Books
Queer allyship figures prominently in Streisand memoir
‘My Name Is Barbra’ filled with dishy revelations about Hollywood, D.C.
‘My Name Is Barbra’
By Barbra Streisand
c.2023, Viking
$47/970 pages
Have you been told you’ll never amount to anything? That an angry rodent is better looking than you?
If yes, don’t worry.
Barbra Streisand (hello, Gorgeous!), the EGOT-winning (Emmy, Grammy, Oscar and Tony), divine, queer icon has been told and called much worse.
“An ‘amiable anteater’?,” Streisand, 81, writes in “My Name Is Barbra,” her eagerly anticipated, recently released, memoir, “that’s how I was described at nineteen in one of my first reviews as a professional actress.”

She was then playing a “lovelorn” secretary in the show “I Can Get It for You Wholesale,” Streisand recalls. “I could see the comparison,” she writes.
But the demeaning comparisons kept coming. Over the next year, she remembers people likened her to “a sour persimmon,” “a furious hamster,” “a myopic gazelle,” and “a seasick ferret.”
Streisand worked on “My Name Is Barbra” (whose title is the same as her acclaimed album and TV special) for more than a decade.
At nearly 1,000 pages, it makes “War and Peace,” seem like an Instagram post.
Streisand name-drops more often than your nutty uncle curses during Thanksgiving dinner. Rarely a paragraph goes by without a dishy mention of celebs and politicos she’s friends with, slept with, argued with, been mistreated by, or worked with: from her BFFs Bill and Hillary Clinton to Warren Beatty to Stephen Sondheim to Larry Kramer to Sydney Chaplin.
Take Beatty. Streisand and Beatty have been friends since they were young and in summer stock. Yet, “Did I sleep with Warren,” she wonders about Beatty, who’s known as a ladies man, “I kind of remember. I guess I did. Probably once.”
Sidney Chaplin starred with Streisand in the Broadway production of “Funny Girl.” After Streisand rejected his efforts to begin an affair, he harassed so much, that Streisand, for the first time, developed stage fright. She worried that she’d throw up on stage.
Streisand’s memoir is sprawling. There’s an ellipses, seemingly, every nanosec.
If it were written by almost anyone else but God, the Queen of the Universe (Streisand), you might think: this is too much. The audio book of the memoir is a 48-hour listen; it’s a couple- day read in hard cover or e-book format.
But, “My Name Is Barbra,” wasn’t penned by one of the lesser mortals. It’s by Streisand, the greatest, or among the greatest, in the pantheon of queer icons.
With her talent, persistence and guts, she’s earned the right to name-drop, to safeguard her legacy and to go on as long as she wants. Why rain on her parade?
“Looking back, it was much more fun to dream of being famous than to actually be famous,” Streisand writes. “I didn’t like all the ridiculous stories they made up, or the envy my success provoked.”
Reading “My Name Is Barbra,” whether in print or as an audio book, is like spending an intimate evening with Streisand. It’s Streisand talking to you (and, maybe a small group of your queer friends and allies).
You’re there, drinking it in, as she dishes on everything from her mother (who makes Mommie Dearest seem like June Cleaver) to her love of coffee (it has to be Brazilian coffee) ice cream.
In “My Name Is Barbra,” Streisand doesn’t explicitly call herself a queer icon. But her connection and allyship with the LGBTQ community are a through line in the memoir.
Streisand notes that queer people were the first to see her when she first performed at the Lion, a gay bar, and the Bon Soir, a small club in the Wet Village in New York.
“I believe we all have certain needs in common,” Streisand writes, “we want to be happy, we want to be loved, we want to be respected, no matter what our sexual orientation…No one should have to live a lie.”
Streisand was an executive producer of “Serving in Silence: The Margarethe Cammermeyer Story,” a 1995 TV movie about an Army nurse who was discharged because she was queer.
Sometimes, Streisand has had arguments with other LGBTQ legends. She wanted to make a movie of Larry Kramer’s iconic play “The Normal Heart.” But she and Kramer had different views of how the film should be made. Kramer, Streisand writes, wanted more explicit sex scenes, than she did in the movie. She feared that if it was too graphic, the film might turn off the mainstream audience.
She was disappointed that she couldn’t film Kramer’s play. “There are some love affairs you never quite get over,” Streisand writes, “I fell in love with a play…pursued it, won it, lost it.”
Streisand, Jewish, female, creative, assertive, born poor in Brooklyn, refusing to have a nose job, is the ultimate outsider in a culture that prefers women to be docile, middle-class and to conform to cookie-cutter beauty standards. Is it any wonder that queers are drawn to her?
Whether you’re queer, hetero, an outsider or insider, you’ll be riveted by “My Name Is Barbra.”
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Books
This gay author sees dead people
‘Are You There Spirit? It’s Me, Travis’
By Travis Holp
c.2025, Spiegel and Grau
$28/240 pages
Your dad sent you a penny the other day, minted in his birth year.
They say pennies from heaven are a sign of some sort, and that makes sense: You’ve been thinking about him a lot lately. Some might scoff, but the idea that a lost loved one is trying to tell you he’s OK is comforting. So read the new book, “Are You There, Spirit? It’s Me, Travis” by Travis Holp, and keep your eyes open.

