Arts & Entertainment
New CEO rebuffs homophobia, doubles down on inclusion at Disney shareholder meeting

An anti-LGBTQ activist got shut down at Disney’s annual shareholder meeting by none other than the company’s new CEO himself.
Caroline Farrow, who was representing the British conservative advocacy group CitizenGo, came to the March 11 event to pressure the entertainment giant over its promotion of “LGBT ideology” in its films and television programming. It was the first shareholder meeting to be presided over by Bob Chapek, a 27-year Disney veteran who replaced former company CEO Bob Iger at the end of February.
Farrow is an outspoken anti-LGBTQ propogandist who has described rainbow lanyards as a “hostile political symbol,” written an article claiming that LGBTQ parenting “threatens to eliminate the concept of motherhood and rides roughshod over children’s needs,” and has a history of making transphobic statements – even receiving an injunction to desist her tweets about a transgender lawyer.
At the Raleigh, North Carolina meeting, she spoke up to suggest that decline in the value of the company’ stock was due to its inclusion of LGBTQ representation in its content.
Directing her remarks at Chapek, she said, “At a time when your stock is down by 20 percent, is it perhaps time to reconsider what you can do to make Disney more family friendly… and also, what would you say to those 700,000 people who signed our petition saying, please let’s not have the gay prides in the Disneyland parks?”
She added that many families “no longer feel safe” engaging with Disney over its embrace of LGBTQ characters.
Chapek didn’t take the bait.
The fledgling company chair instead doubled down on Disney’s commitment to inclusion, before countering Farrow’s analysis of the falling stock value with the more likely suggestion that the declining numbers were related to the global outbreak of COVID-19.
“At Disney we strongly believe we should reflect in our creative content the diversity that we find in our fanbase and our audience,” Chapek said. “I believe that will continue with an increased commitment as we move forward. We want to represent our audience. We believe we want to tell stories that our audience wants to hear that reflects their lives.”
“In terms of the stock price, there’s a lot of reasons why the stock price might be down 20 per cent that has nothing to do with the issue you raised,” he continued. “It might have more to do with coronavirus and the worldwide pandemic that we’re facing.”
His response was greeted with enthusiastic applause from the crowd of shareholders in attendance.
Disney has been increasing LGBTQ representation in its contents in recent years, introducing the Disney Channel’s first recurring LGBTQ storyline on the show “Andi Mack” in 2017, and featuring same-sex couples on the cartoons “Doc McStuffins” and “Star vs. The Forces of Evil.” It raised the ire of conservatives and challenged censors in foreign markets with anti-LGBTQ guidelines by including a character that was strongly implied to be LGBTQ in its live-action remake of “Beauty and the Beast,” and has included LGBTQ moments and characters in its Marvel and “Star Wars” films and shows. The current Disney/Pixar release “Onward” features an out lesbian character voiced by Lena Waithe, and there are reportedly out gay characters coming in the upcoming releases “Jungle Cruise” and Marvel’s “The Eternals.”
Conservative critics have continued to express homophobic outrage at even the slightest suggestion of LGBTQ inclusion from Disney, with anti-LGBTQ groups petitioning the company to stop hosting Pride events at their parks and a call for a boycott from the misleadingly-named One Million Moms.
Despite its efforts toward inclusion, the company has also taken fire from critics and LGBTQ advocates for lagging behind, by providing characters with LGBTQ identities that are hidden, subtle, or token and failing to embrace the fan-fueled LGBTQ identification of characters such as Elsa in “Frozen” or Finn and Poe in the rebooted “Star Wars” franchise.
Chapek’s unequivocal response to Farrow at last Wednesday’s meeting is being interpreted as a signal of the company’s commitment to more representation.
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(Washington Blade photos by Michael Key)










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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
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