a&e features
Pop princess Kim Petras is glossy hitmaker for a new era
26-year-old German songwriter gearing up for first headlining solo tour
Kim Petras
‘Broken Tour’
Saturday, June 15
The Fillmore Silver Spring
8656 Colesville Rd.
Silver Spring, Md.
9 p.m.
$23
German-born, L.A.-based pop princess Kim Petras, 26, is famous for a string of viral hits and videos such as “Heartbeat,” “I Don’t Want It At All,” “Faded” and “Heart to Break” that have been streamed on Spotify more than 16 million times.
Her manager, Larry Rudolph, has bona fide pop cred having managed the careers of Britney Spears, Miley Cyrus and 5th Harmony. She was one of four young artists chosen for Spotify’s Rise program in 2017 for emerging pop “superstars,” which sent her song to No. 1 on the company’s Global Viral Chart. She claims about 140 million streams on all platforms worldwide.
“Much of her frothy approach harks back to the era of ‘Dynasty’ shoulder pads and Cyndi Lauper quirks, bolstered by Ms. Petras’ full-throated vocals and ultrabright melodies,” a 2018 New York Times profile noted.
In 2004, at age 12, she was among the youngest trans youth in her native Germany to get hormone therapy paid for by national health care. She had fully transitioned by age 16.
In a heated spate of new music — she’s released 10 cuts so far this year — she brings her “Broken Tour” to the Fillmore Silver Spring Saturday night. She spoke to the Blade by phone two weeks ago from her Los Angeles apartment.
WASHINGTON BLADE: Tell us about your tour. How long will your set be, how is it shaping up, what we can we expect, all that.
KIM PETRAS: I just started rehearsals. I just got back from a writing trip to Hawaii, which was cool, that was a really cool project. So I’m going into rehearsals. I finally get to make the stage the way I want it to be, so that’s really exciting. And I can make my set as long or as short as I want to make it. So I’m picking all the faves and a few songs people don’t even know. I’m definitely going to do some new songs. But yeah, it’s a mix of everything. I love really kind of making each section of my show its own little chapter and a moment of its own so it’s going to have costume changes, different scenarios, different lighting, but I don’t want to spoil it too much. But yeah, it’s definitely going to be good. All the favorites and a little more.
BLADE: Will you have a band with you?
PETRAS: Yeah, my whole crew. … We get along really well.
BLADE: I noticed it wraps in Germany in September. Did you purposefully save Germany for the end?
PETRAS: I want to stay in Cologne for a little bit. I haven’t been there in over a year, which is the city I was born and raised in. I’ve lived in L.A. for about seven years now, so I go back like once a year but not much more, so I’ll take some time to see my family at the end of the run. Everyone else can go home and I’ll hang out with my family for a little bit, then head back to the U.S.
BLADE: Most of the dates are sold out. Will you be adding more dates or bumping up to larger venues or is all that set?
PETRAS: Unfortunately it’s set. After that I go back to writing a bunch more stuff. I’m really prioritizing being in the studio drafting as much new stuff as possible. But I’ll be back touring really soon. I don’t think it’s enough the U.S. tour I’m doing this year, but I’m so excited it’s sold out. Most of it sold out in pre-sales like in five minutes, so it’s pretty nuts. I’m really excited.
BLADE: I saw you on the Troye Sivan tour last year. Your pitch was so dead on all through your set. Do you just have really good ears and lungs or did you have to work on that?
PETRAS: Thank you so much for saying that. I feel like I worked on it every day, just vocal strength. I have those days where I don’t speak at all, where I’m on vocal rest ‘cause yeah, most of my first songs, I wrote them so high because I was a songwriter for a long time and I didn’t realize when you write a song, then you have to sing it every night and that’s really difficult. So I had to quit smoking (laughs) and had to start learning vocal technique really well to be able to do it.
BLADE: I know you idolize Madonna. Do you think she deserved the drubbing she got recently for her pitchy Eurovision performance?
PETRAS: I absolutely have not seen that performance so I can’t really talk for it, but I think Madonna is like my absolute favorite and I just think she’s like a performer before anything else. I think with her, it’s like about a statement or provoking a thought.
BLADE: Did you get to hang out much or get to know Troye Sivan on tour?
PETRAS: We hung out after shows. His boyfriend is really cool, I really love his boyfriend. His whole team, like his mom was on the tour, it was so sweet, just really cool energy. It was like being friends on this little tour, but it was so much fun. I had a blast. His crowd is so cute and massive so it’s really fun and I feel like I gained a lot of fans. I’m really thankful for Troye having me on that tour and I really loved it. I was sad when it was over.
BLADE: You played Capital Pride last summer. Do you remember that performance? How was it for you?
PETRAS: Yeah, I do. I was wearing a yellow tracksuit, it was really cute. I do remember. It was so much fun. I loved Washington. It was one of my first times walking around. I posted some really cool pictures from all the sites so I’m looking forward to being back.
