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“Sherlock” creators tease new homoerotic “Dracula” series

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Claes Bang as the eponymous count in the upcoming BBC One series, “Dracula” (Image courtesy BBC/Netflix)

Halloween may be over, but that doesn’t mean we have to wait a whole year for more sexy scares.

The BBC just dropped a teaser trailer for their highly anticipated “Dracula” series, in which Danish actor Claes Bang portrays the iconic count, and it’s clear that this iteration of the classic tale plans to take a more pansexual approach than we’ve seen in the past.

In the trailer, Dracula is seen gently caressing the face of an obviously terrified young man as he tells him, “Try and stay calm, you’re doing very well.”

The series comes from writers Mark Gatiss and Steven Moffat, who created the wildly successful modern-day “Sherlock” reboot that won legions of fans and turned actor Benedict Cumberbatch into a household name. Produced by Hartswood Films and inspired by Bram Stoker’s classic novel, it’s set in 1897 Transylvania and re-introduces us to the blood drinking Count as he prepares his plans against Victorian London.

Gatiss, who is gay, says “He’s got broad tastes, this Dracula. It’s not just a collection of sixties women with push-up bras this time. Dracula has never been discriminative, in so far as he can tell the difference between the sexes. He goes for his food but also people who interest him.”

Gatiss and Moffat are also known for their work on another popular British show, “Dr. Who.” They previously introduced LGBT themes and characters in that series as well as in “Sherlock,” where they portrayed the fictional detective’s arch-nemesis Moriarty as a gay man (memorably portrayed by out actor Andrew Scott, now known as “Sexy Priest” from the Emmy-winning “Fleabag”) and often playfully tipped the hat to fans who “ship” the duo of Holmes and Watson – though they never went so far as to actually suggest any sexual or romantic relationship between them.

The shadow of “Sherlock” looms large – literally – over the new series.

According to Gatiss in an interview with Pilot TV magazine, the entire idea for “Dracula” sprung from something that happened while filming the first season of the previous show.

“Well, I’m conscious whatever we say now will be the story we’ll be telling for the next ten years, so I might pretend that we were in a hot-air balloon over Marrakech,” he joked.

“The truth is we were making Sherlock, two days into shooting the first series… I had this photo on my phone of Benedict Cumberbatch silhouetted against Mrs. Hudson’s door, and I showed Ben Stephenson, who was then head of BBC drama, [saying] ‘Oooh it looks like Dracula, doesn’t it?’ and he went, ‘Do you want to do it?’”

Gatiss is also an actor, known best to American audiences for appearing in “Sherlock” as the detective’s brother, and also for a juicy turn as shrewd banker Tycho Nestoris in HBO’s “Game of Thrones.” He takes on an as-yet-undisclosed role alongside Bang in “Dracula,” which will also feature John Heffernan (“The Crown”), Joanna Scanlan (“Hold The Sunset”), Dolly Wells (“Can You Ever Forgive Me”), Morfydd Clark (“His Dark Materials,” “Patrick Melrose”) and Lujza Richter (“Phantom Thread”).

The new series has yet to air, but Gatiss has already teased the possibility of a second season, saying, “It’s very hard to kill a vampire.”

“Dracula” will follow the same format as “Sherlock,” consisting of three feature-length episodes and airing in the UK on BBC One. It will be available in the US and other parts of the world on Netflix. No release date has been set but it is expected to debut in January of 2020.

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Theater

Queers win big at 77th annual Tony Awards

‘Merrily We Roll Along’ among winners

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(Photo courtesy of the Tony Awards' Facebook page)

It was a banner night for queer theater artists at the 77th annual Tony Awards, honoring the best in Broadway theater at the Lincoln Center in New York on Sunday. Some of the biggest honors of the night went to the revival of the Stephen Sondheim musical “Merrily We Roll Along” and the dance-musical based on Sufjan Stephens’ album “Illinoise.

