Arts & Entertainment
If she was your girl, oh the things Peppermint would do to you
Performer talks love of Janet, new music, and political attacks on drag queens
If she was your girl, oh the things she’d do to you. I’m not talking about Janet Jackson — I’m talking about Peppermint.
The “RuPaul’s Drag Race” season 9 runner-up has parlayed that success into a diversified career in music, theater, LGBTQ advocacy, and more. From her work with RuPaul as the first out trans woman competitor on that hit show to her groundbreaking role in “Head Over Heels” as the first trans person to originate a starring role on Broadway, to her work as a GLAAD board member, Peppermint is a force in the LGBTQ movement.
She’s not shy when asked about recent controversies involving Republican attacks on drag queens, such as Florida Gov. Ron DeSantis announcing he would pursue legislation making it illegal for a parent to take a child to a drag performance. In Arizona, the Trump-endorsed candidate for governor last month also attacked drag queens.
“I think the attacks are terrible and dirty,” Peppermint told the Blade. “They are trying and succeeding in distracting us from protecting the most vulnerable of our population — trans children. The drag entertainers are adults and it’s a fun celebratory scene that is inclusive of everyone and certainly not harmful. The only people supporting this are insidious and flat out lying or have probably never seen drag in real life.”
Peppermint this week announced plans for a November tour of her new show and music. Specific dates are listed at the bottom of this article; visit peppermintonline.com for more information.
But the main reason for a recent conversation with the Blade, was Peppermint’s viral video recreation of Janet Jackson’s iconic “If.” The song was the second release from Jackson’s 1993 “janet.” album, peaking at No. 4 on the Billboard Hot 100 chart. Its accompanying video and choreography have proven timeless, influencing many other artists, including Peppermint. Her recent meticulous recreation of the video won tens of thousands of fans on YouTube and even led to a re-Tweet by Janet herself.
Jackson’s video created a stir when it was released, revealing a bold and overtly sexual Janet that many fans weren’t expecting. “If” features intricate choreography that depicted Janet grabbing the crotches of male dancers who simulated oral sex on her. The original video was also groundbreaking in its depiction of technologies that weren’t invented in 1993, such as web cams and touchscreens.
“This song, the choreography is so iconic, professional dancers have seen it in other pieces over the years and it’s been a blueprint for so many songs and videos by other artists,” Peppermint said. “Just as people borrowed from Michael Jackson and ‘Thriller.’”
Peppermint fell in love with Jackson’s music following the release of “Control” in 1986 and says she learned all the dance routines over the years.
“There’s something about the way her music and live performance is packaged and presented, it came off as memorable and iconic and forward thinking and progressive and made a big impact early on in high school,” Peppermint said. “I learned the moves to ‘If’ immediately and remember every chance I got in high school and in summer camp, if you were around me you were not safe because you were learning the Janet moves, I would force everyone around me to do the routines.”
Peppermint estimates she spent $30,000 on her “If” recreation and paid for it out of pocket. The video features 10 dancers with about 30 crew on set. It was filmed in one day and she says she studied all angles of the original performance to match the choreography. It took three takes to nail the iconic breakdown dance at the end of the song.
Angel Ayala created the costume; she hand-rolled the bones on the vest (Kim Kardashian recently purchased the original costume at auction for $25,000). Peppermint says she studied Janet’s jewelry and replicated it, scouring the internet looking for similar pieces and ultimately making some by hand to match the originals perfectly.
“My look in replicating Janet’s look, I wanted it to be as close as possible, which I nailed except for the six-pack abs,” Peppermint said, “but I look sexy.”
She noted the importance of finding talented dancers since every moment in the video is tightly choreographed.
“I wanted to update it a bit and make it as inclusive as possible with trans and nonbinary dancers, queer dancers, people of color, which is similar to the original video with its mostly Asian cast,” she said.
She says “If” is, of course, her favorite Janet video; while her favorite Janet song is “Throb” and her favorite Janet tour is the “Velvet Rope.”
Peppermint says she’s never met her idol Janet, but hopes to one day, adding, “I did this for myself, it was a passion project.” Will there be another Janet tribute video? Peppermint says yes, sometime next year, but declines to specify which video she plans to recreate next.
In the meantime, she’s focused on her upcoming fall tour and her own original music about a breakup titled “Letter to my Lovers,” a trilogy about the beginning, middle, and end of a relationship. “I wanted to do something that’s a love letter to the trans community and letting people know you’re deserving of love and deserve to hear a trans woman singing about love to some ‘90s R&B throwback.”
