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UNESCO censors nude statues

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Image via Stéphane Simon on Instagram.

The United Nations’ cultural agency is under fire for covering the genitalia on a series of nude sculptures with underwear, according to CNN.

The work of French sculptor Stéphane Simon, 45, the sculptures were on display at the European Heritage Days event held in in Paris by the United Nations Educational, Scientific and Cultural Organization (UNESCO) in September.

CNN reports that the classical-style figures were part of a series called “In Memory of Me,” in which they were depicted in poses meant as a commentary on the now-worldwide social phenomenon of taking selfies.

UNESCO officials made the decision to cover the genitalia with the addition of underwear during the event.

The two statues in question were covered with a thong and a baby’s diaper.

Simon told CNN the decison “humiliated him” and was “disgusting.”

“I felt ashamed,” said Simon, 45, “so deeply sad to see all these years of work and research broken.”

“For two days visitors came to meet, to ask me: ‘But why did you do that?’ But it was not my choice,” the artist added, saying that he should instead have spent those two days “explaining the fascinating link” between the practice of selfie-taking and Ancient Greek history.

To make matters worse, Simon says he had raised the issue of nudity with UNESCO during meetings to plan for the event, but that they had not asked him to cover up the works until a few days before it took place on September 21 and 22.

In an interview with the French news site CheckNews, he said, “The question of the nudity of the statues was raised… I understand that can be disturbing. So, I proposed to stay, during Heritage Days, nearby with a cloth and, if necessary, depending on the visitors, to hide the sex of the statues.”

Image via Stéphane Simon on Instagram.

In a report by UK’s Daily Mail, law professor Jacques Bouineau compared the situation to the case of Daniele da Volterra, an Italian painter who tried to cover the exposed backsides in Michelangelo’s Last Judgment in the Sistine Chapel.

“And it’s in Paris, the capital of a secular state, in 2019, that a similar censorship is imposed upon an artist,” Bouineau added. “Are we going to have to cover up Michelangelo’s David… or the nude women of Rubens and Ingres?’

For their part, UNESCO initially said the sculptor agreed to cover up the genitalia – which Simon denies – before the arrival of Muslim delegations, citing a confused chain of emails with agency staff over the placement of the underwear, which they said was proposed by the artist himself.

Nevertheless, the agency has apologized, blaming the incident on a “misunderstanding” and a mistake made by a “stressed” employee, and saying that they would have allowed the statues to be exhibited uncovered if they had fully understood the situation.

In a statement, UNESCO said, “We didn’t want to censor the artist, and understand that he felt hurt.”

Photos of the underwear-clad statues drew ridicule from online commentators, with some commenting that the coverage made the statues look like an underwear ad, and others wondering how the skimpy garments could even have been slipped over the base.

The predominant reaction, however, has been to level criticism at UNESCO for a decision many call “puritanical.”

In the words of one Twitter user, “That’s how the fall of the Roman Empire began.”

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PHOTOS: Vitamin C at JR.’s

Live drag show follows ‘Drag Race All Stars’ viewing party

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Brooke N Hymen performs at JR.'s at the Vitamin C drag show on Friday. (Washington Blade photo by Landon Shackelford)

JR.’s Bar held a “RuPaul’s Drag Race: All Stars” watch party followed by a live drag show on Friday, July 17. The Vitamin C weekly drag show was hosted by Citrine with performers Brooke N Hyman and Rosie Beret.

(Washington Blade photos by Landon Shackelford)

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PHOTOS: Rehoboth Beach Pride Festival

LGBTQ celebration held at convention center

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A scene from the 2026 Rehoboth Beach Pride Festival. (Washington Blade photo by Daniel Truitt)

The 2026 Rehoboth Beach Pride Festival was held at the Rehoboth Beach Convention Center on Saturday, July 18.

(Washington Blade photos by Daniel Truitt)

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Liza’s book a tale that’s better than most celebrity memoirs

‘Kids, Wait Till You Hear This!’ dishes on marriages, heartbreak

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(Book cover image courtesy of Grand Central)

‘Kids, Wait Till You Hear This! My Memoir’
By Liza Minnelli, as told to Michael Feinstein
c.2026, Grand Central
$36/ 421 pages

Twenty feet In front of you, and you can’t see a thing.

Even the closest faces are in shadow – lit, but not quite enough for you to see for sure what the people there are thinking. Still, you can hear them, their gasps, their laughter, and applause. Such is life, on-stage. Now read “Kids, Wait Till You Hear This! My Memoir” by Liza Minnelli, as told to Michael Feinstein, and read about it beyond the spotlight.

Almost from the moment she was born, Liza Minnelli was famous.

It was inevitable: her mother was Judy Garland. Her father was director Vincente Minnelli. Her godparents were Hollywood glitterati, her neighbors were famous, her playmates would be famous someday, too.

But her life wasn’t all starlight and happiness.

She made her stage debut as a toddler. She became her “mother’s caretaker” at age 13.

At 16, she had a growing career of her own – one that her mother tried to stop. But, she says, “In her own way, Mama was wonderful to me. Try understanding – she was my mother, not a movie star…. I knew her as the person who loved me and always would.”

At 19, Minnelli was working, happy, and madly in love with the man who’d become her first husband, and life was wonderful – until she came home one day to find him in their bed with another man. Before they were divorced, she lost her beloved mother, and became “engaged” to two other men simultaneously, neither of which made it to the altar with her.

She married her second husband, the son of one of her mother’s former co-stars, in 1974 but her love affairs and addictions led to a second divorce.

Her third husband was a stage manager.

She doesn’t have much good to say about her fourth, and last, husband.

Overall, she says, “You gotta play the comedy for all it’s worth and leave ‘em laughing. Even when your heart is breaking.”

Are you expecting bluntness, sass, or attitude here? Good, because that’s what you get inside “Kids, Wait Till You Hear This!” It’s strong on honesty and don’t-give-a-flip. It’s wonderfully edited, so it moves fast. It’s eye-opening and funny and a pleasant surprise for a first, and only (so far), memoir.

Even better, author Liza Minnelli (with best friend, Michael Feinstein) is really quite candid and nicely gossipy, starting from the beginning. There are some Hollywood folks, in fact, who are feeling edgy because of what’s inside this book and the secrets spilled. Minnelli and Feinstein seemed to have fun telling her story, and they comfortably lure readers in.

That’s not to say that it’s all a cabaret. Minnelli tells about her addictions and recoveries, her marriages and why she wed two gay men, and the losses she endured, including miscarriages, deaths, and broken relationships. The bad balances well with the good for a tale that’s several notches above most celebrity memoirs. “Kids, Wait Till You Hear This!” is, in fact, a real joy to read, a genuine bright spot.

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