a&e features
Margaret Hoover explains the GOP
Could Republican LGBTQ ally be a bridge to right-wing relatives?
Overheard almost all the time everywhere: There has never been a more divisive time in American history than now. No caveats for the Civil War or the protests against the war in Vietnam.
But to those who are confused, frightened and angry about the House impeachment inquiry into President Donald J. Trump as the unraveling of democracy, today feels much like William Butler Yeats’s poem “The Second Coming:” “Things fall apart; the centre cannot hold.”
The poem was written in 1919 about the social and economic chaos that followed the end of World War I. It’s an era Margaret Hoover, Republican political commentator, LGBTQ advocate and host of PBS’ “Firing Line with Margaret Hoover,” knows something about.
After World War I, Hoover’s great grandfather Herbert Hoover, an engineer and businessman, was called upon by President Woodrow Wilson to lead the salvation of war-destroyed Europe through massive organized food relief efforts. The stock market crashed seven months after Hoover was sworn in as president of the United States and his term became historically associated with the beginning of the Great Depression.
Margaret Hoover believes that Herbert Hoover has been misunderstood over the years and in studying his life to provide his defense, she was deeply inculcated with the concept of “American Individualism,” which she later turned into a book with the subtitle: “How a New Generation of Conservatives Can Save the Republican Party.” The concept of individual freedom led her to the fight for LGBTQ equality and not giving up on the legacy of the GOP.
“I haven’t left the party. I have too many elephants in my collection to give them all up. Some of them were my great-grandfathers. They are precious relics of a long history of principled men and women standing for values I still agree with — individualism tempered by communal responsibility, robust international leadership tempered by realism, economic libertarianism, suffrage, abolition,” Hoover tells the Blade.
“Conservatives missed the boat on modern civil rights, but Republicans helped pass both the Civil Right Act and Voting Rights Act,” she notes, reflecting on an era of congressional bipartisanship. “When I feel utterly disconnected to the GOP, perspective is a useful tool. In 160-plus years, it’s really the last 30 years that have elements that give me pause. And in a two-party system, neither party will ever have a monopoly on virtue. I’d rather help fight to make the GOP better where it’s falling short.”
Hoover thinks she and legendary attorney Ted Olson may be the only two well-known Republicans who came to their support for LGBTQ equality based on their deep belief in individual freedom, rather than in response to having an LGBTQ relative. Hoover served on the Advisory Council for the American Foundation for Equal Rights (AFER) when Olson successfully argued the federal case against Prop 8 with Democratic stalwart David Boies.
“The first time I remember thinking about LGBT equality was when I was 12, when a friend’s dad came out,” says Hoover, now 41. “It was the early ’90s, and I just did the math then and decided that LGBT Americans shouldn’t have to relate to their government any differently than straight Americans.”
Additionally, she says, “I always thought LGBT freedom was entirely consistent with the brand of Western Conservatism I grew up with in Colorado — the same western conservatism that was socially libertarian, that explained why Barry Goldwater’s family brought Planned Parenthood to Arizona and why he famously remarked at the end of his life that you don’t have to ‘be straight to shoot straight,’ regarding gays serving openly in the military.”
Hoover’s not happy with how Trump has taken over the Republican Party.
“I think the president has abused the powers of his office and betrayed the trust the American people bestowed on him. I suspect he’ll be impeached,” Hoover says. “But one can’t engage with the question of impeachment absent the reality that a House impeachment vote will likely lead to an acquittal by the Senate. Ultimately, I worry that our system has become so hyper-partisan that no one can think for themselves anymore because going against your party will cost you your job. There’s no moral courage.”
But while Hoover recognizes that arguing with staunch Trump supporters can be painful — such as at a holiday meal — she urges compassion to avoid severing connections that could be repaired in time.
