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Oft banned gay author’s new kids’ book a fun treat

‘Monster Mac and Cheese Party’ brimming with humor, color

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(Book cover courtesy Little, Brown Books)

It’s the hottest party ever! A green, one-eyed, three-toothed fuzzy monster has invited a sea monster, a bat, a witch, and other guests to bring and eat mac and cheese. The witch favors “glow-in-the-dark mac with snakes and furballs.” The bat enjoys “mac ‘n’ bugs.” 

Whether you’re eight or 80, wouldn’t you like to crash this gathering?

Thanks to bestselling, award-winning, gay children’s book author and artist Todd Parr, we can all join in the fun.

“The Monster Mac and Cheese Party” (Little, Brown Books for Young Readers), Todd’s newest book, replete with his signature, eye-catching art, is a celebration of hanging out and scarfing down your fave food with your friends (monsters and human). The picture book written for 4-8 year-olds, is a fun-read for mac-and-cheese-and-monster-aficionados of any age. Except, perhaps, for those who’ve called for Parr’s books to be banned.

Parr, author of “It’s Okay to Be Different,” “The Family Book” and other much-loved as well as often-banned children’s books, is known for fostering values of kindness and inclusivity in his work. Not through preaching or boring messaging. But through bold images — art brimming with humor and bright colors. There are few words. But the words Parr uses are just what kids would say.

Take “The Family Book” which features Parr’s bright-hued illustrations. “Some families are big, some families are small,” Parr, who was born in 1962, writes in “The Family Book,” published in 2003, “… some families have two moms and two dads.”

You might think this message of inclusivity wouldn’t have caused a ruckus. But you’d be wrong. “The Family Book” was one of the most banned picture books of the 2021-2022 school year, according to Pen America.

“Every time a book is banned, we’re denied our right to learn freely,” the American Civil Liberties Union said in a statement accompanying a video of actor Randall Park reading “The Family Book” on Father’s Day on You Tube.

“My goal in the book was to make every kid feel that no matter what kind of family they have, that their family is special,” Parr, who lives in Southern California with his adopted pit bulls, said in an interview with the Blade.

Parr knew some people might not like “The Family Book” and that it might be banned. “It didn’t matter to me,” he said, “One page [that mentions two moms or two dads being parents] generates a lot of hate.”

“Like drag queens reading stories to kids,” Parr added, “it’s a free-for-all on social media.”

Parr wrote the mac-and-cheese book because after the pandemic, kids “needed a break,” he said.    

After COVID, “we didn’t want to think about the feelings we’ve experienced,” Parr said, “we just wanted to feel good again.”

His publisher had asked him to do a Halloween book, and mac and cheese is one of Parr’s favorite things. The book contains kid-friendly recipes for “Todd Mac” and “Vegan Mac”.

“Thick black lines and neon colors make for a zany tale,” “Kirkus” said of “The Monster Mac and Cheese Party, ” “perfect for group read-alouds. Parr keeps the laughs coming fast and furious.”

Parr has written and illustrated more than 60 children’s books. His work has been translated into 20 languages. More than 6.3 million copies of his books have been sold.

Parr is the co-creator with Gerry Renert of SupperTime Entertainment of the Daytime Emmy-nominated animated TV series “ToddWorld.” Several short films for “Sesame Street” were based on Parr’s work.

Parr gets what it’s like to feel different, hurt or sad, Juanita Giles wrote in “When In Doubt Pretend To Be Todd Parr,” an essay for NPR. “Todd Parr knows my son’s long hair makes him different,” Giles wrote, “Todd Parr knows our best friends moved away and our dog died.”

Growing up gay in  a small town in Wyoming, Parr had no inkling that he’d be so successful,  acclaimed and loved.

“I never had a moment where I told everybody ‘I’m gay,’” Parr said, “It was a matter of fact and no one really questioned it.”

But things weren’t easy. Parr wasn’t sure himself. “I had girlfriends,” he said, “I felt guilty that I had feelings [of liking boys] but I did.”

In school, people called Parr a “faggot” before he knew what it meant. “I felt very different like I was on another planet,” he said.

Growing up, being gay wasn’t Parr’s only challenge. “I had to repeat second grade,” he said, “because I couldn’t read.”

“They thought I was lazy,” Parr added.

Years later, Parr learned that he had dyslexia and attention deficit hyperactivity disorder (ADHD). People didn’t know what these disabilities were when he was in school.

“My grandpa on my Dad’s side was talented,” Parr said, “and my grandma on my Mom’s side was talented and creative.”

In the second grade, Parr focused on drawing. He won an art contest but his parents didn’t believe that he’d drawn the picture. “They thought I traced it,” Parr said.

Parr felt that he had to get out of his home town. “There was energy calling me,” he said, “there was a bigger world out there. I knew, one day, I would leave Wyoming.”

Parr became a flight attendant for United for 15 years. “That job – traveling around the world – gave me confidence,” Parr said.

Parr traveled to new cities. He went back to art with a new sense of confidence. With role models like Keith Haring, the renowned American gay artist. “Haring showed you that art can be whimsical,” Parr said, “that you could use bright colors.” 

