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Sondheim book makes you feel like you’re having drinks with an icon

‘FINALE’ will be catnip to lovers of musicals

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(Book cover image courtesy HarperCollins)

‘FINALE: Late Conversations With Stephen Sondheim’
By D.T. Max
c.2022, Harper/HarperCollins
$20.99/225 pages

“My idea of heaven is not writing,” the iconic gay composer and lyricist Stephen Sondheim is reported to have said.

“On the other hand,” Sondheim, who died last year at 91, was, thankfully, as he reportedly said, “obviously compulsive about it.”

“FINALE: Late Conversations With Stephen Sondheim,” a new book by New Yorker staff writer D.T. Max is good news for Sondheim’s multitudes of aficionados.

“I’m not good. I’m not nice. I’m just right. I’m the witch. You’re the world,” Sondheim wrote in “Into the Woods.”

Whether you’re a teen in a production of “Into the Woods,” a Boomer who came of age with “Company,” an 80-something who fondly remembers “Gypsy” or an artist who identifies with “Sunday in the Park with George,” you know you couldn’t have hung out in Sondheim’s world.

Frequently, profiles of celebrities are take-downs or suck-ups. Max avoids these pitfalls.

In “FINALE,” sometimes Sondheim is witty, entertaining, hospitable (his staff offer Max wine) and generous (Sondheim tries to help Max find a puppy for his family). At other times, Sondheim talks hatefully about his mother (who sounds like a cool customer) and cops to not reading much, though he loves “The Catcher in the Rye” because of its dialogue. Sondheim veers away from the orthodox take on Hitchcock. “Vertigo,” he says, is overrated. His fave “Hitchcock” movie was “Shadow of A Doubt.”

In “FINALE,” Max makes us feel like we’re having drinks with Sondheim.

It wasn’t easy for Max to have informal, entertaining, illuminating conversations with Sondheim.

There’s always some drama, metaphorically, some seduction involved when a reporter attempts to interview a celeb. This was even truer with Sondheim, who zealously guarded his privacy.

“Profiles are fraught efforts,” Max writes, “Profiles of the famous famously fraught.”

Some writers don’t bring the difficulties of their work (from getting the interview to coaxing candor and new reveals from interview subjects who’ve been burned by social media) into their reporting.

But in “FINALE,” Max doesn’t just clue readers into the vexations involved in nailing and conducting his interviews with Sondheim. “FINALE” is structured around his quest to discover revelations about Sondheim. His search for insights into Sondheim’s life and creative process becomes, figuratively, a Broadway show. In this vein, the book’s chapter titles range from “Prelude” to “Audition, January 2016″ to “Opening Night, April 2017″ to “Closing Night, March 2019″ to “Curtain.”

The main focus of “FINALE” is Sondheim. But Max is a character in the narrative.

Sometimes this is off-putting. Do we need to learn where Max went to school, where he grew up or what movies he enjoys? (He agrees with Sondheim about “Vertigo.”)

Does it shed light on Sondheim when Max spills his feelings (from angst to enthrallment to disappointment when Sondheim cancelled appointments) around writing about Sondheim? 

But though, at times, there’s too much of Max, sometimes his presence adds to the story.

Max, like many who’ll read this book, grew up loving Sondheim. Max’s uncle was a playwright, and he was introduced to Sondheim, when his mother brought home a signed recording of “Side By Side” after a benefit. But he’s not an expert on musical theater.

He views Sondheim with the admiring, but unprofessional, gaze of many theatergoers. This serves readers well. It keeps the conversations lively and un-pedantic.

Most of the book is a series of one-on-one conversations that Max has with Sondheim at his home in New York City and his house in Connecticut. Sondheim’s dogs and husband Jeff Romley wander in and out. Sondheim talks about not being able to finish a musical that he’s working on. He remembers that decades ago, one day, Katharine Hepburn, then his neighbor, came by when he was playing the piano, composing. “Pipe down! she told him.

It’s doubtful that Sondheim, given the time when he grew up, would have talked about being gay. (Though he never denied his sexuality.) Still, I wish Max had asked him about it.

This is a minor quibble. “FINALE” will be catnip to lovers of musicals.

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Books

Feminist fiction fans will love ‘Bog Queen’

A wonderful tale of druids, warriors, scheming kings, and a scientist

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(Book cover image courtesy of Bloomsbury)

‘Bog Queen’
By Anna North
c.2025, Bloomsbury
$28.99/288 pages

Consider: lost and found.

The first one is miserable – whatever you need or want is gone, maybe for good. The second one can be joyful, a celebration of great relief and a reminder to look in the same spot next time you need that which you first lost. Loss hurts. But as in the new novel, “Bog Queen” by Anna North, discovery isn’t always without pain.

