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Calhoun and O’Hara give us hope that art will still be a life force

New memoir ‘Also a Poet’ will inspire readers

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(Book cover image courtesy of Grove Press)

Also a Poet: Frank O’Hara, My Father, and Me
By Ada Calhoun
c.2022, Grove Press
$27/259 pages

Families. Especially if your parents are acclaimed writers and artists, they can get under your skin. They love you, but sometimes withhold praise and suck the air out of the room. You wonder if you’ll end up as a second-string imitation of your famous folks.

That was what growing up was like for writer Ada Calhoun, author of the new memoir “Also a Poet: Frank O’Hara, My Father and Me.”  

“Happy families are all alike; every unhappy family is unhappy in its own way,” Tolstoy wrote in “Anna Karenina.”

If you’re queer, you know not only how right Tolstoy was, but that family tension makes for riveting reading.

Calhoun, a lifelong New Yorker who grew up in the East Village, doesn’t disappoint. 

Her parents are creative and talented. Her mother Brooke Alderson started out performing stand-up comedy in lesbian bars. Later, she was an actress whose most well-known roles were in “Urban Cowboy” and “Family Ties.”

Her father Peter Schjeldahl, born in 1942, is a poet and The New Yorker art critic.

Schjeldahl is far from a pompous gasbag. As The New York Times book critic Molly Young said recently, in his book “Hot, Cold, Heavy, 100 Art Writings 1988-2018,” Schjeldahl received, perhaps, the most awesome blurb ever. “Bruce is no longer the Boss; Schjeldahl is!” Steve Martin said of the volume.

Not surprisingly, Calhoun didn’t have a typical childhood.

Gay writer Christopher Isherwood, author of “The Berlin Stories,” was among those who Calhoun’s parents hung out with. “One of the most agreeable children imaginable,” Isherwood said of Calhoun when she was a child, “neither sulky nor sly nor pushy nor ugly, with a charming trustful smile for all of us.”

Most of us as kids see “The Nutcracker” with an aunt or grandma. Calhoun saw the holiday classic with a “dreamboat” poet. An artist posing topless so other painters could paint her wasn’t shocking to the young Calhoun.

While Calhoun’s Mom makes several memorable appearances, “Also a Poet” is focused on Calhoun’s relationship with her father.

Relationships between daughters and fathers can be difficult. But they’re often more fraught when the dad is a renowned writer. Especially when Calhoun, born in 1976, was growing up.

Then (thankfully, to a lesser extent, now) if you were a male writer, life in your household centered around you. You didn’t help with housework or pay much attention to your spouse and kids.

Though Calhoun was raised in the sophisticated East Village, life with her father fit this pattern. One day, Schjeldahl let her go alone, with no directions, at age eight on a bus to a friend’s birthday party. 

When she was young, Calhoun wanted to escape the Village literary life. “My typical answer was farmer because that was the most tangible, least cosmopolitan option I could think of,” Calhoun writes, when as a kid, people asked her what she wanted to be when she grew up. 

But Calhoun couldn’t evade the clutches of the writing bug. From early on, she wanted to get away from her father’s shadow. So her work could be judged on its own merit. She changed her last name from Schjeldahl to her middle name Calhoun.

Despite their difficulties, one thing bonded Calhoun with her dad: their love of Frank O’Hara, the openly queer poet and Museum of Modern Art curator, who died at 40 in a Jeep accident on Fire Island in 1966.

In the 1970s, Schjeldahl, who like so many poets, writers and artists then and now, idolized O’Hara, tried to write a biography of the beloved poet. But O’Hara’s sister and executor Maureen Granville-Smith derailed his attempt to write the bio.

But all wasn’t lost. Decades later, Calhoun discovered the tapes of the people (from Larry Rivers to Willem de Kooning) who Schjeldalhl had interviewed for the project in the basement of her parents’ building. 

In a magnificent Rubik’s Cube of literary history and memory, Calhoun weaves a tale of family and of making art. 

The memoir will inspire you to read O’Hara. O’Hara wrote funny and moving poems out of the pop culture and sadness of his time (from the “The Day Lady Died” on the death of Billie Holiday to the hilarious “Poem” – with the line “Lana Turner has collapsed!” to “Personal Poem” about Miles Davis being beaten by cops).

“His life force was on the page,” Grace Cavalieri, Maryland’s poet laureate and the producer/host of the radio show “The Poet and the Poem, said of O’Hara in an email to the Blade.

In this “Don’t Say Gay” era, Calhoun and O’Hara give us hope that art will still be a life force.

The Blade may receive commissions from qualifying purchases made via this post.

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Books

Susan Lucci on love, loss, and ‘All My Children’

New book chronicles life of iconic soap star

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(Book cover image courtesy of Blackstone Publishing)

‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages

They’re among the world’s greatest love stories.

You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.

Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.

That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”

She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.

Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.

She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.

And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.

And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”

“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.

If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.

These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.

The Blade may receive commissions from qualifying purchases made via this post.

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Books

Risking it all for love during World War II

New book follows story of Black, gay expat in Paris

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(Book cover image courtesy Viking)

‘The Remarkable Life of Reed Peggram’
By Ethelene Whitmire
c.2026, Viking
$30/308 pages

You couldn’t escape it.

When you fell in love, that was it: you were there for good. Leaving your amour’s side was unthinkable, turning away was impossible. You’d do anything for that person you loved – even, as in the new biography, “The Remarkable Life of Reed Peggram” by Ethelene Whitmire, you’d escape toward danger.