BLADE: You play a lot of Pride dates but it seems like you’re trying to make your music as mainstream and accessible as possible. Do you sort of downplay being trans to perhaps reach a wider audience or not really?
PETRAS: Um, not really. I don’t have to do anything. I’m my own label, I come up with everything, I’m in charge of everything. I did feel like I wanted to downplay it at the beginning because I didn’t want anybody to say or imply that I was using being transgender to be successful as an artist. That’s like not my interest at all and I wanted to prove to everyone that I can have popular music without anybody knowing my story at all, because I think that gender is pretty irrelevant and I know that it’s become the leading story if I talk about it. I’ve had a lot of experience in my past, my first documentary was like when I was 12 years old, and I went on to do a bunch of documentaries about being transgender. My goal was normalizing it and making people feel that you can be a normal transgender person and have a really happy life. But yeah, I just didn’t want anybody to feel that I used my story to become successful because I know people say shit like that and it’s really rude. It sucks that people are like that but in general I don’t talk about it as much because I’ve already done that. I put out a song on Spotify, nobody knew who I was, it wasn’t my face on the cover and it went to the top of the viral chart on Spotify like right away, so that gave me a kick start and it had nothing to do with my story.
BLADE: Your videos have lots of cool special effects. Are they hard to finance?
PETRAS: Yeah, for sure. I always have these crazy ideas. But I put my own money that I make from shows and doing big events, I put it right back into my music, right into my tour, right into my videos. Anything I earn, I put it right back into my creativity and my artistry. It is a struggle sometimes but I’m very happy with the way things came out so far, thank God. It keeps growing and getting better.
BLADE: There’s no real business model to follow to do what you’re doing. How do you know how much to spend when and on what?
PETRAS: Yeah, for sure. I get great advice. My manager Larry Rudolph … he has a lot of experience so I can always call him and ask him about things like that but how I got started and how I got on Spotify was just trial and error and trying to figure it out, spending too much on one thing and not being able to do another and I feel like I’m just figuring out what’s important at the end of the day is to get the most music, the most content out there. That’s my priority, being one step better each time I do something.
BLADE: What was your toughest or longest video to shoot?
PETRAS: Definitely “Heart to Break.” It was really amazing because we got two days, which doesn’t ever happen that anybody can afford two days. It all gets crammed into one, so definitely that was such a blast. I don’t think any of the videos were hard. They’re definitely exhausting because you’re like waking up at 5 a.m. and finishing up at 3 a.m. and it’s like a whole thing, but I always love it. I always feel super alive when I do days like that. I just pull through and have no sleep. I don’t know why but I really get off on that type of thing.
BLADE: Do you feel albums are obsolete?
PETRAS: I don’t. The way a new artist is breaking is just completely different than it was. I look up to a lot of people who drop a lot of music constantly and I want to be one of those people. But I love a good album and I listen to a lot of albums and I can’t wait to have my own. I can’t spill the tea on that just yet, but I do think people still want albums and want to buy the work and I think it’s great that people still want that.
BLADE: How do you decide which songs to release and at what pace?
PETRAS: My strategy for my first record was like drop a song a moth, so I was like, ‘How do I step that up?’ So this round is once a week until something exciting happens, which I can’t talk about for now, but I’m dropping my sixth song tonight so it’s been six songs, six weeks on Spotify.
BLADE: Have you encountered any transphobia from any music industry gatekeepers?
PETRAS: Yeah, for sure. There was literally this one very high up woman who was like, “You’re going to hell if you work on Kim’s project because being transgender, you’re going to hell.” So that didn’t work out. People were really freaked out by it, a lot of industry people, um yeah. I was shopping for deals and people were really excited about the music but were definitely freaked out by the trans thing, so it was definitely my best choice to go AWAL (artist without a label), to go independent. I still feel like there are a bunch of people being like, “Who is this transgender girl,” people are definitely weirded out by it, but just having a fan base and just being able to sell out shows — I’ve been putting in the work, changing things and I think people are starting to think that maybe a trans artist can do the damn thing and be a real pop star, but yeah, let’s see.
BLADE: Your tour is basically sold out without really having cracked U.S. radio. Is that even relevant anymore?
PETRAS: I think it’s still definitely relevant. I’m competitive so I want to have hits, of course. But, you know, at the end of the day, what I really want to be able to do is to tour forever. I really want to be one of those artists who has a real fan base and I’ve been putting in the work for like four years now, I’ve been playing every gay club there is, all over the U.S., making real connections. I’ve been building a real career and a real fan base. I mean sure, I want to have that one song that puts me on the map, I want to have a No. 1, but at the end of the day, this is already like so amazing to me because I never thought I’d be able to do this. It’s my job now to do music and to perform and I’m really excited about that. There are lots of people out there with this who can’t fill a tiny venue that I can fill three nights, so I don’t know. … I do believe that if you keep going and keep working on it, it will happen eventually. I’m very proud to be doing my own headlining tour and I’m very proud of my band. They’re amazing, they complete me. I’m happy.
