Arts & Entertainment
‘Rocketman’ star Taron Egerton says he feels ‘at home’ at gay clubs
The actor isn’t comfortable in ‘the bro’ role
Taron Egerton, who stars in the upcoming Elton John biopic “Rocketman,” opened up about how he feels more “at home” going to gay clubs than he does going to a football match in a new interview for GQ UK.
Egerton says he’s always felt “like something of an imposter” as “The ‘guy’, the ‘bro’, the ‘stunt guy'” like his role in “Kingsman.”
“I’m not someone who really subscribes to this binary view of male and female archetypes or ways of behaving. … Our concept of what a straight man or gay man looks like or is expected to behave in 20 years will be nothing like it is now,” Egerton says.
Egerton also commented on the gay sex scene from “Rocketman” between John (Egerton) and John’s manager and lover John Reid (Richard Madden) which was said to be censored but director Dexter Fletcher called the reports “nothing but rumors.”
“Well, the stuff we shot was pretty explicit. I mean, that’s why I made the film,” Egerton says. “And for me, especially as a heterosexual actor, not to push the envelope as far as I can or try to make it a wholehearted celebration of being a gay man would be wrong. … What’s an extra $25 million at the box office? What are you willing to do for that? Sacrifice sleeping at night because you watered the whole thing down?”
GQ UK also spoke with John’s husband David Furnish, who is a producer on the film, about why Egerton was the choice for John.
“When I first met Elton I was quite taken by his masculinity. He’s quite a blokey gay man. You can take him and put him in these costumes, pile up the feathers or the crazy stuff, and it all just kind of lands on him in a very masculine way. Taron has real gravitas and it’s very similar. He has the incredible -sensitivity and gentleness that Elton has, but he also has this manliness too. It’s a very complex quality,” Furnish says.
Furnish also added that he doesn’t want “Rocketman” to face the same censorship in other countries that “Bohemian Rhapsody” did in China.
“I heard Bohemian Rhapsody is going to China with any reference to Freddie being gay taken out of it. Well, you can’t do that with our film, I’ll tell you that. It’s integral to Elton’s journey as an individual and as an artist,” Furnish says.
“Rocketman” hits theaters on May 31.
Arts & Entertainment
2026 Most Eligible LGBTQ Singles nominations
We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.
Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.
Our most eligible singles will be announced online in February. View our 2025 singles HERE.
The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)
a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
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