Parr lived in San Francisco. He began to have some success with his art. His work was displayed in one of Wolf Gang Puck’s restaurants.

But Parr was still borrowing money and flying for United. “I was spinning my wheels,” he said.

He decided to perform a magic show (that he did for kids) in Las Vegas. There, he met his agent – a married couple who understood his work. They got him a literary agent. “It freed me up to do creative things,” Parr said.

One day, Parr was showing his work at a show in New York. “I don’t like to read,” Parr said when he was asked if he’d thought about writing children’s books.

Parr signed with Little Brown for Young Readers when he realized he was on to something. He could write books for kids with his arts with messages (but without characters).

For a time, Parr felt apologetic about his dyslexia. “I’m not qualified to be up there [because of his struggles in school],” he said when he was asked to give a keynote speech.

But after talking with his editor about his fears, Parr wondered: why shouldn’t he own his dyslexia? Why not be honest and talk about it?

“It opened a path for me,” Parr said.

Parr’s website is toddparr.com.

The Blade may receive commissions from qualifying purchases made via this post.

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Books

Eliot Glazer’s new book an engaging collection of essays

From growing up gay to turning down ‘Queer Eye’

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(Book cover image courtesy of Gallery Books)

“The Terrible, Horrible, No Good, Very Bad Gay: Essays”
By Eliot Glazer
c.2026, Gallery Books
$28.99/240 pages

You try and you try.

Once, twice, you go back at that thorny issue, the dream you have, the punchline that’s not hitting quite right. Sometimes, time is all you need to make it better, or a new approach, or a second look. And then there are days when you actually get things right, as in “The Terrible, Horrible, No Good, Very Bad Gay” by Eliot Glazer, and it’s all good.

Throughout his life, Eliot Glazer has made mistakes. And it’s OK, everybody trips and falls now and then. In his case, though, he’s perfectly willing to document his failures, foibles, and whoopsies in this book.

He writes of his mother, Sandi, “a Queens-born balabosta” who wouldn’t tolerate laziness in herself or Glazer. He found work as soon as he was legally able to do so, and he had many jobs throughout high school. He was a gardener, ice cream scooper, camp counselor, golf caddy, chocolatier, telemarketer, and video store clerk. The one that fit him best, however, was working at Talbots, a department store for older women, where he found his people.

Even with all those jobs, he was a theater kid in his time off, little though it was. Back then, he was just a boy growing up on Long Island but swagger was important, so swagger he did. He still appreciates a good Broadway show, even the silliest ones.

Glazer says that he had just recently come out when gayness exploded on TV with “Will & Grace” and “Queer Eye for the Straight Guy,” with which he was obsessed. It helped him feel not othered, he says. Producers of the reboot asked him to be a second-generation Eye, but Glazer turned them down, though he thinks he’d have been good at it.

The show helped him with love of décor. His unexpected advisory skills came naturally, through age and wisdom and learning that wild partying isn’t really so much fun.

As for finding love, well, that’s a long, boy-meets-boy-meets-boy story…

So you’re looking for something to easily pick up and put down, something that speaks to your inner impatience? You’ll find that in “The Terrible, Horrible, No Good, Very Bad Gay,” a book that’s practically meant for you to skip around and you don’t have to read everything.

Essays can be like that, which is nice, even refreshing. Author Eliot Glazer is entertaining enough to make things work, engaging enough to keep it moving, and funny enough to make you want more of what he has to say. He’s open with his life and, despite his fame, his writing isn’t lofty; you can expect stories that’ll make you snort and ones with spice, but also some surprisingly tender moments that soften this book in a way that’s just right.

Readers who want a quick, mostly light book to finish will find something appealing in this collection of essays. If you don’t mind a bit of non-linearity and you need a laugh, “The Terrible, Horrible, No Good, Very Bad Gay.” is worth a try.

The Blade may receive commissions from qualifying purchases made via this post.

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Books

Curl up with a good book this fall

New releases include mysteries, biographies, religion, and more

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(Book cover image courtesy Amazon)

The fall books season offers lots of options so curl up and get ready to read.

FICTION

For the mystery fan who likes a sprinkle of thriller, look for “The Longest Death” by Kevin Jagernauth (Soho Crime, December). Richard Cobson hates his small town, he’s bored and desperate to get away. Stealing from his employer is the only thing that makes life bearable. That all changes when Marlon Montgomery comes to town and the two fall in love because if one guy can steal so easily, what can two do?

If you like graphic novels, try the “Tripping Over You” trilogy by Suzana Harcum and Owena White. Milo and Liam are finally able to be open about their relationship, no more hiding their love. They’re living together now, but can it last? “Tripping Over You Book 3” (First Second Books) is in stores in early November.

Also try “Diana: The Punk Singer Who Ripped Through Time” by Nate Powell (Abrams ComicArts, October). It’s about a  young woman who’s trying desperately to escape her past, until a mysterious murder sidetracks her plans.