BLADE: You seem pretty prolific. Do you have to be disciplined to keep writing or does it just happen?
PETRAS: I’m jittery as hell if I haven’t written a song in like three days. I get cranky. I’m always looking for sentences, always watching movies and listening to the dialogue, picking certain things up. In my head, I’m always thinking about the next song. I’m always in the studio when I’m not on the road. It’s studio, tour, studio, tour, all the time and I love it. After awhile I miss being on the road and when I’ve been on tour awhile, I miss the studio.
a&e features
He loves Annie’s and will until the end
Mano continues to bring infectious passion to his job at iconic restaurant
It’s rare for a restaurant to thrive for more than 75 years. Rarer still is a restaurant whose history is so deeply intertwined with the growth and resilience of a minority community. Annie’s Paramount Steakhouse in Washington, D.C.’s Dupont Circle is one of those exceptional places — a cornerstone not only for the city of Washington, but also for its vibrant queer community.
Several factors contribute to a restaurant like Annie’s becoming a foundational space of cultural and historical significance. Its welcoming atmosphere, fostered by a warm and inclusive staff goes beyond mere hospitality. The decor doesn’t just acknowledge Washington’s LGBTQ community — it proudly celebrates it. And, of course, the award-winning food and drinks leave a lasting impression, making Annie’s a true icon in the nation’s capital.
When walking down 17th Street, where Annie’s is located after 76 years (even after moving three blocks north of its original location on 17th in 1985), it becomes understandable how this stretch of street has always been the heart of the “gayborhood,” regardless of season or political administration. The rainbow flags on nearly every light pole and stickers in nearly every window signal this place is not only a safe space for the LGBTQ community, but a place where being queer is worth celebrating.
Annie’s Paramount Steakhouse has long been a beacon of unwavering support for the LGBTQ community, particularly during times when openly identifying as LGBTQ was met with societal stigma or worse. This dedication, which started back in 1948, has cemented Annie’s as more than just a restaurant — it’s a queer haven and cultural landmark.
Georgia Katinas, the general manager of Annie’s and granddaughter of Annie’s founder George Katinas, told the Blade supporting the D.C. LGBTQ community is a key part of running Annie’s.
“I see Annie’s as a pillar of the LGBTQ community, and it’s important to me to continue that legacy,” said Katinas. “Getting involved in our community in many different facets, supporting LGBTQ nonprofits and organizations, hosting kickball brunches, hiring LGBTQ/queer members of the community — all of that’s incredibly important to me, and it’s an honor. I take the family legacy very seriously, and I really am proud to continue it and to show up on behalf of my family and on behalf of the community and continue to be here.”
One of Annie’s unique legacies is its connection to the High Heel Drag Race, a beloved LGBTQ event on the Tuesday before Halloween. It started as a race between Annie’s and gay bar JR.’s in 1986, and has grown into a vibrant mini Pride celebration on 17th Street now managed by the mayor’s office.
Although it takes a collective effort to transform Annie’s into the James Beard Award-winning restaurant it is today, one server has stood out for decades. Since 1975, his infectious attitude and heartfelt care have made him a cornerstone of the Annie’s experience, drawing loyal customers back time and again.
Mano, with his instantly recognizable horseshoe mustache and ever-present smile, has been a key part of the institution that is Annie’s for as long as most regulars can remember. Hired as the first male staff member in 1975, Mano has remained a key face for the restaurant going back to when Annie herself served food on the dining room floor.
“We treat every customer like a member of our family,” Mano told the Blade during a recent interview discussing his lengthy career in the restaurant. “Ninety-nine percent of the people feel like regulars, and that 1 percent are on their way to becoming them.”
For 49 years, Mano has been a beloved fixture at Annie’s, his passion for the job evident to everyone around him — from coworkers behind the bar to guests in the booths. Known for gestures like cutting steaks for diners, Mano’s dedication once saw him working seven days a week, a testament to his love for being part of the Annie’s team.
“I feel every day better than the day before,” he said. “I love the people more than the day before. I look forward to loving them more. I can’t predict the future. The past is experience. Right now, at the moment, I am enjoying it.”
Despite his glowing appreciation for Annie’s, Mano has had to cut back from working at the restaurant as much as he once did. As he has grown older, Mano has slowly taken a day or two off from his work schedule.
Katinas became emotional when reflecting on Mano’s history with the restaurant.
“He wants the guests to have the perfect experience,” Katinas said. “He takes training very seriously. He has his own systems for how he counts money and uses the computer. He’s very particular but always so kind about it. When I watch him train new people now, I remember when he trained me. It’s very intentional and intense in moments because he cares so much.”
