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Sondheim book makes you feel like you’re having drinks with an icon

‘FINALE’ will be catnip to lovers of musicals

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(Book cover image courtesy HarperCollins)

‘FINALE: Late Conversations With Stephen Sondheim’
By D.T. Max
c.2022, Harper/HarperCollins
$20.99/225 pages

“My idea of heaven is not writing,” the iconic gay composer and lyricist Stephen Sondheim is reported to have said.

“On the other hand,” Sondheim, who died last year at 91, was, thankfully, as he reportedly said, “obviously compulsive about it.”

“FINALE: Late Conversations With Stephen Sondheim,” a new book by New Yorker staff writer D.T. Max is good news for Sondheim’s multitudes of aficionados.

“I’m not good. I’m not nice. I’m just right. I’m the witch. You’re the world,” Sondheim wrote in “Into the Woods.”

Whether you’re a teen in a production of “Into the Woods,” a Boomer who came of age with “Company,” an 80-something who fondly remembers “Gypsy” or an artist who identifies with “Sunday in the Park with George,” you know you couldn’t have hung out in Sondheim’s world.

Frequently, profiles of celebrities are take-downs or suck-ups. Max avoids these pitfalls.

In “FINALE,” sometimes Sondheim is witty, entertaining, hospitable (his staff offer Max wine) and generous (Sondheim tries to help Max find a puppy for his family). At other times, Sondheim talks hatefully about his mother (who sounds like a cool customer) and cops to not reading much, though he loves “The Catcher in the Rye” because of its dialogue. Sondheim veers away from the orthodox take on Hitchcock. “Vertigo,” he says, is overrated. His fave “Hitchcock” movie was “Shadow of A Doubt.”

In “FINALE,” Max makes us feel like we’re having drinks with Sondheim.

It wasn’t easy for Max to have informal, entertaining, illuminating conversations with Sondheim.

There’s always some drama, metaphorically, some seduction involved when a reporter attempts to interview a celeb. This was even truer with Sondheim, who zealously guarded his privacy.

“Profiles are fraught efforts,” Max writes, “Profiles of the famous famously fraught.”

Some writers don’t bring the difficulties of their work (from getting the interview to coaxing candor and new reveals from interview subjects who’ve been burned by social media) into their reporting.

But in “FINALE,” Max doesn’t just clue readers into the vexations involved in nailing and conducting his interviews with Sondheim. “FINALE” is structured around his quest to discover revelations about Sondheim. His search for insights into Sondheim’s life and creative process becomes, figuratively, a Broadway show. In this vein, the book’s chapter titles range from “Prelude” to “Audition, January 2016″ to “Opening Night, April 2017″ to “Closing Night, March 2019″ to “Curtain.”

The main focus of “FINALE” is Sondheim. But Max is a character in the narrative.

Sometimes this is off-putting. Do we need to learn where Max went to school, where he grew up or what movies he enjoys? (He agrees with Sondheim about “Vertigo.”)

Does it shed light on Sondheim when Max spills his feelings (from angst to enthrallment to disappointment when Sondheim cancelled appointments) around writing about Sondheim? 

But though, at times, there’s too much of Max, sometimes his presence adds to the story.

Max, like many who’ll read this book, grew up loving Sondheim. Max’s uncle was a playwright, and he was introduced to Sondheim, when his mother brought home a signed recording of “Side By Side” after a benefit. But he’s not an expert on musical theater.

He views Sondheim with the admiring, but unprofessional, gaze of many theatergoers. This serves readers well. It keeps the conversations lively and un-pedantic.

Most of the book is a series of one-on-one conversations that Max has with Sondheim at his home in New York City and his house in Connecticut. Sondheim’s dogs and husband Jeff Romley wander in and out. Sondheim talks about not being able to finish a musical that he’s working on. He remembers that decades ago, one day, Katharine Hepburn, then his neighbor, came by when he was playing the piano, composing. “Pipe down! she told him.

It’s doubtful that Sondheim, given the time when he grew up, would have talked about being gay. (Though he never denied his sexuality.) Still, I wish Max had asked him about it.

This is a minor quibble. “FINALE” will be catnip to lovers of musicals.

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Books

Eliot Glazer’s new book an engaging collection of essays

From growing up gay to turning down ‘Queer Eye’

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(Book cover image courtesy of Gallery Books)

“The Terrible, Horrible, No Good, Very Bad Gay: Essays”
By Eliot Glazer
c.2026, Gallery Books
$28.99/240 pages

You try and you try.

