Connect with us

Arts & Entertainment

A weekend of art, music, and food in Brentwood

John Paradiso among artists featured in Arts, Beats, and Eats Festival

Published

on

Portrait of John Paradiso in front of ‘Proceed with Caution’ collage quilt. (Photo courtesy Paradiso)

Survival, liberation, and celebration: those are the threads woven through John Paradiso’s work, and ones that also color the entirety of next weekend’s Arts, Beats, and Eats Festival at the Gateway Arts District in Brentwood.

More than 20 musicians, artists, and restaurateurs are joining creative forces on May 14. Paused by the pandemic, the festival is back in action after two years of hiatus.

Paradiso, though, has been crafting visual storytelling through his work for 30 years. Paradiso, a gay man, moved to the D.C. area more than two decades ago, initially working at Whitman Walker Health. He and his partner (also an artist) have made Brentwood their home for nearly as long, enlivening the already-progressive neighborhood.

“It’s a similar vibe to Takoma Park,” Paradiso says, “and we have felt comfortable and open here.”

Paradiso is a mixed-media artist, whose work initially drew from the impact of the early years of the AIDS epidemic and now incorporates themes of homophobia, aging, and sexuality.

“After moving to Washington, D.C.,” he says, “and reflecting on past visits to the AIDS Memorial Quilt on the National Mall, I was inspired to make quilts that spoke of survival and sexual liberation.”

His early work coalesced into his Men Working Series, and later his Soft Port and Paper Quilt/Collage series. The three “combine images of men and masculinity, using working methods that are considered traditionally feminine, such as sewing, embroidery, hand quilting, and scrap booking.”

Portrait of John Paradiso in front of his studio wall. (Photo courtesy Paradiso)

Paradiso plays with gender norms, co-opting embroidery as a medium that channels the stitch work that his grandmothers were so adept at – and creating erotic images in his textiles.

The series removes the raw graphic nature and sexuality of pornography “and places it into the context of nostalgia, the home sewn, and a more romantic point of view,” he says.

While he has shown his work in the area for the entirety of his career, Paradiso more recently took a lead role at the Gateway Community Development Corporation’s Curator of Programs at the Gateway Arts Center. He is now a lead art consultant at the new nearby mixed-use developments, Studio 3807 and Artisan 4100.

Paradiso also oversees several studios in both buildings, in which he invites a rotating list of artists to show their work.

During the festival, these and other temporary exhibits will be on display, including Paradiso’s work at the Studio 3807 building. Other featured artists’ work will come alive at Artisan 4100. There, he and his team are transforming a loading dock into a vibrant arts space. The visual medium will be accompanied by the Beats aspect: Just Rock will play live music during the day from their own studio space.

Finally, the Eats portion takes place at the miXt Food Hall, also located at Studio 3807. Various chefs, bartenders, and others will set up live demonstrations during the day, featuring sessions like making lobster corn dogs and knife-sharpening skills. The hall will also host food and drink specials.

Once the Arts open studios and Beats live music finish at 5 p.m., miXt is hosting an after-party until 8 p.m.

Paradiso is proud to be part of an ongoing tradition of open-door studio work, emphasizing a community of openness and creativity. The miXt food hall, he notes, has held drag brunches for several years. “This is a celebration,” he says.

When the new developments were built in the Arts District, Paradiso worked hard to ensure that this atmosphere remained. “The festival underlines that this is still a dynamic Arts District, reinforcing that this is a gem and that we take care of the community. Having these studios filled with LGBTQ content shows that we can create the art that we want – there is space and something for everyone,” he says.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

a&e features

Meet the ‘CEO of Everything Gay’ who just bought the Abbey

Tristan Schukraft, who owns Mistr, takes over iconic LA nightclub

Published

on

Tristan Schukraft with equine friend at the Varian Stable in Newmarket, United Kingdom in 2019. (Photo courtesy Schukraft)

WEST HOLLYWOOD, Calif. — Tristan Schukraft laughs when I suggest he’s building a gay empire, but he doesn’t deny it. 