Mano’s presence and unwavering commitment to delivering impeccable service at Annie’s elevates him above many in the food service industry. His contributions also reinforce Annie’s cornerstone role in Washington’s queer history. When asked what sets his legacy—and by extension, Annie’s legacy within the LGBTQ community—apart from that of a server at any other restaurant, one word stood out in his response: respect.
“Give yourself some respect,” Mano said. “Give them [the customers] all the respect you want for yourself. If you cannot respect yourself, you cannot respect anyone else. I am a mirror reflecting you. When you are sitting at the table, I am a mirror reflecting you.”
Katinas explained Mano’s passion for Annie’s is infectious and has helped shape the culture of the restaurant. She also explained that his passion reflects how Annie ran the restaurant in years prior, with caring about people at its center.
“He takes young servers under his wing,” Katinas explained. “He takes busboys who don’t speak the shared language, and he treats them with such compassion and generosity. Annie was someone who would always sit and talk with you. She would put her hand on your shoulder and really listen. And Mano does that too.”
“We’re all busy, we’re all running around, but Mano really will sit and take the time to get to know you and to listen to your troubles or happy moments, anything,” Katinas added. “He makes sure, even if he’s across the restaurant and someone walks in the door, he’ll yell ‘Welcome in!’ The sense of hospitality is in his blood.”
Not only is he one of the most passionate people in Annie’s at any given moment, but Katinas also highlighted that he cares about the people and history of Annie’s in a truly unique way.
“He’s like the lighthouse captain,” she said, tearing up and smiling. “He has to be tethered to the building. He doesn’t get too far from it and is like, ‘No, no, I’m going to be at my post.’ He’s always there in the front, and everyone knows to expect him there.”
“He’s got a heart bigger than his entire body,” bar manager Scott Paxton chimed in. “He would do anything for just about anybody. He’s the first one to get here, he’s the last one to leave. He’s the most dedicated out of all of them. He’s always offering to help.”
“For a lot of us, he’s the first person that we met,” Paxton added. “This place has been here for a long time with a long legacy, but he is a big part of that legacy. And so you wander in here for the first time and he’s the person that you meet first.”
“You don’t know where to sit or who’s who, but you probably end up sitting with Mano in his section and so it sort of becomes like your home base,” he said. “There are hundreds and hundreds and hundreds of people that come through here and that’s their first contact with anyone and people that request him. And 40 years later, they come in on Wednesday night and they want to see him.”
Mano’s final thoughts about the restaurant reflected what multiple staff and guests have made clear — he loves Annie’s and will until the end.
“I wish them the best success,” Mano said pointing to Katinas, Paxton, and other staff working at the bar. “And they’re going to have it thanks to everybody, all these years of support for this place.”
a&e features
Local LGBTQ chefs share favorite Thanksgiving recipes
Happy holidays from Jamie Leeds, Patrick O’Connell, Mr. Bake and more
Delightful dishes and cool cocktails are at least one guaranteed way to bring joy to Thanksgiving when the season may look challenging. This year, we asked prominent local LGBTQ chefs, mixologists, sommeliers, and restaurateurs to offer recipes and suggestions for Thanksgiving.
Jamie Leeds, Hank’s Oyster Bar
This recipe is the ultimate ode to Chesapeake Bay oysters, using both the oyster and its juice (known as the liquor) to season the stuffing. Leeds is a pioneer in the restaurant industry in Washington, D.C., and was also a a former Washington Blade Most Eligible Single.
Chesapeake Oyster Stuffing
(8 servings)
1 pint (approx. 24) Shucked Chesapeake oysters with liquor
1 cup Celery, small dice
1 cup Yellow onion, small dice
1 stick Butter
1 tsp Salt
1/2 tsp Old Bay seasoning
1/8 tsp Tarragon, fresh
1/8 tsp Thyme, fresh
1/2 tsp Lemon juice
4 Cups Bread, day old, 1”cubes
3 Tbsp Parsley, fresh, chopped
2 Each Eggs, beaten with 2 T water
Steps:
Strain oysters, reserving their liquid. Place oysters in a large mixing bowl with the cubed bread. Preheat oven to 400 degrees. Coat the inside of a 2-quart (or slightly larger) baking dish with cooking spray.
In a 10-inch sauté pan, melt the butter and add celery and onions. Cook on medium heat until vegetables are tender, about five minutes. Add salt, thyme, tarragon and Old Bay seasoning, stir to incorporate. Add reserved oyster liquor and cook for 2-3 minutes. Remove from heat and cool to room temperature. Once cool pour over oysters and bread. Mix gently until moistened.
Gently fold in the eggs, lemon juice and parsley until fully incorporated. Transfer to the baking dish, cover and bake for about 30 minutes, then remove the foil and bake for another 10 to 15 minutes, until top is browned. Can be prepared 1-2 days in advance and kept refrigerated before baking. Tip: If you do not have day-old bread, place cubed bread on a baking sheet and put in a 350 degree oven for about 10-15 minutes until the bread is crusty on the outside. Let cool completely before adding oysters.
