Arts & Entertainment
Madonna sued for starting concert late

Madonna’s reputation for showing up starting her concerts late may finally be catching up with her.
The pop music icon is being sued by a fan who claims that tickets he purchased for an upcoming Miami concert are now worth significantly less than the $1,024.95 he paid for them.
The suit was filed on November 4 by Neal Hollander of Florida, who says he bought the tickets for the December 17 show when they went on sale in August. At the time of the sale, the concert’s starting time was listed as 8:30, but in October, the start time was pushed back to 10:30. Hollander asserts that the change in times is a breach of contract, and that the tickets have now “suffered an extreme loss of value” that makes reselling them “impossible.”
In the suit, he claims that he and other ticket holders who no longer want to attend because of the later start time have “suffered actual and consequential damages, including, but not limited to, loss of consideration paid and the devaluation of the ticket.”
News of the lawsuit comes in the midst of renewed fan backlash over the singer’s habitual tardiness. Last week, at the first Las Vegas show of her current “Madame X” tour, she was reportedly met with boos when she took the Caesar’s Palace stage at 12:30am — two hours after the already-late scheduled curtain time of 10:30pm.
Among other media outlets, TMZ reported that Madonna addressed the disgruntled concert audience by saying, “Here’s something you all need to understand … and that is, that the queen is never late.”
Madonna has a well-known tendency for starting shows late that dates back across her entire 40-year career – indeed, the singer’s representatives are using that history to answer complaints from angry concert-goers, reasoning that since she is known for being late, they should have expected it.
Nevertheless, multiple fans at last week’s delayed Caesar’s Palace show were not shy about expressing their anger, both from the audience and on social media. When Madonna posted a video on Twitter with the note saying, “Bringing the [fire emoji] to Vegas,” she was met with stern response from commenters, including one poster who said, “1.5 hours late. Indifferent-to-hostile audience. Juvenile attempts at humor met with audience silence. I’ve never seen anyone less in control of a room. Truly amateurish.”
The website Wonderwall reported that 500 refunds were issued before and during that Las Vegas show.
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(Washington Blade photos by Landon Shackelford)










The 2026 Rehoboth Beach Pride Festival was held at the Rehoboth Beach Convention Center on Saturday, July 18.
(Washington Blade photos by Daniel Truitt)













Books
Liza’s book a tale that’s better than most celebrity memoirs
‘Kids, Wait Till You Hear This!’ dishes on marriages, heartbreak
‘Kids, Wait Till You Hear This! My Memoir’
By Liza Minnelli, as told to Michael Feinstein
c.2026, Grand Central
$36/ 421 pages
Twenty feet In front of you, and you can’t see a thing.
Even the closest faces are in shadow – lit, but not quite enough for you to see for sure what the people there are thinking. Still, you can hear them, their gasps, their laughter, and applause. Such is life, on-stage. Now read “Kids, Wait Till You Hear This! My Memoir” by Liza Minnelli, as told to Michael Feinstein, and read about it beyond the spotlight.

Almost from the moment she was born, Liza Minnelli was famous.
It was inevitable: her mother was Judy Garland. Her father was director Vincente Minnelli. Her godparents were Hollywood glitterati, her neighbors were famous, her playmates would be famous someday, too.
But her life wasn’t all starlight and happiness.
She made her stage debut as a toddler. She became her “mother’s caretaker” at age 13.
At 16, she had a growing career of her own – one that her mother tried to stop. But, she says, “In her own way, Mama was wonderful to me. Try understanding – she was my mother, not a movie star…. I knew her as the person who loved me and always would.”
At 19, Minnelli was working, happy, and madly in love with the man who’d become her first husband, and life was wonderful – until she came home one day to find him in their bed with another man. Before they were divorced, she lost her beloved mother, and became “engaged” to two other men simultaneously, neither of which made it to the altar with her.
She married her second husband, the son of one of her mother’s former co-stars, in 1974 but her love affairs and addictions led to a second divorce.
Her third husband was a stage manager.
She doesn’t have much good to say about her fourth, and last, husband.
Overall, she says, “You gotta play the comedy for all it’s worth and leave ‘em laughing. Even when your heart is breaking.”
Are you expecting bluntness, sass, or attitude here? Good, because that’s what you get inside “Kids, Wait Till You Hear This!” It’s strong on honesty and don’t-give-a-flip. It’s wonderfully edited, so it moves fast. It’s eye-opening and funny and a pleasant surprise for a first, and only (so far), memoir.
Even better, author Liza Minnelli (with best friend, Michael Feinstein) is really quite candid and nicely gossipy, starting from the beginning. There are some Hollywood folks, in fact, who are feeling edgy because of what’s inside this book and the secrets spilled. Minnelli and Feinstein seemed to have fun telling her story, and they comfortably lure readers in.
That’s not to say that it’s all a cabaret. Minnelli tells about her addictions and recoveries, her marriages and why she wed two gay men, and the losses she endured, including miscarriages, deaths, and broken relationships. The bad balances well with the good for a tale that’s several notches above most celebrity memoirs. “Kids, Wait Till You Hear This!” is, in fact, a real joy to read, a genuine bright spot.
The Blade may receive commissions from qualifying purchases made via this post.
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