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A weekend of art, music, and food in Brentwood

John Paradiso among artists featured in Arts, Beats, and Eats Festival

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Portrait of John Paradiso in front of ‘Proceed with Caution’ collage quilt. (Photo courtesy Paradiso)

Survival, liberation, and celebration: those are the threads woven through John Paradiso’s work, and ones that also color the entirety of next weekend’s Arts, Beats, and Eats Festival at the Gateway Arts District in Brentwood.

More than 20 musicians, artists, and restaurateurs are joining creative forces on May 14. Paused by the pandemic, the festival is back in action after two years of hiatus.

Paradiso, though, has been crafting visual storytelling through his work for 30 years. Paradiso, a gay man, moved to the D.C. area more than two decades ago, initially working at Whitman Walker Health. He and his partner (also an artist) have made Brentwood their home for nearly as long, enlivening the already-progressive neighborhood.

“It’s a similar vibe to Takoma Park,” Paradiso says, “and we have felt comfortable and open here.”

Paradiso is a mixed-media artist, whose work initially drew from the impact of the early years of the AIDS epidemic and now incorporates themes of homophobia, aging, and sexuality.

“After moving to Washington, D.C.,” he says, “and reflecting on past visits to the AIDS Memorial Quilt on the National Mall, I was inspired to make quilts that spoke of survival and sexual liberation.”

His early work coalesced into his Men Working Series, and later his Soft Port and Paper Quilt/Collage series. The three “combine images of men and masculinity, using working methods that are considered traditionally feminine, such as sewing, embroidery, hand quilting, and scrap booking.”

Portrait of John Paradiso in front of his studio wall. (Photo courtesy Paradiso)

Paradiso plays with gender norms, co-opting embroidery as a medium that channels the stitch work that his grandmothers were so adept at – and creating erotic images in his textiles.

The series removes the raw graphic nature and sexuality of pornography “and places it into the context of nostalgia, the home sewn, and a more romantic point of view,” he says.

While he has shown his work in the area for the entirety of his career, Paradiso more recently took a lead role at the Gateway Community Development Corporation’s Curator of Programs at the Gateway Arts Center. He is now a lead art consultant at the new nearby mixed-use developments, Studio 3807 and Artisan 4100.

Paradiso also oversees several studios in both buildings, in which he invites a rotating list of artists to show their work.

During the festival, these and other temporary exhibits will be on display, including Paradiso’s work at the Studio 3807 building. Other featured artists’ work will come alive at Artisan 4100. There, he and his team are transforming a loading dock into a vibrant arts space. The visual medium will be accompanied by the Beats aspect: Just Rock will play live music during the day from their own studio space.

Finally, the Eats portion takes place at the miXt Food Hall, also located at Studio 3807. Various chefs, bartenders, and others will set up live demonstrations during the day, featuring sessions like making lobster corn dogs and knife-sharpening skills. The hall will also host food and drink specials.

Once the Arts open studios and Beats live music finish at 5 p.m., miXt is hosting an after-party until 8 p.m.

Paradiso is proud to be part of an ongoing tradition of open-door studio work, emphasizing a community of openness and creativity. The miXt food hall, he notes, has held drag brunches for several years. “This is a celebration,” he says.

When the new developments were built in the Arts District, Paradiso worked hard to ensure that this atmosphere remained. “The festival underlines that this is still a dynamic Arts District, reinforcing that this is a gem and that we take care of the community. Having these studios filled with LGBTQ content shows that we can create the art that we want – there is space and something for everyone,” he says.

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Clavicular charged in alleged rape of teenage influencer

Online personality’s real name is Braden Peters

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Braden Peters a.k.a. "Clavicular" (Screen capture via NBC News/YouTube)

Online personality Clavicular, whose real name is Braden Peters, has been accused of rape.

According to NBC, Aleksandra Vasilevna Mendoza, an 18-year-old influencer known online as Alorah or Alorah Ziva, accused Peters of sexual assault, and the case is making its way through the court system.

The alleged incident occurred on May 23, 2025, when Mendoza was 17.

According to a criminal complaint from the Chatham (Mass.) Police Department, Peters called her an Uber to his family’s home. Once there, he allegedly got her drunk on vodka while they livestreamed on Twitch and then raped her. His mother and grandmother were allegedly in the house.

The documents allege Clavicular committed rape, drugging a person for sexual intercourse, and procuring and providing liquor to a person under 21.

According to court documents acquired by NPR, Mendoza began communicating with Peters on Instagram, where he paid her to appear on his livestreams to help her “make her name known on social media.”

According to those documents, Peters arranged for the minor to come to Cape Cod home to participate in a videostream for his 437,000 followers on Kick, 1.2 million followers on TikTok, and more than 1 million followers on Instagram.

At his home, Peters allegedly instructed Mendoza to say she was 18 on his videostream and to claim the alcohol on camera was water instead of vodka. Mendoza said she felt peer-pressured to drink the spirit and that she became noticeably intoxicated after a couple of drinks.

The allegations go on to state that after stopping the stream, Peters and Mendoza kissed on a couch and then had sex in his bed without her consent. Mendoza said she did not receive a sexual assault forensic exam after the incident. NPR does not name alleged victims of sexual assault.

The charges come months after Mendoza sued Peters in Miami, accusing him of sexual battery in connection with the events of May 2025. The civil lawsuit also separately alleges that he injected her face with a non-FDA-approved fat-dissolving substance during a November livestream in Florida.

Peters is known for his “looksmaxxing” concept of vanity, which is at the core of his online presence. The “looksmaxxing” culture he has helped cultivate combines elements of incel culture and heterosexuality, with the stated goal of attracting the opposite sex. He has gone as far as to say he has undergone “bonesmashing,” or hitting his own face with a hammer; taken anabolic steroids to more rapidly grow muscle; and used crystal meth as an appetite suppressant.

At the same time, looksmaxxing has been described as having elements of homoeroticism, with “looksmaxxers” appearing more concerned with impressing other men than women. Peters has multiple times pointed to openly gay actor Matt Bomer as the gold standard for male facial aesthetics.

Peters’s arraignment is scheduled for Oct. 14.

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PHOTOS: Shenandoah Valley Pride

LGBTQ celebration held at Turner Pavilion in Harrisonburg, Va.

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A scene from the 2026 Shenandoah Valley Pride Festival. (Washington Blade photo by Landon Shackelford)

The 2026 Shenandoah Valley Pride Festival was held at Turner Pavilion in Harrisonburg, Va. on Sunday, Sept. 20.

(Washington Blade photos by Landon Shackelford)

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PHOTOS: Walk and 5K to End HIV

Whitman-Walker Health holds 40th annual event

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A scene from the 2026 Walk and 5K to End HIV on Saturday. (Washington Blade photo by Michael Key)

Whitman-Walker Health held the 40th annual Walk and 5K to End HIV at Anacostia Park on Saturday, Sept. 19.

(Washington Blade photos by Michael Key)

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