“In dealing with anyone you love in politics — and I’d be careful not to call Trump supporter’s cultists — my mom and dad and family aren’t cultists, too many smart people have fallen into an ‘us against them’ that is tearing us apart. So check yourself,” she says. “When dealing with anyone I love in politics, I think of my friend Jean Safer’s book — “I Love You but I Hate Your Politics” — and I just focus on the love part.
“For the politics,” she continues, “rededicate your personal efforts to changing your elected leader or the policies you care about or the president. But the people in our lives, and the love in our lives, are the relationships that make or break us as happy humans thriving in the world. When the relationships in our lives are off, we’re off. So, you have to separate how you love, and how you think about politics.”
In addition to AFER, Hoover has put her personal efforts toward the American Unity Fund – her non-profit “dedicated to advancing the cause of freedom for LGBTQ Americans by making the conservative case that freedom truly means freedom for everyone.”
This is not just a nice note on the resume. Hoover advocates for the cause of LGBTQ Americans everywhere, including during a June 2018 appearance on “The Late Show with Stephen Colbert” pitching her new “Firing Line” show.
Colbert — who became famous among conservatives during his Comedy Central show “The Colbert Report” (2005-2014) — watched the original “Firing Line” as a kid and marveled at creator William F. Buckley, the father of conservativism and a TV star, and for 33 years, the longest running host of a TV show.
After noting that she would not even try to be William F. Buckley, Hoover suddenly digressed into an LGBTQ tangent when asked if she was a conservative.
“I consider myself a conservative to a certain extent. I moonlight as an LGBT advocate. I run an LGBT advocacy organization (big applause) that works with Republicans,” Hoover said. “We make the case that freedom means freedom for everyone. And where that really lends itself at this moment in time is to secure full civil rights protections for LGBT Americans because there are still 28 states where you can be fired for being gay! All these things that Republicans don’t know — and those states are mostly red states so you need Republicans to engage Republicans on that front. There are many people who are socially conservative who would not say I’m conservative because of those views.”
On “Firing Line,” Hoover has a polite, civil “contest of ideas” for roughly 30 minutes with one guest to explore a subject in depth. Some interviews broke news such as her interview with Rep. Alexandria Ocasio-Cortez on Israel and the Palestinians and former New Jersey Gov. Chris Christie on prosecuting Jared Kushner’s father. Others are subjects that need further investigation, such as discussing cyber security for the next elections with Sen. Mark Warner.
Other interviews are both professional and personal, such as her interview with friend Meghan McCain and Cindy McCain after the one-year anniversary of Sen. John McCain’s death.
“I’m a huge fan of ‘Firing Line’ and grew up watching it,” said Meghan McCain, another LGBTQ ally. “It’s such an iconic brand.”
Hoover surprised them with a 1998 clip of John McCain on the original “Firing Line” with Buckley. Meghan, then 13, had a crush on Leonardo DiCaprio and her father was concerned she would take up smoking after watching DiCaprio smoke on film. She didn’t.
Hoover noted how Democrats are now mentioning McCain to signal bipartisanship.
“I think my husband would have a real chuckle over it, I really do,” said Cindy McCain, who noted how close McCain was with Democratic icon, the late Sen. Ted Kennedy.
Meghan had a different view. “I remember people taking real low blows and low shots at him — and I also appreciate people respecting and bringing him up. But I also think that maybe if you hadn’t demonized him so much and demonized Mitt Romney so much, maybe it wouldn’t have bred the feeding ground for Trump because Trump didn’t just come,” she said.
John McCain was “always looking to reach across the aisle, to work alongside — he was a truly decent, wonderful man. I’m not just saying that because he’s my father,” said Meghan. “And now we have someone who has, I believe, no character, no discipline, has no interest in working with the other side, and I think that it was the beginning of it, if we look back now in the past 10 years.”
When Trump speaks ill of her father, “I go crazy. I turn into the She-Hulk,” Meghan said. “I get very emotional and very angry, and normally have to call you (Hoover). Or my husband.”