Once, twice, you go back at that thorny issue, the dream you have, the punchline that’s not hitting quite right. Sometimes, time is all you need to make it better, or a new approach, or a second look. And then there are days when you actually get things right, as in “The Terrible, Horrible, No Good, Very Bad Gay” by Eliot Glazer, and it’s all good.

Throughout his life, Eliot Glazer has made mistakes. And it’s OK, everybody trips and falls now and then. In his case, though, he’s perfectly willing to document his failures, foibles, and whoopsies in this book.

He writes of his mother, Sandi, “a Queens-born balabosta” who wouldn’t tolerate laziness in herself or Glazer. He found work as soon as he was legally able to do so, and he had many jobs throughout high school. He was a gardener, ice cream scooper, camp counselor, golf caddy, chocolatier, telemarketer, and video store clerk. The one that fit him best, however, was working at Talbots, a department store for older women, where he found his people.

Even with all those jobs, he was a theater kid in his time off, little though it was. Back then, he was just a boy growing up on Long Island but swagger was important, so swagger he did. He still appreciates a good Broadway show, even the silliest ones.

Glazer says that he had just recently come out when gayness exploded on TV with “Will & Grace” and “Queer Eye for the Straight Guy,” with which he was obsessed. It helped him feel not othered, he says. Producers of the reboot asked him to be a second-generation Eye, but Glazer turned them down, though he thinks he’d have been good at it.

The show helped him with love of décor. His unexpected advisory skills came naturally, through age and wisdom and learning that wild partying isn’t really so much fun.

As for finding love, well, that’s a long, boy-meets-boy-meets-boy story…

So you’re looking for something to easily pick up and put down, something that speaks to your inner impatience? You’ll find that in “The Terrible, Horrible, No Good, Very Bad Gay,” a book that’s practically meant for you to skip around and you don’t have to read everything.

Essays can be like that, which is nice, even refreshing. Author Eliot Glazer is entertaining enough to make things work, engaging enough to keep it moving, and funny enough to make you want more of what he has to say. He’s open with his life and, despite his fame, his writing isn’t lofty; you can expect stories that’ll make you snort and ones with spice, but also some surprisingly tender moments that soften this book in a way that’s just right.

Readers who want a quick, mostly light book to finish will find something appealing in this collection of essays. If you don’t mind a bit of non-linearity and you need a laugh, “The Terrible, Horrible, No Good, Very Bad Gay.” is worth a try.

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Books

Curl up with a good book this fall

New releases include mysteries, biographies, religion, and more

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(Book cover image courtesy Amazon)

The fall books season offers lots of options so curl up and get ready to read.

FICTION

For the mystery fan who likes a sprinkle of thriller, look for “The Longest Death” by Kevin Jagernauth (Soho Crime, December). Richard Cobson hates his small town, he’s bored and desperate to get away. Stealing from his employer is the only thing that makes life bearable. That all changes when Marlon Montgomery comes to town and the two fall in love because if one guy can steal so easily, what can two do?

If you like graphic novels, try the “Tripping Over You” trilogy by Suzana Harcum and Owena White. Milo and Liam are finally able to be open about their relationship, no more hiding their love. They’re living together now, but can it last? “Tripping Over You Book 3” (First Second Books) is in stores in early November.

Also try “Diana: The Punk Singer Who Ripped Through Time” by Nate Powell (Abrams ComicArts, October). It’s about a  young woman who’s trying desperately to escape her past, until a mysterious murder sidetracks her plans.

So you say you’re a romantic at heart? Then look for “Unspeakable Things: A Novel” by Elizabeth Hand (Little, Brown & Company, October). It’s a story set in the 1920s, when two young women arrive in the English Countryside to a dark and ancient manor. But, of course, nothing in a Gothic novel is easy, right? And you’ll love this tale.

NONFICTION

So this upcoming year is going to be one of exploration, right? Then look for “Free Love: Adventures in Marriage and Polyamory” by Michelle Tea (HarperOne, November). It’s a well-researched, personal, and interesting look at the lives of polyamorous couples and what it’s like to live what used to be called an “alternative” lifestyle.