Mr. Bake’s Award-Winning Banana Pudding
Kareem “Mr. Bake” Queeman is famous for not only his fabulous presence on social media and reality TV, but also his Banana Pudding, which is the perfect addition to your holiday table. In this recipe, the James Beard semifinalist baker and owner of Mr. Bake Sweets shares his award-winning banana pudding recipe that helped Kareem win his first-ever competition as a baker (the first of many!), and showcase it on the “Kelly Clarkson Show” this past Easter. This is Kareem’s variation on a Southern family recipe passed down by his late aunt Janet Wills.
This holiday dessert is a delicious combination of easy to find and affordable grocery store ingredients, and even includes an option to use store-bought pudding mix if you’re in a time crunch (just make sure to save time to put your pudding in the fridge). Just keep in mind that you’ll need to chilled a bowl in advance and a standard mixer to make sure you get that perfect fluffy texture in the pudding. If you’re feeling extra ambitious, you can make a homemade whipped topping or spring for store-bought in a pinch to add as a final topping on your pudding. Serve in bowls or eat it straight out of the bowl (we won’t judge) this pudding is sure to impress all season long.
Technique Tip:
● Make sure you chill your bowl and mixer attachments before whipping your
heavy cream into cream. This helps ensure the heavy cream whips up nice
and high, and won’t take as much time.
● Make sure the bowl isn’t touching the water when placing your custard bowl
over the double boiler. You’re using just the steam to cook, dissolve and
double your custard in volume.
● Temper your eggs into the cream make sure you add about a cup of the hot
into the egg mixture. This helps make sure you don’t cook and scramble eggs.
Swap Option:
● You can use all heavy cream or whole milk for Half and Half. (Half and Half is
equal parts heavy cream and whole milk)
● You can use Cool Whip if you don’t have heavy cream to make whipped cream
(use about 3 to 4 cups of Cool Whip)
Serving Size: Serves 12 to 15 people
Yield: Makes about 5 to 6 cups of custard.
Prep Time: Custard 6-8 minutes for cook and prep, 2 hour- overnight for chilling
3-6 minutes to whip and blend in custard into the sweeten whipped cream
6-10 minutes to assemble
30 min chill time in the fridge once everything is layered
Cook Time: 6-8 minutes
Serve and keep chilled and enjoy.
Hand mixer/stand mixer
Banana Pudding Trifle (From Scratch)
● 8 large egg yolks
● ½ cup granulated sugar
● 6 tablespoons cornstarch
● ½ teaspoon kosher salt
● 3 cups half & half
● 2 tablespoons pure vanilla extract
● 3 tablespoons unsalted butter, room temperature
● 14 oz can condensed milk
● 2 cups heavy cream
● 3 tablespoon confectioners sugar
● Vanilla wafer cookies 3 to 5 standard boxes (Nabisco preferred)
● 4-5 large bananas, sliced
● Optional: Whipped cream for topping
Preparation:
1. In a large heatproof bowl, whisk together egg yolks, sugar, cornstarch and
salt until well blended. The mixture will be thick and pale in color. Set aside.
2. In a medium saucepan, heat the half & half to a rolling boil (do not actually
boil). Remove pot from the heat.
3. Whisk 1 cup of the half and half into the egg-yolk mixture. Mix until
combined, then whisk in the rest of the half and half.
4. Set the bowl over a pot of simmering water (make sure the bottom of the
bowl doesn’t touch the water in the pot). Cook and whisk constantly, until the
mixture has thickened, 5 to 7 minutes.
5. Remove the bowl from the heat and whisk in vanilla until combined. Let the
mixture sit and cool, 2 to 3 minutes.
6. Whisk in the butter until it is melted and the pudding is smooth and silky.
7. Place a piece of plastic wrap directly on top of the pudding and let cool to
room temperature, about 30 minutes to an hour.
8. Whisk in the condensed milk and chill for 2 hours or overnight.
9. In the bowl of a standard mixer, use the whisk attachment to whip the heavy
cream on medium speed until it starts to thicken. Add the sugar and beat
until the cream holds stiff peaks. (Whipped cream should stand straight up
and stand in place when you remove your attachments.
10. Add the chilled pudding custard to the sweetened whipped cream, gently
folding it into each other.
11. To assemble the trifle, spoon 1/3 of the pudding into a glass trifle bowl. Top
with sliced bananas then wafer cookies. Repeat this process ending with
custard at the top, then add fresh sliced bananas, crushed wafer cookies and
fresh whipped cream (optional) as décor.
Executive Chef Harley Peet, Bas Rouge
As a longtime resident of the Eastern Shore and an avid waterman, seafood naturally takes center stage in Peet’s dishes. Holidays conjure warmth, and the very essence of comfort food is the pot pie. On the Eastern Shore, where salty air mingles with generations of watermen’s tales, the choice was clear. Sweet, tender lobster and delicate sea scallops elevate this timeless classic, where rustic tradition meets refined flavor and presentation in a dish that captures a sense of place.
