Music & Concerts
‘Drag Race’ favorite Nina West readies Capital Pride set
Season 11 Miss Congeniality winner dishes on her castmates

Nina West
Capital Pride Concert
Sunday, June 9
Capitol Concert Stage
3rd and Pennsylvania Ave., N.W.
Free admission
Meet-and-greet tickets: $75
Nina’s slot is between 7-9 p.m.
Nina West, real name Andrew Levitt, knows the meaning of “Everything happens in the right time.” The Ohio native has been performing for 20 years and auditioned nine times for “RuPaul’s Drag Race” before earning a spot on season 11.
He finished the season in sixth place after the “Drag Family Values Challenge,” where West coordinated a look that incorporated the colors of the rainbow pride flag and transgender pride flag, Although she was eliminated, West found herself with some famous fans including Alexandria Ocasio-Cortez, who posted about West on her Instagram stories, and Rihanna, who sent West a DM.
West chatted with the Washington Blade over the phone about her season 11 reflections, her charity work and dished about her fellow contestants. She headlines at the Capital Pride concert around 7 p.m. Sunday.
WASHINGTON BLADE: Congratulations on making the top six on “Drag Race.” It took you nine auditions to make it on the show. How did you stay positive throughout years of auditioning?
NINA WEST: I think I really stayed focused on the end goal which was walking in the Werk Room and wanting to prove to myself and the producers that I could do it. I just couldn’t give up. The road less traveled is always a little more difficult but I had something to prove to myself. I really couldn’t let it go. It was a dream of mine and I just couldn’t let it go.
BLADE: You were one of the most experienced queens on the season. How was that an advantage?
WEST: My experience extended far from the stage. I’ve got experience dealing with audience members and the professional side of the business. I think it’s also why I veered away from the drama. I was much more in the competition and not involved in the nonsense and the noise because I’ve been around for so long.
BLADE: One of your memorable moments on the show was during “Snatch Game” when you portrayed Harvey Fierstein and Jo Anne Worley. What was the thought process behind that?
WEST: The reason I wanted to do two characters is because I really wanted to show off my ability and Harvey and Jo Anne are two very different characters. Harvey is a very low register and Joanne is really high. So it showed off my acting chops. I really also couldn’t decide. I was like, “Oh God, what’s going to be stronger?” So I took them both. I think that played in my favor. I think I did really well in my “Snatch Game.” I thought I was really close to the win but unfortunately I didn’t grab it.
BLADE: The “Snatch Game’ episode was also memorable for Brook Lynne Heights’ and Yvie Oddly’s lip-sync. What was it like watching that in person?
WEST: Watching the lip-syncs from behind is so very different from watching it on TV. You’re only seeing really the back of them. But watching that lip-sync was truly amazing. It’s probably the best lip-sync that’s ever happened on the show’s history. That was really incredible. I’ve known Brook Lynne for years so I knew she was capable of it. I met Yvie in the process of the show so I didn’t know exactly what she was capable of so it was pretty remarkable to watch it.
BLADE: During the “L.A.D.P.” episode, Brook Lynne was your partner. You wanted to be the sunbather in that skit but you gave it to Brook Lynne. Do you regret not putting yourself first?
WEST: Yeah. I think one of the lessons I learned is separating what is real life versus what is a reality competition. I was so committed to help him that I forgot to put myself first. If I had put myself first, I would have been able to be much more confident and secure in my ability. Then again, I don’t know if I regret that. Because it’s also a demonstration of who I am. I wanted him to succeed just as much as I wanted to succeed. I was fully aware of my ability. I got insecure and in my head because as it turns out we weren’t judged as teams but as individuals.
BLADE: Brook Lynne had a flirtmance going with Miss Vanjie. Was that a distraction for you? Or did you think it would be distracting for them in the competition?
WEST: I don’t know. It had nothing to do with me. I wasn’t in the relationship.
BLADE: Some people thought Silky Ganache was playing it up for the cameras. Did you think that was true?
WEST: No, I think that’s who she is. She is an incredible entertainer and she’s a big personality. Because she’s an entertainer, when she walks into a room she commands attention. I think for a lot of girls they were insecure about that and didn’t know how to handle that. I think that’s part of learning how to deal with people in the world. People who are different than you, quiet, loud. I don’t think Silky was putting it on for TV at all.
BLADE: Yvie was always getting into fights with the other girls for critiquing them. Were they critiques or digs?