On Aug. 28, 1938, Reed Peggram boarded a ship from Hoboken, N.J., hoping to “become a proper gentleman” and fulfill his dreams. A prolific writer and Harvard scholar of comparative literature, he’d recently been awarded the Rosenwald Fellowship, which put him in the company of literary stars like Du Bois, Hurston, and Hughes.

Both Peggram’s mother and grandmother were then domestic workers, and they had big expectations for him. Reed himself was eager to study abroad, for professional and personal reasons; he was “determined to become a French professor and an accomplished linguist” and “He also hoped to find love.”

What better place to do it than in Paris?

Outgoing and confident, Peggram made friends easily and had no trouble moving “through the world of his white male peers.” Where he faltered was in his lack of funds. He relied on the kindness of his many friends – one of whom introduced Peggram to a “man who would become so pivotal in his life,” a Danish man named Arne.

Peggram and Arne had a lot in common, and they began to enmesh their lives and dreams of living in the United States. But there were complications: homosexuality was largely forbidden, World War II was in its early stages, and it quickly became apparent that it was dangerous to stay in Europe.

And yet, Peggram loved Arne. He refused to leave without him and so, while most visiting Black Americans fled the war in Europe, “Reed was trying to stay.”

There’s so much more to the story inside “The Remarkable Life of Reed Peggram,” so much to know about Reed himself. Problem is, it’s a long haul to get to the good stuff.

In her introduction, author Ethelene Whitmire explains how she came to this tale and yes, it needs telling but probably not with the staggering number of inconsequential details here. Peggram moved homes a lot, and many people were involved in keeping him in Europe. That alone can be overwhelming; add the fact that costs and other monetary issues are mentioned in what seems like nearly every page, and you may wonder if you’ll ever find the reason for the book’s subtitle.

It’s there, nearly halfway through the book, which is when the tale takes a tender, urgent turn — albeit one with determination, rashness, and a dash of faux nonchalance. Also, if you’re expecting an unhappily-ever-after because, after all, it’s a World War II tale, don’t assume anything.

Reading this book will take a certain amount of patience, so skip it if you don’t have that fortitude. If you’re OK with minuscule details and want a heart-pounder, though, “The Remarkable Life of Reed Peggram” might be a good escape.

The Blade may receive commissions from qualifying purchases made via this post.

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Books

Laverne Cox, Liza Minnelli among authors with new books

A tome for every taste this reading season

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Spring is a great time to think about vacations, spring break, lunch on the patio, or an afternoon in the park. You’ll want to bring one (or all!) of these great new books.

So let’s start here: What are you up for?  How about a great new novel?

If you’re a mystery fan, you’ll want to make reservations to visit “Disaster Gay Detective Agency” by Lev AC Rosen (Poisoned Pen Press, June 2). It’s a whodunit featuring a group of gay roommates, one of whom is a swoony romantic. Add a mysterious man who disappears and a murder, of course, and you’ve got the novel you need for the beach.

Don’t discount young adult books, if you want something light to read this spring. “What Happened to Those Girls” by Carlyn Greenwald (Sourcebooks Fire, June 30) is a thriller about mean girls and a camping trip that goes terribly, bloodily wrong. Meant for teens ages 14 and up, young adult books are breezier and lighter fare for the busy grown-up reader.

If you loved “Boyfriend Material” and “Husband Material,” you’ll be eager for the next installment from author Alexis Hall. “Father Material” (Sourcebooks Casablanca, June 2) takes Luc and Oliver to the next step. First was dating. Then was marriage. Is it time for the sound of pitter-patter on the kitchen floor?

Maybe something even lighter? Then how about a book of essays – like “The Terrible, Horrible, No Good, Very Bad Gay” bycomedian and writer Eliot Glazer (Gallery Books, Aug. 11). It’s a book of essays on being gay today, the irritations, the joys, and fitting in. Be aware that these essays may contain a bit of spice – but isn’t that what you want for your reading pleasure anyhow, hmmm?

But okay, let’s say you want something with a little more heft to it. How about a biography?

Look for “Transcendant” by Laverne Cox (Gallery Books, June 9), or “Kids, Wait Till You Hear This” by Liza Minnelli (Grand Central Publishing, March 10), and “Every Inch a Lady” by Audrey Smaltz with Alina Mitchell (Amistad, July 14). Keep your eyes open for “Without Prejudice: My Life as a Gay Judge” by Harvey Brownstone (ECW Press, May 26) or “The Double Dutch Fuss” by Phill Branch (Amistad, June 2).

Then again, maybe you want some history, or something different.

So here: look for “Queer Saints: A Radical Guide to Magic, Miracles, and Modern Intercession” by Antonio Pagliarulo (Weiser, June 1) for a little bit of faith-based gay. Music lovers will want “Mighty Real: A History of LGBTQ Music, 1969-2000” by Barry Walters (Viking, May 12). Activists will want “In the Arms of Mountains: A Memoir of Land, Love, and Queer Resistance in Red America” byformer Idaho state Sen. Cole Nicole LeFavour (Beacon Press, May 26).

And if these books aren’t enough, then be sure to check with your favorite bookseller or librarian. They’ll have exactly what you’re in the mood to read. They’ll find what you need for that patio, beach towel, or easy chair.

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