He’d always stuck to the story.

In 1961, or so he claimed, Isabel Navarro argued with her husband, as they had many times. At one point, she stalked out. Done. Gone, but there was always doubt – and now it seemed he’d been lying for decades: when peat cutters discovered the body of a young woman near his home in northwest England, Navarro finally admitted that he’d killed Isabel and dumped her corpse into a bog.

Officials prepared to charge him.

But again, that doubt. The body, as forensic anthropologist Agnes Lundstrom discovered rather quickly, was not that of Isabel. This bog woman had nearly healed wounds and her head showed old skull fractures. Her skin glowed yellow from decaying moss that her body had steeped in. No, the corpse in the bog was not from a half-century ago.

She was roughly 2,000 years old.

But who was the woman from the bog? Knowing more about her would’ve been a nice distraction for Agnes; she’d left America to move to England, left her father and a man she might have loved once, with the hope that her life could be different. She disliked solitude but she felt awkward around people, including the environmental activists, politicians, and others surrounding the discovery of the Iron Age corpse.

Was the woman beloved? Agnes could tell that she’d obviously been well cared-for, and relatively healthy despite the injuries she’d sustained. If there were any artifacts left in the bog, Agnes would have the answers she wanted. If only Isabel’s family, the activists, and authorities could come together and grant her more time.

Fortunately, that’s what you get inside “Bog Queen”: time, spanning from the Iron Age and the story of a young, inexperienced druid who’s hoping to forge ties with a southern kingdom; to 2018, the year in which the modern portion of this book is set.

Yes, you get both.

Yes, you’ll devour them.

Taking parts of a true story, author Anna North spins a wonderful tale of druids, vengeful warriors, scheming kings, and a scientist who’s as much of a genius as she is a nerd. The tale of the two women swings back and forth between chapters and eras, mixed with female strength and twenty-first century concerns. Even better, these perfectly mixed parts are occasionally joined by a third entity that adds a delicious note of darkness, as if whatever happens can be erased in a moment.

Nah, don’t even think about resisting.

If you’re a fan of feminist fiction, science, or novels featuring kings, druids, and Celtic history, don’t wait. “Bog Queen” is your book. Look. You’ll be glad you found it.

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Books

A look back at the best books of 2025

From health care to horror, something for every taste

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(Book cover images courtesy of the publishers)

This past year, you’ve often had to make do.

Saving money here, resources there, being inventive and innovative. It’s a talent you’ve honed, but isn’t it time to have the best? Yep, so grab these Ten Best of 2025 books for your new year pleasures.

Nonfiction

Health care is on everyone’s mind now, and “A Living: Working-Class Americans Talk to Their Doctor” by Michael D. Stein, M.D. (Melville House, $26.99) lets you peek into health care from the point of view of a doctor who treats “front-line workers” and those who experience poverty and homelessness. It’s shocking, an eye-opening book, a skinny, quick-to-read one that needs to be read now.

If you’ve been doing eldercare or caring for any loved one, then “How to Lose Your Mother: A Daughters Memoir” by Molly Jong-Fast (Viking, $28) needs to be in your plans for the coming year. It’s a memoir, but also a biography of Jong-Fast’s mother, Erica Jong, and the story of love, illness, and living through the chaos of serious disease with humor and grace. You’ll like this book especially if you were a fan of the author’s late mother.

Another memoir you can’t miss this year is “Between the Devil and the Deep Blue Sea: A Veterans Memoir” by Khadijah Queen (Legacy Lit, $30.00). It’s the story of one woman’s determination to get out of poverty and get an education, and to keep her head above water while she goes below water by joining the U.S. Navy. This is a story that will keep you glued to your seat, all the way through.

Self-improvement is something you might think about tackling in the new year, and “Replaceable You: Adventures in Human Anatomy” by Mary Roach (W.W. Norton & Company, $28.99) is a lighthearted – yet real and informative – look at the things inside and outside your body that can be replaced or changed. New nose job? Transplant, new dental work? Learn how you can become the Bionic Person in real life, and laugh while you’re doing it.

The science lover inside you will want to read “The Grave Robber: The Biggest Stolen Artifacts Case in FBI History and the Bureaus Quest to Set Things Right” by Tim Carpenter (Harper Horizon, $29.99). A history lover will also want it, as will anyone with a craving for true crime, memoir, FBI procedural books, and travel books. It’s the story of a man who spent his life stealing objects from graves around the world, and an FBI agent’s obsession with securing the objects and returning them. It’s a fascinating read, with just a little bit of gruesome thrown in for fun.

