Canadian authorities on Wednesday said the person who killed seven people and injured more than two dozen others at a school in Tumbler Ridge, British Columbia, the day before was transgender.

Dwayne McDonald, the deputy commissioner for the Royal Canadian Mounted Police in British Columbia, during a press conference said Jesse Van Rootselaar, 18, “was born as a biological male who approximately … six years ago began to transition as female and identified as female both socially and publicly.” McDonald added it is “too early to say whether” the shooter’s gender identity “has any correlation in this investigation.”

The shooter died by suicide, and authorities found her body inside the school.

“We have a history of police attendance at the family residence,” said McDonald. “Some of those calls were related to mental health issues.”

Egale Canada, the country’s LGBTQ and intersex rights group, on Wednesday said it is “heartbroken by the horrific shooting in Tumbler Ridge.”

“Our deepest condolences are with the victims, their families, and the entire community as they navigate unimaginable grief,” said the group in a statement. “We unequivocally condemn this act of violence. There is no place for violence in our schools or in our communities. At this profoundly difficult time, we hold the people of Tumbler Ridge in our thoughts and stand in solidarity with all those affected.”

Mass shootings are relatively rare in Canada, unlike in the U.S.

GLAAD notes statistics from the Gun Violence Archive that indicate trans people carried out less than 0.1 percent of the 5,748 mass shootings in the U.S. between Jan. 1, 2013, and Sept. 15, 2025. The Human Rights Campaign, the National LGBTQ Task Force, and other advocacy groups last August condemned efforts to scapegoat the community after a trans woman shot and killed two children and injured 17 others inside the Annunciation Catholic School in Minneapolis.

While MAGA continues to attack LGBTQ rights in the U.S. — including erasing queer history and removing children’s books with LGBTQ characters from libraries and pushing an ever‑broader censorship agenda — and as the UK faces MAGA‑inspired campaigns demanding the removal of LGBT literature from public libraries, Russia’s assault on LGBTQ‑related media has taken an extreme and frankly absurd turn. It is a cautionary tale for Western countries of just how far censorship can go once it becomes normalized. From books to anime, TV shows, and even academia, queer existence is being systematically erased.

In January, one of Russia’s largest private bookstore chains, Chitai‑Gorod-Bukvoed, faced the risk of being shut down over alleged “LGBT propaganda” under a law that prohibits any positive mention of LGBTQ content and equates LGBTQ material with pornography and pedophilia.

Among the books targeted were “Beartown,” “Us Against You,”and “The Winners”by Fredrik Backman, “The Left Hand of Darkness” by Ursula K. Le Guin, and “The Heart’s Invisible Furies” by John Boyne.

According to Chitai‑Gorod-Bukvoed CEO Alexander Brychkin, once it became known in mid‑December that law enforcement agencies had launched inspections, the Chitai‑Gorod–Bukvoed network immediately removed these titles from sale nationwide. In a comment to Kommersant, Brychkin stressed that the chain “operates strictly within the legal framework,” noting that the books were not listed in any official register of banned materials at the time the inspections began and had been on sale for several years. 

Previously, two of the biggest online film distribution companies were charged as well under the “LGBT Propaganda law.”

Private businesses had no more right to speak up than writers or artists who are persecuted for their work. This is a nightmare scenario for many Americans who believe the free market itself can protect freedom of expression. This is the reality of modern‑day Russia.

A censored version of the anime “Steins;Gate” has also been released on Russia’s most prominent streaming platform, “Kinopoisk,” in which the storyline of one of the main characters was altered due to the ban on so‑called “LGBT propaganda,” as reported by opposition outlets Verstka and Dozhd, as well as fans on Reddit.

In the original series, the character Ruka Urushibara is a young person with an androgynous appearance who struggles to accept themself in a male body — an obvious indication that Ruka is a transgender girl. Ruka wears women’s clothing and dreams of becoming a girl. In episode eight, Ruka is given the chance to intervene in the past by sending a message to their mother in order to be born female.

In the Kinopoisk version, released in late 2025, Ruka is instead portrayed as a girl living with HIV — something entirely absent from the original anime and invented in translation. The storyline and dialogue were rewritten accordingly, completely distorting the original meaning: in this version, Ruka attempts to change the past in order to be born “healthy,” without HIV, rather than to be born a girl. This is not only absurd, but deeply offensive to the LGBTQ community, which has long been stigmatized in relation to HIV.

