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Margaret Hoover explains the GOP
Could Republican LGBTQ ally be a bridge to right-wing relatives?

Overheard almost all the time everywhere: There has never been a more divisive time in American history than now. No caveats for the Civil War or the protests against the war in Vietnam.
But to those who are confused, frightened and angry about the House impeachment inquiry into President Donald J. Trump as the unraveling of democracy, today feels much like William Butler Yeats’s poem “The Second Coming:” “Things fall apart; the centre cannot hold.”
The poem was written in 1919 about the social and economic chaos that followed the end of World War I. It’s an era Margaret Hoover, Republican political commentator, LGBTQ advocate and host of PBS’ “Firing Line with Margaret Hoover,” knows something about.
After World War I, Hoover’s great grandfather Herbert Hoover, an engineer and businessman, was called upon by President Woodrow Wilson to lead the salvation of war-destroyed Europe through massive organized food relief efforts. The stock market crashed seven months after Hoover was sworn in as president of the United States and his term became historically associated with the beginning of the Great Depression.
Margaret Hoover believes that Herbert Hoover has been misunderstood over the years and in studying his life to provide his defense, she was deeply inculcated with the concept of “American Individualism,” which she later turned into a book with the subtitle: “How a New Generation of Conservatives Can Save the Republican Party.” The concept of individual freedom led her to the fight for LGBTQ equality and not giving up on the legacy of the GOP.
“I haven’t left the party. I have too many elephants in my collection to give them all up. Some of them were my great-grandfathers. They are precious relics of a long history of principled men and women standing for values I still agree with — individualism tempered by communal responsibility, robust international leadership tempered by realism, economic libertarianism, suffrage, abolition,” Hoover tells the Blade.
“Conservatives missed the boat on modern civil rights, but Republicans helped pass both the Civil Right Act and Voting Rights Act,” she notes, reflecting on an era of congressional bipartisanship. “When I feel utterly disconnected to the GOP, perspective is a useful tool. In 160-plus years, it’s really the last 30 years that have elements that give me pause. And in a two-party system, neither party will ever have a monopoly on virtue. I’d rather help fight to make the GOP better where it’s falling short.”
Hoover thinks she and legendary attorney Ted Olson may be the only two well-known Republicans who came to their support for LGBTQ equality based on their deep belief in individual freedom, rather than in response to having an LGBTQ relative. Hoover served on the Advisory Council for the American Foundation for Equal Rights (AFER) when Olson successfully argued the federal case against Prop 8 with Democratic stalwart David Boies.
“The first time I remember thinking about LGBT equality was when I was 12, when a friend’s dad came out,” says Hoover, now 41. “It was the early ’90s, and I just did the math then and decided that LGBT Americans shouldn’t have to relate to their government any differently than straight Americans.”
Additionally, she says, “I always thought LGBT freedom was entirely consistent with the brand of Western Conservatism I grew up with in Colorado — the same western conservatism that was socially libertarian, that explained why Barry Goldwater’s family brought Planned Parenthood to Arizona and why he famously remarked at the end of his life that you don’t have to ‘be straight to shoot straight,’ regarding gays serving openly in the military.”
Hoover’s not happy with how Trump has taken over the Republican Party.
“I think the president has abused the powers of his office and betrayed the trust the American people bestowed on him. I suspect he’ll be impeached,” Hoover says. “But one can’t engage with the question of impeachment absent the reality that a House impeachment vote will likely lead to an acquittal by the Senate. Ultimately, I worry that our system has become so hyper-partisan that no one can think for themselves anymore because going against your party will cost you your job. There’s no moral courage.”
But while Hoover recognizes that arguing with staunch Trump supporters can be painful — such as at a holiday meal — she urges compassion to avoid severing connections that could be repaired in time.
“In dealing with anyone you love in politics — and I’d be careful not to call Trump supporter’s cultists — my mom and dad and family aren’t cultists, too many smart people have fallen into an ‘us against them’ that is tearing us apart. So check yourself,” she says. “When dealing with anyone I love in politics, I think of my friend Jean Safer’s book — “I Love You but I Hate Your Politics” — and I just focus on the love part.
