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D.C. LGBTQ community reckons with anti-Blackness, gentrification after Nellie’s incident

Preston Mitchum among those calling for boycott of U Street bar

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A video posted to Twitter earlier this month showed a member of Nellie’s Sports Bar’s security detail dragging Keisha Young, a 22-year-old Black woman, down the stairs by her hair after confusing her with a different customer who had reportedly tried to sneak liquor into the bar. 

The video went viral, attracting massive online attention, including from Mayor Muriel Bowser and many others. A second video that appears to show an altercation between Young and other patrons seconds before security dragged her down the stairs has also emerged.

“Obviously, entrepreneurs enforce rules in their restaurants, but they’re not allowed to assault anybody,” Bowser told the Washington Post. “If that’s a matter for the Metropolitan Police Department, we’ll take it up.”

In a Facebook post that has since been deleted, Nellie’s responded to the surfacing of the video. 

“We were incredibly upset and disturbed to see the unfortunate event that took place at Nellie’s last night,” referring to the June 12 incident. “We are undergoing a full investigation of the situation. At Nellie’s, we foster an inclusive and safe environment, so events like this are completely unacceptable to us.”

The statement garnered negative reactions online, forcing Nellie’s to issue a follow-up statement, part of which read, “We offer a heartfelt apology to all who witnessed the horrific events of the past weekend … Nellie’s will be closed this week as we evaluate this regrettable situation.”

Since Nellie’s closed and a protest in solidarity with Young was staged outside the bar on June 13, the queer community has been forced to reckon with what some describe as Nellie’s history of racist practices, as well as D.C.’s increasing gentrification.  

Accusations of racism at Nellie’s are not new. Whitman-Walker Health in a June 15 tweet noted the incident that involved Young “is not the first time we have heard calls for respect for Black patrons of Nellie’s Sports Bar.” The Capital Pride Alliance in its statement about what happened to Young said Nellie’s response “will impact the CPA’s relationship with Nellie’s.”

“Over the years, the culture [at Nellie’s] became one that seemed hell-bent on pushing Black patrons out and making it a bar more for straight people and white gay men. In fact, [owner] Doug Schantz has gone on record calling his bar ‘straight-friendly’,” said Preston Mitchum, director of policy for Unite for Reproductive and Gender Equity (URGE) and a former avid Nellie’s patron. 

Mitchum moved to D.C. in 2011 and started frequenting Nellie’s because of its reasonably priced drinks, which “sounded good” to him as a then-25-year-old professional.

On the alleged racial profiling at Nellie’s, Mitchum added, “I noticed that when more Black people went, particularly on Sundays, security increased. That always felt peculiar because Friday and Saturday nights were packed and had less security, based on observation. Staff also paid minimal attention to the interactions [between] white patrons. In short, there were many racist interactions and drunken behavior, and no one moved a muscle.”

Mitchum also claims that Black patrons were treated poorly compared to white customers in similar situations. He recalls incidents in which police officers were called on Black patrons and they were kicked out whereas many white patrons received warnings or “had fights broken up.” 

Nellie’s in 2018 was embroiled in controversy over its display of a Blue Lives Matter flag on social media. 

FOX 5 reported Nellie’s claimed to display the flag in support of LGBTQ officers who were “attending a meeting in a welcoming space.” However, many on social media were enraged by the display of the flag, which is viewed as opposing the Black Lives Matter movement, which hinges on advocating for victims of police brutality, and more importantly, reforming or abolishing the police and replacing it with community security efforts to reduce instances of racial profiling and Black deaths.  

As a Black customer invested in making Nellie’s safer for him and the rest of the POC queer community, Mitchum said he participated in a number of measures to help change the culture at Nellie’s.

In a Facebook post published on his page, Mitchum wrote, “Myself and others have written letters, did interviews, conducted ‘sensitivity’ trainings, met with the owner, and even planted ourselves as observers to document our experiences.” 

The efforts, however, were in vain, as according to Mitchum, Schantz did not take the efforts seriously. 

For instance, Mitchum in June 2017 met with Schantz and his manager to discuss the issues at Nellie’s and to draft solutions moving forward. The meeting proved futile as Mitchum notes in a letter to Schantz, made public on social media, that among others things, asserts that Mitchum experienced rudeness from Schantz’s manager and that Schantz uttered statements with racist undertones. 

“I have revisited our conversation many times and I’m still unsure of the purpose of your manager at our May 30 meeting. Not only did it create an attacking atmosphere of two-on-one, she was your ‘yes woman’ thus another person to shut down my opinion because it didn’t jive with both of yours,” penned Mitchum.

Mitchum added, “I hope you can genuinely realize that you equated hip-hop music (that uses “fuck” and the N-word) to violence … there is no valid statistical proof that creates a casual relationship between rap music and violence. Even as I pressed this fact, your response (as well as your manager’s) was ‘it’s his/my bar’ so you can play any music you like.”