Meghan, who identifies as a conservative, not a Republican, told Hoover that her father insisted that she join ABC’s “The View.”
“I was called a mushy RINO (Republican In Name Only) for most of my career,” she says. “All of a sudden, I’m like the queen conservative and no one’s more surprised about it than I am.”
She’s worried about the party, post-Trump.
“Whatever you want to say about the left or people like AOC, they do a really good job of speaking to young people,” Meghan said. “And I think, for us — and I always laugh — Young Republican groups start at 40. I think post-Trump America, for the party, is gonna be a very, very dark place to rebuild.”
How millennials approach politics is of concern to Hoover, too. “Here are these authoritarian regimes that are gaining in ascendance and credibility and you ask millennials now whether they think it’s imperative that you live in a liberal democracy – only 30 percent of them agree. So, I do think we need to make these arguments anew,” she told Colbert.
But, he retorted, do they only hear the word “liberal” and not know that the base of the idea of liberal democracy is a free democracy?
“What I think we need to do both on the show and generally — and this is probably the largest contest of my life — is make the case for the ideas behind the Bill of Rights, for free speech, for freedom, for individual freedom,” Hoover said. “I think that is the major contest of our moment.”
But, Hoover said, “the party has been Trumpified. The conservative movement is more a conservative populism that has very little to do with the tenants and pillars that Buckley put together and that (Ronald) Reagan put together.” She has more in common “with George Will and (the late) Charles Krauthammer and the folks who have a real problem with the president and his approach.”
Hoover notes that her “Firing Line” style is very different from the erudite and elitist William F. Buckley.
“Buckley was trained in Oxford style debate performance in an era where formality reigned supreme and WASPs ruled the elites,” Hoover tells the Blade. “I’m a product of a cultural moment where reality TV and millennials yearn for authenticity in a more diverse country that’s known what conservatives are for decades, thanks to Buckley. But his tradition — the legacy of engaging someone in a long form exchange of ideas, to understand how they think and what they think and what ideas they think will solve our current problems — has hit a nerve. What’s old is new again.”
Hoover also believes that “Buckley unfairly gets cast as a homophobe, which I think is a myth, because of one terrible and over-reported moment with (gay) Gore Vidal on television in 1968.”
The two men did not like each other but were under contract with ABC to do a debate, during which Vidal called Buckley a “crypto-Nazi” and Buckley called Vidal a “queer.” Michael Lind, an intellectual who knew them both, wrote in Politico in 2015 that “The Best of Enemies” documentary about the feud gets “just about everything” wrong, “but especially the battle between left and right.”
As it turned out, Buckley actually had gay friends, including his National Review best friend, Marvin Liebman, also a co-founder of the conservative movement, who came out in a moving letter published in the July 9, 1990 issue of the National Review.
“I am almost 67 years old. For more than half of my lifetime I have been engaged in, and indeed helped to organize and maintain, the conservative and anti-Communist cause,” Liebman wrote. “All the time I labored in the conservative vineyard, I was gay.”
Buckley’s editor in chief response to Liebman, his “brother in combat” and “dear friend,” was formal but written with “affection and respect” for Liebman. Buckley wrote that he understood the “pain” inflicted by society on gays “sometimes unintentionally, sometimes sadistically. It is wholesome that we should be reproached for causing that pain.” He also promised that National Review “will not be scarred by thoughtless gay-bashing.”
But Buckley added that his “Judeo-Christian tradition” considers homosexuality “unnatural, whatever its etiology.”
Liebman was amused, the Washington Post reported at the time. “He’s been my best and closest friend. That’s just the way he is,” Liebman said. “I don’t feel remotely put down by it. You know, he has these crazy ideas — Judeo-Christian bull. But he’s a nice man.”
Interestingly, Buckley’s older brother Jim, a former U.S. senator from New York for whom Liebman had fundraised, picked up a hefty dinner check, then raised his glass in a toast. “‘This is my way,’ he said with the characteristic Buckley grin, ‘of saluting an act of courage,’” the Washington Post reported July 9, 1990.