Scallop and Lobster Pot Pie on a Scallop Shell
Yield: 4 servings
• 1 sheet puff pastry, cut into quarter-size circles
• 1 each egg
• 1 tablespoon milk
• 5 slices smokey bacon, cut into half-inch pieces
• 2 tablespoons unsalted butter
• 1/2 cup celery, small diced
• 1/2 cup onion, small diced
• 1/2 cup carrots, small diced
• 3 tablespoons all-purpose flour
• 1 quart heavy whipping cream, cold
• To taste pepper, freshly ground
• To taste lemon, juiced
• 2 ounces Parmesan cheese, grated
• 1 each lemon, sliced into wedges
• Salt to taste
• 4 each large sea scallops, raw and sliced into quarters [ask for scallop shells]
• 2 each [2.5 lbs.] steamed lobster, diced into half inch pieces
• Parmesan cheese, grated, to taste
Preheat the oven to 400 degrees. In a small mixing bowl, beat the egg and add the milk to create an egg wash. Place the quarter-size circles of puff pastry on a baking sheet and brush the puff pastry with the egg wash. Bake in the oven for 12-15 minutes, or until the pastry is puffed and golden brown. Set the puff pastry aside.
Brown the bacon in a heavy-bottom Dutch oven or saucepan, such as Le Creuset or Staub. Once the bacon is browned, remove it from the Dutch oven and set it aside. Do not discard the bacon fat. Add the butter to the bacon fat in the Dutch oven. Add the celery, onion, and carrot to the pot, and sweat out the vegetables until they are translucent and soft. Take the Dutch oven with the vegetables off of the heat and sprinkle the flour over the vegetables to make a roux. Return the Dutch oven with the roux to the stove over medium heat. Add the cold heavy whipping cream and whisk to remove roux balls. Season the mixture with freshly ground pepper, to taste, and a squeeze of lemon juice, to taste, for a bit of acidity. Simmer the mixture until it gets thick. Once the mixture has thickened, remove it from the heat. Fold in the scallops and lobster into the mixture. Grate the Parmesan cheese into the mixture and stir to incorporate all ingredients. Set the mixture aside, and let it cool in the refrigerator. To note – the mixture can be made up to a couple of days in advance and kept in the refrigerator. (Add the seafood after to extend the lifetime of the mixture or use it immediately.)
Preheat the oven to 350 degrees Fahrenheit. Arrange the scallop shell on a flat baking tray. If needed, arrange with some salt or oven-safe ware to hold the shells upright, in order to keep them from tipping over and losing the topping mixture [they will not fall or warp]. Scoop a [generous] tablespoon of the cold mixture into a scallop shell and top it with a sprinkling of Parmesan cheese. Bake in the oven until the cheese is bubbling and golden brown, or approximately 6-8 minutes. Top each stuffed scallop shell with a pre-baked puff pastry round. Garnish with lemon wedges and serve.
Chef Patrick O’Connell, Inn at Little Washington
Chef Patrick O’Connell, renowned for his three Michelin stars at The Inn at Little Washington, is excited to share one of his beloved recipes for the holiday season.
For nearly four decades, a shot of this soup was served as the first course on The Inn at Little Washington’s tasting menu during the winter months. This beloved classic from Chef Patrick O’Connell found a new life at Patty O’s Café and has been touted as “The world’s most refined version of bean soup.” Pureeing the beans and adding a touch of cream makes for a delicate soup, but all the hearty flavors remain intact. The best of both worlds, and a perfect beginning for a fall or cold weather dinner.
White Bean Soup with Virginia Country Ham
Ingredients (serves 8)
• 1/2 pound dried Cannellini or Great Northern Beans
• 5 strips of bacon
• 2 medium onions, coarsely chopped
• 5 leeks, chopped and thoroughly cleaned
• 1 cup chopped celery
• 4 bay leaves
• 4 quarts chicken stock, preferably homemade
• 1 ham bone (optional)
• 2 cups heavy cream
• Salt and cayenne pepper to taste
• Optional garnishes: shaved country ham; fresh cream, whipped; cracked black pepper; minced chives
Directions:
1. In a medium saucepan, cover the beans with cool water and soak overnight.
2. In an 8 quart stock pot, cook the bacon over medium high heat until browned. Add the onion, leeks, celery, and bay leaves and cook until the vegetables are tender, about 15 minutes.
3. Drain and rinse the beans and add them to the stock pot along with the heated stock and ham bone (if using). Simmer until the beans are very soft, about 1 hour.
4. Remove the ham bone and bay leaves from the soup. Puree the soup in small batches in a blender or food processor and strain.
