Books
‘Fieldwork’ is food for thought — and the soul
Michelin chef Iliana Regan on the art of foraging, addiction and grief
‘Fieldwork: A Forager’s Memoir’
By Iliana Regan
c.2023, Agate
$27/329 pages
Nature makes me queasy. Reading about poison ivy or mosquitoes makes me itch. I don’t see myself in the woods enjoying the beauty of a pack of wolves. I adore eating all kinds of foods, but would I, in my wildest dreams, forage for mushrooms in the forest?
Sipping Starbucks coffee, eating a croissant I hadn’t baked, I came to “Fieldwork: A Forager’s Memoir” by Michelin chef Iliana Regan with a food lover’s fascination and a city-aficionado’s trepidation.

I’m glad I foraged into “Fieldwork.” The book, Regan’s second memoir, is a mosaic of memory, hope, fears, family, love, gender identity, respecting the land, food,and hospitality.
Regan owned and operated Elizabeth, the acclaimed Chicago restaurant, from 2012-2019. She passed on Elizabeth to collaborator Tim Lacey in 2020. Each year of its operation, the renowned eatery earned a Michelin star.
In 2020, Regan and her wife Anna Hamlin left Chicago to open the Milkweed Inn in the woods of northern Michigan. Regan forages in the forest and nearby river for the food that she feeds their guests. This brings Regan full circle to her roots – to her ancestors, birthplace, and childhood.
Regan’s first memoir “Burn the Place” was long-listed for the 2019 National Book Award. This was the first book of writing on food to be so honored since Julia Child won the Award in 1980.
Even as a tot on her family’s farm in Indiana, Regan didn’t feel like a girl. The youngest of four sisters, she dressed in a shirt and tie. Her Dad, who she foraged with for mushrooms, berries and other foods in the woods, called her “the son he’d never had.”
“I always thought I was a boy,” Regan writes, “even before Dad ever said I was.”
Regan, born in 1979, grew up with a heritage of foraging, Eastern European ancestors, feeding people, love, and addiction. Her father’s grandmother Busia helped her family run an inn in Eastern Europe. Later, she settled in Gary, Ind., where she told stories of the forests in her native land. In Gary, she opened Jennie’s Café, frequented by generations of steelworkers.
Regan’s mother married young. (Regan’s parents’ union was in many ways not a happy marriage.) On her mother’s side of her family, there was alcoholism and domestic strife.
Even as a child, Regan was careful to stay away from her father’s brother, her Uncle George. Early on, she sensed that this uncle was a predator who should be avoided.
“Fieldwork” has much lyrical writing about mushrooms, forests, the wind, honoring the land and animals. But Regan, who earned an M.F.A. in writing from the Art Institute of Chicago, is at her best when she writes, with unflinching, trenchant honesty, about we, humans, with our stew of strengths, resilience, sadness, joys, addictions and flaws. Regan is a magician with images. She’s a wizard at using metaphors of foraging and food to draw us into the stories of the people, past and present, in her world.
Regan remembers her mother as being like “the kitchen” and her father as seeming like “the forest.” In the middle of the two, she was “the sheep’s head — wily, twisting — and the honey mushroom–Stretching, symbiotic,” Regan vividly recalls.
Regan had three older sisters. She and her family were devastated when her sister Elizabeth, struggling with addiction, died in jail at age 39. “Grief may be the worst thing I’ve ever experienced,” Regan writes, “and at the same time the only thing that keeps me going.”
“Fieldwork” will convert even the most nature-averse into a respect for the land and the animals that inhabit it. Yet, the memoir is free of new age woo-woo.
Sometimes, memoirs about addiction are too pat. People in them often end up in seemingly untroubled recovery. Regan avoids this pitfall. Without pretense or self-recrimination, she describes how, during the pandemic, she began drinking again after becoming sober.
Regan forages as much into her memories and dreams as she does into the forests. “Fieldwork” is food for thought and the soul.
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Books
Risking it all for love during World War II
New book follows story of Black, gay expat in Paris
‘The Remarkable Life of Reed Peggram’
By Ethelene Whitmire
c.2026, Viking
$30/308 pages
You couldn’t escape it.