In another act of courage, Sean Buckley, Jim Buckley’s college-age grandson, came out as gay on April 26, 2015 in The Daily Beast, which at the time was run by Hoover’s husband, John Avlon. The couple met during former New York City Mayor Rudolph W. Giuliani’s 2008 presidential bid; they both subsequently became CNN contributors.
But what Liebman described as anti-gay “Judeo-Christian bull” is still around and still a GOP obsession, now termed “religious liberty.” Hoover believes a congressional Republican strategy is needed to secure LGBTQ equality.
“I support full political freedom for LGBT Americans and a fully comprehensive bill to secure LGBT freedom in federal law,” Hoover tells the Blade. “I’m unconvinced the Equality Act is a realistic path toward bipartisan passage of a bill that will do this. At the same time, I reject the notion that religious liberty is inherently at odds with LGBT freedom.
“I’ve been working for three years on an alternative to the Equality Act that will become public soon, that takes a page out of the historic LGBT nondiscrimination law in Utah where the Church of Jesus Christ of Latter-day Saints supported protections in employment and housing for gay and transgender people in the state—the most religious state in America!” she says. “By taking the concerns of religious leaders sincerely, we can strike a balance that fully protects LGBT Americans from discrimination in employment, housing, public accommodations and beyond, and earn the necessary bipartisan support for achieving these protections nationwide in the near-term.”
Right now, Hoover hopes, “Firing Line with Margaret Hoover” illustrates how intellect, compassion and civility can set an example to make bipartisan progress.
a&e features
What ‘Queer Eye for the Straight Guy’ can still teach us
Producer David Collins on lasting impact of hit series
It’s hard to imagine where LGBTQ+ television would be without “Queer Eye for the Straight Guy,” the trailblazing reality series that premiered in 2003.
Each episode of this Emmy-winning show saw a group of gays converge on a struggling man — the titular straight guy — and offer nonstop wit while organizing his endlessly messy life. This program about a group of homosexual helpers took the world by storm, furthering the love of gay television begun by shows like “Will and Grace” but bringing it into the growing medium of reality TV. Of course, it wasn’t perfect; “Queer Eye for the Straight Guy” often cast its experts less as multi-faceted queer folks and more as sources of early 2000s gay jokes. But despite these pitfalls, it’s undeniable that the original program explored the realities of being gay in a way audiences had never seen before. It was a monumental piece of LGBTQ+ representation, and its success is largely owed to the man who fought to get this show made: producer David Collins.
Collins spoke with the Blade from his Los Angeles home, where he’s spent the past few years living with his husband and his two daughters. David spoke fondly of his many years in the industry, detailing how it feels to be such a huge part of LGBTQ+ history. He explained, however, that he didn’t initially set out to alter how queer people were seen on television. “I never went out to make gay television,” said the producer. “I went out to tell great stories.”
“I’m a hillbilly from Ohio, and I thought I was going to be an editor,” David laughed, looking back on his career. “I interned at the Cincinnati Film Office, and I showed up to work my very first day, and the film commissioner was like, ‘Get to the airport right now and pick [someone] up. Don’t talk to them.’ Well, I ended up picking up Jodie Foster.” Collins raved about this car ride that changed his life, with the pair becoming friends and Foster pushing him to become a producer who puts their own media out into the world. Eventually, he did just that, and after learning about the wild new genre that was reality TV, he pitched a series to Bravo: “Queer Eye for the Straight Guy.”
“I was obsessed with Esquire magazine, and they had five categories: fashion, grooming, interior design, culture, food, and wine. So I gave them each a gay, and the Fab Five were born!” Collins said, describing how viewers quickly fell in love with the concept and earned the program four seasons and an Emmy for Outstanding Reality Program. He spoke about how proud he felt creating a show that centered real gay people, not characters in a story, remembering, “To stand in the middle of Times Square and look up and see this massive billboard with the original Queer Eye guys…it wasn’t even a dream come true, because it wasn’t a dream I had even fathomed.”