A similar distortion appears in “Amediateka”’s translation — or, better to say, rewriting — of the new AMC series “Interview with the Vampire.” Translators rewrote dialogue in ways that fundamentally misrepresented the plot, downplaying the openly queer nature of the characters to the point that romantic partners were translated merely as “friends” or “pals,” rendering entire scenes meaningless. At the same time, even brief critical references to Russian or Soviet politics were removed.

As for queer romance, such as the popular Canadian TV show “Heated Rivalry,”it has no official Russian translation at all and circulates only through fan translations. The show remains popular among millennials and Gen Z, and Russian social media platforms like X (Twitter) and Instagram are full of positive reviews. Yet, in theory, promoting such a show could put someone at risk under the law. People still watch it, still love it, still build fan communities, but it all exists quietly, pushed under the carpet.

The prohibition is not total, but it is a grotesque situation when even such a nice and harmless show is stigmatized.

Books suffer even more. Some classics fall under bans, and books are physically destroyed. In other cases, the outcome is worse: texts are rewritten and censored, as with “Steins;Gate.” This affects not only fiction but also nonfiction. For example, in “Deep Color” by Keith Recker, an American researcher of visual arts, all mentions of queer, feminism or BDSM culture were erased in the Russian edition. Even historically necessary references were removed, including mentions of the pink triangle used by the Nazis.

In the Russian edition of Skye Cleary’s “The Thirst for Authenticity: How Simone de Beauvoir’s Ideas Help You Become Yourself,” dozens of paragraphs were blacked out. Passages discussing the fluidity of gender and a person’s right to define themselves outside the rigid male–female binary were removed. Sections on contraception and abortion, critiques of biological reductionism and social pressure on women, details of Simone de Beauvoir’s intimate life and her relationships with women, as well as reflections on non‑monogamous relationships, were all excised. Even footnotes referencing quotes about gender identity were hidden. 

Those two books are one of the many examples of the fate of Russian-translated nonfiction. Actually, even books about animal reproduction were demanded to be censored because of the “LGBT propaganda law”. Apparently, the authorities couldn’t accept a neutral scientific description of same-sex behavior and reproductive diversity in animals.

The authorities know what they are doing. Most people are less likely to read dense nonfiction or search actual studies about animal sexual behavior than to watch a popular TV show about queer hockey players, which makes visual media easier to censor quietly and effectively. So they really could show LGBTQ as something negative and absolutely unnatural for most of the Russian population.

And this is the core of the problem. This is not just censorship of content — it is the rewriting of history, even the narrative around biology. It is the deliberate marginalization of queer existence, the systematic erasure of queer people’s ability to see themselves reflected in culture, literature, and art.

The U.S. still retains independence in academia, publishing, and private business when it comes to queer voices. Russia does not. History shows where this path leads: Nazi Germany burned books; the Taliban destroyed cultural and historical materials. This is always one of the first steps toward genocide — not immediate, perhaps, but inevitable once dehumanization becomes official policy. It never stops with just one group. In Russia, immigrants, people from the North Caucasus and Central Asia, Ukrainians, and even disabled citizens face daily dehumanization — it’s all part of the same system.

And now, alarmingly, the U.S. seems to be following in Russia’s footsteps — the same path that enabled war in Ukraine and the thriving of authoritarianism.

Senegalese police have charged a dozen men with committing “unnatural acts.”

The New York Times reported Pape Cheikh Diallo, a popular television reporter, and Djiby Dramé, a musician, are among the men who authorities arrested. They appeared in court in Dakar, the Senegalese capital, on Monday.

Le Soleil, a Senegalese newspaper, reported authorities arrested the men on Feb. 6 “for intentional transmission of HIV, unnatural acts, criminal conspiracy, and endangering others.” The newspaper further notes the men have been placed in “pre-trial detention.”

Senegal is among the countries in which consensual same-sex sexual relations remain criminalized.

Police in Kaolack, a town that is roughly 135 miles southeast of Dakar, in 2015 arrested 11 people who allegedly engaged in same-sex sexual acts during “a celebration of a gay marriage.” The National Assembly in 2021 rejected a bill that would have further criminalized homosexuality in the country.