WEST: I think she was definitely trying to help people. She was helping people by being direct with people. That is a very admirable quality. Telling people to their face instead of talking behind their back. In this kind of situation, the stakes are raised. Everything is down to the minute. Everything is important. But seemingly, the big picture, the last thing you want to hear is from another queen telling you that you did something wrong. How you’re not changing your silhouette or how you’re not evolving. I think that she was just being honest. But there’s a time and place. She probably also didn’t have the skills fully developed. She would probably say it has to do with people who are confrontational and not confrontational but I think it just shows a little bit of youth and age. I think this is a great place for her to learn that her opinion is valid, it’s just sometimes not everybody wants to hear.
BLADE: Another person who had some drama was Plastique Tiara. There was confusion about her background. Did you find her story to be genuine?
WEST: I thought it was genuine. We were together for a very short period of time in the contest. I wasn’t there to question somebody’s credibility about their personal life. That would just be really insecure and stupid.
BLADE: You went home on the “Drag Family Values Challenge” with Suga Cain as your partner. You made a statement wearing the rainbow pride and transgender pride outfits, but it wasn’t enough. What would you have done differently about the challenge?
WEST: Nothing at all, honestly. That statement was who I am and what my drag family values are. The challenge is drag family values, not a twin challenge. Everyone interpreted it as a twin challenge. I interpreted it in a completely different way. As a result, the fans fell in love with me even harder. My story is changing and being written as we speak. The world has opened up to me because I stayed true to myself and was authentic. It’s not always about winning a competition on a show. I learned that too.
BLADE: You got the attention of some famous people like Alexandria Ocasio-Cortez and Rihanna. How does it feel to get such high praise on your drag after doing it for so long?
WEST: Praise from AOC specifically and having her give a viral reaction felt like I won the lottery. I mean I wasn’t great on that challenge but it was still so me and if I hadn’t had that opportunity I don’t know if AOC would have reacted the way she did. Or Leslie Jones or Bobby Moynihan or Rihanna. Rihanna is very notoriously private and the fact that she reached out to me is amazing. What she said is amazing. Again, it has to do with my authenticity and who I am as a person and what I represent. I feel really lucky to have this kind of attention. It’s another person who is incredibly good at their craft telling me I’m incredibly good at my craft. Whether it’s music, politics, art or comedy, it’s amazing.
BLADE: What have you been up to since filming the show?
WEST: Since filming the show, I’ve released two EPs. One is a children’s music EP and one is a comedy album. There’s a video out for a song called “Hucks” which is a parody about Sarah Huckabee Sanders. The video for my single “Drag is Magic “is out. We just wrapped the finale reunion. Busy filling my calendar with special things that will be coming out very soon.
BLADE: Tell me about the Nina West Foundation.
WEST: The Nina West Foundation was founded in 2015. I’ve raised two and a half million dollars. Our focus is LGBTQIA. So whether it be Kaleidoscope Youth Center, which is a youth drop-in service and organization which helps connect you with a space to feel safe, or the Human Rights Campaign or the Ronald McDonald House in central Ohio. My goal in establishing the fund was to use my platform, because I initially didn’t have any money. I started asking my audiences at the end of every show to donate. Here we are 20 years later. We just have the first LGBTQIA endowment to an organization in the state of Ohio. We’re getting ready to announce a scholarship. We gave to the Matthew Shepard Foundation during the season when my story came out about the bullying. I’m just trying to put my money and my mouth to work to do what I set out to do.
BLADE: You’ve done some drag queen story times for children. How do you feel about the backlash that these story times are getting?
WEST: It’s people who are so insecure with their own lives that they’re staying in other people’s business. I think drag queens have the potential to change the world. I think they already have. I think there’s something to be said for children who respond to a big, bright character and that’s what drag queens are. Some people put drag queens in the context of nightlife or sexualizing drag and they’re not really looking at drag for what it can do and what it can be. That’s on them.
BLADE: You shared on the show about your Republican roots. Why did you decide to be open about that?
WEST: While I’m not a Republican, my family is. They are registered Republicans and work for different people in the Republican party in the state of Ohio. I didn’t tell my story for fans or viewership. I told my story because I think it’s relatable. I don’t think I’m the only gay man who grew up in conservative family who didn’t get along with his family or being kicked out. That was the reality for some period of time. That’s my story so that’s why I shared it.

Music & Concerts
Queer mega stars (and allies) ready to take D.C. stages this fall
Watch LGBTQ icons light up stages across the DMV as they sing, dance, and drag their way through spectacular shows.
One of the best ways to welcome fall is by catching LGBTQ performers (and their allies) lighting up some of the D.C. area’s biggest stages. From country and pop to drag and rock, the season is packed with shows you won’t want to miss.