“For the politics,” she continues, “rededicate your personal efforts to changing your elected leader or the policies you care about or the president. But the people in our lives, and the love in our lives, are the relationships that make or break us as happy humans thriving in the world. When the relationships in our lives are off, we’re off. So, you have to separate how you love, and how you think about politics.”
In addition to AFER, Hoover has put her personal efforts toward the American Unity Fund – her non-profit “dedicated to advancing the cause of freedom for LGBTQ Americans by making the conservative case that freedom truly means freedom for everyone.”
This is not just a nice note on the resume. Hoover advocates for the cause of LGBTQ Americans everywhere, including during a June 2018 appearance on “The Late Show with Stephen Colbert” pitching her new “Firing Line” show.
Colbert — who became famous among conservatives during his Comedy Central show “The Colbert Report” (2005-2014) — watched the original “Firing Line” as a kid and marveled at creator William F. Buckley, the father of conservativism and a TV star, and for 33 years, the longest running host of a TV show.
After noting that she would not even try to be William F. Buckley, Hoover suddenly digressed into an LGBTQ tangent when asked if she was a conservative.
“I consider myself a conservative to a certain extent. I moonlight as an LGBT advocate. I run an LGBT advocacy organization (big applause) that works with Republicans,” Hoover said. “We make the case that freedom means freedom for everyone. And where that really lends itself at this moment in time is to secure full civil rights protections for LGBT Americans because there are still 28 states where you can be fired for being gay! All these things that Republicans don’t know — and those states are mostly red states so you need Republicans to engage Republicans on that front. There are many people who are socially conservative who would not say I’m conservative because of those views.”
On “Firing Line,” Hoover has a polite, civil “contest of ideas” for roughly 30 minutes with one guest to explore a subject in depth. Some interviews broke news such as her interview with Rep. Alexandria Ocasio-Cortez on Israel and the Palestinians and former New Jersey Gov. Chris Christie on prosecuting Jared Kushner’s father. Others are subjects that need further investigation, such as discussing cyber security for the next elections with Sen. Mark Warner.
Other interviews are both professional and personal, such as her interview with friend Meghan McCain and Cindy McCain after the one-year anniversary of Sen. John McCain’s death.
“I’m a huge fan of ‘Firing Line’ and grew up watching it,” said Meghan McCain, another LGBTQ ally. “It’s such an iconic brand.”
Hoover surprised them with a 1998 clip of John McCain on the original “Firing Line” with Buckley. Meghan, then 13, had a crush on Leonardo DiCaprio and her father was concerned she would take up smoking after watching DiCaprio smoke on film. She didn’t.
Hoover noted how Democrats are now mentioning McCain to signal bipartisanship.
“I think my husband would have a real chuckle over it, I really do,” said Cindy McCain, who noted how close McCain was with Democratic icon, the late Sen. Ted Kennedy.
Meghan had a different view. “I remember people taking real low blows and low shots at him — and I also appreciate people respecting and bringing him up. But I also think that maybe if you hadn’t demonized him so much and demonized Mitt Romney so much, maybe it wouldn’t have bred the feeding ground for Trump because Trump didn’t just come,” she said.
John McCain was “always looking to reach across the aisle, to work alongside — he was a truly decent, wonderful man. I’m not just saying that because he’s my father,” said Meghan. “And now we have someone who has, I believe, no character, no discipline, has no interest in working with the other side, and I think that it was the beginning of it, if we look back now in the past 10 years.”
When Trump speaks ill of her father, “I go crazy. I turn into the She-Hulk,” Meghan said. “I get very emotional and very angry, and normally have to call you (Hoover). Or my husband.”
Meghan, who identifies as a conservative, not a Republican, told Hoover that her father insisted that she join ABC’s “The View.”
“I was called a mushy RINO (Republican In Name Only) for most of my career,” she says. “All of a sudden, I’m like the queen conservative and no one’s more surprised about it than I am.”
She’s worried about the party, post-Trump.