When it was announced last month that the owner of the iconic Abbey and Chapel nightclubs in Los Angeles had entered into an agreement to sell the business to Schukraft, it seemed like a strange move for the jet-setting tech CEO. 

But the portfolio he’s building – founder and owner of the telemedicine app for gay men Mistr, owner of the queer nightclub Circo and Tryst Hotel in Puerto Rico – appears to be bent toward Hoovering up more pink dollars by getting involved in an ever wider section of queer life.

The Los Angeles Blade spoke to Schukraft at The Abbey during its annual tree-lighting fundraiser for the Elizabeth Taylor AIDS Foundation about what he plans to do with the storied nightclub, and how he became one of America’s most visible gay moguls.

This interview has been edited for length and clarity.

BLADE: Why the Abbey? 

SCHUKRAFT: Well, I wanted to make sure it stayed in the hands of the gay community. You know, it’s an institution. It’s a cornerstone of West Hollywood gay life, but more importantly, it’s I think it’s a cornerstone of the gay community far beyond West Hollywood, right? 

BLADE: Looking at your background in tech companies, your recent shift into the nightclub and hospitality industry seems like a bit of a left turn.

SCHUKRAFT: You know, I’ve been drinking here for a long time. So now, after all that investment, I’m actually gonna start getting money back. I basically bought it so I can get free drinks. 

You know, at the end of the day, I’m an operations guy. I’m a technology guy. I own hotels. With hotels, you have bars and restaurants, so it’s not too far off the track. It’s a little off track. Why not? Right? 

You know, after watching “The Birdcage,” I always wanted my own hotel [like Robin Williams’s character in the 1996 film] and somebody shattered my dreams the other day by telling me it was a nightclub. I’m like, what? It was a nightclub? And then I watched it, and it’s true, it was a nightclub. So, now I have a nightclub. Yeah, so it all started with “The Birdcage.” 

BLADE: You’re known for being a disrupter of the things that you invest in. Is there a disruption plan for the Abbey, or for Weho? Are you planning to change things here? 

SCHUKRAFT: Not a major disruption here at The Abbey. I’m gonna put my touches on it. But yeah, it’s a pretty well-oiled machine. We’re definitely going to focus on our values of being LGBTQ. I got some ideas for new nights and I definitely want to make it an epicenter of the gay community. And I think there’s opportunities to take it beyond West Hollywood.

BLADE: Can you give any kind of sneak peek at what you’re thinking? 

SCHUKRAFT: East Coast. That’s your sneak peek right now. East Coast. 

I think you’ll see in a couple months what I’m gonna do with the Abbey. But you know as far as taking it outside of West Hollywood, I see there’s opportunities on the East Coast right now. 

I think that’s where David [Cooley, the founder and current owner of The Abbey] and I really we both appreciate the value of The Abbey brand. I think it’s world famous, right? It’s the biggest gay bar. It’s one of the longest lasting. Obviously you have the Stonewalls of the world. But this is like a bar where people go on a regular night versus a tourist attraction. Maybe for some it’s a tourist attraction, but I mean, it really is an institution. It’s a community gathering point. It’s a name that people recognize that we can bring into other communities. 

BLADE: Do you have any plans to put a hotel somewhere here? 

SCHUKRAFT: [Laughs] People are like, “Are you gonna paint it blue for Mistr?” Or, “You’re gonna make it a hotel?” But no, we’re not building a hotel here. That would be terrible to build. I mean build a hotel and Abbey would be out. I don’t think the Abbey’s ever closed in 33 years, besides COVID. Minus that, it’s never closed for construction. You know, when David did his expansion, it was always open. 

I was looking at those old photos and I’m like, oh my God, I remember the wall of candles. I’ve been coming here a very long time. 

So you’re more or less like keeping the same sort of operation going here, keeping the team in place?

The team, I mean, I think that’s what kind of really makes The Abbey unique. It’s like a place where everybody knows your name. 

