Arts & Entertainment
New CEO rebuffs homophobia, doubles down on inclusion at Disney shareholder meeting
An anti-LGBTQ activist got shut down at Disney’s annual shareholder meeting by none other than the company’s new CEO himself.
Caroline Farrow, who was representing the British conservative advocacy group CitizenGo, came to the March 11 event to pressure the entertainment giant over its promotion of “LGBT ideology” in its films and television programming. It was the first shareholder meeting to be presided over by Bob Chapek, a 27-year Disney veteran who replaced former company CEO Bob Iger at the end of February.
Farrow is an outspoken anti-LGBTQ propogandist who has described rainbow lanyards as a “hostile political symbol,” written an article claiming that LGBTQ parenting “threatens to eliminate the concept of motherhood and rides roughshod over children’s needs,” and has a history of making transphobic statements – even receiving an injunction to desist her tweets about a transgender lawyer.
At the Raleigh, North Carolina meeting, she spoke up to suggest that decline in the value of the company’ stock was due to its inclusion of LGBTQ representation in its content.
Directing her remarks at Chapek, she said, “At a time when your stock is down by 20 percent, is it perhaps time to reconsider what you can do to make Disney more family friendly… and also, what would you say to those 700,000 people who signed our petition saying, please let’s not have the gay prides in the Disneyland parks?”
She added that many families “no longer feel safe” engaging with Disney over its embrace of LGBTQ characters.
Chapek didn’t take the bait.
The fledgling company chair instead doubled down on Disney’s commitment to inclusion, before countering Farrow’s analysis of the falling stock value with the more likely suggestion that the declining numbers were related to the global outbreak of COVID-19.
“At Disney we strongly believe we should reflect in our creative content the diversity that we find in our fanbase and our audience,” Chapek said. “I believe that will continue with an increased commitment as we move forward. We want to represent our audience. We believe we want to tell stories that our audience wants to hear that reflects their lives.”
“In terms of the stock price, there’s a lot of reasons why the stock price might be down 20 per cent that has nothing to do with the issue you raised,” he continued. “It might have more to do with coronavirus and the worldwide pandemic that we’re facing.”
His response was greeted with enthusiastic applause from the crowd of shareholders in attendance.
Disney has been increasing LGBTQ representation in its contents in recent years, introducing the Disney Channel’s first recurring LGBTQ storyline on the show “Andi Mack” in 2017, and featuring same-sex couples on the cartoons “Doc McStuffins” and “Star vs. The Forces of Evil.” It raised the ire of conservatives and challenged censors in foreign markets with anti-LGBTQ guidelines by including a character that was strongly implied to be LGBTQ in its live-action remake of “Beauty and the Beast,” and has included LGBTQ moments and characters in its Marvel and “Star Wars” films and shows. The current Disney/Pixar release “Onward” features an out lesbian character voiced by Lena Waithe, and there are reportedly out gay characters coming in the upcoming releases “Jungle Cruise” and Marvel’s “The Eternals.”
Conservative critics have continued to express homophobic outrage at even the slightest suggestion of LGBTQ inclusion from Disney, with anti-LGBTQ groups petitioning the company to stop hosting Pride events at their parks and a call for a boycott from the misleadingly-named One Million Moms.
Despite its efforts toward inclusion, the company has also taken fire from critics and LGBTQ advocates for lagging behind, by providing characters with LGBTQ identities that are hidden, subtle, or token and failing to embrace the fan-fueled LGBTQ identification of characters such as Elsa in “Frozen” or Finn and Poe in the rebooted “Star Wars” franchise.
Chapek’s unequivocal response to Farrow at last Wednesday’s meeting is being interpreted as a signal of the company’s commitment to more representation.
The fourth annual Equality Prince William Pride was held at the Harris Pavilion in Manassas, Va. on Saturday, May 17.
(Washington Blade photos by Michael Key)
The Washington Blade held its 18th annual Summer Kickoff Party in Rehoboth Beach, Del., on Friday, May 16. Delaware Gov. Matt Meyer spoke along with State Sen. Russ Huxtable, CAMP Rehoboth Executive Director Kim Leisey, Blade Editor Kevin Naff, and Clear Space Theatre Managing Director Joe Gfaller. The event raises funds for the Steve Elkins Memorial Fellowship in Journalism, which was awarded to AU student Abigail Hatting.