“Whatever you want to say about the left or people like AOC, they do a really good job of speaking to young people,” Meghan said. “And I think, for us — and I always laugh — Young Republican groups start at 40. I think post-Trump America, for the party, is gonna be a very, very dark place to rebuild.”
How millennials approach politics is of concern to Hoover, too. “Here are these authoritarian regimes that are gaining in ascendance and credibility and you ask millennials now whether they think it’s imperative that you live in a liberal democracy – only 30 percent of them agree. So, I do think we need to make these arguments anew,” she told Colbert.
But, he retorted, do they only hear the word “liberal” and not know that the base of the idea of liberal democracy is a free democracy?
“What I think we need to do both on the show and generally — and this is probably the largest contest of my life — is make the case for the ideas behind the Bill of Rights, for free speech, for freedom, for individual freedom,” Hoover said. “I think that is the major contest of our moment.”
But, Hoover said, “the party has been Trumpified. The conservative movement is more a conservative populism that has very little to do with the tenants and pillars that Buckley put together and that (Ronald) Reagan put together.” She has more in common “with George Will and (the late) Charles Krauthammer and the folks who have a real problem with the president and his approach.”
Hoover notes that her “Firing Line” style is very different from the erudite and elitist William F. Buckley.
“Buckley was trained in Oxford style debate performance in an era where formality reigned supreme and WASPs ruled the elites,” Hoover tells the Blade. “I’m a product of a cultural moment where reality TV and millennials yearn for authenticity in a more diverse country that’s known what conservatives are for decades, thanks to Buckley. But his tradition — the legacy of engaging someone in a long form exchange of ideas, to understand how they think and what they think and what ideas they think will solve our current problems — has hit a nerve. What’s old is new again.”
Hoover also believes that “Buckley unfairly gets cast as a homophobe, which I think is a myth, because of one terrible and over-reported moment with (gay) Gore Vidal on television in 1968.”
The two men did not like each other but were under contract with ABC to do a debate, during which Vidal called Buckley a “crypto-Nazi” and Buckley called Vidal a “queer.” Michael Lind, an intellectual who knew them both, wrote in Politico in 2015 that “The Best of Enemies” documentary about the feud gets “just about everything” wrong, “but especially the battle between left and right.”
As it turned out, Buckley actually had gay friends, including his National Review best friend, Marvin Liebman, also a co-founder of the conservative movement, who came out in a moving letter published in the July 9, 1990 issue of the National Review.
“I am almost 67 years old. For more than half of my lifetime I have been engaged in, and indeed helped to organize and maintain, the conservative and anti-Communist cause,” Liebman wrote. “All the time I labored in the conservative vineyard, I was gay.”
Buckley’s editor in chief response to Liebman, his “brother in combat” and “dear friend,” was formal but written with “affection and respect” for Liebman. Buckley wrote that he understood the “pain” inflicted by society on gays “sometimes unintentionally, sometimes sadistically. It is wholesome that we should be reproached for causing that pain.” He also promised that National Review “will not be scarred by thoughtless gay-bashing.”
But Buckley added that his “Judeo-Christian tradition” considers homosexuality “unnatural, whatever its etiology.”
Liebman was amused, the Washington Post reported at the time. “He’s been my best and closest friend. That’s just the way he is,” Liebman said. “I don’t feel remotely put down by it. You know, he has these crazy ideas — Judeo-Christian bull. But he’s a nice man.”
Interestingly, Buckley’s older brother Jim, a former U.S. senator from New York for whom Liebman had fundraised, picked up a hefty dinner check, then raised his glass in a toast. “‘This is my way,’ he said with the characteristic Buckley grin, ‘of saluting an act of courage,’” the Washington Post reported July 9, 1990.
In another act of courage, Sean Buckley, Jim Buckley’s college-age grandson, came out as gay on April 26, 2015 in The Daily Beast, which at the time was run by Hoover’s husband, John Avlon. The couple met during former New York City Mayor Rudolph W. Giuliani’s 2008 presidential bid; they both subsequently became CNN contributors.