Maren Morris – The country, rock, and pop diva—known for hits like “The Bones” and for standing up against Nashville’s anti-LGBTQ voices—takes the stage at Wolf Trap (1551 Trap Rd, Vienna, Va.) on Friday, Sept. 12 at 8 p.m. Tickets start at $64.
RuPaul – The mother of modern drag and host of “RuPaul’s Drag Race” will spin a DJ set at Echostage (2135 Queens Chapel Rd NE) in Northeast D.C. on Sept. 20. Before RuPaul swaps wigs for headphones, Trade and Number 9 owner Ed Bailey will warm up the decks. For tickets and details visit echostage.com.
Conan Gray – The queer pop prince, celebrated for his Gen Z anthems like “Heather” and “Maniac,” brings his Wishbone Pajama Show to EagleBank Arena in Fairfax, VA, (4500 Patriot Cir) on Sept. 20 at 8 p.m. Tickets start at $113. For more info visit shop.conangray.com/pages/tour.
All Things Go Music Festival – With a lineup that includes Noah Kahan, Lucy Dacus, Kesha, Clairo, Doechii, and more, the beloved LGBTQ-friendly festival takes over Merriweather Post Pavilion (10475 Little Patuxent Pkwy, Columbia, Md.) Sept. 26–28. For tickets and details visit allthingsgofestival.com.
BERTHA: Grateful Drag – This unique tribute brings drag artistry and the sounds of the Grateful Dead to The Atlantis (2047 9th St NW) on Sept. 27. Tickets start at $47 at theatlantis.com.
Peach PRC – Rising Australian pop star and out lesbian, whose confessional tracks like “Perfect for You” and “Forever Drunk” have made her a queer TikTok darling, performs at The Atlantis on Sept. 29 at 6:30 p.m. The show is general admission only. Additional details are on theatlantis.com.
Addison Rae – The TikTok star-turned-pop princess, who’s crossed over into music with glossy hits like “Diet Pepsi” brings her sold out show to The Anthem (901 Wharf St., S.W.) on Sept. 30. Tickets are sold out, but resale options start around $80. For more info visit theanthemdc.com.
The Rocky Horror Picture Show 50th Anniversary – Celebrate the cult classic that’s been a queer midnight-movie staple for decades, with Barry Bostwick (a.k.a. Brad Majors) at the Warner Theatre (513 13th St., N.W.) on Oct. 2 at 8 p.m. Tickets start at $41 via Ticketmaster.
Chaka Khan, Patti LaBelle, Gladys Knight & Stephanie Mills – Four legends, one stage. Between Khan’s funk, LaBelle’s soul, Knight’s R&B, and Mills’ powerhouse vocals, this concert at Capital One Arena (601 F St NW) on Oct. 3 at 8 p.m. promises pure diva magic. Tickets start at $103. For more details visit capitalonearena.com.
Lorde – Joined by The Japanese House and Chanel Beads, the Grammy-winning New Zealand singer-songwriter behind “Royals” and “Solar Power” returns to The Anthem on Oct. 4 at 7 p.m. Lorde has long been embraced by queer fans for her dreamy pop and subversive lyrics. For more info visit theanthemdc.com.
Andy Bell (of Erasure) – The British queer rock icon, best known for synth-pop classics like “A Little Respect” and “Chains of Love,” brings his Ten Crowns Tour to the Lincoln Theatre (1215 U St., N.W.) on Friday, Oct. 17 at 8 p.m. Tickets are $90.45.
Doechii – The self-described queer “Swamp Princess”—and WorldPride 2025 headliner—continues her breakout year with the Live from the Swamp Tour at The Anthem on Oct. 21 at 8 p.m. Known for blending rap, R&B, and avant-garde performance art, Doechii is one to watch. Tickets start at $153.
Neon Trees – The out-and-proud Utah rockers behind “Everybody Talks” and “Animal” perform at the Lincoln Theatre on Friday, Oct. 24 at 8 p.m. Lead singer Tyler Glenn, who came out publicly in 2014, has become a strong queer voice in alternative rock. For tickets and info visit impconcerts.com.
Sasha Colby – The “RuPaul’s Drag Race” Season 15 winner strips down on the Stripped II Tour at the Warner Theatre on Nov. 2 at 8 p.m. Tickets available now on Ticketmaster.
Lola Young – The bisexual indie-pop sensation, whose raw songwriting has earned her millions of TikTok fans and multiple chart soaring hits visits The Anthem on Nov. 9 at 8 p.m. Tickets are still available.
Opera Lafayette
Featuring Mary Elizabeth Williams as Dido
+ Elijah McCormack, Chelsea Helm
Oct. 16, 7:30 p.m.