When you fell in love, that was it: you were there for good. Leaving your amour’s side was unthinkable, turning away was impossible. You’d do anything for that person you loved – even, as in the new biography, “The Remarkable Life of Reed Peggram” by Ethelene Whitmire, you’d escape toward danger.

On Aug. 28, 1938, Reed Peggram boarded a ship from Hoboken, N.J., hoping to “become a proper gentleman” and fulfill his dreams. A prolific writer and Harvard scholar of comparative literature, he’d recently been awarded the Rosenwald Fellowship, which put him in the company of literary stars like Du Bois, Hurston, and Hughes.
Both Peggram’s mother and grandmother were then domestic workers, and they had big expectations for him. Reed himself was eager to study abroad, for professional and personal reasons; he was “determined to become a French professor and an accomplished linguist” and “He also hoped to find love.”
What better place to do it than in Paris?
Outgoing and confident, Peggram made friends easily and had no trouble moving “through the world of his white male peers.” Where he faltered was in his lack of funds. He relied on the kindness of his many friends – one of whom introduced Peggram to a “man who would become so pivotal in his life,” a Danish man named Arne.
Peggram and Arne had a lot in common, and they began to enmesh their lives and dreams of living in the United States. But there were complications: homosexuality was largely forbidden, World War II was in its early stages, and it quickly became apparent that it was dangerous to stay in Europe.
And yet, Peggram loved Arne. He refused to leave without him and so, while most visiting Black Americans fled the war in Europe, “Reed was trying to stay.”
There’s so much more to the story inside “The Remarkable Life of Reed Peggram,” so much to know about Reed himself. Problem is, it’s a long haul to get to the good stuff.
In her introduction, author Ethelene Whitmire explains how she came to this tale and yes, it needs telling but probably not with the staggering number of inconsequential details here. Peggram moved homes a lot, and many people were involved in keeping him in Europe. That alone can be overwhelming; add the fact that costs and other monetary issues are mentioned in what seems like nearly every page, and you may wonder if you’ll ever find the reason for the book’s subtitle.
It’s there, nearly halfway through the book, which is when the tale takes a tender, urgent turn — albeit one with determination, rashness, and a dash of faux nonchalance. Also, if you’re expecting an unhappily-ever-after because, after all, it’s a World War II tale, don’t assume anything.
Reading this book will take a certain amount of patience, so skip it if you don’t have that fortitude. If you’re OK with minuscule details and want a heart-pounder, though, “The Remarkable Life of Reed Peggram” might be a good escape.
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Books
Laverne Cox, Liza Minnelli among authors with new books
A tome for every taste this reading season
Spring is a great time to think about vacations, spring break, lunch on the patio, or an afternoon in the park. You’ll want to bring one (or all!) of these great new books.
So let’s start here: What are you up for? How about a great new novel?
If you’re a mystery fan, you’ll want to make reservations to visit “Disaster Gay Detective Agency” by Lev AC Rosen (Poisoned Pen Press, June 2). It’s a whodunit featuring a group of gay roommates, one of whom is a swoony romantic. Add a mysterious man who disappears and a murder, of course, and you’ve got the novel you need for the beach.
Don’t discount young adult books, if you want something light to read this spring. “What Happened to Those Girls” by Carlyn Greenwald (Sourcebooks Fire, June 30) is a thriller about mean girls and a camping trip that goes terribly, bloodily wrong. Meant for teens ages 14 and up, young adult books are breezier and lighter fare for the busy grown-up reader.
If you loved “Boyfriend Material” and “Husband Material,” you’ll be eager for the next installment from author Alexis Hall. “Father Material” (Sourcebooks Casablanca, June 2) takes Luc and Oliver to the next step. First was dating. Then was marriage. Is it time for the sound of pitter-patter on the kitchen floor?
Maybe something even lighter? Then how about a book of essays – like “The Terrible, Horrible, No Good, Very Bad Gay” bycomedian and writer Eliot Glazer (Gallery Books, Aug. 11). It’s a book of essays on being gay today, the irritations, the joys, and fitting in. Be aware that these essays may contain a bit of spice – but isn’t that what you want for your reading pleasure anyhow, hmmm?