Preston Mitchum, director of policy for Unite for Reproductive and Gender Equity (URGE), is a former avid Nellie’s patron who has called for a boycott of the bar.  (Photo courtesy of Crystale | EyeImagery)

Given the lack of change in culture at Nellie’s and the recent incident involving Young, Mitchum and others have called for a boycott of the bar. 

A protest was staged outside Nellie’s on June 13.

The Georgetown Voice reports that Nee-Nee Taylor, co-conductor of Harriet’s Dreams (a Black-led community defense organization) said, “we ask the people to protest and boycott Nellie’s because the owner, who is a white man, don’t care about Black women.”

The Georgetown Voice also reports that Mitchum, who was present at the protest, “accused Nellie’s of relying on the business of Black patrons and gentrifying the local community while failing to care for its Black employees and patrons.”

As Mitchum reflects on how venues safe for Black LGBTQ people are disappearing, he mentions, “What was once ‘Chocolate City,’ we now see a city hovering around 50 percent Black. That’s intentional. I live a few blocks from U Street and anyone need not to be in the area to understand just how much the landscape has shifted.”

Regarding places to frequent now, Mitchum recommends Mr. Braxton’s Bar and Restaurant; Hook Hall; BIN 1301; and Fireplace.

The Washington Blade has reached out to Schantz for a response to Mitchum’s allegations but did not receive a response.

Michael K. Lavers contributed to this story.

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District of Columbia

Drive with Pride in D.C.

A new Pride-themed license plate is now available in the District, with proceeds directly benefiting local LGBTQ organizations.

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A sample of the license plate with the "Progressive" Pride flag. (Screenshot from the DCDMV website)

Just in time for Pride month, the D.C. Department of Motor Vehicles has partnered with the Mayor’s Office of LGBTQ Affairs to create a special “Pride Lives Here” license plate.

The plate, which was initially unveiled in February, has a one-time $25 application fee and a $20 annual display fee. Both fees will go directly to the Office of Lesbian, Gay, Bisexual, Transgender and Questioning Affairs Fund.

The MOLGBTQA Fund provides $1,000,000 annually to 25,000 residents through its grant program, funding a slew of LGBTQ organizations in the DMV area — including Capital Pride Alliance, Whitman-Walker, the D.C. Center for the LGBTQ Community, and the Washington Blade Foundation.

The license plate features an inclusive rainbow flag wrapping around the license numbers, with silver stars in the background — a tribute to both D.C.’s robust queer community and the resilience the LGBTQ community has shown.

The “Pride Lives Here” plate is one of only 13 specialty plates offered in the District, and the only one whose fees go directly to the LGBTQ community.

To apply for a Pride plate, visit the DC DMV’s website at https://dmv.dc.gov/

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Delaware

Delawareans march in D.C. WorldPride parade

CAMP Rehoboth contingent among marchers

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(Washington Blade photo by Michael Key)

The nation’s capital welcomed WorldPride this past weekend, a massive celebration that usually takes place in a different city every two years. 

The Saturday parade attracted hundreds of thousands of people from around the world and the country. The state of Delaware, a few hours drive from D.C., saw participants in the parade, with CAMP Rehoboth, an LGBTQ community center in Rehoboth Beach, hosting a bus day trip. 

Hope Vella sits on the board of directors and marched with CAMP Rehoboth. Vella said that although the parade took a long time to start and the temperature was hot, she was “on a cloud” from being there. 

“It didn’t matter to me how long it took to start. With the current changes that are in place regarding diversity and inclusion, I wanted my face there,” Vella said. “My life is an intersection. I am a Black woman. I am a lesbian, and I have a disability. All of these things are trying to be erased … I didn’t care how long it took. I didn’t care how far it was going to be. I was going to finish that parade. I didn’t care how hot it was.”

The nearly two mile parade route didn’t feel as long because everyone was so happy interacting with the crowd, Vella said. The group gave out beads, buttons, and pins to parade watchers. 

“The World Pride celebration gave me hope because so many people came out. And the joy and the love that was between us … That gave me hope,” Vella said. 

Vella said that people with disabilities are often overlooked. More than one in four Americans have disabilities, according to the U.S. Centers for Disease Control and Prevention

Vella said it was important for her “to be out there and to be seen in my wholeness as a Black woman, as a lesbian, as a woman with a disability and to not be hiding. I want our society to understand that we exist in LGBTQ+ spaces also.”

Retired Maj. Gen. Tammy Smith is involved with CAMP Rehoboth and marched with a coalition of LGBTQ military members. Smith said they were walking to give transgender military members visibility and to remind people why they are serving. 

