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Genesis P-Orridge, who pushed the boundaries of gender and self, passes away

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Genesis P-Orridge (Image via YouTube)

Genesis Breyer P-Orridge, a queer pioneer who identified with third gender pronouns and became an avant-garde icon, has died at the age of 70.

Born Neil Andrew Megson in Victoria Park, Manchester UK, s/he grew up in Essex, where as a teenager she became interested in occultism, avant-garde art, and music. After dropping out of college at the University of Hull, s/he founded a music collective, COUM Transmissions, and changed h/er name to Genesis P-Orridge.

As the Dadaist-inspired group was disbanding in 1976, P-Orridge formed the band Throbbing Gristle, alongside Chris Carter, Peter “Sleazy” Christopherson, and Cosey Fanni Tutti.

According to Pitchfork:

“The band incorporated white noise, tape-based samples, and spoken-word poetry into their work, and were notorious for provocative imagery—such as Nazi concentration camps and pornography—used at their live shows. Their abrasive blend of rock, electronic, and punk ethos would go on to become the groundwork of industrial music.”

Throbbing Gristle would release nine full albums during a career that was experienced a two-decade gap after an break-up in 1981.

Despite being known for h/er music (s/he was known as “the Godparent of Industrial Music”), as well as for various art projects (such as Psychic TV) and h/er viewpoints on occultism, sex work, violence, and other taboo topics, P-Orridge’s most famous legacy is her status as a non-binary explorer who pushed the boundaries of gender and self.

According to the New York Times, P-Orridge first conceived the alter-ego by which s/he would become known in the psychedelic era of the 1960s, envisioning a re-creation of h/erself as in a new form which could become “a canvas for a wide range of experiments: artistic, pharmaceutical, surgical and spiritual.”

“I’d grown up thinking that the world was what I saw, and then I realized it wasn’t — it could be anything at all,” s/he told the paper in 2018.

With h/er second wife, Lady Jaye, P-Orridge underwent the “Pandrogeny Project,” receiving body modification surgery to resemble one another as a single “pandrogynous” being named Breyer P-Orridge. They adopted gender neutral programs and spoke individually as a single combined entity, outside the binary model of gender. Injuries from a 1995 fire led to a cash influx for Genesis, after which they continued to fuse their identities with further physical alterations.

“We’d go to our plastic surgeon and say, what else can we do now to look more alike?” Genesis said.

Lady Jaye died of stomach cancer in 2007. P-Orridge continued to identify as pandrogynous for the rest of h/er life.

P-Orridge’s cause of death was leukemia, according to a statement from manager Ryan Martin. S/he is survived by h/er daughters, Genesse and Caresse, and a granddaughter.

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Theater

Don’t miss summer productions at Clear Space in Rehoboth Beach

‘Cher Show,’ ‘Pretty Woman’ among season’s standouts

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Abby Lynne and Caetano de Sá (Photo by Deny Howeth)

“The Cher Show” at Clear Space Theatre is wonderful. I am always amazed at the talent they attract for their summer series. Kudos to Wes Drummond, the artistic director of the theater. “The Cher Show” is written by Rick Elice. Compliments to the talented director, James FitzSimmons, who brought to life this production. His immensely talented cast includes Shannen Hofheimer as Star, Breanna Lemerise as Lady, Abby Lynne as Babe, and Anya Kay, as young Cher. Each is a pleasure to both watch and listen to. They command the stage. Then more kudos to the entire cast and ensemble. Also, the creative team, which includes among so many who make this show a hit, choreographer Shondelle Graulich; scenic designer, David Chappell; lighting designer Brendan Smith; costume designer Valerie Beardsley; and the entire orchestra led by conductor, Jerry Birl. 

But the actor who I was looking forward to seeing in the production, was a young actor I had written about, and reviewed, when I saw him at Clear Space two years ago. In this production he is Sonny Bono, and he definitely didn’t disappoint. 

Let me introduce Caetano de Sá. I have written about him before, but his resume is worth repeating. It says; Height: 5’7 ½, Eyes: Brown, Voice part: Tenor G2 – C5, Build: Athletic. All true. Then you add to this he speaks Brazilian Portuguese, is certified in stage combat by the Society of American Fight Directors, and is a 2nd Degree Black Belt in Taekwondo. Then as his resume of roles confirms, he can act, sing, and dance with the best. He does a great job as Sonny and is fun to watch on stage. Here he displays his talents as a singer and actor, and they are as good as I remembered them when I first met Caetano while he was still in school in 2024, and was starring as Frankie Valli in “Jersey Boys,” at Clear Space. At the time he was a rising senior at the Boston Conservatory at Berklee BFA Musical Theater program. I interviewed him, and Harry Sperduto, who played Tommy Devotee, after seeing them in the show, and being amazed by their talent. Since that time, I have followed their careers. When I heard Caetano was coming back to Clear Space for the summer, I reached out, and he agreed to sit down and chat, which we did. I knew Clear Space Theatre was planning a busy summer season. Their lineup of shows included “The Cher Show,” “Mean Girls,” and “Pretty Woman.” They always have talented casts, including the many college students who are getting their first chance to shine, which was the case for Caetano in 2024. Now he is back as a graduate, with more experience under his belt, a little more established. This season he was going to play Sonny in their production of “The Cher Show,” Martin/Coach Carr, in “Mean Girls,” and Mr. Hollister in “Pretty Woman,” and being a part of the ensemble. He told me he really enjoys being at Clear Space, and that his castmates are all talented. He is a lot more experienced than when he was here before, having performed in productions at the Prairie Repertory Theatre, the Emerald Coast Theatre Company, Firehouse Center for the Arts, and the Sullivan Rep, among others. In productions as diverse as “Oklahoma!,” “Mystic Pizza,” “Hairspray,” and “Rock of Ages.” He now lives in New York City and clearly New York is the perfect place for an aspiring actor. He has an agent at Bramante Artists, who is getting him gigs, like the one he had at 54 Below and even a TV commercial for AFLAC. 

“The Cher Show” is the second show I have seen at Clear Space this summer. After our chat I got one of the last tickets available that evening for “Pretty Woman.” In that production he has a smaller role, and is part of the incredibly talented ensemble. It is also an entertaining show and its very talented stars, Abby McDonough as Vivian, and Jaiden Leo Riley as Edward, are a pleasure to watch. Kudos to the talented director, Ashley Williams, and the entire creative team. 

For anyone living at the beach, or coming for a visit, I urge you to plan a night at Clear Space. You won’t regret it. But know tickets for all the shows, and Sunday evening cabaret nights, sell out fast. So, I suggest you see what’s available online and buy yours today.   

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PHOTOS: World Pride March

LGBTQ rights demonstration held in Amsterdam

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A scene from the 2026 World Pride March in Amsterdam. (Washington Blade photo by Michael Key)

The 2026 World Pride March was held on Saturday, Aug. 8 in Amsterdam. Tens of thousands of participants marched from Martin Luther Kingpark to the grounds of the Pride Village at Museumplein.

(Washington Blade photos by Michael Key)

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PHOTOS: Daddy Issues at Kiki

Evry Pleasure, Tiara Missou-Sidora, Indiana Bones perform

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Evry Pleasure performs at the 'Daddy Issues' drag show at Kiki on Wednesday. (Washington Blade photo by Landon Shackelford)

The weekly drag show “Daddy Issues” was held at Kiki on Wednesday, Aug. 5. Performers included Evry Pleasure, Indiana Bones and Tiara Missou-Sidora.

(Washington Blade photos by Landon Shackelford)

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