If “fall” says “biography” to you, then look for “Showbiz! My Life as a Middle-Aged Man” by Murray Hill (Gallery Books, October). For decades, Hill has been making audiences laugh with his signature humor, but getting laughs hides his past all too well. He grew up in an abusive family and learning to hone his talents took some ingenuity. If you’re not a Hill fan yet, you will be, once you read this book.

For the reader who’s searching for a spiritual place, “Reading the Bible Through Queer Eyes: Good News for LGBTQ+ People from Genesis to Revelation” by podcasters Brian G. Murphy and Shannon T.L. Kearns (HarperOne, December) might help. Here, the authors look deeply at Scripture to find the queerness that’s there, proving to readers that the Word is not always what it seems.

Young readers may want to check out “Bitter Pill: Randy Shilts and the Dawn of the HIV/AIDS Epidemic” by Clement Xavier, illustrated by Heloise Cochois, foreword by Michael Lee (Abrams ComicArts, November). It’s a highly researched true story of activist Shilts, but also of Harvey Milk, and the earliest days of the AIDS crisis, when gay men needed a loud voice to advocate for them.

And finally, if you want a fun book for your kids or a child you love, look for “Good Night, Break a Leg: Life with Broadway Dads” by Bret Shuford, illustrated by Elena Hager (Penguin Workshop). What do parents do when they go to work? A little boy learns that his dads have very special jobs by day – and by night! It’s a cute book for kids, but a special tale for lovers of Broadway.

Be aware that publication dates change, titles change, books can be canceled, and your librarian or favorite bookseller can help you find what you need. Season’s readings!

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Books

Dolly Parton biography puts her hardships into context

‘Ain’t Nobody’s Fool’ a highly researched tome not to be missed

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(Book cover image courtesy of St. Martin's Press)

‘Ain’t Nobody’s Fool: The Life and Times of Dolly Parton’
By Martha Ackmann
c.2026, St. Martin’s Press
$30/304 pages

Not too bright.

That’s what people once thought about you. Your language didn’t conform, you had your own sense of style, and you were ignorant about modern things and places and foods. But you were no dummy. You were different, and you had a secret: as in the new biography, “Ain’t Nobody’s Fool: The Life and Times of Dolly Parton” by Martha Ackmann, you knew exactly where you were going.

When Avie Lee Owens and Lee Parton first married, they had the very basics: “two knives, two forks, two spoons, a skillet, a butcher knife, and an old iron kettle.” He was 17; she was 15. Babies came quick. The fourth one was named Dolly, after two great-aunts.

Almost from the time she could walk, Dolly sang. Before she was old enough to attend school, she wrote poetry, and she’d begun to notice rhythms and beats she could make with her fingers. As a schoolchild, she created her own musical instruments out of scraps, and she was eager to perform whenever anyone asked her – and they asked often, because Dolly Parton was a nice girl, and her sense of humor conveyed a warmth that drew people in.

Growing up in the Tennessee mountains, Parton was independent, shunning marriage and child-raising, instead focusing on a dream of being a star. By the time she was in high school, she’d had a regular gig on local television but she recognized that there were few opportunities for fame in the mountains, so she left for Nashville the day after high school graduation, with the snickers of naysayers ringing in her ears.

She stayed with an aunt and uncle there, and she beat the streets, dined on grocery store samples to get by, and missed her family and friends. And they worried about her, but they knew nothing would derail her plans. They knew Dolly would be fine.

As a friend said, “’She had her head on pretty good.’”

Chances are that if you’ve listened to music any time in the last 60 years, you’ve heard Dolly Parton through her words or her music or both. Now you need to learn more about her, and “Ain’t Nobody’s Fool” is where to do it.

Here’s a biography that grabs you on the first page with the tiniest bit of family tree, but not so much that you get bored with it. Author Martha Ackmann writes about Dolly Parton’s early life, putting hardships and experiences in context, both personally and historically. There are name-drops, but not overly so, as Ackmann takes you through Parton’s career, her heartbreaks, her marriage, and her years with Porter Wagoner, in detail but not dramatically embellished or outrageously told. It’s a biography that’s just right, sourced well and written with a fresh take that, like its subject, tells a good story. 

Fans, of course, will want this highly researched book but music lovers of any age or type will eat it up. That means you, so use up that Christmas gift certificate. “Ain’t Nobody’s Fool” just shines.

The Blade may receive commissions from qualifying purchases made via this post.

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