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DC Front Runners Pride 5K returns with focus on philanthropy

Annual race raises funds to help local LGBTQ organizations

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A scene from last year’s Pride Run 5K. (Washington Blade file photo by Michael Key)

One of D.C.’s most popular Pride season traditions is back, as the DC Front Runners Pride 5K prepares to kick off on Friday, June 9 at 7 p.m. at Congressional Cemetery (1801 E St., S.E.). Registration ends June 9 at 12 p.m.

“Our race starts and ends at the area colloquially known as ‘gay corner.’ It’s where Leonard Matlovich, an American Vietnam War veteran and recipient of the Purple Heart and Bronze Star Medal is buried,” Joshua Yankovic, race director for DC Front Runners Pride 5K, said in an email.

The epitaph on Matlovich’s tombstone reads, “When I was in the military, they gave me a medal for killing two men and a discharge for loving one.” For Yankovic, it is a reminder of how far the LGBTQ community has come in its fight for equal rights despite the anti-trans and homophobic rhetoric percolating across the U.S. 

“We realize we have a lot more fight to go for true acceptance in the land of the ‘free,’ which is why Pride month and this race are so important,” he added. “It gives us a chance to be in a safe space and have a fabulous time doing it.”

Yankovic, who became race director in 2022, has close ties to the race not only as an avid runner with close friends who are all a part of D.C.’s LGBTQ running community, but also as a firm believer in supporting local LGBTQ organizations focused on youths in the D.C., Maryland, and Virginia area. 

Each year, DC Front Runners Pride 5K raises and donates tens of thousands of dollars to local charities from both the race and donations to its website. In the last six years it donated just shy of $200,000. In 2022, donations exceeded $50,000.

“These organizations always need money and the money has to come in so we can continue the fight,” Yankovic said on a Zoom call. 

For Ivan Cheung, the organization’s finance director, the “monetary value comes with spiritual support.” Cheung is a lifelong runner who moved to D.C. in 1999. To find community with other gay men in the area, he joined DC Front Runners where he said he felt included. 

He began participating in the event, eventually became a volunteer and his increased involvement in organizing the yearly run led him to his position overseeing the organization’s finances. 

Because DC Front Runners is a 501(c)(3) organization, Cheung ensures that it meets its tax commitments, helps select organizations each year to receive donations, and also helps fundraise for the organization as well. 

“It’s my turn to give back,” he said on a Zoom call. “It’s my personal journey and philosophy for why I want to contribute to this organization.”

This year’s event will feature, in addition to the run, free custard from fast food chain Shake Shack, free seltzers provided by local brewery DC Brau, and there will also be a finish line party with performances from drag queens. 

All in all, it’ll be a celebration of the LGBTQ community’s resilience.

“We hope to continue that upward trajectory and support these amazing institutions that not only protect at-risk youth, provide scholarships for teen athletes, celebrate inclusion and empowerment, and even provide a voice, in the case of the Blade Foundation, to the future journalists of America to keep telling our story and reporting on the injustices we see today,” said Yankovic in his email. 

Beneficiaries of this year’s race include SMYAL, the Wanda Alston Foundation, Team DC, Teens Run DC, the Blade Foundation, Pride 365, and Ainsley’s Angels of America. Sponsors include Capital One Café, Choice Hotels, Knead Hospitality & Design, Wegmans, and Shake Shack.

“Thank you to all the organizers of the Pride Run 5K,” said Washington Blade Publisher Lynne Brown. “Our robust journalism fellowship program wouldn’t exist without the important contributions that come from this race.”

In addition to the race, there’s a virtual 5K where runners can submit their times online. Visit runsignup.com/Race/DC/Washington/DCFRPrideRun for details. Packet pickup for runners begins June 4; visit the website for locations. 

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Theater

A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’

Nonbinary actor Alyssa Keegan stars as Duke Orsino

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Alyssa Keegan (Photo courtesy Folger Theatre)

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu

Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within. 

Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.” 

Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few. 

In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting. 

WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about? 

ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all. 

BLADE: What’s your approach to the fetching, cod-piece clad nobleman?

KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness. 

So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.

Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.

BLADE: As an actor, do you ever risk taking on the feelings of your characters? 

KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character. 

So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character. 

BLADE: Has changing the way you work affected your performances?

KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way. 

BLADE: Is Orsino your first time playing a male role?

KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy. 

As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.

BLADE: Do you have a favorite part? Male or female? 

KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting. 

BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?

KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way. 

The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen.  It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.

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PHOTOS: WorldPride Boat Parade

Blade’s inaugural event held at The Wharf

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The WorldPride 2025 Boat Parade (Washington Blade photo by Michael Key)

The Washington Blade hosted the inaugural WorldPride Boat Parade at The Wharf DC on Friday, June 6. NBC4’s Tommy McFly served as the emcee.

(Washington Blade photos by Michael Key)

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PHOTOS: Capital Pride Honors

Annual awards ceremony held at National Building Museum

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From left, Raven-Symoné presents Kriston Pumphrey with the Capital Pride Breaking Barriers Award at the 2025 Capital Pride Honors on Thursday, June 5. (Washington Blade photo by Michael Key)

The 2025 Capital Pride Honors awards ceremony and gala reception was held at the National Building Museum on Thursday, June 5. Honorees included Cathy Renna, Jerry St. Louis, Ernest Hopkins, Lamar Braithwaite, Rev. Dr. Donna Claycomb Sokol, Kriston Pumphrey, Gia Martinez, Kraig Williams and SMYAL. Presenters and speakers included U.S. Rep. Mark Takano (D-Calif.), Amber Ruffin, Raven-Symoné and Paul Wharton.

(Washington Blade photos by Michael Key)

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