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‘Stonewall 50’ expected to draw millions to NYC

Marches, rallies, celebrities to commemorate 50th anniversary of riots

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World Pride, gay news, Washington Blade
Melissa Etheridge is among the entertainers scheduled to perform at the World Pride Closing Ceremony on Sunday. (Photo courtesy Concord Media)

Organizers of the many events this weekend in New York City to commemorate the 50th anniversary of the 1969 Stonewall riots, credited with launching the modern LGBT rights movement, say an expected turnout of 4.5 million people will make it the world’s largest ever LGBT Pride celebration.

In addition to the larger turnout expected from people from throughout the U.S., New York City Pride this year is the official host of World Pride, an international LGBT Pride event originally started in Europe that will take place for the first time this year in the United States.

Heritage of Pride, the group that has organized New York City’s LGBT Pride events for more than 20 years, has said more than 4 million people were expected to turn out for the official New York Pride March on Sunday, June 30. The group says about 115,000 people were expected to march in over 100 contingents and the remainder of the crowds would be lining the streets as spectators.

A spokesperson for Heritage of Pride said a large number of march contingents would be comprised of LGBT people and their supporters from other countries who were coming to New York to participate in World Pride events that began earlier this week.

Among the Heritage of Pride, or HOP, events planned for June 30 is the official World Pride Closing Ceremony beginning at 7 p.m. in New York’s Times Square, which will include “a slate of influential speakers” and big name entertainers. Among the entertainers scheduled to perform are Melissa Etheridge, Deborah Cox, Jake Shears, MNEK, and The Prom Musical. Lesbian comedian Margaret Cho will host the event.

The official New York City Pride March, organized by Heritage of Pride, is scheduled to kick off on Sunday at noon at 26th Street and 5th Avenue. It will travel past the Stonewall Inn gay bar in Greenwich Village, the site of the Stonewall riots, which has been designated a U.S. Historic Landmark.

The march will end in Manhattan’s Chelsea neighborhood. Organizers and longtime activists in New York say in recent past years the march has lasted as long as eight hours or more and this year’s march could last even longer.

For the first time this year a dissident group in New York City, the Reclaim Pride Coalition, has organized a separate Queer Liberation March set to take place the same day as the official New York City Pride March on June 30.

But the Queer Liberation March is scheduled to begin at 9:30 a.m., at the site of the Stonewall Inn bar in Greenwich Village. It will travel from its starting point at Sheridan Square in front of the Stonewall along 7th Avenue to 10th Street where it will turn onto 6th Avenue and travel to Central Park, where a rally will take place.

“The Queer Liberation March is a people’s political march – there will be no corporate floats, and no police in our march,” according to a statement released by the Reclaim Pride Coalition. “Our march is a truly grassroots action that will mobilize the community to address the many social and political battles that continue to be fought locally, nationally, and globally,” the statement says.

Although not as large as the World Pride closing ceremony in Times Square organized by Heritage of Pride, the Queer Liberation March Rally, set to take place on Central Park’s Great Lawn, will include speakers and performers. Among them will be nationally acclaimed playwright and co-founder of the AIDS protest group ACT UP, Larry Kramer.  

Among those scheduled to perform at the rally are Kevin Aviance and the lesbian singing group Betty.

Activists in New York who have been following the plans for the two marches say many plan to participate in both since the Queer Liberation March will likely end before the New York Pride March begins at noon.

James Fallarino, a spokesperson for Heritage of Pride, has said that while corporate floats will take part in the New York City Pride March in their role as corporate sponsors, such floats will be far outnumbered by contingents made up of nonprofit LGBT or LGBT supportive organizations.

However, the New York City Pride website says that due to the large number of participants in the march, individuals interested in marching must be part of a group or contingent that has registered in advance to join the march. An individual that shows up on the day of the march won’t be allowed to join the march if he or she isn’t part of a preregistered contingent, although they will be allowed to watch the march on the sidelines, which will be fenced off from the street by security barriers set up by the New York City Police Department.

Ann Northrop, one of the lead organizers of the Queer Liberation March, said that march will allow anyone to join its ranks at any location along its route.

Northrop said for people unable to come to New York for the weekend events, organizers will be livestreaming the Queer Liberation March and rally on its website, reclaimpridenyc.org.

The New York City Pride March will be broadcast live from noon to 4 p.m. on WABC TV Channel 7, the ABC Television Network’s New York City affiliate station. It couldn’t immediately be determined whether out of town viewers could see the ABC7 broadcast through a livestreaming on the station’s website.

The following are some of the main events scheduled for this weekend by New York City Pride and the Reclaim Pride Coalition:

• Stonewall 50 Commemoration Rally—Friday, June 28, 6 p.m. at Christopher Street and Waverly Place in Greenwich Village

• Youth Pride—Saturday, June 29, 12 p.m. at Summer Stage in Central Park

• Pride Island Celebration—Saturday, June 29, 2 p.m.; Hudson River Park’s Pier 97. The event will feature big name entertainers, including legendary singer Grace Jones, Teyana Taylor, Kim Petras, Pabllo Vittar, and Amara La Negra.

• PrideFest street fair—Sunday, June 30; 11 a.m.; 4th Avenue between Union Square and Astor Place. The event includes exhibitors, entertainers and fun activities.

• Queer Liberation March—Sunday, June 30, 9:30 a.m., begins at Sheridan Square in Greenwich Village outside the Stonewall Inn. The march ends in Central Park, where a rally will be held.

• New York City Pride March—Sunday, June 30; 12 p.m.; begins at 26th Street and 5th Avenue. Grand marshals include the cast of “Pose,” Phyll Opoku-Gyimah, Gay Liberation Front members, the Trevor Project, and Monica Helms.

• World Pride Closing Ceremony—Sunday, June 30; 7 p.m. in Times Square; Melissa Etheridge is among the entertainers scheduled to perform.

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Photos

PHOTOS: WorldPride Street Festival and Closing Concert

Doechii, Khalid among performers

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Doechii performs at the WorldPride Closing Concert on Sunday, June 8. (Washington Blade photo by Michael Key)

WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: WorldPride Parade

Thousands march for LGBTQ rights

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The 2025 WorldPride Parade (Washington Blade photo by Michael Key)

The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals. 

(Washington Blade photos by Michael Key and Robert Rapanut)

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Theater

A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’

Nonbinary actor Alyssa Keegan stars as Duke Orsino

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Alyssa Keegan (Photo courtesy Folger Theatre)

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu

Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within. 

Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.” 

Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few. 

In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting. 

WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about? 

ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all. 

BLADE: What’s your approach to the fetching, cod-piece clad nobleman?

KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness. 

So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.

Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.

BLADE: As an actor, do you ever risk taking on the feelings of your characters? 

KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character. 

So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character. 

BLADE: Has changing the way you work affected your performances?

KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way. 

BLADE: Is Orsino your first time playing a male role?

KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy. 

As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.

BLADE: Do you have a favorite part? Male or female? 

KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting. 

BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?

KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way. 

The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen.  It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.

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