“Merrily We Roll Along,” which follows three friends as their lives change over the course of 20 years, told in reverse chronological order, picked up the awards for Best Revival of a Musical and Best Orchestrations. 

Out actor Jonathan Groff picked up his first Tony Award for his leading role as Franklin Shepard in the show, while his costar Daniel Radcliffe earned his first Tony Award for featured performance as Charley Kringas. 

Groff gave a heartfelt and teary acceptance speech about how he used to watch the Tony Awards as a child in Lancaster County, Pa.

“Thank you for letting me dress up like Mary Poppins when I was three,” he said to his parents in the audience. “Even if they didn’t understand me, my family knew the life-saving power of fanning the flame of a young person’s passions without judgment.”

Groff also thanked the everyone in the production of “Spring Awakening,” where he made his Broadway debut in 2006, for inspiring him to come out at the age of 23.

“To actually be able to be a part of making theatre in this city, and just as much to be able to watch the work of this incredible community has been the greatest pleasure of my life,” he said. 

This was Groff’s third Tony nomination, having been previously nominated for his leading role in “Spring Awakening” and for his featured performance as King George III in “Hamilton.” 

Radcliffe, who is best known for starring in the “Harry Potter” series of movies, has long been an ally of the LGBTQ community, and has recently been known to spar with “Harry Potter” creator JK Rowling over her extreme opposition to trans rights on social media and in interviews. It was Radcliffe’s first Tony nomination and win.

Lesbian icon Sarah Paulson won her first Tony Award for her starring role in the play “Appropriate,” about a family coming to terms with the legacy of their slave-owning ancestors as they attempt to sell their late father’s estate. It was her first nomination and win.

In her acceptance speech, she thanked her partner Holland Taylor “for loving me.” Along with Paulson’s Emmy win for “American Crime Story: The People vs. O.J. Simpson,” she is halfway to EGOT status.

The Sufjan Stephens dance-musical “Illinoise,” based on his album of the same name, took home the award for Best Choreography for choreographer Justin Peck. It was his second win.

During the ceremony, the cast of “Illinoise” performed “The Predatory Wasp of the Palisades is Out to Get Us!”, a moving dance number about a queer romance.

A big winner of the night was the adaptation of the S.E. Hinton novel “The Outsiders,” which dominated the musical categories, earning Best Director, Sound Design, Lighting Design, and Best Musical, which earned LGBTQ ally Angelina Jolie her first Tony Award.

Also a big winner was “Stereophonic,” which dominated the play categories, winning the awards for Best Play, Featured Actor, Director, Sound Design, and Scenic Design.

“Suffs,” a musical about the fight for women’s suffrage in the U.S., which acknowledges the lesbian relationship that suffragist Carrie Chapman Catt had in song called “If We Were Married,” took home awards for Best Book of a Musical and Best Score, both for creator Shaina Taub. 

Had “Suffs” also won for Best Musical, producers Hilary Clinton and Malala Yousafzai would have won their first Tony Awards. 

Other winners include Maleah Joi Moon for her lead role and Kecia Lewis for her featured role in the Alicia Keys musical “Hell’s Kitchen,” Jeremy Strong for his lead role in An Enemy of the People, and Kara Young for her featured role in “Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch.”

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Theater

‘Rose: You Are Who You Eat’ an irreverent romp at Woolly Mammoth

Solo performance by John Jarboe offers much to consume

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John Jarboe in ‘Rose: You Are Who You Eat’ at Woolly Mammoth Theatre Company. (Photo by Teresa Castracane)

‘Rose: You Are Who You Eat’
Though June 23
Woolly Mammoth Theatre Company
641 D St., N.W.
$60-$82
Woollymammoth.net

With “Rose: You Are Who You Eat,” a solo performance by John Jarboe (she/her), now at Woolly Mammoth Theatre Company, there’s a lot to uncover and consume.  

For much of the show, you might think the appealing Jarboe is playing dress up in a pair of tighty-whities and sparkly go-go boots, but it’s something else and she’s ready to go there. 

