptions and inspire LGBTQ acceptance. The 30th anniversary of the GLAAD Media Awards will honor these groundbreaking new LGBTQ stories while remembering the astounding positive cultural change that LGBTQ media representations have achieved.”

The GLAAD Media Awards will be held in a bi-coastal celebration on Thursday, March 28 in Los Angeles at The Beverly Hilton and Saturday, May 4 in New York City at the Hilton Midtown.

Check out the list of nominees below.

Outstanding Film – Wide Release
“Blockers” (Universal)
“Crazy Rich Asians” (Warner Bros.)
“Deadpool 2” (20th Century Fox)
“The Girl in the Spider’s Web” (Sony Pictures)
“Love, Simon” (20th Century Fox)

Outstanding Film – Limited Release
“1985” (Wolfe Releasing)
“Boy Erased” (Focus Features)
“Can You Ever Forgive Me?” (Fox Searchlight)
“Disobedience” (Bleecker Street)
“The Favourite” (Fox Searchlight)
“Hearts Beat Loud” (Gunpowder & Sky)
“A Kid Like Jake” (IFC Films)
“The Miseducation of Cameron Post” (FilmRise)
“Saturday Church” (Samuel Goldwyn Films)
“We the Animals” (The Orchard)

Outstanding Drama Series
“Billions” (Showtime)
“Black Lightning” (The CW)
“Grey’s Anatomy” (ABC)
“The Handmaid’s Tale” (Hulu)
“Instinct” (CBS)
“Pose” (FX)
“Shadowhunters” (Freeform)
“Star” (Fox)
“Supergirl” (The CW)
“Wynonna Earp” (Syfy)

Outstanding Comedy Series
“Brooklyn Nine-Nine” (FOX)*
“Crazy Ex-Girlfriend” (The CW)
“Dear White People” (Netflix)
“Modern Family” (ABC)
“One Day at a Time” (Netflix)
“Schitt’s Creek” (Pop)
“Superstore” (NBC)
“This Close” (Sundance Now)
“Vida” (Starz)
“Will & Grace” (NBC)
*Note: Brooklyn Nine-Nine now airs on NBC

Outstanding Individual Episode (in a series w/o a regular LGBTQ character)
“King in the North”-“Fresh Off the Boat” (ABC)
“Prom” -“Fuller House” (Netflix)
“Service” – “Law & Order: Special Victims Unit” (NBC)
“She”- “The Good Doctor” (ABC)
“Someplace Other Than Here”-“The Guest Book” (TBS)

Outstanding TV Movie or Limited Series
“American Horror Story: Apocalypse” (FX)
“The Assassination of Gianni Versace: American Crime Story” (FX)
“Life-Size 2” (Freeform)
“Sense8” (Netflix)
“A Very English Scandal” (Amazon Prime)

Outstanding Documentary
“Believer” (HBO)
“Call Her Ganda” (Breaking Glass Pictures)
“My House” (Viceland)
“Quiet Heroes” (Logo)
“When the Beat Drops” (Logo)

Outstanding Kids & Family Programming
“Adventure Time” (Cartoon Network)
“Andi Mack” (The Disney Channel)
“Anne with an E” (Netflix)
“She-Ra” (Netflix)
“Steven Universe” (Cartoon Network)

Outstanding Reality Program
“American Idol” (ABC)
“I Am Jazz” (TLC)
“Love & Hip Hop” (VH1)
“Queer Eye” (Netflix)
“RuPaul’s Drag Race” (VH1)

Outstanding Music Artist
Brandi Carlile, “By the Way, I Forgive You” (Low Country Sound/Elektra)
Brockhampton, “Iridescence” (RCA)
Christine and the Queens, “Chris” (Because Music)
Hayley Kiyoko, “Expectations” (Atlantic)
Janelle Monáe, “Dirty Computer” (Bad Boy Records)
Kim Petras, “Turn Off the Light, Vol. 1” (BunHead)
Shea Diamond, “Seen It All” (Asylum Worldwide)
Sophie, “Oil of Every Pearl’s Un-Insides” (Future Classics)
Troye Sivan, “Bloom” (Capitol Records)
Years & Years, “Palo Santo” (Polydor)

Outstanding Comic Book
“Batwoman,” written by Marguerite Bennett, K. Perkins (DC Comics)
“Bingo Love,” written by Tee Franklin (Image Comics)
“Exit Stage Left: The Snagglepuss Chronicles,” written by Mark Russell (DC Comics)
“Fence,” written by C.S. Pacat (BOOM! Studios)
“Iceman,” written by Sina Grace (Marvel Comics)
“Lumberjanes: The Infernal Compass,” written by Lilah Sturges (BOOM! Studios)
“Oh S#!t It’s Kim & Kim,” written by Magdalene Visaggio (Black Mask Comics)
“Runaways,” written by Rainbow Rowell (Marvel Comics)
“Star Wars: Doctor Aphra,” written by Kieron Gillen, Simon Spurrier (Marvel Comics)
“Strangers in Paradise XXV,” written by Terry Moore (Abstract Studio)

