Arts & Entertainment
‘Strictly Come Dancing’ features first same-sex pairing

“Strictly Come Dancing” – the UK reality dance competition show that was forerunner to “Dancing With The Stars” in the US and other countries – this weekend featured the first same-sex dance routine in its 17-season history.
The hit BBC show has been a frequent target of criticism from LGBTQ advocates for its refusal to pair any of its celebrity contestants with professional dancers of the same sex, despite the frequent participation of openly gay contestants.
Though last season included two professionals dancing together as part of a group routine, this weekend’s installment of the Sunday results show was the first to include a solo spot between two male dancers – Johannes Radebe, who is gay, and Graziano di Prima, who is heterosexual.
Radebe is a professional dancer and choreographer who spent two seasons on South Africa’s version of the program before joining the UK cast in 2018. He had been teamed this season with celebrity partner Catherine Tyldesley before the pair was eliminated from the show last week.
Radebe, who has spoken out about being bullied when younger and the difficulties of growing up gay in South Africa, spoke to UK’s Hello magazine about what being asked to take part in the historic same sex routine meant to him.
“I’ve never felt so liberated. For the first time in my life, I feel accepted for who I am. That says so much about the people of this country,” he said. “To be able to dance with a friend I respect and adore is joyous. There’s bromance galore between us, but there were no male and female roles, just free movement. It was beautiful, classy and elegant.”
Graziano is a Sicilian dancer who also joined the show in 2018. He is an Italian Latin Champion who has also represented Belgium at the World Championships and made the top 24 at the under 21s Latin World Championships.
Both men took to social media to comment on the dance.
Radebe posted photos of him and di Prima, commenting, “Love knows no boundaries.”
Di Prima posted a clip to his Twitter with the message: “REPRESENTATION always matters!?️?unforgettable moment, loved to dance with you @johannesradebe.”
Di Prima’s tweet has drawn over 24,000 likes and thousands of comments. Some were negative – with fans of the show expressing disappointment and saying they would not watch the show in the future if it featured more same-sex couplings – but the majority were supportive of the routine.
On his Instagram, Radebe thanked people for their support.
“I see all those messages coming in and I feel the love. I’m going to take time to respond to each and every message. There’s a lot! I’m really grateful and I’m really thankful.”
Last year, “Ballando con le Stelle,” Italy’s version of “Dancing With The Stars,” featured a gay celebrity partnered with a male professional dancer. The same-sex pairing made the competition’s grand final and took third place.
The Israeli version of the show has included a female same-sex couple in its competition and the Austrian version has featured a male couple. Australian drag star Courtney Act danced with a male partner in that country’s version of the show.
In the US, Dancing With The Stars” has yet to feature a same-sex competing – though in 2016, Nyle DiMarco participated in a brief same-sex routine before going on to win the series with his female dance partner, Peta Murgatroyd.
Radebe and di Prima danced to singer Emeli Sande, performing her track, “Shine.” You can watch their full routine below.
Photos
PHOTOS: Remove the Regime rally and march
Dropkick Murphys, Earth to Eve perform on steps of Lincoln Memorial
The Remove the Regime rally and march was held on Saturday, Nov. 22.
(Washington Blade photos by Michael Key)








Transgender Day of Remembrance was observed at the Metropolitan Community Church of Washington, D.C. on Thursday, Nov. 20. The event was emceed by Rayceen Pendarvis and Dwight Venson. Musical selections were provided by Agape Praise and Dynamic Praise. Proclamations from the D.C. Council and the D.C. Office of the Mayor were presented. The Pouring of the Libation was conducted by Rev. Elder Akousa McCray and Rev. Paul Fulton-Woods of Unity Fellowship Church.
Remarks were given by trans survivors of violence. Family members of slain trans woman Dream Johnson were featured speakers. Prayers were given by Rev. Cathy Alexander and Rev. Dwayne Johnson of Metropolitan Community Church of Washington, D.C. Yael Shafritz gave a Jewish prayer through a video presentation. Closing remarks were given by community leader, Earline Budd.
(Washington Blade photos by Michael Key)







