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Sondheim book makes you feel like you’re having drinks with an icon

‘FINALE’ will be catnip to lovers of musicals

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(Book cover image courtesy HarperCollins)

‘FINALE: Late Conversations With Stephen Sondheim’
By D.T. Max
c.2022, Harper/HarperCollins
$20.99/225 pages

“My idea of heaven is not writing,” the iconic gay composer and lyricist Stephen Sondheim is reported to have said.

“On the other hand,” Sondheim, who died last year at 91, was, thankfully, as he reportedly said, “obviously compulsive about it.”

“FINALE: Late Conversations With Stephen Sondheim,” a new book by New Yorker staff writer D.T. Max is good news for Sondheim’s multitudes of aficionados.

“I’m not good. I’m not nice. I’m just right. I’m the witch. You’re the world,” Sondheim wrote in “Into the Woods.”

Whether you’re a teen in a production of “Into the Woods,” a Boomer who came of age with “Company,” an 80-something who fondly remembers “Gypsy” or an artist who identifies with “Sunday in the Park with George,” you know you couldn’t have hung out in Sondheim’s world.

Frequently, profiles of celebrities are take-downs or suck-ups. Max avoids these pitfalls.

In “FINALE,” sometimes Sondheim is witty, entertaining, hospitable (his staff offer Max wine) and generous (Sondheim tries to help Max find a puppy for his family). At other times, Sondheim talks hatefully about his mother (who sounds like a cool customer) and cops to not reading much, though he loves “The Catcher in the Rye” because of its dialogue. Sondheim veers away from the orthodox take on Hitchcock. “Vertigo,” he says, is overrated. His fave “Hitchcock” movie was “Shadow of A Doubt.”

In “FINALE,” Max makes us feel like we’re having drinks with Sondheim.

It wasn’t easy for Max to have informal, entertaining, illuminating conversations with Sondheim.

There’s always some drama, metaphorically, some seduction involved when a reporter attempts to interview a celeb. This was even truer with Sondheim, who zealously guarded his privacy.

“Profiles are fraught efforts,” Max writes, “Profiles of the famous famously fraught.”

Some writers don’t bring the difficulties of their work (from getting the interview to coaxing candor and new reveals from interview subjects who’ve been burned by social media) into their reporting.

But in “FINALE,” Max doesn’t just clue readers into the vexations involved in nailing and conducting his interviews with Sondheim. “FINALE” is structured around his quest to discover revelations about Sondheim. His search for insights into Sondheim’s life and creative process becomes, figuratively, a Broadway show. In this vein, the book’s chapter titles range from “Prelude” to “Audition, January 2016″ to “Opening Night, April 2017″ to “Closing Night, March 2019″ to “Curtain.”

The main focus of “FINALE” is Sondheim. But Max is a character in the narrative.

Sometimes this is off-putting. Do we need to learn where Max went to school, where he grew up or what movies he enjoys? (He agrees with Sondheim about “Vertigo.”)

Does it shed light on Sondheim when Max spills his feelings (from angst to enthrallment to disappointment when Sondheim cancelled appointments) around writing about Sondheim? 

But though, at times, there’s too much of Max, sometimes his presence adds to the story.

Max, like many who’ll read this book, grew up loving Sondheim. Max’s uncle was a playwright, and he was introduced to Sondheim, when his mother brought home a signed recording of “Side By Side” after a benefit. But he’s not an expert on musical theater.

He views Sondheim with the admiring, but unprofessional, gaze of many theatergoers. This serves readers well. It keeps the conversations lively and un-pedantic.

Most of the book is a series of one-on-one conversations that Max has with Sondheim at his home in New York City and his house in Connecticut. Sondheim’s dogs and husband Jeff Romley wander in and out. Sondheim talks about not being able to finish a musical that he’s working on. He remembers that decades ago, one day, Katharine Hepburn, then his neighbor, came by when he was playing the piano, composing. “Pipe down! she told him.

It’s doubtful that Sondheim, given the time when he grew up, would have talked about being gay. (Though he never denied his sexuality.) Still, I wish Max had asked him about it.

This is a minor quibble. “FINALE” will be catnip to lovers of musicals.

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Books

I’m a lesbian and LGBTQ books would have changed my life

Misguided parents pushing Montgomery County court case

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(Photo by gOrlica/Bigstock)

As a child born in Maryland in the 80’s, I had very few LGBTQ+ role models other than Elton John and Ellen DeGeneres. In high school, I went through the motions of going out on Friday nights with boyfriends and dancing with them at prom, but I felt nothing. I desperately wanted to fit in, and it took me until my senior year of high school to finally admit to myself that I was different – and that it hurt too much to hide it anymore. 

