Connect with us

District of Columbia

Capital Pride Festival wows with surprise appearances

Harris speaks, Symone struts as celebrations return

Published

on

Symone performs at the 2022 Capital Pride Festival. Sunday’s Capital Pride Festival brought tens of thousands to Pennsylvania Avenue and it wasn’t 100 degrees for a change. (Blade photo by Michael Key)

Amid a roster of weekend Pride festivities in the nation’s capital that ended with a much-anticipated performance from pop band DNCE, Vice President Kamala Harris marched onto the Capital Pride Festival stage Sunday afternoon — as the crowd roared in surprise — to stress the importance of queer rights and rebuke white supremacy.

“No one should fear going to a nightclub for fear that a terrorist might try to take them down,” she said in reference to the Pulse nightclub shooting of 2016 in Orlando, Fla. “No one should fear going to a Pride celebration because of the white supremacists,” she added.

Harris also referenced recent legislation in southern states like Texas and Florida that inhibits children’s self-expression.

“Our children in Texas and Florida shouldn’t fear who they are,” she said.

Harris was joined on stage by second gentleman Douglas Emhoff and RuPaul’s Drag Race season 13 winner Symone.

The Washington Blade scored an exclusive interview with Symone after the vice president’s remarks.

Symone, who stood about six feet tall in a pair of beige-colored stilettos and a bejeweled turquoise leotard that she would later exchange for a blood orange-and-fuschia layered frill mini-dress, mentioned that Capital Pride was her first Pride event of the season.

“It feels great to be back amongst family,” she said. “It feels good to see all the love and excitement.”

Drawing on about a year since her win on “Drag Race,” the drag queen — affectionately known by her fans as the “Ebony Enchantress” — said that her drag has evolved into the special moments outside of her performances where she can “take care of people [around her].”

“I can finally give back to my mom,” she said.

With regards to her artistic approach to the art form, Symone emphasized that drag is a form of self-expression that allows her to be the most authentic part of herself and to say what she wants to say.

In her season, she celebrated Black culture and Black beauty by draping her head with sculptural braided Black hairstyles and giving nods to streetstyle, including through an outfit that included a meters-long durag.

In one of her season’s runway categories, she strutted in a white gown and fascinator with the phrase, “Say their names” emblazoned on the back. This was in protest of police brutality.

When looking to the future of her profession, Symone is gleeful because she says that more people will become comfortable with drag because it exists to “give joy, laughter, and love.”

“I think what people have left out is that [drag] is art at the end of the day,” she said. “It has always been this art form to play with.”

Her statement echoed one that Harris made earlier: “No one should fear who they love.”

After the interview, Symone returned to Capital Pride’s stage in a waist-length curly black wig to dance to Diana Ross’s “I’m Coming Out” and Beyonce’s “Apeshit,” all while exposing her slender, toned, and glossed legs that brought gasps from some audience members.

Symone’s performance and Harris’s speech were part of the last leg of events that ended a festival that saw hundreds of LGBTQ-friendly organizations, bars and clubs, and food vendors staff booths on Pennsylvania Avenue.

The National Association for the Advancement of Colored People was in attendance for the first time and gave out T-shirts that read “Black Pride” and encouraged passersby to contact their senators to pass the Equality Act — legislation that prohibits discrimination based on gender and sexual orientation. The Equality Act was passed in the U.S. House of Representatives in 2021 and has been stalled in the U.S. Senate since.

“We want to make sure that our [leaders] are doing what we need them to do,” said Annalise Setorie, director of partnerships at the NAACP. Setorie is also chair of the LGBTQ taskforce.

“[The NAACP] fights for all the rights of Black people so we are here to support and uplift the Black queer community,” she added. 

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

District of Columbia

Kennedy Center renaming triggers backlash

Artists who cancel shows threatened; calls for funding boycott grow

Published

on

Richard Grenell, president of the Kennedy Center, threatened to sue a performer who canceled a holiday show. (Washington Blade photo by Michael Key)

Efforts to rename the Kennedy Center to add President Trump’s name to the D.C. arts institution continue to spark backlash.

A new petition from Qommittee , a national network of drag artists and allies led by survivors of hate crimes, calls on Kennedy Center donors to suspend funding to the center until “artistic independence is restored, and to redirect support to banned or censored artists.”

