Arts & Entertainment
Kevin Hart blasted for telling Jussie Smollett to ‘stand strong’
Ellen DeGeneres also faces heat for prior support


Comedian Kevin Hart sent a supportive message to “Empire” star Jussie Smollett, who was verbally and physically attacked on Tuesday in a suspected hate crime, but some people thought the message was hypocritical.
“This is unbelievably sad,” Hart posted on Instagram “Why are we going backward… this is disgusting. WTF is going on [in] the world??? Why are we falling in love with hate??? God damn it
Hart’s well wishes came across as ironic for some people as Hart recently stepped down from his Oscars hosting gig after facing backlash for past homophobic jokes. In a couple of the jokes, the punchline was that he would beat his son if he was gay.
Kevin Hart not understanding why it’s WRONG to say you’ll beat your child for being gay but then offering condolences and confusion at Jussie’s attack is our entire point about people like Kevin Hart
— . (@tinnkky) January 30, 2019
Kevin Hart yesterday: "I'm over it. I'm over it. I'm not giving no more explanation of who I am. It's not my dream to be an ally to the LGBTQ community."
— hellresidentNY (@hellresidentNY) January 30, 2019
Kevin Hart today: "We as people have to do better. WTF is going on in the world? Why are we falling in love with hate?" pic.twitter.com/ln9COlmIH7
Kevin Hart: “ Yooooo what happened to Jussie is disgusting.. it makes me sad…. we need to do better”
— Prince Nabsico (@MatchmyfreeQ) January 30, 2019
Black Lbgtqia: pic.twitter.com/pGa0aUzr9l
Ellen DeGeneres also offered words of support to Smollett but her past support of Hart overshadowed her message for some people. Smollett publicly came out as gay on her show in 2015.
Four years ago, @JussieSmollett came out on my show. I’m sending him and his family so much love today. ❤️
— Ellen DeGeneres (@TheEllenShow) January 29, 2019
Given what we’ve seen so far, I fully expect the men who attacked Jussie Smollett to score a sit-down interview with Ellen at some point in the next few weeks. Maybe it will be a roundtable discussion with Kevin Hart.
— Saeed Jones (@theferocity) January 29, 2019
The hate crime that happened today is an attack on us all. Queer people of color need allies, queer people need allies. Kevin Hart so quiet right now. Where are the allies Ellen? Maga hat wearing people need to be checked – we gotta WAKE UP people, it’s going down.
— Jonathan Van Ness (@jvn) January 30, 2019

The 2025 Silver Pride Resource Fair and Tea Dance was held at the Eaton Hotel on Wednesday, May 21.
(Washington Blade photos by Michael Key)










Out & About
Queer film festival comes to D.C.
DC/DOX to showcase LGBTQ documentaries made by LGBTQ filmmakers

DC/DOX will host a film festival beginning on Thursday, June 12, at the Regal Gallery Place, Eaton Cinema, and the U.S. Navy Memorial Burke Theatre.
This festival will premier LGBTQ documentaries made by LGBTQ filmmakers. Each screening will be followed by in-person Q&As with the filmmakers.
For more details, visit dcdoxfest.com
Movies
Gay director on revealing the authentic Pee-wee Herman
New HBO doc positions Reubens as ‘groundbreaking’ performance artist

In the new HBO two-part documentary, “Pee-wee as Himself,” director Matt Wolf gives viewers a never-before-seen look into the personal life of Paul Reubens, the comedic actor behind the much loved television persona, Pee-wee Herman.
Filmed before Reubens passed away in 2023 from cancer, Wolf and his creative team created the riveting documentary, interspersing several interviews, more than 1,000 hours of archival footage, and tens of thousands of personal photos.
Determined to set the record straight about what really happened, Reubens discussed his diverse influences, growing up in the circus town of Sarasota, Fla., and his avant-garde theater training at the California Institute of the Arts.
Ruebens joined the Groundlings improv group, where he created the charismatic Pee-wee Herman. He played the quirky character during the Saturday morning show, “Pee-wee’s Playhouse,” and in numerous movies, like “Pee-wee’s Big Adventure” and “Big Top Pee-wee.” He also brought Pee-wee to Broadway, with “The Pee-wee Herman Show.”
To get an enigma such as Reubens to open up was no easy task for Wolf.
“I felt determined to get Paul to open up and to be his authentic self,” acknowledged Wolf at a recent press conference. “And I was being tested and I wanted to meet my match in a way so I didn’t feel frustrated or exhausted, I felt determined but I also, it was thrilling to go this deep. I’ve never been able, or I don’t know if I ever will, go this deep with another human being to interview them in an intimate way for over 40 hours.”
Wolf described the collaborative interview experience as a dream, “like we were in a bubble where time didn’t matter.” he also felt a deep connection to the material, having come of age watching “Pee-wee’s Playhouse.”
“I wouldn’t have been able to put words to it at the time, but I think it was my first encounter with art that I felt emotionally involved in,” noted Wolf.
“He continued: “I recognize that that show created a space for a certain kind of radical acceptance where creativity thrives. And as a gay filmmaker, I also recognize things like Pee-wee Herman marrying a bowl of fruit salad at a slumber party or dancing in high heels to the song, ‘Fever.’ That stuff spoke to me. So that was my connection to it.”
During the documentary, Reubens comes out as a gay man.
“Paul went into this process wanting to come out,” said Wolf. “That was a decision he had made. He was aware that I was a gay filmmaker and had made portraits of other gay artists. That was the work of mine he was attracted to, as I understood. And I wanted, as a younger person, to support him in that process, but he also was intensely sensitive that the film would overly emphasize that; or, focused entirely from the lens of sexuality when looking at his story.”
Their complicated dynamic had an aspect of “push and pull” between them.
“I think that generational difference was both a source of connection and affinity and tension. And I do think that the level to which Paul discusses his relationships and intimacy and vulnerability and the poignant decision he made to go back into the closet. I do have to believe to some extent he shared that because of our connection.”
Wolf hopes that the “Pee-wee as Himself” positions Reubens as one of the most “groundbreaking” performance artists of his generation who in a singular way broke through into mainstream pop culture.
“I know he transformed me. He transformed how I see the world and where I went as a creative person. And it’s so clear that I am not alone in that feeling. For me, it was fairly abstract. I couldn’t necessarily put words to it. I think people who grew up on Pee-wee or were big fans of Pee-wee, seeing the film, I hope, will help them tap into intangible and specific ways how transformative his work was for them. It really is a gift to revisit early seminal experiences you had and to see how they reverberate in you.”
He added: “So, to me, this isn’t so much about saying Paul Reubens is a genius. I mean, that’s overly idealizing and I don’t like hero worship. It’s more about understanding why many of us have connected to his work and understanding where he lives within a legacy of performance art, television, and also, broader pop culture.”
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