Connect with us

a&e features

Stars, writers honor Larry Kramer’s artistic legacy

‘The Normal Heart’ playwright remembered for tireless AIDS activism

Published

on

Larry Kramer, gay news, Washington Blade
Larry Kramer in 2007. (Photo by David Shankbone via Wikimedia)

Larry Kramer holds a singular place in LGBTQ history — he’s remembered equally for both his art and activism and the two are inextricably linked. Today we focus on the former and revisit what Hollywood and Washington and New York theater people have to say about the gay iconoclast who died May 27 at 84 of pneumonia in Manhattan.

Looming over his canon is, of course, his autobiographical 1985 play “The Normal Heart,” which depicts the rise of the HIV/AIDS crisis in New York from 1981-1984 through the eyes of writer/activist Ned Weeks, the gay founder of an advocacy group. It ran Off-Broadway in the ‘80s, but was revived on Broadway in 2011. Ryan Murphy directed a star-studded 2014 TV adaptation that aired on HBO.

Gay playwright Tony Kushner wrote in the May 30 New York Times that Kramer, a Washington native who left when he went to Yale at age 18, wanted to be known as an artist.

“Sometimes he’d say that nothing mattered more to him than being respected as an artist,” Kushner, who had an off-and-on friendship with Kramer, wrote. “I believe that he was an extraordinary writer and I also believe that he sacrificed for the sake of his unceasing activism some of what he might have accomplished artistically.”

Kushner also acknowledges “deep indebtedness” to Kramer “as a writer.”

“I was indebted to him as a gay man and as a citizen. As a person who tries to stay politically engaged, I was in awe of him,” Kushner writes.

Other artists who commented on Kramer include:

• Elton John who called Kramer’s passing the “saddest news.” “We have lost a giant of a man who stood up for gay rights like a warrior,” he tweeted and shared on Instagram. “His anger was needed at a time when gay men’s deaths to AIDS were being ignored by the American government … a tragedy that made the Gay Men’s Health Crisis and ACT UP movements so vital. He never stopped shouting about the injustices against us. His voice was the loudest and the most effective.”

• “Hamilton” creator Lin-Manuel Miranda said he doesn’t “know a soul who saw or read ‘The Normal Heart’ and came away unmoved, unchanged. … What an extraordinary writer, what a life.”

• Chelsea Clinton tweeted that reading “The Normal Heart” “as a kid changed my life and I was completely overwhelmed when I first met its author during its 2011 Broadway run.”

• Actor Mark Ruffalo, who starred in the TV adaptation, tweeted, “Rest in power, king!”

• Julia Roberts, also in “The Normal Heart,” called Kramer “ferocious and tireless in his beliefs,” in a statement to Variety. “A true hero that so many people owe their lives to today. I was honored to spend time in his orbit.”

• Andy Cohen, who’s gay, tweeted “God bless you, Larry Kramer. Everyone in the LGBTQ community owes you a debt of gratitude.”

• Out actor Zachary Quinto tweeted that “every single out and proud gay man stands on the shoulders of Larry Kramer for his tireless advocacy, his searing intellect, his lifelong commitment to equality and his singular impact on the fight against HIV/AIDS. We would literally not be where we are without him and now without him we must carry on. His work is far from over … now it is all of our work. May he rest in peace.”

• Lesbian actress/comedian Rosie O’Donnell tweeted that he was “invincible” and that his death is “heartbreaking.”

• Out columnist/activist Dan Savage tweeted that Kramer “valued every gay life at a time when so many gay men had been rendered incapable of caluaing our own lives. He ordered us to love ourselves and each other and to fight for our lives. He was a hero.”

• Local gay author/newspaper editor (The Falls Church News Press) Nicholas Benton wrote in an op-ed that Kramer, with whom he was friends, was “a charming, funny and highly intellectual person who never stopped cautioning his fellow gay men about the risks and dangers of unprotected and uncautious sex, not because he was a prude or a hater, but because he was a passionate lover of his fellow human beings.”

• Actress Ellen Barkin, who won a Tony for her work in the 2011 Broadway production of “The Normal Heart,” tweeted that Kramer “changed me in the same way he changed the world with love, compassion and an indomitable spirit. He taught me the meaning of the word resist and how one person can change the world. I will keep fighting Larry, just like you taught us. SILENCE=DEATH.”

• Out actor Anthony Rapp tweeted that he met Kramer as a teen during a reading of his play “The Destiny of Me.” “Getting to converse with him and soak up some of his incredible energy was galvanizing and was one of the main reasons I then chose to live my life as a publicly out actor at a time when few did.”

