Arts & Entertainment
Sam Smith surprises with cover of “I Feel Love”

In a surprise move, out singer Sam Smith has released a new cover version of the iconic Donna Summer disco track, “I Feel Love.”
It’s been a busy year for Smith, who has already enjoyed global hits with songs like “Dancing With A Stranger” and “How Do You Sleep?,” and who came out in March as non-binary and genderqueer, asking people to use “they” and “them” pronouns in reference to them.
In recent weeks, Smith’s Recent posts on social media have shown them in the studio working on their next album. On Thursday, they teased fans that something big was about to happen.
Then, at midnight, the new track dropped.
The original “I Feel Love,” sung by Donna Summer and produced by longtime collaborator Giorgio Moroder and Pete Bellotte, is widely hailed as a definitive track of the disco era and one of the of great pop songs of all time. Originally released in 1977, the song was top ten hit in the US and reached number one on the charts in the UK, Australia, and other countries.
Smith’s cover of the song reunites them with Guy Lawrence, half of the duo Disclosure, who produced the track. It was Disclosure’s 2012 single “Latch” on which Smith appeared and first drew attention as a force to be reckoned with on the pop music scene. The new version makes no effort to reinvent the original track; rather, it lovingly recreates the original’s hypnotic beat, while Smith croons their approximation of Summer’s classic vocals, paying their own tribute to a pioneer of the dance-pop genre in which they started.
The new recording is featured as part of a holiday ad campaign for Target. It is now available on streaming services.
You can listen to the original 12″ version of the Summer/Moroder classic below.
Arts & Entertainment
2026 Most Eligible LGBTQ Singles nominations
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The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.
(Washington Blade photos by Michael Key)










a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
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