Sixth & I
PostClassical Ensemble
The Pale Blue Do: A Musical Voyage Inspired By Nature
Featuring National Geographic’s Enric Sala, Guest Curator
Wednesday, November 19, 7:30 p.m.
Terrace Theater
Washington Concert Opera
Starring Kate Lindsey, Theo Hoffman, John Moore, and Fran Daniel Laucerica
Nov. 23, 6 p.m.
Lisner Auditorium
Washington Master Chorale
An intimate a capella concert taking place in an architectural jewel, featuring cherished choral gems from Anglican and Catholic tradition and early American hymns. The concert will also present the world premiere of Christopher Hoh’s Holy, Holy, Holy is the Lord God of Hosts, and hymn singing featuring Robert Church, organist and choirmaster at St David’s.
Oct. 18, 7:30 p.m.
October 19, 5 p.m.
St. David’s Episcopal Church
Music & Concerts
Cyndi Lauper ready to have fun in Virginia
Superstar to bring final leg of farewell tour to Jiffy Lube Live
Superstar Cyndi Lauper will bring the final leg of her farewell tour “Girls Just Wanna Have Fun” to Bristow, Va., on Thursday, July 24 at Jiffy Lube Live.
Lauper’s international Farewell Tour – her first major headlining run in a decade – kicked off in North America last October, and included her first time ever headlining (and selling out) Madison Square Garden. Lauper’s performances have earned raves from the New York Times, Rolling Stone, Billboard, and many more, and surprise guests have included Chaka Khan, Sam Smith, and Hayley Williams. The tour just visited the U.K. and Europe, and will head to Australia and Japan in April.
Tickets are available on Live Nation’s website.
Music & Concerts
Red, White, and Beyoncé: Queen Bey takes Cowboy Carter to D.C. for the Fourth of July
The legendary music icon performed on July 4 and 7 to a nearly sold-out Northwest Stadium.
Just in time for Independence Day, Beyoncé lit up Landover’s Commanders Field (formerly FedEx Field) with fireworks and fiery patriotism, bringing her deeply moving and genre-defying “Cowboy Carter” tour to the Washington, D.C. area.
The tour, which takes the global icon across nine cities in support of her chart-topping and Grammy-winning country album “Cowboy Carter,” landed in Prince George’s County, Maryland, over the Fourth of July weekend. From the moment Beyoncé stepped on stage, it was clear this was more than just a concert — it was a reclamation.
Drawing from classic Americana, sharp political commentary, and a reimagined vision of country music, the show served as a powerful reminder of how Black Americans — especially Black women — have long been overlooked in spaces they helped create. “Cowboy Carter” released in March 2024, is the second act in Beyoncé’s genre-traversing trilogy. With it, she became the first Black woman to win a Grammy for Best Country Album and also took home the coveted Album of the Year.
The record examines the Black American experience through the lens of country music, grappling with the tension between the mythology of the American Dream and the lived realities of those historically excluded from it. That theme comes alive in the show’s opening number, “American Requiem,” where Beyoncé sings:
“Said I wouldn’t saddle up, but
If that ain’t country, tell me, what is?
Plant my bare feet on solid ground for years
They don’t, don’t know how hard I had to fight for this
When I sing my song…”
Throughout the performance, Beyoncé incorporated arresting visuals: Black cowboys on horseback, vintage American iconography, and Fox News clips criticizing her genre shift — all woven together with voiceovers from country legends like Dolly Parton and Willie Nelson. The result was a multimedia masterclass in storytelling and subversion.
The “Cowboy Carter” tour has been a social media sensation for weeks, with fans scrambling for tickets, curating elaborate “cowboy couture” outfits, and tailgating under the summer sun. At Commanders Field, thousands waited in long lines for exclusive merch and even longer ones to enter the stadium — a pilgrimage that, for many, felt more like attending church than a concert.
One group out in full force for the concert was Black queer men — some rocking “denim on denim on denim on denim,” while others opted for more polished Cowboy Couture looks. The celebration of Black identity within Americana was ever-present, making the concert feel like the world’s biggest gay country-western club.
A standout moment of the night was the appearance of Beyoncé’s 13-year-old daughter, Blue Ivy Carter. Commanding the stage with poise and power, she matched the intensity and choreography of her mother and the professional dancers — a remarkable feat for someone her age and a clear sign that the Carter legacy continues to shine.
It’s been nearly two decades since Beyoncé and Destiny’s Child parted ways, and since then, she’s more than lived up to her title as the voice of a generation. With “Cowboy Carter,” she’s not just making music — she’s rewriting history and reclaiming the space Black artists have always deserved in the country canon.
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