Connect with us

Books

Don’t miss these 2 books from award-winning queer writers

Diaz, Shapland pen unforgettable poetry, nonfiction

Published

on

National Book Awards, gay news, Washington Blade
(Image courtesy Graywolf)

‘Postcolonial Love Poem’
By Natalie Diaz
c.2020, Graywolf
$16/105 pages

‘My Autobiography of Carson McCullers’
By Jenn Shapland
c.2020, Tin House
$22.95/288 pages

Often, you enjoy a book. But it’s as ethereal as a lovely snowflake. After a month, you forget about it.

That’s not the case with two unforgettable books by queer authors that are among this year’s National Book Awards finalists. Natalie Diaz, a queer, Native American poet is a finalist in poetry for “Postcolonial Love Poem” and queer writer Jenn Shapland is a finalist in nonfiction for “My Autobiography of Carson McCullers.” The winners of the distinguished award will be announced in a virtual ceremony on Nov. 18. Winners of the prestigious prize will receive $10,000; finalists will receive $1,000.

Neither Diaz’s or Shapland’s book – one a searing volume of poetry, the other an arresting memoir – will slip out of your mind. Each volume will leave you questioning and pondering yourself, identity, erasure and history.

“Postcolonial Love Poem” is Diaz’s second poetry collection. Her first poetry collection “When My Brother Was an Aztec,” was an American Book Award winner. Diaz, who is Mojave and an enrolled member of the Gila River Indian Tribe, has received many honors, including a MacArthur Fellowship. She is the Maxine and Jonathan Marshall Chair in Modern and Contemporary Poetry at Arizona State University.

Poetry is of the body – the body personal, the body political and the body historical. Rarely has this been more true than in “Postcolonial Love Poem.”

Diaz’s poetry speaks eloquently and vividly of desire. “Haven’t they moved like rivers/like glory, like light/over the seven days of your body?” she writes in the poem “These Hands, If Not Gods,” “And wasn’t that good?/Them at your hips/isn’t this what God felt when he pressed together/the first Beloved: Everything.”

The narrator of Diaz’s poems knows that desire is often intermingled with worry, anxiety and sleeplessness. She uses striking imagery to evoke desire and the night. “Insomnia is like spring that way – surprising/and many petaled,” Diaz writes in the poem “From the Desire Field,” “the kick and leap of gold grasshoppers at my brow/I am stuck in the witched hours of want/I want her green life.”

The volume is a stirring indictment of injustice and erasure. “Police kill Native Americans more/than any other race,” Diaz writes in the poem “American Arithmetic.”

“I’m not good at math–can you blame me?/I’ve had an American education,” she adds with incisive irony later in the poem.

“Postcolonial Love Poem” is the most provocative, compelling poetry collection I’ve read in eons. Check it out.

In her memoir “My Autobiography of Carson McCullers,” her first book, writer Jenn Shapland explores erasure and identity. Carson McCullers, who lived from 1917 to 1967 and is best known for her novel “The Heart Is a Lonely Hunter” and her novel (as well as its adaptation for the stage) “The Member of the Wedding,” is an iconic writer, playwright and poet.

Yet, in biographies and literary history, her queerness has been largely erased. In her genre-defying book (part memoir, part biography), Shapland examines and illumines both McCullers’ and her own identity, queerness, memory, obsession and love. Her nonfiction has been published in “Tin House,” “Essay Daily” and other publications. Shapland won the 2019 Rabkin Foundation Award for art journalism, and her essay “Finders, Keepers” won a 2017 Pushcart Prize. She teaches as an adjunct in creative writing at the Institute of American Indian Arts in Santa Fe.

When Shapland was a graduate student, she discovered intimate letters that McCullers wrote to a woman named Annemarie. As she uncovers the letters, she becomes obsessed not only with how history has erased McCullers’ queerness but with how queer women’s love stories are told.

In short, evocative, incisive chapters, Shapland questions: Why have queer women had to (even now) tell their stories in a way that fits straight narratives? Why have we had to be ourselves – navigate in hetero spaces? As she struggles with her own sexuality, Shapland wonders what McCullers’ secrets and legacy will reveal to her about herself.

“To tell another person’s story,” Shapland writes, “a writer must make that person some version of herself, must find a way to inhabit her.”

“My Autobiography of Carson McCullers” is an absorbing, revealing story of queer history and identity.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Books

Celebrate Pride month by reading these books

History, pop culture, and more

Published

on

(Photo courtesy of Terri Schlichenmeyer)

You’ve done your share of marching.

