Arts & Entertainment
‘Strictly Come Dancing’ features first same-sex pairing
“Strictly Come Dancing” – the UK reality dance competition show that was forerunner to “Dancing With The Stars” in the US and other countries – this weekend featured the first same-sex dance routine in its 17-season history.
The hit BBC show has been a frequent target of criticism from LGBTQ advocates for its refusal to pair any of its celebrity contestants with professional dancers of the same sex, despite the frequent participation of openly gay contestants.
Though last season included two professionals dancing together as part of a group routine, this weekend’s installment of the Sunday results show was the first to include a solo spot between two male dancers – Johannes Radebe, who is gay, and Graziano di Prima, who is heterosexual.
Radebe is a professional dancer and choreographer who spent two seasons on South Africa’s version of the program before joining the UK cast in 2018. He had been teamed this season with celebrity partner Catherine Tyldesley before the pair was eliminated from the show last week.
Radebe, who has spoken out about being bullied when younger and the difficulties of growing up gay in South Africa, spoke to UK’s Hello magazine about what being asked to take part in the historic same sex routine meant to him.
“I’ve never felt so liberated. For the first time in my life, I feel accepted for who I am. That says so much about the people of this country,” he said. “To be able to dance with a friend I respect and adore is joyous. There’s bromance galore between us, but there were no male and female roles, just free movement. It was beautiful, classy and elegant.”
Graziano is a Sicilian dancer who also joined the show in 2018. He is an Italian Latin Champion who has also represented Belgium at the World Championships and made the top 24 at the under 21s Latin World Championships.
Both men took to social media to comment on the dance.
Radebe posted photos of him and di Prima, commenting, “Love knows no boundaries.”
Di Prima posted a clip to his Twitter with the message: “REPRESENTATION always matters!?️?unforgettable moment, loved to dance with you @johannesradebe.”
Di Prima’s tweet has drawn over 24,000 likes and thousands of comments. Some were negative – with fans of the show expressing disappointment and saying they would not watch the show in the future if it featured more same-sex couplings – but the majority were supportive of the routine.
On his Instagram, Radebe thanked people for their support.
“I see all those messages coming in and I feel the love. I’m going to take time to respond to each and every message. There’s a lot! I’m really grateful and I’m really thankful.”
Last year, “Ballando con le Stelle,” Italy’s version of “Dancing With The Stars,” featured a gay celebrity partnered with a male professional dancer. The same-sex pairing made the competition’s grand final and took third place.
The Israeli version of the show has included a female same-sex couple in its competition and the Austrian version has featured a male couple. Australian drag star Courtney Act danced with a male partner in that country’s version of the show.
In the US, Dancing With The Stars” has yet to feature a same-sex competing – though in 2016, Nyle DiMarco participated in a brief same-sex routine before going on to win the series with his female dance partner, Peta Murgatroyd.
Radebe and di Prima danced to singer Emeli Sande, performing her track, “Shine.” You can watch their full routine below.
Theater
Out dancer on Alvin Ailey’s stint at Warner Theatre
10-day production marks kickoff of national tour
Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org
The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May.
“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.
Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour.
Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”
Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.
He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”
Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.
WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989.
RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.
BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.
MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body.
That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.
BLADE: Is “Revelation” a meaningful piece for you?
MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old.
BLADE: How can a dancer in a prestigious company also be a ballroom house father?
MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.
I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance.
BLADE: Any message for queer audiences?
MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do.
BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?
MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great.
Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.
Tickets are $17.85 and can be purchased on Eventbrite.
Arts & Entertainment
Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71
Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’
Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.
O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.
In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.
In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”
Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.
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