5. Return the soup to the heat and add the cream. If the soup is too thick, add more stock or cream. Season with salt and cayenne.
6. At Patty O’s Café, we pour the soup tableside over a bed of shaved local Virginia ham, and garnish with fresh cream whipped with cracked black pepper and fresh chives.
Jonathan Dearden, KNEAD Corporate Chef
KNEAD, one of the largest D.C.-based restaurant groups, is owned by gay couple Jason Berry and Michael Reginbogin.
Chef Dearden’s favorite recipe from the Succotash Prime menu that is perfect for Thanksgiving: “Gochujang Brussels Sprouts on our Succotash Prime menu is one of my favorite unique Thanksgiving sides. At the restaurant we fry in the deep fryer. This recipe has been adjusted to use an Air Fryer.”
Air Fried Gochujang Brussels Sprouts
Gochujang Vinaigrette
• 380g gochujang (hot)
• 150g orange juice
• 20g garlic, minced
• 30g ginger, minced
• 20g Fresno chilies, finely chopped
• 100g lime juice
• 100g rice wine vinegar
• 10g salt
• 750g canola or vegetable oil (approx. 1 quart)
In a blender or food processor, combine gochujang, orange juice, garlic, ginger, Fresno chilies, lime juice, rice wine vinegar, and salt. Blend until smooth.
With the blender running, slowly stream in the canola or vegetable oil to emulsify. Adjust seasoning if needed.
For Plate-Up
• 500g Brussels sprouts (about 1 pint)
• 50g gochujang vinaigrette
• 15g garlic chili crunch
• 3g sesame seeds (white and black, mixed)
• 3g scallions, sliced
• Salt and black pepper, to taste
Preheat air fryer to 400°F (200°C).
Toss the Brussels sprouts with a small amount of oil (just enough to lightly coat them) and season with a pinch of salt.
Place the Brussels sprouts in the air fryer basket in a single layer. Cook for 12-15 minutes, shaking the basket halfway through, until the sprouts are golden brown and crispy.
Transfer the air-fried Brussels sprouts to a large bowl. Drizzle with 50g of the gochujang vinaigrette, tossing lightly to coat but keeping them crispy. Season with salt and black pepper as needed.
Plate the Brussels sprouts in a serving bowl and garnish with garlic chili crunch, sesame seeds, and sliced scallions.
Anthony Aligo, Barkada Wine Bar
Aligo Aligo and business partners Nicholas Guglietta and Nathan Fisher, all gay men, founded their cozy wine bar in late 2020. They are offering two recipes this season: mushroom stuffing and a cranberry royale drink.
Mushroom Stuffing
This savory and earthy dish is perfect for Thanksgiving, featuring tender mushrooms, aromatic herbs, and hearty bread. It’s an excellent alternative or complement to traditional stuffing, especially for vegetarians or mushroom lovers. The dish balances rich flavors and comforting textures, making it a great side that pairs well with other Thanksgiving favorites like turkey, gravy, and cranberry sauce. With its umami depth and seasonal ingredients, this stuffing brings warmth and variety to the holiday table.
Mushroom Stuffing
Ingredients
• 12 cups of one-inch dried bread cubes or dried stuffing mix
• 1/2 cup salted butter
• 2 onions
•1 cup celery
•1 clove garlic
•1/2 lb of your favorite mushrooms
• 2 cups chicken or turkey broth
•1/3 cup fresh parsley
• 2 tsp fresh rosemary
Melt butter in a large saucepan over medium heat. Add sliced mushrooms, onions, celery and minced garlic. Cook until tender. Pour in chicken/turkey stock. Add minced parsley and rosemary and salt and pepper to your liking. Let simmer for 1-2 minutes.
Add bread cubes to a large bowl. Pour the mixture in a bowl and mix. Stuffing should be moist but not mushy. If not moist enough, add water.
Grease a 2-quart baking dish. Add stuffing. Bake for 40-50 minutes at 375 until stuffing is slightly browned on top.
Cranberry Royale
This drink is a festive and refreshing cocktail, perfect for Thanksgiving celebrations. With a blend of tart cranberry juice, a hint of orange, and a splash of dry Lambrusco, it offers a beautiful balance of flavors and a light, sparkling finish. The cranberry brings a seasonal twist, while the Lambrusco adds effervescence, making it an ideal aperitif to start the holiday. Its bright red hue adds a festive touch to the Thanksgiving table, celebrating the flavors and colors of the season.
• 0.5 oz Vodka
• 0.5 oz Orange Juice
• 1.5 oz Cranberry Juice
• 3.0 oz Lambrusco (dry)
Shake the cranberry, orange, and vodka with ice, and strain into a flute or coupe. Top with Lambrusco and garnish with orange peel.
a&e features
Should gay snowbirds cancel Florida amid anti-LGBTQ attacks?