You’re determined to wring every rainbow-hued thing out of this month. The last of the parties hasn’t arrived yet, neither have the biggest celebrations and you’re primed but – OK, you need a minute. So pull up a chair, take a deep breath, and read these great books on gay history, movies, and more.

You probably don’t need to be told that harassment and discrimination was a daily occurrence for gay people in the past (as now!), but “American Scare: Florida’s Hidden Cold War on Black and Queer Lives” by Robert W. Fieseler (Dutton, $34) tells a story that runs deeper than you may know. Here, you’ll read a historical expose with documented, newly released evidence of a systemic effort to ruin the lives of two groups of people that were perceived as a threat to a legislature full of white men.

Prepared to be shocked, that’s all you need to know.

You’ll also want to read the story inside “The Many Passions of Michael Hardwick: Sex and the Supreme Court in the Age of AIDS” by Martin Padgett (W.W. Norton & Company, $31.99), which sounds like a novel, but it’s not. It’s the story of one man’s fight for a basic right as the AIDS crisis swirls in and out of American gay life and law. Hint: this book isn’t just old history, and it’s not just for gay men.

Maybe you’re ready for some fun and who doesn’t like a movie? You know you do, so you’ll want “Sick and Dirty: Hollywood’s Gay Golden Age and the Making of Modern Queerness” by Michael Koresky (Bloomsbury, $29.99). It’s a great look at the Hays Code and what it allowed audiences to see, but it’s also about the classics that sneaked beneath the code. There are actors, of course, in here, but also directors, writers, and other Hollywood characters you may recognize. Grab the popcorn and settle in.

If you have kids in your life, they’ll want to know more about Pride and you’ll want to look for “Pride: Celebrations & Festivals” by Eric Huang, illustrated by Amy Phelps (Quarto, $14.99), a story of inclusion that ends in a nice fat section of history and explanation, great for kids ages seven-to-fourteen. Also find “Are You a Friend of Dorothy? The True Story of an Imaginary Woman and the Real People She Helped Shape” by Kyle Lukoff, illustrated by Levi Hastings (Simon & Schuster, $19.99), a lively book about a not-often-told secret for kids ages six-to-ten; and “Papa’s Coming Home” by Chasten Buttigieg, illustrated by Dan Taylor (Philomel, $19.99), a sweet family tale for kids ages three-to-five.

Finally, here’s a tween book that you can enjoy, too: “Queer Heroes” by Arabelle Sicardi, illustrated by Sarah Tanat-Jones (Wide Eyed, $14.99), a series of quick-to-read biographies of people you should know about.

Want more Pride books? Then ask your favorite bookseller or librarian for more, because there are so many more things to read. Really, the possibilities are almost endless, so march on in.

Continue Reading

Books

I’m a lesbian and LGBTQ books would have changed my life

Misguided parents pushing Montgomery County court case

Published

on

(Photo by gOrlica/Bigstock)

As a child born in Maryland in the 80’s, I had very few LGBTQ+ role models other than Elton John and Ellen DeGeneres. In high school, I went through the motions of going out on Friday nights with boyfriends and dancing with them at prom, but I felt nothing. I desperately wanted to fit in, and it took me until my senior year of high school to finally admit to myself that I was different – and that it hurt too much to hide it anymore. 

When I think back on those years, I feel the heartache and pain all over again. I used to lay awake at night begging God not to make me gay. When a boy on my Cross Country team accused me and my friends of being lesbians, I scoffed and said, “You wish.” I hid my true self in cheap wine coolers while my hate for myself festered. 

I found healing in books, my creative writing class, and my school’s literary magazine. Writing allowed me to hold up a mirror to myself and see that I could be many things: a loving daughter and sister, a supportive friend, a dedicated member of the Cross Country team, and also a girl who wanted a girlfriend. In my love poems, I evolved from ambiguous pronouns to distinctly feminine ones. When I felt ready to tell my best friend, I showed her one of my poems. To my surprise, the world did not end. She smiled and said, “It’s a good poem. Are you ready to go to the mall?” 

I’m one of the lucky ones. When I finally did come out to my parents, they told me they would always love me and want me to be happy. That’s not the case for more than 40% of LGBTQ+ youth, who are kicked out of their homes after they find the courage to tell their family who they truly are. We are facing a mental health epidemic among LGBTQ+ youth, with 41% seriously considered attempting suicide in the past year, the vast majority living in homes that aren’t accepting. 