Outstanding Video Game
“Assassin’s Creed: Odyssey” (Ubisoft)
“The Elder Scrolls Online: Summerset” (Bethesda Softworks)
“Guild Wars 2: Path of Fire” (ArenaNet)
“Pillars of Eternity II: Deadfire” (Versus Evil)
“The Sims Mobile” (Electronic Arts)

Outstanding Variety or Talk Show Episode
“Mike Pence and ‘A Day in the Life of Marlon Bundo‘” -“Last Week Tonight with John Oliver” (HBO)
“NRA Problems, Chicken Bone Problems, Birmingham Problems” -“Wyatt Cenac’s Problem Areas “(HBO)
“Trans Rights Under Attack” -“Full Frontal with Samantha Bee” (TBS)
“Troye Sivan Hopes ‘Boy Erased’ Reaches All Parents”- “The Late Show with Stephen Colbert” (CBS)
“Valedictorian Seth Owen”-“The Ellen DeGeneres Show” (syndicated)

Outstanding TV Journalism – Newsmagazine
“Conversion Therapy: God Only Knows” -“CBS Sunday Morning” (CBS)
“Gender: The Space Between”- “CBS News” (CBS)
“Legacy of Hope” -“Nightline” (ABC)
“Respect” -“SC Featured” (ESPN)
“South Texas Pride” [series]- “KSAT News” (KSAT-TV [San Antonio, Texas])

Outstanding TV Journalism Segment
“Historic Number of LGBTQ Candidates on Ballots This Year”- “NBC Nightly News” (NBC)
“Mississippi Town Denies Pride Parade”- “Vice News Tonight” (HBO)
“Olympian Adam Rippon”- “New Day” (CNN)
“Same-sex Couple Reacts to Supreme Court Ruling” -“CNN Tonight with Don Lemon” (CNN)
“Trump: ‘Looking Very Seriously’ at Changing Transgender Definition” -“Velshi & Ruhle” (MSNBC)

Outstanding Newspaper Article
“He Took a Drug to Prevent AIDS. Then He Couldn’t Get Disability Insurance.” by Donald G. McNeil Jr. (The New York Times)
“LGBTQ Parents Challenge Stereotypes in China” by Sue-Lin Wong, Jason Lee (Reuters)
“‘More Than Fear’: Brazil’s LGBT Community Dreads Looming Bolsonaro Presidency” by Marina Lopes (The Washington Post)
“Pistons’ Reggie Bullock to Transgender Community: ‘I see y’all as people that I love'” by Malika Andrews (Chicago Tribune)
“Transgender Students Asked Betsy DeVos for Help. Here’s What Happened.” by Caitlin Emma (Politico)

Outstanding Magazine Article
“21 Transgender Stars, Creators Sound Off on Hollywood: ‘I Want to Portray These Characters, and I’m Ready'” by Chris Gardner, Rebecca Sun, Lindsay Weinberg, Joelle Goldstein, Bryan White (The Hollywood Reporter)
“Can a Transgender Woman Get Justice in Texas?” by Nate Blakeslee (Texas Monthly)
“Ex-Scientologist Michelle LeClair Says Church Officials Humiliated Her After She Came Out as Gay” by Johnny Dodd, Tierney McAfee (People)
“Lena Waithe is Changing the Game” by Jacqueline Woodson (Vanity Fair)
“They are the Champions” by Katie Barnes (ESPN The Magazine)

Outstanding Magazine Overall Coverage
Billboard
Ebony
Entertainment Weekly
GQ
Variety

Outstanding Digital Journalism Article
“Across U.S., LGBTQ Christians Try to Change Hearts and Minds From the Pews” by Julie Compton (NBCNews.com)
“Bermuda Same-sex Marriage Ban Means Trouble for Tourism and Cruise Ships” by Ryan Ruggiero (CNBC.com)
“Deadnamed” by Lucas Waldron, Ken Schwencke (ProPublica.org)
“LGBTQ Caravan Migrants Marry While Waiting for Asylum in Tijuana” by Sarah Kinosian (INTOmore.com)
“Workplaces Need to Prepare for the Non-Binary Future” by Samantha Allen (TheDailyBeast.com)

Outstanding Digital Journalism – Video or Multimedia
“I Was Jailed for Raising the Pride Flag in Egypt” by Amro Helmy (Buzzfeed Video)
“The Latinx Drag Queens Spearheading HIV Activism on the Border” by Paola Ramos (Vice.com)
“March for Our Lives and LGBT activism: ‘They’re definitely linked for me,’ says Emma González” by Beth Greenfield (Yahoo! Lifestyle)
“Marielle and Monica: The LGBT Activists Resisting Bolsonaro’s Brazil” by Fabio Erdos, Marina Costa, Charlie Phillips, Jacqueline Edenbrow (TheGuardian.com)
“Trans Model Aaron Philip is Making a Space for Disabilities on the Runway” (NowThis)

Outstanding Blog
Gays With Kids
Holy Bullies and Headless Monsters
My Fabulous Disease
Pittsburgh Lesbian Correspondents
TransGriot

Special Recognition
“Nanette” (Netflix)
“TransMilitary” (Logo)