“While Trump won’t back down, the donors who contribute nearly $100 million annually to the Kennedy Center can afford to take a stand,” the petition reads. “Money talks. When donors fund censorship, they don’t just harm one institution – they tell marginalized communities their stories don’t deserve to be told.”

The petition can be found here.

Meanwhile, a decision by several prominent musicians and jazz performers to cancel their shows at the recently renamed Trump-Kennedy Center in D.C. planned for Christmas Eve and New Year’s Eve has drawn the ire of the Center’s president, Richard Grenell.

Grenell, a gay supporter of President Donald Trump who served as U.S. ambassador to Germany during Trump’s first term as president, was named Kennedy Center president last year by its board of directors that had been appointed by Trump.    

Last month the board voted to change the official name of the center from the John F. Kennedy Memorial Center For The Performing Arts to the Donald J. Trump And The John F. Kennedy Memorial Center For The Performing Arts. The revised name has been installed on the outside wall of the center’s building but is not official because any name change would require congressional action. 

According to a report by the New York Times, Grenell informed jazz musician Chuck Redd, who cancelled a 2025 Christmas Eve concert that he has hosted at the Kennedy Center for nearly 20 years in response to the name change, that Grenell planned to  arrange for the center to file a lawsuit against him for the cancellation.

“Your decision to withdraw at the last moment — explicitly in response to the Center’s recent renaming, which honors President Trump’s extraordinary efforts to save this national treasure — is classic intolerance and very costly to a non-profit arts institution,” the Times quoted Grenell as saying in a letter to Redd.

“This is your official notice that we will seek $1 million in damages from you for this political stunt,” the Times quoted Grenell’s letter as saying.

A spokesperson for the Trump-Kennedy Center did not immediately respond to an inquiry from the Washington Blade asking if the center still planned to file that lawsuit and whether it planned to file suits against some of the other musicians who recently cancelled their performances following the name change. 

In a follow-up story published on Dec. 29, the New York Times reported that a prominent jazz ensemble and a New York dance company had canceled performances scheduled to take place on New Year’s Eve at the Kennedy Center.

The Times reported the jazz ensemble called The Cookers did not give a reason for the cancellation in a statement it released, but its drummer, Billy Hart, told the Times the center’s name change “evidently” played a role in the decision to cancel the performance.

Grenell released a statement on Dec. 29 calling these and other performers who cancelled their shows “far left political activists” who he said had been booked by the Kennedy Center’s previous leadership.

“Boycotting the arts to show you support the arts is a form of derangement syndrome,” the Times quoted him as saying in his statement.

Continue Reading

District of Columbia

New interim D.C. police chief played lead role in security for WorldPride

Capital Pride says Jeffery Carroll had ‘good working relationship’ with organizers

Published

on

New interim D.C. Police Chief Jeffery Carroll (Screen capture via FOX 5 Washington DC/YouTube)

Jeffery Carroll, who was named by D.C. Mayor Muriel Bowser on Dec. 17 as the city’s  Interim Chief of Police, played a lead role in working with local LGBTQ community leaders in addressing public safety issues related to WorldPride 2025, which took place in D.C. last May and June

“We had a good working relationship with him, and he did his job in relation to how best the events would go around safety and security,” said Ryan Bos, executive director of Capital Pride Alliance.  

Bos said Carroll has met with Capital Pride officials in past years to address security issues related to the city’s annual Capital Pride parade and festival and has been supportive of those events.  

At the time Bowser named him Interim Chief, Carroll had been serving since 2023 as Executive Assistant Chief of Specialized Operations, overseeing the day-to-day operation of four of the department’s bureaus. He first joined the D.C. Metropolitan Police Department in 2002 and advanced to multiple leadership positions across various divisions and bureaus, according to a statement released by the mayor’s office.

“I know Chief Carroll is the right person to build on the momentum of the past two years so that we can continue driving down crime across the city,” Bowser said in a statement released on the day she announced his appointment as Interim Chief.

“He has led through some of our city’s most significant public safety challenges of the past decade, he is familiar with D.C. residents and well respected and trusted by members of the Metropolitan Police Department as well as our federal and regional public safety partners,” Bowser said.

“We have the best police department in the  nation, and I am confident that Chief Carroll will meet this moment for the department and the city,” Bowser added.

But Bowser has so far declined to say if she plans to nominate Carroll to become the permanent police chief, which requires the approval of the D.C. City Council. Bowser, who announced she is not running for re-election, will remain in office as mayor until January 2027.