Jarboe is a cannibal. Not in the usual sense. She learned from a well-meaning aunt that while still in the womb, she ate her twin, and that’s what made Jarboe the way she is (a reference to gender queerness).

Despite the aunt’s awkward delivery of family dish, the prenatal news struck a chord with Jarboe: the vanishing twin who would have been named Rose, became increasingly connected to her own identity. Along with the inevitable jokes about eating her sister’s spaghetti thin hair and tasty eyeballs, there’s meaty matter unfolding onstage. 

Not entirely unexpected, Jarboe also harbors mommy issues. Mom, here referred to as “Mother” for the sake of anonymity, is a buttoned-down tax accountant who the more perturbed she becomes the wider her forced smile grows. And while Jarboe needs to have that long overdue talk with Mother, something always seems to get in the way; invariably it’s tax season.

Assisted by some primary source props (a baby book, notes, a string of pearls filched from Mother’s jewelry box), Jarboe further digs into gender expression and identity. Her performance career began in her child bedroom closet with a flashlight and makeshift costume, an obsession to which her parents initially subscribed, later not as much. 

Among the 75-minute-long show’s highlights are five or so songs, rock numbers and redolent ballads composed by Jarboe, Emily Bate, Daniel de Jesús, Pax Ressler and Be Steadwell. 

It’s definitely a solo show conceived and delightfully performed by Jarboe; however, she’s supported by a terrific four-person band (costumed in what appeared from Row D to be rosebush inspired jumpsuits) including Mel Regn, Yifan Huang, Daniel de Jesús, and music director Emily Bate. Bate is a singer, composer and performer who runs a queer and trans community chorus in Philadelphia called Trust Your Moves, an experiment in collective singing designed around liberation and co-creation.

As Jarboe moves into her 30s, she celebrates and incorporates her lost twin as part of herself with a new intensity. She writes letters, yearning for even the most tepid reply. Her obsession with Mother remains a thing too.

Dressed in a sylphlike rosy red gown (by costume designer Rebecca Kanach) Jarboe uses call-and-response (with the audience standing in for Mother) in search of some resolution. It’s beautifully done. 

With various kinds of backing coming from CulturalDC, the Washington Blade, Capital Pride, the Bearded Ladies Cabaret and other New York-based groups, there’s nothing itinerant cabaret looking about “Rose.” Directed by MK Tuomanen, it’s an elevated, visually engaging production. 

For instance, set and video designer Christopher Ash’s projections shown on both a serviceable scrim and later a wondrously huge toile curtain, beautifully feature photos from an ostensibly idyllic Midwestern childhood. We see a young Jarboe not only enjoying hockey, fishing, and hunting, but also pulling off a strikingly girly, cheesecake pose.  

At the top of the show, there’s live video of Jarboe’s outsized mouth devouring wings fished from a bucket of fried chicken. Hints of cannibalism? 

“Rose: You Are Who You Eat” is an irreverent romp, deeply personal yet relatable. It’s an evening of poignantly performed moments, off the cuff laughs, and some awkward/sexy audience interaction. 

As a performer, Jarboe lays herself bare, exposing strengths (rich melodious voice, presence, ingenuity) and weaknesses (garrulity and more than a few un-landed jokes) in equal turns. 

Hers is a world that invites audiences to just let go and go with it. Jarboe’s intrepid journey melds the familiar and the startling. In short, it’s a trip worth taking. 

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Photos

PHOTOS: Capital Pride Festival and Concert

Keke Palmer, Billy Porter among entertainers

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Billy Porter performs at the 2024 Capital Pride Festival on Sunday. (Washington Blade photo by Michael Key)

The 2024 Capital Pride Festival and Concert was held along Pennsylvania Avenue in Northwest D.C. on Sunday, June 9. Performers included Sapphira Cristál, Keke Palmer, Ava Max, Billy Porter and Exposé.

(Washington Blade photos by Michael Key and Emily Hanna)

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