But what Liebman described as anti-gay “Judeo-Christian bull” is still around and still a GOP obsession, now termed “religious liberty.” Hoover believes a congressional Republican strategy is needed to secure LGBTQ equality.
“I support full political freedom for LGBT Americans and a fully comprehensive bill to secure LGBT freedom in federal law,” Hoover tells the Blade. “I’m unconvinced the Equality Act is a realistic path toward bipartisan passage of a bill that will do this. At the same time, I reject the notion that religious liberty is inherently at odds with LGBT freedom.
“I’ve been working for three years on an alternative to the Equality Act that will become public soon, that takes a page out of the historic LGBT nondiscrimination law in Utah where the Church of Jesus Christ of Latter-day Saints supported protections in employment and housing for gay and transgender people in the state—the most religious state in America!” she says. “By taking the concerns of religious leaders sincerely, we can strike a balance that fully protects LGBT Americans from discrimination in employment, housing, public accommodations and beyond, and earn the necessary bipartisan support for achieving these protections nationwide in the near-term.”
Right now, Hoover hopes, “Firing Line with Margaret Hoover” illustrates how intellect, compassion and civility can set an example to make bipartisan progress.
a&e features
Marc Shaiman reflects on musical success stories
In new memoir, Broadway composer talks ‘Fidler,’ ‘Wiz,’ and stalking Bette Midler
If you haven’t heard the name Marc Shaiman, you’ve most likely heard his music or lyrics in one of your favorite Broadway shows or movies released in the past 50 years. From composing the Broadway scores for Hairspray and Catch Me if You Can to most recently working on Only Murders in the Building, Hocus Pocus 2, and Mary Poppins Returns, the openly queer artist has had a versatile career — one that keeps him just an Oscar away from EGOT status.
The one thing the award-winning composer, lyricist, and writer credits with launching his successful career? Showing up, time and time again. Eventually, he lucked out in finding himself at the right place at the right time, meeting industry figures like Rob Reiner, Billy Crystal, and Bette Midler, who were immediately impressed with his musical instincts on the piano.
“Put my picture under the dictionary definition for being in the right place at the right time,” Shaiman says. “What I often try to say to students is, ‘Show up. Say yes to everything.’ Because you never know who is in the back of the theater that you had no idea was going to be there. Or even when you audition and don’t get the part. My book is an endless example of dreams coming true, and a lot of these came true just because I showed up. I raised my hand. I had the chutzpah!”
Recalling one example from his memoir, titled Never Mind the Happy: Showbiz Stories from a Sore Winner ( just hit bookshelves on Jan. 27), Shaiman says he heard Midler was only hiring Los Angeles-based artists for her world tour. At the young age of 20, the New York-based Shaiman took a chance and bought the cheapest flight he could find from JFK. Once landing in L.A., he called up Midler and simply asked: “Where’s rehearsal?”
“Would I do that nowadays? I don’t know,” Shaiman admits. “But when you’re young and you’re fearless … I was just obsessed, I guess you could say. Maybe I was a stalker! Luckily, I was a stalker who had the goods to be able to co-create with her and live up to my wanting to be around.”
On the occasion of Never Mind the Happy’s official release, the Bladehad the opportunity to chat with Shaiman about his decades-spanning career. He recalls the sexual freedom of his community theater days, the first time he heard someone gleefully yell profanities during a late screening of The Rocky Horror Picture Show, and why the late Rob Reiner was instrumental to both his career and his lasting marriage to Louis Mirabal. This interview has been edited and condensed.
BLADE: Naturally, a good place to start would be your book, “Never Mind the Happy.” What prompted you to want to tell the story of your life at this point in your career?