When I bought the hotel in Puerto Rico, obviously I don’t know anyone. Buying here. I’m like, oh, yeah. I know Todd. I know everybody, right? Not everybody, but a majority of people. And I think that’s why people come here. Because it’s their staple. They go every Sunday. They know they have their favorite bartender. So, you know, everybody will be kept in place, no changes to personnel. 

BLADE: You gave an interview to Authority Magazine where you said you promised your partner that you wouldn’t be starting up any new businesses. How did you get him on board with jumping into becoming a WeHo nightlife impresario?

SCHUKRAFT: I broke that promise two or three times since I said that. I mean, no, I just buy him gifts to make him happy.

I work long hours, right? And he’s like, I don’t know why. 

BLADE: You’ve created and run several tech companies. How did you get started in that business? Where did that money come from? 

SCHUKRAFT: I started my very first company at 21 with a $10,000 loan. I was living in Hong Kong at the time. I think my father really wanted me to come back [to California]. My dad’s a corporate guy, not a big risk taker, but he’s like, ‘I’ll give you $10,000 to start your company.’ It wasn’t enough to start the company, so I imported 437 Razor scooters and I thought I was gonna sell out in two weeks. It was very popular at the time – this is like 23 years ago. It took me six and a half weeks. I was selling them out of my truck. I went to every swap meet in Southern California. Sold the last six on Christmas Eve and learned a couple lessons in business from that. But with the money I made from selling those scooters combined with the loan, I started my first company, which was like an Expedia for airline personnel.

And then I got into e-ticketing, and at that time, I didn’t know how to turn on the computer. So, I really surround myself with people that know what they’re doing, that are experts. So, do I know how to run a bar? No, but I’m an operations guy and I hire the talent to make it happen. That’s how I got started and I built that company and others along the way. 

BLADE: Other than that first $10,000 loan from your parents, you’re basically self-made then? 

SCHUKRAFT: Yeah. You know, I looked for investment. I did end up raising $18 million for my second company, but I put in a lot of money. I mean at 25, my first company was going really well, and there was this e-ticketing mandate and I said, oh there’s a real opportunity here. And I had a home and was doing good for a 25-year-old, and I kind of leveraged it all. And I thought, “Oh my God, what did I do? I just fucked up my whole life. Why did I do this?” Anyways, I got that first investor, got that first client, and it just kind of took off from there. 

BLADE: And now with Mistr, The Abbey, your Puerto Rico clubs, are you starting a gay empire? 

SCHUKRAFT: The CEO of Everything Gay, yes. I have a few more things. You know, all the businesses are very complementary, right? So, you come to The Abbey, then you go to the Tryst Hotel or Circo in Puerto Rico, and obviously all of the people that come here or the Tryst, they’re all perfect candidates for Mistr. So yeah, so it looks a little weird. But it is very complementary to our various business units

Continue Reading

Out & About

Film about queer icon to premiere in Virginia

‘Slayed: The Untold Story’ playing at Arlington Cinema and Drafthouse

Published

on

A scene from 'Slayed: The Untold Story.' (Screen capture via YouTube)

The film premiere of “Slayed: The Untold Story” will be on Tuesday, Dec. 12 at 6 p.m. at Arlington Cinema and Drafthouse.

The film is a riveting documentary that charts the audacious journey of Kai ‘Stud Slayer’ Brown, a fearless queer icon who shattered taboos about Black masculine women in an unforgiving era.

Following the screening there will be a discussion panel and question and answer session. Tickets are $15 and can be purchased on Eventbrite

Continue Reading

Out & About

Gay Men’s Chorus is here with Christmas cheer

Holiday singalong held at Hotel Zena

Published

on

The Gay Men’s Chorus of Washington will host a holiday singalong on Tuesday, Dec. 12. (Washington Blade photo by Michael Key)

The Gay Men’s Chorus of Washington will host a holiday singalong on Tuesday, Dec. 12 at 5 p.m. at Hotel Zena. 

The event will begin with drinks in the Hotel Zena bar followed by the singalong. Tickets start at $10 and can be purchased on Eventbrite.

Continue Reading
Advertisement
Advertisement

Sign Up for Weekly E-Blast

Follow Us @washblade

Advertisement

Popular