Arts & Entertainment
Kevin Feige defends Marvel’s controversial gay character
The Marvel president says it was ‘never meant to be first hero’

President of Marvel Studios Kevin Feige is defending Marvel’s first openly gay character who appeared briefly in “Avengers: Endgame.”
In a scene in the film, an unnamed man played by co-director Joe Russo, is seen at a support group for people who have lost their loves one to Thanos at the end of “Avengers: Infinity War.” The man describes going on a first date with another man but they both end up crying over their lost loved ones before they get their food.
While promoting the film, brothers and co-directors Anthony and Joe Russo explained why it was important to include that scene.
“Representation is really important,” Joe told Deadline. “It was important to us as we did four of these films, we wanted a gay character somewhere in them. We felt it was important that one of us play him, to ensure the integrity and show it is so important to the filmmakers that one of us is representing that.”
Some fans weren’t impressed with the LGBTQ inclusion since Marvel included its first openly gay character but he was never named and shown in a small part.
In an interview with i09, Feige says the character was meant to be representative but not hailed as Marvel’s first gay hero.
“That was never meant to be our first focused character,” Feige told i09. “That was just meant to be a matter of fact and a matter of life and a matter of truth. And I liked it that our hero, Steve Rogers, doesn’t blink an eye at that fact. It is just truth and is heartbreaking for his loss and for the life he’s trying to put back together. It was never meant to be looked at as our first hero. I guess it’s the first reference, so it does, of course, get a lot of attention.”
Feige teased that fans looking for more LGBTQ representation in the Marvel universe won’t have to wait long. He also promised that the LGBTQ characters will have bigger roles.
“We haven’t been shy about saying that that’s coming and that there’s much more prominent LGBT heroes in the future,” Feige says.
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The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
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