Some of the dissenting parents in Mahmoud vs. Taylor argue that inclusive books aren’t appropriate for elementary school kids. To clarify, these books are simply available in schools – they aren’t required reading for anyone. There is nothing sexual or provocative about stories like “Uncle Bobby’s Wedding” or “Jacob’s Room to Choose” that send a very simple, non-political message: We all are different, and we all deserve to be treated with respect. Opting out of books that show diversity, out of fear that it might “make kids gay” fails to recognize a fundamental truth: art, pop culture, even vegan food cannot make someone gay. I was born this way. There were times I wished that I wasn’t, and that was because I didn’t have books like these telling me it was OK to be who I am. 

I wonder how many parents opting out of these books will end up having a LGBTQ+ child. It is both horrible and true that these parents have two choices: love and accept your LGBTQ+ child, or risk losing them. Now that I’m a parent myself, I feel more than ever that our one aim in parenthood is to love our kids for exactly who they are, not who we want them to be. 

For several years, a grocery store in Silver Spring, Md., displayed a poem I wrote for my mother in my school’s literary magazine. I wrote about how she taught me that red and blue popples can play together, and that Barbie doesn’t need Ken to be happy. I imagine that maybe, a girl passing through the store read that poem and saw a glimpse of herself inside. That spark of recognition – of I’m not the only one – is all I wanted as a child. I was able to find my happiness and my community, and I want every LGBTQ+ child to be able to do the same. 


Joanna Hoffman was born and raised in Silver Spring, Md. She is the author of the poetry collection ‘Running for Trap Doors’ (Sibling Rivalry Press) and is the communications director for LPAC, the nation’s only organization dedicated to advancing the political representation of LGBTQ+ women and nonbinary candidates. 

Continue Reading

Books

A boy-meets-boy, family-mess story with heat

New book offers a stunning, satisfying love story

Published

on

(Book cover image courtesy of Random House)

‘When the Harvest Comes’
By Denne Michele Norris
c.2025, Random House
$28/304 pages

Happy is the bride the sun shines on.

Of all the clichés that exist about weddings, that’s the one that seems to make you smile the most. Just invoking good weather and bright sunshine feels like a cosmic blessing on the newlyweds and their future. It’s a happy omen for bride and groom or, as in the new book “When the Harvest Comes” by Denne Michele Norris, for groom and groom.

Davis Freeman never thought he could love or be loved like this.

He was wildly, wholeheartedly, mind-and-soul smitten with Everett Caldwell, and life was everything that Davis ever wanted. He was a successful symphony musician in New York. They had an apartment they enjoyed and friends they cherished. Now it was their wedding day, a day Davis had planned with the man he adored, the details almost down to the stitches in their attire. He’d even purchased a gorgeous wedding gown that he’d never risk wearing.

He knew that Everett’s family loved him a lot, but Davis didn’t dare tickle the fates with a white dress on their big day. Everett’s dad, just like Davis’s own father, had considerable reservations about his son marrying another man – although Everett’s father seemed to have come to terms with his son’s bisexuality. Davis’s father, whom Davis called the Reverend, never would. Years ago, father and son had a falling-out that destroyed any chance of peace between Davis and his dad; in fact, the door slammed shut to any reconciliation.

But Davis tried not to think about that. Not on his wedding day. Not, unbeknownst to him, as the Reverend was rushing toward the wedding venue, uninvited but not unrepentant. Not when there was an accident and the Reverend was killed, miles away and during the nuptials.

Davis didn’t know that, of course, as he was marrying the love of his life. Neither did Everett, who had familial problems of his own, including homophobic family members who tried (but failed) to pretend otherwise.

Happy is the groom the sun shines on. But when the storm comes, it can be impossible to remain sunny.

What can be said about “When the Harvest Comes?” It’s a romance with a bit of ghost-pepper-like heat that’s not there for the mere sake of titillation. It’s filled with drama, intrigue, hate, characters you want to just slap, and some in bad need of a hug.

In short, this book is quite stunning.

Author Denne Michele Norris offers a love story that’s everything you want in this genre, including partners you genuinely want to get to know, in situations that are real. This is done by putting readers inside the characters’ minds, letting Davis and Everett themselves explain why they acted as they did, mistakes and all. Don’t be surprised if you have to read the last few pages twice to best enjoy how things end. You won’t be sorry.

If you want a complicated, boy-meets-boy, family-mess kind of book with occasional heat, “When the Harvest Comes” is your book. Truly, this novel shines.

The Blade may receive commissions from qualifying purchases made via this post.

Continue Reading

Popular