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Jussie Smollett speaks publicly about brutal attack

The ‘Empire’ star says ‘I’m OK’

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Jussie Smollett (Screenshot via Twitter.)

“Empire” star Jussie Smollett issued his first statement on Friday about the homophobic and racist attack he suffered in Chicago on Tuesday.

“Let me start by saying that I’m OK,” Smollett said in a statement to ESSENCE. “My body is strong but my soul is stronger. More importantly I want to say thank you. The outpouring of love and support from my village has meant more than I will ever be able to truly put into words. ”

“I am working with authorities and have been 100% factual and consistent on every level. Despite my frustrations and deep concern with certain inaccuracies and misrepresentations that have been spread, I still believe that justice will be served,” he continued. “As my family stated, these types of cowardly attacks are happening to my sisters, brothers and non-gender conforming siblings daily. I am not and should not be looked upon as an isolated incident. We will talk soon and I will address all details of this horrific incident, but I need a moment to process. Most importantly, during times of trauma, grief and pain, there is still a responsibility to lead with love. It’s all I know. And that can’t be kicked out of me.”

On Thursday, Smollett’s family issued a statement saying, “We want to be clear, this was a racial and homophobic hate crime. Jussie has told the police everything from the very beginning. His story has never changed, and we are hopeful they will find these men and bring them to justice.”

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Because there’s a light in him that cannot be dimmed, because we are a family of joyful warriors, we will not let this get the best of us. Although this is a picture from happier times, this is the spirit to which we chose to move forward…they will not steal, our joy. ✊?✊?✊? ________________________________________________________Statement from our family: “ In the early hours of Tuesday morning, our beloved son and brother, Jussie, was the victim of a violent and unprovoked attack. We want to be clear, this was a racial and homophobic hate crime. Jussie has told the police everything from the very beginning. His story has never changed, and we are hopeful they will find these men and bring them to justice. Our family thanks everyone for their prayers and the huge amount of love he has received. We are thankful to our village for your immense support during this trying time. We are so grateful that God saw him through this cowardly attack alive. Jussie is a warrior whose light cannot be dimmed. We want people to understand these targeted hate crimes are happening to our sisters, brothers and our gender non-conforming siblings, many who reside within the intersection of multiple identities, on a monthly, weekly, and sometimes even daily basis all across our country. Oftentimes ending fatally, these are inhumane acts of domestic terrorism and they should be treated as such. They will continue to occur until we hold each other accountable. Make no mistake, words matter. Hateful words lead to hateful actions. Radical love is the only solution, but passivity will be our downfall. We, as a family, will continue to work for love, equity and justice until it reigns supreme in our nation and all over the world. With love & gratitude, The Smollett Family”

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The Chicago Police Department are currently investigating “persons of interest” captured on surveillance camera footage.

Some reports stated that Smollett, who said he was on the phone with his manager during the time of the attack, refused to turn over his phone records. Sources told TMZ that Smollet only declined to hand over his phone to police when he was “informally asked.” Smollett is now in the process of providing the phone records to police.

The FBI is also investigating due to a letter with white powder which was delivered to Cinespace Studios, the set of “Empire,” on Jan. 22. Chicago police spokesman Anthony Guglielmi told CNN that the white powder was aspirin. Investigations into the letter are still underway.

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Theater

‘Blindness’ explores a terrifying new pandemic

Sidney Harman Hall production features immersive sound, light installation

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The audience takes the stage in ‘Blindness.’ (Photo by Helen Maybanks)

‘Blindness’
Through June 13
Shakespeare Theatre Company
Sidney Harman Hall
610 F St., N.W.
$44-54
Shakespearetheatre.org

Masks and social distancing, yes, but I never expected a return to live theater to include a stage without actors and an audience seated onstage. But that’s exactly how it went it down on a recent sunny Saturday morning in Washington.

We longed for something, and after a year of indisputably warranted darkness, the Shakespeare Theatre Company (STC) has obliged by reopening Sidney Harman Hall with Donmar Warehouse’s terrifyingly enthralling production of “Blindness,” an immersive sound and light installation anchored by Juliet Stevenson’s astonishing recorded vocal performance heard — jarringly, soothingly, eerily — through binaural headphones.