Fiction

Speaking of a little bit of scariness, “Dont Forget Me, Little Bessie” by James Lee Burke (Atlantic Monthly Press, $28) is the story of a girl named Bessie and her involvement with a cloven-hooved being who dogs her all her life. Set in still-wild south Texas, it’s a little bit western, part paranormal, and completely full of enjoyment.

Evensong” by Stewart ONan (Atlantic Monthly Press, $28) is a layered novel of women’s friendships as they age together and support one another. The characters are warm and funny, there are a few times when your heart will sit in your throat, and you won’t be sorry you read it. It’s just plain irresistible.

If you need a dark tale for what’s left of a dark winter season, then “One of Us” by Dan Chaon (Henry Holt, $28), it it. It’s the story of twins who become orphaned when their Mama dies, ending up with a man who owns a traveling freak show, and who promises to care for them. But they can’t ever forget that a nefarious con man is looking for them; those kids can talk to one another without saying a word, and he’s going to make lots of money off them. This is a sharp, clever novel that fans of the “circus” genre shouldn’t miss.

When the Harvest Comes” by Denne Michele Norris (Random House, $28) is a wonderful romance, a boy-meets-boy with a little spice and a lot of strife. Davis loves Everett but as their wedding day draws near, doubts begin to creep in. There’s homophobia on both sides of their families, and no small amount of racism. Beware that there’s some light explicitness in this book, but if you love a good love story, you’ll love this.

Another layered tale you’ll enjoy is “The Elements” by John Boyne (Henry Holt, $29.99), a twisty bunch of short stories that connect in a series of arcs that begin on an island near Dublin. It’s about love, death, revenge, and horror, a little like The Twilight Zone, but without the paranormal. You won’t want to put down, so be warned.

If you need more ideas, head to your local library or bookstore and ask the staff there for their favorite reads of 2025. They’ll fill your book bag and your new year with goodness.

Season’s readings!

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Books

This gay author sees dead people

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(Book cover image courtesy of Spiegel and Grau)

‘Are You There Spirit? It’s Me, Travis’
By Travis Holp
c.2025, Spiegel and Grau
$28/240 pages

Your dad sent you a penny the other day, minted in his birth year.

They say pennies from heaven are a sign of some sort, and that makes sense: You’ve been thinking about him a lot lately. Some might scoff, but the idea that a lost loved one is trying to tell you he’s OK is comforting. So read the new book, “Are You There, Spirit? It’s Me, Travis” by Travis Holp, and keep your eyes open.

Ever since he was a young boy growing up just outside Dayton, Ohio, Travis Holp wanted to be a writer. He also wanted to say that he was gay but his conservative parents believed his gayness was some sort of phase. That, and bullying made him hide who he was.

He also had to hide his nascent ability to communicate with people who had died, through an entity he calls “Spirit.” Eventually, though it left him with psychological scars and a drinking problem he’s since overcome, Holp was finally able to talk about his gayness and reveal his otherworldly ability.

Getting some people to believe that he speaks to the dead is still a tall order. Spirit helps naysayers, as well as Holp himself.

Spirit, he says, isn’t a person or an essence; Spirit is love. Spirit is a conduit of healing and energy, speaking through Holp in symbolic messages, feelings, and through synchronistic events. For example, Holp says coincidences are not coincidental; they’re ways for loved ones to convey messages of healing and energy.

To tap into your own healing Spirit, Holp says to trust yourself when you think you’ve received a healing message. Ignore your ego, but listen to your inner voice. Remember that Spirit won’t work on any fixed timeline, and its only purpose is to exist.

And keep in mind that “anything is possible because you are an unlimited being.”

You’re going to want very much to like “Are You There, Spirit? It’s Me, Travis.” The cover photo of author Travis Holp will make you smile. Alas, what you’ll find in here is hard to read, not due to content but for lack of focus.

What’s inside this book is scattered and repetitious. Love, energy, healing, faith, and fear are words that are used often – so often, in fact, that many pages feel like they’ve been recycled, or like you’ve entered a time warp that moves you backward, page-wise. Yes, there are uplifting accounts of readings that Holp has done with clients here, and they’re exciting but there are too few of them. When you find them, you’ll love them. They may make you cry. They’re exactly what you need, if you grieve. Just not enough.

This isn’t a terrible book, but its audience might be narrow. It absolutely needs more stories, less sentiment; more tales, less transcendence and if that’s your aim, go elsewhere. But if your soul cries for comfort after loss, “Are You There, Spirit? It’s Me, Travis” might still make sense.

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