So you say you’re a romantic at heart? Then look for “Unspeakable Things: A Novel” by Elizabeth Hand (Little, Brown & Company, October). It’s a story set in the 1920s, when two young women arrive in the English Countryside to a dark and ancient manor. But, of course, nothing in a Gothic novel is easy, right? And you’ll love this tale.

NONFICTION

So this upcoming year is going to be one of exploration, right? Then look for “Free Love: Adventures in Marriage and Polyamory” by Michelle Tea (HarperOne, November). It’s a well-researched, personal, and interesting look at the lives of polyamorous couples and what it’s like to live what used to be called an “alternative” lifestyle.

If “fall” says “biography” to you, then look for “Showbiz! My Life as a Middle-Aged Man” by Murray Hill (Gallery Books, October). For decades, Hill has been making audiences laugh with his signature humor, but getting laughs hides his past all too well. He grew up in an abusive family and learning to hone his talents took some ingenuity. If you’re not a Hill fan yet, you will be, once you read this book.

For the reader who’s searching for a spiritual place, “Reading the Bible Through Queer Eyes: Good News for LGBTQ+ People from Genesis to Revelation” by podcasters Brian G. Murphy and Shannon T.L. Kearns (HarperOne, December) might help. Here, the authors look deeply at Scripture to find the queerness that’s there, proving to readers that the Word is not always what it seems.

Young readers may want to check out “Bitter Pill: Randy Shilts and the Dawn of the HIV/AIDS Epidemic” by Clement Xavier, illustrated by Heloise Cochois, foreword by Michael Lee (Abrams ComicArts, November). It’s a highly researched true story of activist Shilts, but also of Harvey Milk, and the earliest days of the AIDS crisis, when gay men needed a loud voice to advocate for them.

And finally, if you want a fun book for your kids or a child you love, look for “Good Night, Break a Leg: Life with Broadway Dads” by Bret Shuford, illustrated by Elena Hager (Penguin Workshop). What do parents do when they go to work? A little boy learns that his dads have very special jobs by day – and by night! It’s a cute book for kids, but a special tale for lovers of Broadway.

Be aware that publication dates change, titles change, books can be canceled, and your librarian or favorite bookseller can help you find what you need. Season’s readings!

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Books

Dolly Parton biography puts her hardships into context

‘Ain’t Nobody’s Fool’ a highly researched tome not to be missed

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(Book cover image courtesy of St. Martin's Press)

‘Ain’t Nobody’s Fool: The Life and Times of Dolly Parton’
By Martha Ackmann
c.2026, St. Martin’s Press
$30/304 pages

Not too bright.

That’s what people once thought about you. Your language didn’t conform, you had your own sense of style, and you were ignorant about modern things and places and foods. But you were no dummy. You were different, and you had a secret: as in the new biography, “Ain’t Nobody’s Fool: The Life and Times of Dolly Parton” by Martha Ackmann, you knew exactly where you were going.

When Avie Lee Owens and Lee Parton first married, they had the very basics: “two knives, two forks, two spoons, a skillet, a butcher knife, and an old iron kettle.” He was 17; she was 15. Babies came quick. The fourth one was named Dolly, after two great-aunts.

Almost from the time she could walk, Dolly sang. Before she was old enough to attend school, she wrote poetry, and she’d begun to notice rhythms and beats she could make with her fingers. As a schoolchild, she created her own musical instruments out of scraps, and she was eager to perform whenever anyone asked her – and they asked often, because Dolly Parton was a nice girl, and her sense of humor conveyed a warmth that drew people in.

Growing up in the Tennessee mountains, Parton was independent, shunning marriage and child-raising, instead focusing on a dream of being a star. By the time she was in high school, she’d had a regular gig on local television but she recognized that there were few opportunities for fame in the mountains, so she left for Nashville the day after high school graduation, with the snickers of naysayers ringing in her ears.

She stayed with an aunt and uncle there, and she beat the streets, dined on grocery store samples to get by, and missed her family and friends. And they worried about her, but they knew nothing would derail her plans. They knew Dolly would be fine.

As a friend said, “’She had her head on pretty good.’”

Chances are that if you’ve listened to music any time in the last 60 years, you’ve heard Dolly Parton through her words or her music or both. Now you need to learn more about her, and “Ain’t Nobody’s Fool” is where to do it.

Here’s a biography that grabs you on the first page with the tiniest bit of family tree, but not so much that you get bored with it. Author Martha Ackmann writes about Dolly Parton’s early life, putting hardships and experiences in context, both personally and historically. There are name-drops, but not overly so, as Ackmann takes you through Parton’s career, her heartbreaks, her marriage, and her years with Porter Wagoner, in detail but not dramatically embellished or outrageously told. It’s a biography that’s just right, sourced well and written with a fresh take that, like its subject, tells a good story. 

Fans, of course, will want this highly researched book but music lovers of any age or type will eat it up. That means you, so use up that Christmas gift certificate. “Ain’t Nobody’s Fool” just shines.

The Blade may receive commissions from qualifying purchases made via this post.

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