“When we are not visible, what is allowed to take our place is stereotypes,” Smith said. “And so without visibility, people think all veterans are conservative and perhaps not open to full equality. Without visibility, they might think a small state with a farming background may be a place that’s unwelcoming, but when you actually meet the people who are from those places, it sets aside those stereotypes and the real authenticity is allowed to come forward.”

During the parade, Smith said she saw trans military members in the parade make eye contact or fist bump with transgender people in the crowd. 

“They were seen. Both sides were seen during that parade and I just felt privileged to be able to witness that,” Smith said. 

Smith said Delaware is a state that is about freedom and equality and is the first state for a reason. The LGBTQ community is engrained as part of life in the Rehoboth and Lewes areas. 

“What pride means to me is that we must always be doing what is necessary to maintain our dignity as a community,” Smith said. “We can’t let what people with negative messaging might be tossing our way impact us and the celebration of Pride. I don’t see it as being self-promoting. I see it as an act of dignity and strength.”

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District of Columbia

Drag queens protest Trump at the Kennedy Center

President attended ‘Les Misérables’ opening night on Wednesday

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(Photo by Julian Applebaum from Qommittee)

On Wednesday night, four local drag performers attended the first night of the Kennedy Center’s season in full drag — while President Donald Trump, an outspoken critic of drag, sat mere feet away. 

Three queens — Tara Hoot, Vagenesis, and Mari Con Carne — joined drag king Ricky Rosé to represent Qommittee, a volunteer network uniting drag artists to support and defend each other amid growing conservative attacks. They all sat down with the Washington Blade to discuss the event.

The drag performers were there to see the opening performance of “Les Misérables” since Trump’s takeover of the historically non-partisan Kennedy Center. The story shows the power of love, compassion, and redemption in the face of social injustice, poverty, and oppression, set in late 19th century France. 

Dressed in full drag, the group walked into the theater together, fully aware they could be punished for doing so.

“It was a little scary walking in because we don’t know what we’re going to walk into, but it was really helpful to be able to walk in with friends,” said drag queen Vagenesis. “The strongest response we received was from the staff who worked there. They were so excited and grateful to see us there. Over and over and over again, we heard ‘Thank you so much for being here,’ ‘Thank you for coming,’ from the Kennedy Center staff.”

The staff weren’t the only ones who seemed happy at the act of defiance. 

“We walked in together so we would have an opportunity to get a response,” said Tara Hoot, who has performed at the Kennedy Center in full drag before. “It was all applause, cheers, and whistles, and remarkably it was half empty. I think that was season ticket holders kind of making their message in a different way.”

Despite the love from the audience and staff, Mari Con Carne said she couldn’t help feeling unsettled when Trump walked in.

“I felt two things — disgust and frustration,” Carne said. “Obviously, I don’t align with anything the man has to say or has to do. And the frustration came because I wanted to do more than just sit there. I wanted to walk up to him and speak my truth  — and speak for the voices that were being hurt by his actions right now.”

They weren’t the only ones who felt this way according to Vagenesis:

“Somebody shouted ‘Fuck Trump’ from the rafters. I’d like to think that our being there encouraged people to want to express themselves.”

The group showing up in drag and expressing themselves was, they all agreed, an act of defiance. 

“Drag has always been a protest, and it always will be a sort of resistance,” Carne said, after pointing out her intersectional identity as “queer, brown, Mexican immigrant” makes her existence that much more powerful as a statement. “My identity, my art, my existence — to be a protest.”

Hoot, who is known for her drag story times, explained that protesting can look different than the traditional holding up signs and marching for some. 

“Sometimes protesting is just us taking up space as drag artists,” Hoot added. “I felt like being true to who you are —  it was an opportunity to live the message.”

And that message, Ricky Rosé pointed out, was ingrained with the institution of the Kennedy Center and art itself — it couldn’t be taken away, regardless of executive orders and drag bans

“The Kennedy Center was founded more than 50 years ago as a place meant to celebrate the arts in its truest, extraordinary form,” said Ricky Rosé. “President Kennedy himself even argued that culture has a great practical value in an age of conflict. He was quoted saying, ‘the encouragement of art is political in the most profound sense, not as a weapon in the struggle, but as an instrument of understanding the futility of struggle’ and I believe that is the basis of what the Kennedy Center was founded on, and should continue. And drag fits perfectly within it.”

All four drag performers told the Washington Blade — independently of one another — that they don’t think Trump truly understood the musical he was watching.

“I don’t think the president understands any kind of plot that’s laid out in front of him,” Vagenesis said. “I’m interested to see what he thinks about “Les Mis,” a play about revolution against an oppressive regime. I get the feeling that he identifies with the the rebellion side of it, instead of the oppressor. I just feel like he doesn’t get it. I feel it goes right over his head.”

“Les Misérables” is running at the Kennedy Center until July 13.

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