The ethics of soaking up the sun while DeSantis targets our own
The sunny state of Florida has long been a draw for many members of the LGBTQ community, particularly those from cold Northeast states who flock there in winter.
With temperatures cooling off, the annual migration is underway, despite Florida Gov. Ron DeSantis and his agenda attacking queer rights. Florida’s hostile environment has a long history, including the failed attempt by Anita Bryant to keep gay teachers out of the Miami school district some 40 years ago.
That homophobic tradition continues. In addition to the current administration’s draconian “Don’t Say Gay” law, and DeSantis’s threats to Disney World in Orlando, the LGBTQ section was recently removed from the Visit Florida website.
Travel is perhaps the most important industry for much of Florida, especially the Southeast and many gay couples decide to retire to the land of eternal summer permanently. Then there are those who flock to “winter” in the state.
Tony Adams is a journalist, editor, playwright, and former contributor to the South Florida Gay News. In 2016, he published a book, “Ending Anita: How Two Key West Bartenders Won Gay Marriage for Florida.” He and his husband spend time there every winter. But he finally had enough.
“I didn’t like paying taxes to the DeSantis administration,” he said. “I sold my place in Fort Lauderdale.”
But he cautions against an all out boycott of the state.
“If we desert Florida now, we are depriving our LGBTQ+ businesses of the revenue they need to stay alive,” he said. “For that reason, I still visit Florida whenever I can, especially Key West and stay at the Island House. … Florida has a long tradition of homophobia in politics. In my book I assembled timelines of hatred going back to the 1977 campaign of Anita Bryant against gay teachers in public schools. Floridians get angry and then come to their senses, but maybe it’s just the flatness of the Florida terrain that allows that pendulum to swing more violently than in other states.”
The Blade reached out to several gay snowbirds from the Northeast for comment for this story; all declined to comment.
Ed Salvato, a leader in LGBTQ marketing and education for the tourism and hospitality industry, weighed in on the deletion of the LGBTQ tourism page.
“The removal felt like erasure, it also felt gratuitous,” Salvato said. “What harm was that information doing to anyone? I speak to many tourism and hospitality professionals as well as frequent travelers, almost all of whom were dismayed and angered by these actions.”
Anecdotally, Salvato said he has heard from friends who are fed up and want to move out. Those who visit frequently are rethinking their upcoming visit to the Sunshine State, he said.
“Recently, I spoke to a woman in Florida very active in hospitality and the diversity, equity, and inclusion space who said she just heard from a large conference of mostly African Americans from Historic Black Colleges and Universities who are canceling their big annual conference there,” Salvato said. “Since they feel that these anti-LGBTQ actions as well as others feel racist. Like the attack on ‘critical race theory’ teaching and attacks on DEI create an unsafe environment for their constituents. This is not good for the economy or reputation of Visit Florida.” He added, this will “take a long time to repair.”
On those like Adams who sold their property but still visit, Salvato notes, “In fact that actually feels like a better reaction than friends who are boycotting the state entirely. To me that makes no sense. The folks in the capital will still draw their salary whether or not you visit your favorite gay guesthouse in Florida. However, the gay owners of that guesthouse or the queer staff will suffer so your boycott hurts the very community who you wish to protect.”
The sheer number of queer people, especially young gay men often escaping hostile families when they graduate high school or before, who find work in the nightlife industry is staggering. Each June, throngs of these young men arrive hoping to find a welcoming community, a job, and a sunny beach.
“In the instance you cite,” meaning snowbirds who may wish to sell property and visit long-term, “this shifts the benefits around the state so that’s better than a boycott but I think the best thing we can do is to go and support those destinations and suppliers that are daring to continue to reach out to LGBTQ travelers despite the signals sent out by the conservative state government.”
Nadine Smith, executive director of Equality Florida, took a similar stance as Salvato. How much money does the state earn from the “gay dollar?” She said “billions.”
“The state not only disrespects a significant contributor to its tourism economy but also sends a dangerous and exclusionary message,” Smith said. “This wasn’t just a petty move — it’s part of a calculated campaign to push LGBTQ people out of public life in Florida. When questioned about why they did this, Visit Florida officials confirmed that this removal was done to align with DeSantis’s hostile policies and rhetoric toward the LGBTQ community.”
Like Salvato, Smith and Equality Florida recommend spending your dollars at LGBTQ-friendly businesses.
“Residents and visitors can also channel their economic influence toward companies that align with their values, sending a strong message that equality and inclusivity matter to them,” Smith said. “Equality Florida is a proud partner of Open To All, a growing coalition of businesses large and small that pledge to be welcoming and inclusive. Customers can search ‘open to all’ businesses on YELP, empowering us to vote with our dollars and support businesses that prioritize and actively advocate for LGBTQ rights.
“In Fort Lauderdale,” she added, “VisitLauderdale.com launched a new social media campaign, “No End to the Rainbows,” to reaffirm their commitment to promoting a welcoming and inclusive environment for all.”
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