SHAIMAN: I had a couple of years where, if there was an anniversary of a movie or a Broadway show I co-created, I’d write about it online. People were always saying to me, “Oh my God, you should write a book!” But I see them say that to everybody. Someone says, “Oh, today my kitten knocked over the tea kettle.” “You should write a book with these hysterical stories.” So I just took it with a grain of salt when people would say that to me. But then I was listening to Julia Louis-Dreyfus’ podcast, and Jane Fonda was on talking about her memoir — not that I’m comparing myself to a career like Jane Fonda’s — but she felt it was time to take a life review. That really stuck in my head. At the time, I was sulking or moping about something that had not gone as well as I wished. And I guess I kind of thought, “Let me look back at all these things that I have done.” Because I have done a lot. I’m just weeks short of my 50th year in show business, despite how youthful I look! I just sat down and started writing before anyone asked, as far as an actual publisher.
I started writing as a way to try to remind myself of the joyous, wonderful things that have happened, and for me not to always be so caught up on what didn’t go right. I’ve been telling some of these stories over the years, and it was really fun to sit down and not just be at a dinner party telling a story. There’s something about the written word and really figuring out the best way to tell the story and how to get across a certain person’s voice. I really enjoyed the writing. It was the editing that was the hard part!
BLADE: You recall experiences that made you fall in love with the world of theater and music, from the days you would skip class to go see a show or work in regional productions. What was it like returning to those early memories?
SHAIMAN: Wonderful. My few years of doing community theater included productions that were all kids, and many productions with adults, where I was this freaky little 12-year-old who could play show business piano beyond my years. It was just bizarre! Every time a director would introduce me to another cast of adults, they’d be like, “Are you kidding?” I’d go to the piano, and I would sightread the overture to Funny Girl, and everybody said, “Oh, OK!” Those were just joyous, wonderful years, making the kind of friends that are literally still my friends. You’re discovering musical theatre, you’re discovering new friends who have the same likes and dreams, and discovering sex. Oh my god! I lost my virginity at the opening night of Jesus Christ Superstar, so I’m all for community theater!
BLADE: What do you recall from your early experiences watching Broadway shows? Did that open everything up for you?
SHAIMAN: I don’t remember seeing Fiddler on the Roof when I was a kid, but I remember being really enthralled with this one woman’s picture in the souvenir folio — the smile on her face as she’s looking up in the pictures or looking to her father for approval. I always remember zooming in on her and being fascinated by this woman’s face: turns out it was Bette Midler. So my love for Bette Midler began even before I heard her solo records.
Pippin and The Wiz were the first Broadway musicals I saw as a young teenager who had started working in community theater and really wanted to be a part of it. I still remember Pippin with Ben Vereen and all those hands. At the time, I thought getting a seat in the front row was really cool — I’ve learned since that it only hurts your neck, but I remember sitting in the front row at The Wiz as Stephanie Mills sang Home. Oh my god, I can still see it right now. And then I saw Bette Midler in concert, finally, after idolizing her and being a crazed fan who did nothing but listen to her records, dreaming that someday I’d get to play for her. And it all came true even before I turned 18 years old. I just happened to be in the right place at the right time, and met one of her backup singers and became their musical director. I was brought to a Bette Midler rehearsal. I still hadn’t even turned 18, she heard me play and said, “Stick around.” And I’ve stuck around close to 55 years! She’s going to interview me in L.A. at the Academy Museum. Would I have ever thought that Bette Midler would say yes to sitting with me, interviewing me about my life and career?
BLADE: That’s amazing. Has she had a chance to read the book yet?
SHAIMAN: She read it. We just talked yesterday, and she wants to ask the right questions at the event. And she even said to me, “Marc, I wasn’t even aware of all that you’ve done.” We’ve been great friends for all these years, but sometimes months or almost years go by where you’re not completely in touch.
a&e features
D.C. LGBTQ sports bar Pitchers listed for sale
Move follows months of challenges for local businesses in wake of Trump actions
A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.
The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.
He said the sale price will be disclosed to “those who are interested.”
“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.
“Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”
It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”
“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says.
Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price.
News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets
In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.
The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.
The sales brochure can be accessed here.
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Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather
Highly anticipated film a refreshingly loving look at Dom-sub life
Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in.
Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on.
That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones.
“This was a small film by a first time filmmaker and it wasn’t financed when I read it,” Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”
Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”
For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film.
“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.”
Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”
He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”
One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.
“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”
For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present.
“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”
Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”
This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series, Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”
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