Arts & Entertainment
Scottish songsmith ONR announces EP and tour, drops new single
Rising Scottish pop musician ONR has a new album on the way, and he’s dropped the first single to celebrate its upcoming release.
ONR (pronounced “honor”) is a singer, songwriter, multi-instrumentalist and self-taught producer hailing from a sheep farm in the Scottish Highlands. Born Robert Shields, he spent his childhood being inspired (not to mention bored) at his family’s farmhouse on cliffs overlooking the North Sea; as a means of escaping the rural isolation, he began writing and performing his own songs around the age of 12 or 13, teaching himself piano on a battered instrument missing half its keys that he uncovered in the family shed. While still in school, he won a songwriting competition judged by Coldplay’s Chris Martin, and was later offered a place at the Liverpool Institute of Performing Arts, founded by Sir Paul McCartney. He declined the invitation.
Instead, the young musician honed his craft – which he was intent on perfecting – on his own, and his early, self-released efforts caught the attention of a manager who flew him out to LA – his first time out of Scotland ever – culminating in a label war. Still not feeling ready for the heat of success, mentally or physically, he turned it all down again.
He continued to fine-tune his songwriting and perfect his live show, performing hundreds of gigs across Europe. Eventually, he found himself touring with acts like Bastille, while immersing himself amongst Scottish hit-makers Lewis Capaldi and Calvin Harris. Now, Shields says he has finally figured out who he is as a songwriter, and is making music that is true to himself – something of which he says he is “proud.”
ONR now continues to carve his own lane in pop with new track “Sober” (feat. Carina Jade), which he dropped on Friday. Aglow with an ‘80’s-inspired throb, “Sober” is his debut release on Warner Records and the first from his forthcoming EP, “Must Stop,” which comes out on May 15. The EP will feature “four sparkling synth-pop gems with an anthemic rock undertow,” almost entirely written, played and self-produced in Shields’ home studio in Dumfries and Galloway.
In addition to the new track and EP, ONR has also announced a UK/European tour with Jake Bugg, which will play venues in Liverpool, Edinburgh, and more before taking the stage at the prestigious Reading & Leeds Festival this August.
You can watch the video for “Sober” below.
WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.
(Washington Blade photos by Michael Key)
The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals.
(Washington Blade photos by Michael Key and Robert Rapanut)
Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino
‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.
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