Books
Pioneering gay journalist takes on Trump 2.0 in new book
Nick Benton’s essays appeared in Fall Church News-Press
Nicholas Benton is a well-known local LGBTQ advocate and journalist and the longtime owner and editor of the Falls Church News-Press, a weekly newspaper.
In his eighth book out now, Benton offers a new set of remarkable essays all crafted in the first eight months of Trump 2.0 and its wholesale effort at dismantling democracy and the rule of law. Most were published in the Falls Church News-Press, but he adds a new piece to this volume, as an addendum to his “Cult Century” series, revealing for the first time his experiences from decades ago in the political cult of Lyndon LaRouche, aimed at providing a clearer grasp of today’s Cult of Trump.
His “Please Don’t Eat Your Children” set takes off from the satire of Jonathan Swift to explore society’s critical role of drumming creativity out of the young.

Below is an excerpt from “Please Don’t Eat Your Children, Cult Century, and other 2025 Essays.”
Please Don’t Eat Your Children
In his famous short essay, “A Modest Proposal: For Preventing the Children of Poor People in Ireland From Being a Burden to Their Parents or Country and for Making Them Beneficial to the Public,” author and Anglican priest Jonathan Swift (1667-1745) uses cutting satire to suggest that cannibalism of the young might help solve a battery of social ills.
As we examine our broken society today, it seems to me that reflecting on Swift’s social critique can be quite useful. Now we face a nation filled with anger and division and there is little to suggest any real solutions other than insisting people “don’t do that!” We can start out with the observation that young children, left to their own, are neither hateful nor cruel. How do they get that way later on in their lives? What drives them toward such emotional states and behaviors? It is not a problem only for the margins of society, for the extreme misfits or troubled. It is defining the very center of our culture today. Our divisions are not the cause, but the result of something, and nobody is saying what that is.
Swift doesn’t say what it is in his biting little essay. But it is implied by a context of a lack of bounty, or poverty, on the one hand, and an approach to it characterized by obscenely cruel indifference, on the other. He coined the phrase “useless eaters” in defining his radical solution. In Hitler’s Germany, that term resonated through the death camps and some in our present situation are daring to evoke it again as the current administration pushes radical cuts in Medicaid funding.
But while that refers to the old and infirm, mostly, it is the young we are talking about here. The problem is that our society is structured to devour our young and as they begin to find that out, they rebel. Not in all cases is this the practice, of course. Where there is little or no lack, things are different. We nurture our young, as we should, and we love them. Lucky is the child who is born to parents who are of means, and in a community where nurture is possible and valued. But even such children are ultimately not immune from facing a destiny of pale conformity battered by tightly delimited social expectations and debt slavery. If they have enough ambition, education and doors opened for them, some can run the gauntlet with relative effectiveness. Otherwise, our young are raised to die on battlefields, or to struggle in myriad other painful social conflicts aimed at advancing the world of their elders. In the Bible, there is a great admonition against this process that comes at the very precondition for the tradition it represents that begins with Abraham.
It is in the book of Genesis at the beginning of the Biblical story when, as that story goes, God commanded Abraham to kill his son, Isaac, as a sacrifice. As Abraham is about to obey, God steps in and says no. The entire subsequent eons-long struggle to realize Abraham’s commission by God to make a great nation that would be a light to the world would have been cut short right then if Abraham had slain his own son. The message is that all of the Abrahamic traditions, Judaism, Islam and Christianity, owe their source, and in fact are rooted, in God’s command to reject the sacrifice of children to the whims of their elders. The last thousands of years can be best defined in these terms, where nurture is pitted against exploitation of our young with, at best, vastly mixed results. Scenes like that at the opening of “All Quiet on the Western Front,” the World War I novel and film where a teacher rallies a classroom full of boys to enlist in the war, is bone chilling. Or, the lyric in Pink Floyd’s iconic song, Comfortably Numb, “When I was a child, I caught a fleeting glimpse out of the corner of my eye. I turned to look but it was gone. I cannot put my finger on it now. The child is grown, the dream is gone.”
Nick Benton’s new book is available now at Amazon.
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