With his series, people were watching actual gay men and learning the realities of a queer culture that had always been portrayed as a danger to society. Collins tearfully recounted hearing about queer people using the show as a way to connect with their family, saying, “What I’m most proud of that’s come out of Queer Eye [are] the conversations that that series has allowed to have people around their kitchen tables with little boys in Ohio like me who were scared to death that they were going to burn in hell because their pastor was telling them that they were a sinner.”
Now, for all of its trailblazing, the program wasn’t wholly positive; the show’s focus on the central ‘straight guy’ meant it rarely delved into the lives of its Fab Five. Collins regretted that lack of depth but understood that earlier audiences weren’t accustomed to such a nuanced look into queerness — that would have to wait for the reboot.
When “Queer Eye” came out in 2018, audiences were introduced to not only a new Fab Five, but a whole new format (that didn’t rely on a straight person). Now, the series would assist queer folks and allies alike, spotlighting these individuals as well as the queer experts helping them improve their lives. The show has been applauded for its amazing makeovers, but where it truly stands out is its representation, offering a look into individuals across the country and the struggles — along with the immense joys — of being queer in America today.
Fans were disappointed to hear that “Queer Eye” would be ending after its 10th season, but David stressed that they wouldn’t have to be sad for long. “What I will say to you is this: hang tight,” he teased. “There’s yet another version of ‘Queer Eye’ to come, and we’re working on that now.” In the meantime, Collins is continuing his work with new shows like the “House of Stassi,” a series centered on “Vanderpump Rules’”prolific waitress. He’s excited about these new projects, but emphasized that his heart will always belong to “Queer Eye for the Straight Guy” and all that it continues to do for viewers 19 years after its finale.
“It’s not about your new outfit or your new couch or your new whatever. It’s about your humanity,” said Collins, speaking about the core lesson he hopes people take away from the Queer Eye franchise. “It’s about seeing yourself. It’s about dignity. It’s about how confidence breeds success.”
A valuable message that queer folks can benefit from even more now than they did in 2003. And, while it’s unclear just what lies ahead for this franchise, one thing is for sure: “Queer Eye for the Straight Guy” helped people everywhere understand the power that exists within our queerness. It’s a truth that has impacted countless pieces of LGBTQ+ television today, and it’s one that Collins promises to keep alive through whatever hit show he creates next.
a&e features
Jason DePuy on coping with homophobia in ‘Big Brother’ house
First drag queen contestant on CBS show fought to stay positive
One week after Jason DePuy (known as Salina EsTitties on “RuPaul’s Drag Race”) was bullied and eventually evicted from CBS’s “Big Brother” house, the queer drag performer is still emotionally processing his feelings.
During his 24 days in the reality TV competition, DePuy often had a rough time, with fellow cast member Kamuela “Kamu” Kirk making homophobic comments and feeling isolated.
In a conversation with Head of Household Rick Devens, Kirk left viewers upset when he said, “Bro, miss me with the drag stuff. Miss me. I’m still an MMA guy, and I have an image to uphold.”
Former “Big Brother” contestant Frankie Grande called his words ‘homophobic’ and ‘gross.’ Another comment, where Kirk said he wanted to end DePuy’s career, also received strong backlash online.
Now that he is out of the house, DePuy has been shocked and deeply touched by the love from “Big Brother” fans and former contestants. We chatted with DePuy for this Blade exclusive.
“To know that my community was rallying for me outside the house was the most wonderful thing. Seeing how much people were just wanting to shower me with love was incredible. Even my friends, I went to say hi and give them a hug, and they’re like, ‘Uh, uh, come here.’ They had to hold me and let me know America was feeling for me in a way that I had no idea.”