(Washington Blade photos by Daniel Truitt)
In some fowl fiction foreshadowing, a gay-owned chicken joint has come home to roost on U Street, taking a page from the chicken window subplot on the HBO show “Looking.”
Last Friday, Lucky Pollo – much more than just a takeout window – stretched its wings atop the busy nightlife corner of 14th and U Streets NW.
Behind the poultry production place is Zach Renovátes, a D.C.-based nightlife operator and managing partner of LGBTQ venues Bunker and District Eagle, as well as the LGBTQ event production company KINETIC Presents.
Renovátes opened Bunker in February 2023 and District Eagle in January of this year. Lucky Pollo is the third in his growing gay empire, though this time there are noshes.
“Lucky Pollo was meant to be fun and a little provocative,” Renovátes said.
Based around its Peruvian-style rotisserie chicken, Lucky Pollo is a quick-service restaurant boasting a small menu of poultry and sides. Renovátes says that the dishes are deeply rooted in Peruvian culinary tradition, “a playful experience alongside seriously good food.”
Lucky Pollo’s signature chicken is steeped in a dozen-plus-spice marinade for 24 hours. The meat is then slow-roasted, rotisserie-style, over oak-wood charcoal. Chicken options include quarter, half, and whole.
Helming the kitchen at Lucky Pollo is Chef Luis Herrera, who brings Peruvian recipes passed down through three generations, including his grandmother Laura’s original creations.
Beyond the full bird, the menu features Peruvian-inspired sides like yuca fries (“I personally love these,” says Renovátes) and fried plantains, as well as comfort classics such as mac and cheese and mashed potatoes, and bowls, wraps, and salads. Herrera oversees development of the multiple sauces (including staff favorite, the “secret green sauce”), crafted in-house using traditional Peruvian ingredients.
Lucky Pollo, in its streetside perch, is an independent concept from District Eagle, open to the public and staying open late (3 a.m. on weekends) to serve both nightlife guests and the wider U Street crowd hungry for late-night bites. However, just beyond the kitchen, tucked in the back lies a vintage 1950s candy machine—labeled “Out of Order,” which serves as the door leading to subterranean District Eagle.
Renovátes notes that when District Eagle is open, security staff will maintain a strict two-line policy, ensuring that those seeking meat to eat will not get entwined with those looking to gain access to District Eagle.
Lucky Pollo unites the need for sustenance with the idea of a bit of fortune, given its motto, “Get Lucky” and the whimsical brand mascot: a leather-booted chicken perched on a horseshoe. Renovátes and his District Eagle business partner had always been interested in opening a restaurant, and the Lucky Pollo space was indeed lucky: It already came with a functional kitchen. Plus, he says, the nearby fast-casual places around 14th and U streets “don’t offer a lot of quality options,” so opening the chicken spot “was a no-brainer.”
The space, designed by NYC creative Jasin Cadic, blends theatrical street-art-style vibes with Keith Haring-inspired wall prints, neon signs, and ceiling-hung chicken figurines —”some edgy, some sweet,” says Renovátes —creating an immersive, playful atmosphere. Lucky Pollo and District Eagle maintain separate amenities for their respective customers.
Lucky Pollo opened last week with a competition to devour a whole rotisserie chicken in the fastest time, with the winner earning $1,000 and a framed spot on the restaurant’s “Wall of Fame.” The opening also featured other games and prizes, and a full crowd spilling out the door.
“We want it to be a great place to eat, but also serve as a playful front for something completely unexpected.” Renovátes says.
On weekends especially, he jokes, the motto will be, ‘Come for the chicken, stay for the cock.’”
Let love and compassion guide our response to Joe Biden’s cancer diagnosis
D.C. Black Pride 2025: Events, parties, and empowerment
Cuban lawmakers to consider simplifying process for trans people to change IDs
Frank Kameny’s legacy lives on