Carroll is replacing outgoing Chief Pamela Smith, who announced she was resigning after two years of service as chief to spend more time with her family. She has been credited with overseeing the department at a time when violent crime and homicides declined to an eight-year low.

She has also expressed support for the LGBTQ community and joined LGBTQ officers in marching in the WorldPride parade last year.  

But Smith has also come under criticism by members of Congress, who have accused the department of manipulating crime data allegedly showing lower reported crime numbers than actually occurred. The allegations came from the Republican-controlled U.S. House Oversight Committee and the U.S. Justice Department 

Bowser has questioned the accuracy of the allegations and said she has asked the city’s Inspector General to look into the allegations.   

Meanwhile, a spokesperson for the D.C. police Office of Public Affairs did not immediately respond to a question from the Washington Blade about the status of the department’s LGBT Liaison Unit. Sources familiar with the department have said a decline in the number of officers currently working at the department, said to be at a 50-year low, has resulted in a decline in the number of officers assigned to all of the liaison units, including the LGBT unit.  

Among other things, the LGBT Liaison Unit has played a role in helping to investigate hate crimes targeting the LGBTQ community. As of early Wednesday an MPD spokesperson did not respond to a question by the Blade asking how many officers are currently assigned to the LGBT Liaison Unit.  

Continue Reading

District of Columbia

Imperial Court of Washington drag group has ‘dissolved’

Board president cites declining support since pandemic

Published

on

The Imperial Court of Washington announced that it has ended its operations by dissolving its corporate status. Pictured is the Imperial Court of Washington's 2022 Gala of the Americas. (Washington Blade file photo by Michael Key)

The Imperial Court of Washington, a D.C.-based organization of drag performers that has raised at least $250,000 or more for local LGBTQ and non-LGBTQ charitable groups since its founding in 2010, announced on Jan. 5 that it has ended its operations by dissolving its corporate status.

In a Jan. 5 statement posted on Facebook, Robert Amos, president of the group’s board of directors, said the board voted that day to formally dissolve the organization in accordance with its bylaws.

“This decision was made after careful consideration and was based on several factors, including ongoing challenges in adhering to the bylaws, maintaining compliance with 501(c)(3) requirements, continued lack of member interest and attendance, and a lack of community involvement and support as well,” Amos said in his statement.

He told the Washington Blade in a Jan. 6 telephone interview that the group was no longer in compliance with its bylaws, which require at least six board members, when the number of board members declined to just four. He noted that the lack of compliance with its bylaws also violated the requirements of its IRS status as a nonprofit, tax-exempt 501(c) (3) organization.

According to Amos, the inability to recruit additional board members came at a time when the organization was continuing to encounter a sharp drop in support from the community since the start of the COVID pandemic around 2020 and 2021.

Amos and longtime Imperial Court of Washington member and organizer Richard Legg, who uses the drag name Destiny B. Childs, said in the years since its founding, the group’s drag show fundraising events have often been attended by 150 or more people. They said the events have been held in LGBTQ bars, including Freddie’s Beach Bar in Arlington, as well as in other venues such as theaters and ballrooms.

Among the organizations receiving financial support from Imperial Court of Washington have been SMYAL, PFLAG, Whitman-Walker Health’s Walk to End HIV, Capital Pride Alliance, the DC LGBT Community Center, and the LGBTQ Fallen Heroes Fund. Other groups receiving support included Pets with Disabilities, the Epilepsy Foundation of Washington, and Grandma’s House.

The Imperial Court of Washington’s website, which was still online as of Jan. 6, says the D.C. group has been a proud member of the International Court System, which was founded in San Francisco in 1965 as a drag performance organization that evolved into a charitable fundraising operation with dozens of affiliated “Imperial Court” groups like the one in D.C.  

Amos, who uses the drag name Veronica Blake, said he has heard that Imperial Court groups in other cities including Richmond and New York City, have experienced similar drops in support and attendance in the past year or two. He said the D.C. group’s events in the latter part of 2025 attracted 12 or fewer people, a development that has prevented it from sustaining its operations financially. 

He said the membership, which helped support it financially through membership dues, has declined in recent years from close to 100 to its current membership of 21.

“There’s a lot of good we have done for the groups we supported, for the charities, and the gay community here,” Amos said. “It is just sad that we’ve had to do this, mainly because of the lack of interest and everything going on in the world and the national scene.”   

Continue Reading

Popular