When I think back on those years, I feel the heartache and pain all over again. I used to lay awake at night begging God not to make me gay. When a boy on my Cross Country team accused me and my friends of being lesbians, I scoffed and said, “You wish.” I hid my true self in cheap wine coolers while my hate for myself festered. 

I found healing in books, my creative writing class, and my school’s literary magazine. Writing allowed me to hold up a mirror to myself and see that I could be many things: a loving daughter and sister, a supportive friend, a dedicated member of the Cross Country team, and also a girl who wanted a girlfriend. In my love poems, I evolved from ambiguous pronouns to distinctly feminine ones. When I felt ready to tell my best friend, I showed her one of my poems. To my surprise, the world did not end. She smiled and said, “It’s a good poem. Are you ready to go to the mall?” 

I’m one of the lucky ones. When I finally did come out to my parents, they told me they would always love me and want me to be happy. That’s not the case for more than 40% of LGBTQ+ youth, who are kicked out of their homes after they find the courage to tell their family who they truly are. We are facing a mental health epidemic among LGBTQ+ youth, with 41% seriously considered attempting suicide in the past year, the vast majority living in homes that aren’t accepting. 

Some of the dissenting parents in Mahmoud vs. Taylor argue that inclusive books aren’t appropriate for elementary school kids. To clarify, these books are simply available in schools – they aren’t required reading for anyone. There is nothing sexual or provocative about stories like “Uncle Bobby’s Wedding” or “Jacob’s Room to Choose” that send a very simple, non-political message: We all are different, and we all deserve to be treated with respect. Opting out of books that show diversity, out of fear that it might “make kids gay” fails to recognize a fundamental truth: art, pop culture, even vegan food cannot make someone gay. I was born this way. There were times I wished that I wasn’t, and that was because I didn’t have books like these telling me it was OK to be who I am. 

I wonder how many parents opting out of these books will end up having a LGBTQ+ child. It is both horrible and true that these parents have two choices: love and accept your LGBTQ+ child, or risk losing them. Now that I’m a parent myself, I feel more than ever that our one aim in parenthood is to love our kids for exactly who they are, not who we want them to be. 

For several years, a grocery store in Silver Spring, Md., displayed a poem I wrote for my mother in my school’s literary magazine. I wrote about how she taught me that red and blue popples can play together, and that Barbie doesn’t need Ken to be happy. I imagine that maybe, a girl passing through the store read that poem and saw a glimpse of herself inside. That spark of recognition – of I’m not the only one – is all I wanted as a child. I was able to find my happiness and my community, and I want every LGBTQ+ child to be able to do the same. 


Joanna Hoffman was born and raised in Silver Spring, Md. She is the author of the poetry collection ‘Running for Trap Doors’ (Sibling Rivalry Press) and is the communications director for LPAC, the nation’s only organization dedicated to advancing the political representation of LGBTQ+ women and nonbinary candidates. 

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A boy-meets-boy, family-mess story with heat

New book offers a stunning, satisfying love story

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(Book cover image courtesy of Random House)

‘When the Harvest Comes’
By Denne Michele Norris
c.2025, Random House
$28/304 pages

Happy is the bride the sun shines on.

Of all the clichés that exist about weddings, that’s the one that seems to make you smile the most. Just invoking good weather and bright sunshine feels like a cosmic blessing on the newlyweds and their future. It’s a happy omen for bride and groom or, as in the new book “When the Harvest Comes” by Denne Michele Norris, for groom and groom.

Davis Freeman never thought he could love or be loved like this.

He was wildly, wholeheartedly, mind-and-soul smitten with Everett Caldwell, and life was everything that Davis ever wanted. He was a successful symphony musician in New York. They had an apartment they enjoyed and friends they cherished. Now it was their wedding day, a day Davis had planned with the man he adored, the details almost down to the stitches in their attire. He’d even purchased a gorgeous wedding gown that he’d never risk wearing.

He knew that Everett’s family loved him a lot, but Davis didn’t dare tickle the fates with a white dress on their big day. Everett’s dad, just like Davis’s own father, had considerable reservations about his son marrying another man – although Everett’s father seemed to have come to terms with his son’s bisexuality. Davis’s father, whom Davis called the Reverend, never would. Years ago, father and son had a falling-out that destroyed any chance of peace between Davis and his dad; in fact, the door slammed shut to any reconciliation.