Adapted by Simon Stephens from Nobel Prize winner José Saramago’s same-titled dystopian novel, and staged by Walter Meierjohann (“The Curious Incident of the Dog in the Night-Time”), the London born, 75-minute tale begins with narrator Stevens matter-of-factly relaying the details surrounding the outbreak of a pandemic that causes blindness. What starts off as an alarming, isolated incident, rapidly devolves into something all-encompassing and petrifying.

Uncannily, Saramago’s 1995 book, both looks back to plague stories and prophetically toward COVID-19.
In addition to narrator, Stevenson (an Olivier Award-winning stage actor also known for films like “Truly, Madly, Deeply”) plays the wife of an ophthalmologist whose office is where patient zero spreads the disease to various other patients – a little cross-eyed boy, an alluring young woman hiding a case of conjunctivitis behind dark sunglasses, a thief, an older gent sporting an eye patch, and sundry others.

The doctor’s wife, who is immune to the new sight-stealing disease, is doomed/blessed to become the lone eyewitness to violence, injustices, and death as the situation becomes progressively scary, primitive, and dangerous.

Rather than darkness, the afflicted are submerged into a world of milky whiteness. The pandemic – a new pathogen whose means of transmission is unknown – moves quickly throughout the city, then the nation, and beyond. Early in the outbreak, the health ministry is reluctant to get too involved, choosing instead to minimize the seriousness of what’s happening. Sounds familiar, I know.

Like the story, Jessica Hung Han Yun’s lighting design becomes increasingly menacing as things move along. Originally playfully colorful fluorescent tubes suspended high from the ceiling, they turn stark white and are lowered to audience members’ line of sight. Then they are darkened altogether, interrupted by occasional bright colorless flashes.

Through headphones, the audience hears rain storms, harsh announcements, barricades being dragged, screams, sobs, footsteps, and gunshots. At times, Stevenson whispers in your ear. Once, I mechanically answered “Yes, I’m here.”

Masked, seated often in total darkness, headphones, it’s immersive, sometimes claustrophobically so. (If it becomes too much, there’s a flash light attached to the leg of each metal chair. Turn it on and an usher will escort you off the stage.)

During the pandemic STC has developed health and safety measures that include masks, air filtration, social distancing, etc.

For “Blindness” only 40 patrons are allowed per viewing. No one is seated next to someone outside of their own party, and a limited number of single tickets are available for purchase by calling the box office. Headsets, seats, and flashlights are disinfected before every performance, and all bathrooms and lobby spaces will be cleaned prior to the next seating group enters the building.

Exiting the Harman, you might think how odd it is to have been on stage before the actors’ union has allowed them to perform indoors before a live audience.

Outdoors, the warm wind feels invigorating against your face as you walk down the street. Still, the nearby upscale Mexican restaurant’s windows remain boarded and the half dozen people around you are walking determinedly, all — except one — wearing a mask.

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Movies

Mayor’s Office of LGBTQ Affairs screens ‘Eat With Me’

David Au’s directorial debut presented

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In celebration of Asian and Pacific Islander Heritage Month, The Mayor’s Office of LGBTQ Affairs, DC Public Library, and the Mayor’s Office on Asian and Pacific Islander Affairs host a screening of “Eat With Me” for May’s #DCQueerFlix on May 14, beginning at 6 p.m.

“Eat With Me,” David Au’s directorial debut, features the story of a mother and her gay son learning to reconnect while trying to keep their business afloat. The film offers a novel take on love, life, and food in the center of Los Angeles.

“Eat With Me” will be available on the Kanopy streaming service and is free for D.C. library patrons.

To register for this virtual event, visit the Eventbrite page.

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Out & About

Virtual panel tackles Va. trans student policies

Equality Virginia event to dissect VDOE guidance

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inclusive curricula, Frederick County School Board, transgender students, gay news, Washington Blade

Equality Virginia hosts a virtual panel focused on dissecting the Virginia Department of Education’s (VDOE) newly released guidance concerning the treatment of transgender and non-binary youth in schools. This event will be on May 12 at 6 p.m.

Perspectives from LGBTQ youth, parents, legal experts, and community leaders will be shared to shed light on VDOE’s new policies set to go into effect during the 2021-2022 school year.

Event registration is available here.

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