SPANISH-LANGUAGE NOMINEES

Outstanding Scripted Television Series (Spanish-Language)
“Élite” (Netflix)
“Mi familia perfecta” (Telemundo)
“Mi marido tiene más familia” (Univision)
“Papá a toda madre” (Univision)

Outstanding TV Journalism – Newsmagazine (Spanish-Language)
“Denuncian trabas migratorias contra la comunidad transgénero”- “Un Nuevo Dia” (Telemundo)
“Entrevista con Luis Sandoval para National Coming Out Day” -“Despierta América” (Univision)
“No es fácil en EEUU ser un gay latino” -“Noticias Telemundo Mediodía” (Telemundo)
“La primera escuela para niños transgénero de Chile” -“Nuestro Mundo” (CNN en Español)

Outstanding TV Journalism Segment (Spanish-Language)
“Entrevista con Pat ‘Cacahuate’ Manuel”- “NoticiasYa Tampa Bay” (Univision)
“LAFC Pride Republic” -“Noticiero Univision Los Ángeles” (Univision)
“Madre hispana lucha contra un agresivo cáncer seno” -“Noticias Univision Arizona” (Univision)
“Primera Pareja Gay en Casarse en un Consulado Mexicano”- “Noticias Telemundo Mediodía” (Telemundo)
“Transpesina”- “Univision 21 Fresno” (Univision)

Outstanding Digital Journalism (Spanish-Language)
“Apoyo y recursos para jóvenes LGBTQ y sus familias” por Virginia Gaglianone (LaOpinion.com)
“Así pinta la televisión hispana a los personajes LGBTQ, una representación preocupante” por Daniel Shoer Roth (ElNuevoHerald.com)
“Dallas: Para jóvenes LGBT con DACA, la lucha ha sido salir de dos clósets” por Jenny Manrique (AlDiaDallas.com)
“De la censura a la celebración: la historia de una exposición queer en Brasil” por Ernesto Londoño (NewYorkTimes.com/es)
“Desaliento y miedo en medio de celebración del Orgullo LGBT en NYC” por José Martínez (ElDiarioNY.com)

Special Recognition (Spanish-Language)
“House of Mamis” (INTOmore.com)

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Celebrity News

Madonna headlines World Pride Music Festival in Amsterdam

Kylie Minogue made surprise appearance alongside gay icon

Published

10 hours ago

August 2, 2026

Michael K. Lavers

Kylie Minogue with Madonna at the World Pride Music Festival in Amsterdam on Aug. 2, 2026. (Photo courtesy of Cejlon Studio)

AMSTERDAM — Madonna on Sunday headlined the final night of the World Pride Music Festival in Amsterdam.

The gay icon took the stage shortly before 2:30 a.m. local time (8:30 p.m. ET on Saturday) during Club Confessions, a set that MISTR, a telehealth platform that offers free access to PrEP, Doxy PEP, STI testing, and long-term HIV care, organized.

“Mother is here and this is gay heaven,” said Madonna when she took the stage inside Amsterdam’s AFAS Live concert hall that can hold up to 6,000 people.

Stuart Price, who produced Madonna’s 2005 “Confessions on a Dance Floor” album and “Confessions II,” which debuted on July 2, DJed the set.

Kylie Minogue made a surprise appearance. She and Madonna performed a new remix of “Love Sensation” from “Confessions II.”

(Washington Blade video by Michael K. Lavers)

“Throughout my career, I’ve always supported efforts to fight HIV and AIDS, and that fight begins with education and access,” said Madonna in a MISTR press release. “With MISTR, (CEO) Tristan (Schukraft) is expanding access to HIV prevention and sexual healthcare for everyone. Through this work, he’s helping preserve and strengthen LGBTQ+ spaces while investing in the communities and culture that have long sustained us.”

Minogue in an Instagram post thanked Madonna, Price, Schukraft, and MISTR.

View this post on Instagram

A post shared by Kylie Minogue (@kylieminogue)

Madonna appeared at The Abbey in West Hollywood, Calif., in April. Madonna in June celebrated Pride month with a pop-up performance in New York’s Times Square.

Jake Resnicow and Insomniac produced the World Pride Music Festival that also featured Bebe Rexha and Paris Hilton, among others.

“Pride has always been about bringing our community together,” said Resnicow. “At a moment when too many people are being told to hide or make themselves smaller, gathering openly, joyfully, and without apology matters more than ever. I couldn’t be prouder of what this festival brought to life in Amsterdam — one dance floor, completely free.”

Theater

Reggie White relishing first season as artistic director of Woolly Mammoth

First five shows a reminder that ‘pressure is a privilege’

Published

19 hours ago

August 2, 2026

Patrick Folliard

Reggie D. White (Photo by Ambe J. Williams)

Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.

White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.

A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.

White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?”

Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor.

“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.”

WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?

REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real.

BLADE: Are you curating the upcoming 2026–2027 season?

WHITE: Yes, I am. It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard.

I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work.

These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV.

Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.

BLADE: As a queer artistic director, what makes you unique?

WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.

I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].

BLADE: Will we see familiar faces?

WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work.

BLADE: How do you think queer audiences will receive the season?

WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.

Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.