But Davis tried not to think about that. Not on his wedding day. Not, unbeknownst to him, as the Reverend was rushing toward the wedding venue, uninvited but not unrepentant. Not when there was an accident and the Reverend was killed, miles away and during the nuptials.

Davis didn’t know that, of course, as he was marrying the love of his life. Neither did Everett, who had familial problems of his own, including homophobic family members who tried (but failed) to pretend otherwise.

Happy is the groom the sun shines on. But when the storm comes, it can be impossible to remain sunny.

What can be said about “When the Harvest Comes?” It’s a romance with a bit of ghost-pepper-like heat that’s not there for the mere sake of titillation. It’s filled with drama, intrigue, hate, characters you want to just slap, and some in bad need of a hug.

In short, this book is quite stunning.

Author Denne Michele Norris offers a love story that’s everything you want in this genre, including partners you genuinely want to get to know, in situations that are real. This is done by putting readers inside the characters’ minds, letting Davis and Everett themselves explain why they acted as they did, mistakes and all. Don’t be surprised if you have to read the last few pages twice to best enjoy how things end. You won’t be sorry.

If you want a complicated, boy-meets-boy, family-mess kind of book with occasional heat, “When the Harvest Comes” is your book. Truly, this novel shines.

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Chronicling disastrous effects of ‘conversion therapy’

New book uncovers horror, unexpected humor of discredited practice

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(Book cover image courtesy of Jessica Kingsley Publishers)

‘Shame-Sex Attraction: Survivors’ Stories of Conversion Therapy’
By Lucas F. W. Wilson
c.2025, Jessica Kingsley Publishers
$21.95/190 pages

You’re a few months in, and it hasn’t gotten any easier.

You made your New Year’s resolutions with forethought, purpose, and determination but after all this time, you still struggle, ugh. You’ve backslid. You’ve cheated because change is hard. It’s sometimes impossible. And in the new book, “Shame-Sex Attraction” by Lucas F. W. Wilson, it can be exceptionally traumatic.

Progress does not come without problems.

While it’s true that the LGBTQ community has been adversely affected by the current administration, there are still things to be happy about when it comes to civil rights and acceptance. Still, says Wilson, one “particularly slow-moving aspect… has been the fight against what is widely known as conversion therapy.”

Such practices, he says, “have numerous damaging, death-dealing, and no doubt disastrous consequences.” The stories he’s collected in this volume reflect that, but they also mirror confidence and strength in the face of detrimental treatment.

Writer Gregory Elsasser-Chavez was told to breathe in something repellent every time he thought about other men. He says, in the end, he decided not to “pray away the gay.” Instead, he quips, he’d “sniff it away.”

D. Apple became her “own conversation therapist” by exhausting herself with service to others as therapy. Peter Nunn’s father took him on a surprise trip, but the surprise was a conversion facility; Nunn’s father said if it didn’t work, he’d “get rid of” his 15-year-old son. Chaim Levin was forced to humiliate himself as part of his therapy.

Lexie Bean struggled to make a therapist understand that they didn’t want to be a man because they were “both.” Jordan Sullivan writes of the years it takes “to re-integrate and become whole” after conversion therapy. Chris Csabs writes that he “tried everything to find the root of my problem” but “nothing so far had worked.”

Says Syre Klenke of a group conversion session, “My heart shattered over and over as people tried to console and encourage each other…. I wonder if each of them is okay and still with us today.”

Here’s a bit of advice for reading “Shame-Sex Attraction”: dip into the first chapter, maybe the second, then go back and read the foreword and introduction, and resume.

The reason: author Lucas F. W. Wilson’s intro is deep and steep, full of footnotes and statistics, and if you’re not prepared or you didn’t come for the education, it might scare you away. No, the subtitle of this book is likely why you’d pick the book up so because that’s what you really wanted, indulge before backtracking.

You won’t be sorry; the first stories are bracing and they’ll steel you for the rest, for the emotion and the tears, the horror and the unexpected humor.

Be aware that there are triggers all over this book, especially if you’ve been subjected to anything like conversion therapy yourself. Remember, though, that the survivors are just that: survivors, and their strength is what makes this book worthwhile. Even so, though “Shame-Sex Attraction” is an essential read, that doesn’t make it any easier.

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