He added: “To see that reality was just overwhelming, and I couldn’t ask for more.”
Known as a messy player in the house, DePuy often had to fight to stay positive and stand up for himself.
“No one was coming to my rescue. In real life, it’s easy to block people, but in the house, I didn’t have that luxury, so I had to find it within myself to learn how to speak up for myself in a way that wasn’t nasty or biting. I didn’t attack anyone personally, which is what I was the most proud of.”
DePuy acknowledged he has had a history of putting his foot in his mouth when it came to certain “Drag Race”moments, being in the public eye, and making a fool of himself. “I’ve learned my lessons; to see how I handled myself in the ‘Big Brother’ house was amazing.”
While DePuy has been sober for 14 and a half years and has a strong spiritual foundation, in the Big Brother house, he often felt like he couldn’t communicate what he was feeling.
“As a queer person, a person of color, a drag queen, I have to be very careful about how I move. I don’t have the luxury or privilege to just act a certain way or say a certain thing. I have to be very careful; I’m representing me. But who I am is a Latino, a person of recovery, a drag queen, a queer person in the community. I know that there’s a lot of pressure that comes with that. I felt it was safer for me to sit there and just breathe than try to do anything crazy.”
He continued: “I couldn’t speak to the personal attack that was happening in the house, because in my mind I was like, ‘no, this is a game, and I have to play it, put that aside.’”
Not only can viewers watch the episodes, but they can also watch the live feeds of what’s happening. Seeing the fans’ social media posts from people who had watched the episodes and the live feeds also contributed to DePuy realizing that his feelings of discomfort were valid.
“To know that I wasn’t delusional in those moments, that others could see what was happening, has been a lot to take in. Fans and friends let me know the comments made went beyond the game…I’m like, ‘Oh, so my instincts were correct.”
One of the most poignant moments on the live feeds occurred when DePuy was crying, alone in his room, and said how he missed his gay community.
“I really missed my friends. I missed my queer community. We’re so colorful. We’re so loud. We’re so vibrant. We speak off the cuff, and we’re very truthful and honest with how we speak, and it’s fun. We have fun lingo.”
DePuy had to censor his expressions in the house. “Because I can say one thing, but it can mean something different to straight people than it does with my queer brothers and sisters. So, there was a sense of code-switching that I had to do. I had to even put aside some of my queerness in a way sometimes to fit in.”
DePuy was thrilled to be the very first drag queen to ever be cast on the show.
“I’m honored to have been chosen. There’s a million drag queens out there, and to know that I was a contender to come in the house and not even be in drag was like a wow for me. I’m over here in Hollywood, running around these streets with a wig and heels just to make a dollar to survive, and I have to rely on drag to do that. And then to be offered this opportunity and be given the privilege to say, ‘hey, you don’t have to put on the wig for you to be valuable here,’ is just insane to me.”
Prior to his shows, DePuy has been hustling for 15 years, flipping burgers and doing drag at night.
“That has been my life these past since I was 17. So it’s been a long journey; the opportunity to do this out of drag is a very big blessing. I’m honored and grateful to be the representation of my community.”
If you missed Jason on “Big Brother: Unlocked,” the episode can be seen on CBS.com. He will be back on the show for the finale.
a&e features
Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard
Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard
Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!
The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?
There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?
Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.
The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.
Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.
Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.
In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.
I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.
Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.
Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.
A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.”
Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”
The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.
Rainbows in Revolt is just getting started bridging gaps and building community.
Trans, nonbinary Americans find refuge in the Netherlands
Rehoboth mayor calls for commissioner’s resignation after investigation into improper behavior
American democracy on the brink
Please join me in supporting the Washington Blade Foundation
Girlfriends charged with Silver Spring murder to go on trial in 2027
Why we need to protect ‘sacrilegious’ art
New GALA show about WWII spy full of conflict, intrigue
Proposed Indian foreign funding law overhaul could further pressure LGBTQ groups
Two awesome, affordable rides