• Trans writer/TV host Janet Mock tweeted, “Rest in power to an icon and true fighter until the very end. We thank you, Larry Kramer.”

• Arena Stage Artistic Director Molly Smith called Kramer “a firebrand” and said “his loss is deeply felt and oh we need more Larry Kramers in our world right now,” in a comment to the Blade.

“When Arena produced ‘The Normal Heart’ in 2012, decades after it first played and made its impact, Larry had lost none of his fire. He was handing out pamphlets to people on the sidewalk. He was unstoppable. Sometimes that ruffled more than a few feathers, but he was determined to get his point across.”

Smith also said, “He changed the world and is proof of the incredible impact one person can make through their work and action.”

• Actor Matt Bomer who starred in the TV adaptation of “The Normal Heart” wrote on Instagram that Kramer’s writing was “bold, courageous and urgent. It educated, stirred people to action and saved lives.” He also called Kramer “a towering intellect and an amazing wit. My time with you is something I will treasure for the rest of my life.”

• Out screenwriter Dustin Lance Black tweeted that, “Larry Kramer’s rage helped lift us out of invisibility. It was an honor to know him. Today our movement has lost one of its greatest fighters.”

• Actress Jamie Lee Curtis tweeted that, “He was a warrior when there was nothing but fear. We all owe him a debt.”

Kramer, who lived with AIDS for more than 30 years, kept sharing his message throughout his life. In a letter he handed out himself to patrons attending the Broadway production and included in the press packet for the 2012 Arena Stage production, Kramer shared the following:

“Please know that AIDS is a worldwide plague. Please know that no country in the world, including this one, especially this one, has ever called it a plague or acknowledged it as a plague or dealt with it as a plague. Please know that there is no cure. Please know that after all this time, the amount of money being spent to find a cure is still minuscule, still almost invisible, still impossible to locate in any national health budget and still totally uncoordinated.”

A Blade review of the 2012 Arena Stage production of “The Normal Heart” said the play was “aging well, breathtakingly so,” long-time Blade theater critic Patrick Folliard wrote. He called Arena’s production “powerfully searing” and praised the “terrific cast.”

The cast of Larry Kramer’s landmark play ‘The Normal Heart’ at Arena Stage in June, 2012. (Photo by Scott Suchman; courtesy Arena)

Joey DiGuglielmo is the Washington Blade’s features editor. He interviewed Larry Kramer at length in 2015 in a piece titled “Larry Kramer’s magnum opus.”

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

a&e features

D.C. LGBTQ sports bar Pitchers listed for sale

Move follows months of challenges for local businesses in wake of Trump actions

Published

on

Pitchers is for sale at an undisclosed price. (Washington Blade file photo by Michael Key)

A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.

 The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.

He said the sale price will be disclosed to “those who are interested.” 

“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.

 “Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”

It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”

“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says. 

Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price. 

News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets   

In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.

The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.

The sales brochure can be accessed here.

Continue Reading

a&e features

Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather

Highly anticipated film a refreshingly loving look at Dom-sub life

Published

on

Harry Melling and Alexander Skarsgård star in ‘Pillion,’ which premieres in the U.S. on Feb. 6. (Photo courtesy of A24)

Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in. 

Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on. 

That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones. 

“This was a small film by a first time filmmaker and it wasn’t financed when I read it,”  Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”

Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”

For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film. 

“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.” 

Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”

He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”

One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.

“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”

For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present. 

“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”

Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”

This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series,  Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”

Continue Reading

a&e features

MISTR’s Tristan Schukraft on evolution of HIV prevention

From ACT UP to apps, embracing stigma-free care

Published

on

Tristan Schukraft (Photo courtesy of Schukraft)

It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say,  celebratory.

Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond,  prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.

In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.

BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you? 

SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for. 

BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach? 

SCHUKRAFT: This year, we held the first-ever National PrEP Day.  Dua Lipa performed, and Cardi B was there.  After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.  

When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.  

BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years? 

SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.  

For many sexually active gay men, taking PrEP is simply part of the gay experience.  For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door. 

BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level? 

SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance. 

BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic? 

SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States.  We have everything we need today.  All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years. 

HIV transmissions don’t pause because budgets change. 

BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health? 

SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding,  we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results. 

Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.  

Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs. 

Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business. 

When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening. 

BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding? 

SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care. 

BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs? 

SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together. 

BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level? 

SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP. 

BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026? 

SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal. 

Continue Reading

Popular