And for those who haven’t seen the Hulu rom-com “Fire Island,” Peppermint stars in the film.
Peppermint tour dates:
November 2 @ Chop Suey – Seattle, WA
November 3 @ Hawthorne Theatre – Portland, OR
November 5 @ The Chapel – San Francisco, CA
November 7 @ Troubadour – Los Angeles, CA
November 20 @ City Winery – Atlanta, GA
November 23 @Evanston SPACE – Chicago, IL
November 27 @ Ardmore Music Hall – Philadelphia, PA
November 28 @ Brighton Music Hall – Boston, MA
November 29 @ City Winery – Loft – New York, NY
Movies
Few openly queer nominees land Oscar nominations
‘Sinners’ and ‘One Battle After Another’ lead the pack
This year’s Oscar nominees feature very few openly queer actors or creatives, with “KPop Demon Hunters,” “Come See Me in the Good Light,” and “Elio” bringing some much-needed representation to the field.
“KPop Demon Hunters,” which quickly became a worldwide sensation after releasing on Netflix last June, was nominated for best animated feature film and best original song for “Golden,” the chart-topping hit co-written by openly queer songwriter Mark Sonnenblick. “Come See Me in the Good Light,” a film following the late Andrea Gibson and their wife, Megan Falley, was nominated in the best documentary feature category. Finally, Pixar’s “Elio” (co-directed by openly queer filmmaker Adrian Molina) was nominated for best animated feature film alongside “Zootopia 2,” “Arco,” and “Little Amélie or the Character of Rain.”
Ethan Hawke did manage to land a best actor nomination for his work in Richard Linklater’s “Blue Moon,” a biopic that follows a fatal night in Lorenz Hart’s life as he reckons with losing his creative partner, Richard Rodgers. Robert Kaplow was also nominated for best original screenplay for penning the script. Amy Madigan, as expected, was recognized in the best supporting actress category for her work in “Weapons,” bringing celebrated gay icon Aunt Gladys to the Oscar stage.
While “Wicked: For Good” was significantly underperforming throughout the season, with Cynthia Erivo missing key nominations and the film falling squarely out of the best picture race early on, most pundits expected the film to still receive some recognition in craft categories. But in perhaps the biggest shock of Oscar nomination morning, “For Good” received zero nominations — not even for costume design or production design, the two categories in which the first film won just last year. Clearly, there was “Wicked” fatigue across the board.
There was also reasonable hope that Eva Victor’s acclaimed directorial debut, “Sorry, Baby,” would land a best original screenplay nod, especially after Julia Roberts shouted out Victor during the recent Golden Globes (which aired the day before Oscar voting started). A24, the studio that distributed “Sorry, Baby” in the U.S., clearly prioritized campaigns for “Marty Supreme” (to much success) and Rose Byrne in “If I Had Legs I’d Kick You,” leaving “Sorry, Baby” the indie darling that couldn’t quite crack the Oscar race.
However, with the Film Independent Spirit Awards taking place on Feb. 15, queer films like “Sorry, Baby,” “Peter Hujar’s Day,” and “Twinless” will finally get their time to shine. Maybe these films were just underseen, or not given a big enough PR push, but regardless, it’s unfortunate that the Academy couldn’t make room for just one of these when “Emilia Pérez” managed 13 nominations last year.
a&e features
MISTR’s Tristan Schukraft on evolution of HIV prevention
From ACT UP to apps, embracing stigma-free care
It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say, celebratory.
Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond, prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.
In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.
BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you?
SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for.
BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach?
SCHUKRAFT: This year, we held the first-ever National PrEP Day. Dua Lipa performed, and Cardi B was there. After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.
When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.
BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years?
SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.
For many sexually active gay men, taking PrEP is simply part of the gay experience. For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door.
BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level?
SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance.
BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic?
SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States. We have everything we need today. All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years.
HIV transmissions don’t pause because budgets change.
BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health?
SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding, we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results.
Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.
Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs.
Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business.
When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening.
BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding?
SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care.
BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs?
SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together.
BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level?
SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP.
BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026?
SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal.
The 2026 Mr. Mid-Atlantic Leather competition was held at the Hyatt Regency Capitol Hill on Sunday. Seven contestants vied for the title and Gage Ryder was named the winner.
(Washington Blade photo by Michael Key)

















































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