But okay, let’s say you want something with a little more heft to it. How about a biography?
Look for “Transcendant” by Laverne Cox (Gallery Books, June 9), or “Kids, Wait Till You Hear This” by Liza Minnelli (Grand Central Publishing, March 10), and “Every Inch a Lady” by Audrey Smaltz with Alina Mitchell (Amistad, July 14). Keep your eyes open for “Without Prejudice: My Life as a Gay Judge” by Harvey Brownstone (ECW Press, May 26) or “The Double Dutch Fuss” by Phill Branch (Amistad, June 2).
Then again, maybe you want some history, or something different.
So here: look for “Queer Saints: A Radical Guide to Magic, Miracles, and Modern Intercession” by Antonio Pagliarulo (Weiser, June 1) for a little bit of faith-based gay. Music lovers will want “Mighty Real: A History of LGBTQ Music, 1969-2000” by Barry Walters (Viking, May 12). Activists will want “In the Arms of Mountains: A Memoir of Land, Love, and Queer Resistance in Red America” byformer Idaho state Sen. Cole Nicole LeFavour (Beacon Press, May 26).
And if these books aren’t enough, then be sure to check with your favorite bookseller or librarian. They’ll have exactly what you’re in the mood to read. They’ll find what you need for that patio, beach towel, or easy chair.
Books
Love or fear flying you’ll devour ‘Why Fly’
New book chronicles a lifetime obsession with aircraft
‘Why Fly’
By Caroline Paul
c. 2026, Bloomsbury
$27.99/256 pages
Tray table folded up.
Check. Your seat is in the upright position, the airflow above your head is just the way you like it, and you’re ready to go. The flight crew is making final preparations. The lights are off and the plane is backing up. All you need now is “Why Fly” by Caroline Paul, and buckle up.

When she was very young, Paul was “obsessed” with tales of adventure, devouring accounts written by men of their derring-do. The only female adventure-seeker she knew about then was Amelia Earhart; later, she learned of other adventuresome women, including aviatrix Bessie Coleman, and Paul was transfixed.
Time passed; Paul grew up to create a life of adventure all her own.
Then, the year her marriage started to fracture, she switched her obsession from general exploits to flight.
Specifically, Paul loves experimental aircraft, some of which, like her “trike,” can be made from a kit at home. Others, like Woodstock, her beloved yellow gyrocopter, are major purchases that operate under different FAA rules. All flying has rules, she says, even if it seems like it should be as freewheeling as the birds it mimics.
She loves the pre-flight checklist, which is pure anticipation as well as a series of safety measures; if only a relationship had the same ritual. Paul loves her hangar, as a place of comfort and for flight in all senses of the word. She enjoys thinking about historic tales of flying, going back before the Wright Brothers, and including a man who went aloft on a lawn chair via helium-filled weather balloons.
The mere idea that she can fly any time is like a gift to Paul.
She knows a lot of people are terrified of flying, but it’s near totally safe: generally, there’s a one in almost 14 million chance of perishing in a commercial airline disaster – although, to Paul’s embarrassment and her dismay, it’s possible that both the smallest planes and the grandest loves might crash.
If you’re a fan of flying, you know what to do here. If you fear it, pry your fingernails off the armrests, take a deep breath, and head to the shelves. “Why Fly” might help you change your mind.
It’s not just that author Caroline Paul enjoys being airborne, and she tells you. It’s not that she’s honest in her explanations of being in love and being aloft. It’s the meditative aura you’ll get as you’re reading this book that makes it so appealing, despite the sometimes technical information that may flummox you between the Zen-ness. It’s not overwhelming; it mixes well with the history Paul includes, biographies, the science, heartbreak, and exciting tales of adventure and risk, but it’s there. Readers and romantics who love the outdoors, can’t resist a good mountain, and crave activity won’t mind it, though, not at all.
If you own a plane – or want to – you’ll want this book, too. It’s a great waiting-at-the-airport tale, or a tuck-in-your-suitcase-for-later read. Find “Why Fly” and you’ll see that it’s an upright kind of book.
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