Ever since he was a young boy growing up just outside Dayton, Ohio, Travis Holp wanted to be a writer. He also wanted to say that he was gay but his conservative parents believed his gayness was some sort of phase. That, and bullying made him hide who he was.
He also had to hide his nascent ability to communicate with people who had died, through an entity he calls “Spirit.” Eventually, though it left him with psychological scars and a drinking problem he’s since overcome, Holp was finally able to talk about his gayness and reveal his otherworldly ability.
Getting some people to believe that he speaks to the dead is still a tall order. Spirit helps naysayers, as well as Holp himself.
Spirit, he says, isn’t a person or an essence; Spirit is love. Spirit is a conduit of healing and energy, speaking through Holp in symbolic messages, feelings, and through synchronistic events. For example, Holp says coincidences are not coincidental; they’re ways for loved ones to convey messages of healing and energy.
To tap into your own healing Spirit, Holp says to trust yourself when you think you’ve received a healing message. Ignore your ego, but listen to your inner voice. Remember that Spirit won’t work on any fixed timeline, and its only purpose is to exist.
And keep in mind that “anything is possible because you are an unlimited being.”
You’re going to want very much to like “Are You There, Spirit? It’s Me, Travis.” The cover photo of author Travis Holp will make you smile. Alas, what you’ll find in here is hard to read, not due to content but for lack of focus.
What’s inside this book is scattered and repetitious. Love, energy, healing, faith, and fear are words that are used often – so often, in fact, that many pages feel like they’ve been recycled, or like you’ve entered a time warp that moves you backward, page-wise. Yes, there are uplifting accounts of readings that Holp has done with clients here, and they’re exciting but there are too few of them. When you find them, you’ll love them. They may make you cry. They’re exactly what you need, if you grieve. Just not enough.
This isn’t a terrible book, but its audience might be narrow. It absolutely needs more stories, less sentiment; more tales, less transcendence and if that’s your aim, go elsewhere. But if your soul cries for comfort after loss, “Are You There, Spirit? It’s Me, Travis” might still make sense.
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Books
‘Dogs of Venice’ looks at love lost and rediscovered
A solo holiday trip to Italy takes unexpected turn
‘The Dogs of Venice’
By Steven Crowley
c.2025, G.P. Putnam & Sons
$20/65 pages
One person.
Two, 12, 20, you can still feel alone in a crowded room if it’s a place you don’t want to be. People say, though, that that’s no way to do the holidays; you’re supposed to Make Merry, even when your heart’s not in it. You’re supposed to feel happy, no matter what – even when, as in “The Dogs of Venice” by Steven Rowley, the Christmas tinsel seems tarnished.

Right up until the plane door closed, Paul held hope that Darren would decide to come on the vacation they’d planned for and saved for, for months.
Alas, Darren was a no-show, which was not really a surprise. Three weeks before the departure, he’d announced that their marriage wasn’t working for him anymore, and that he wanted a divorce. Paul had said he was going on the vacation anyhow. Why waste a perfectly good flight, or an already-booked B&B? He was going to Venice.
Darren just rolled his eyes.
Was that a metaphor for their entire marriage? Darren had always accused Paul of wanting too much. He indicated now that he felt stifled. Still, Darren’s unhappiness hit Paul broadside and so there was Paul, alone in a romantic Italian city, fighting with an espresso machine in a loft owned by someone who looked like a frozen-food spokeswoman.
He couldn’t speak or understand Italian very well. He didn’t know his way around, and he got lost often. But he felt anchored by a dog.
The dog – he liked to call it his dog – was a random stray, like so many others wandering around Venice unleashed, but this dog’s confidence and insouciant manner inspired Paul. If a dog could be like that, well, why couldn’t he?
He knew he wasn’t unlovable but solo holidays stunk and he hated his situation. Maybe the dog had a lesson to teach him: could you live a wonderful life without someone to watch out for, pet, and care for you?
Pick up “The Dogs of Venice,” and you might think to yourself that it won’t take long to read. At under 100 pages, you’d be right – which just gives you time to turn around and read it again. Because you’ll want to.
In the same way that you poke your tongue at a sore tooth, author Steven Rowley makes you want to remember what it’s like to be the victim of a dead romance. You can do it here safely because you simply know that Paul is too nice for it to last too long. No spoilers, though, except to say that this novel is about love – gone, resurrected, misdirected – and it unfolds in exactly the way you hope it will. All in a neat evening’s worth of reading. Perfect.
One thing to note: the Christmas setting is incidental and could just as well be any season, which means that this book is timely, no matter when you want it. So grab “The Dogs of Venice,” enjoy it twice with your book group, with your love, or read it alone.
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Santa will be very relieved.
You’ve taken most of the burden off him by making a list and checking it twice on his behalf. The gift-buying in your house is almost done – except for those few people who are just so darn hard to buy for. So what do you give to the person who has (almost) everything? You give them a good book, like maybe one of these.
Memoir and biography
The person who loves digging into a multi-level memoir will be happy unwrapping “Blessings and Disasters: A Story of Alabama” by Alexis Okeowo (Henry Holt). It’s a memoir about growing up Black in what was once practically ground zero for the Confederacy. It’s about inequality, it busts stereotypes, and yet it still oozes love of place. You can’t go wrong if you wrap it up with “Queen Mother: Black Nationalism, Reparations, and the Untold Story of Audley Moore” by Ashley D. Farmer (Pantheon). It’s a chunky book with a memoir with meaning and plenty of thought.
For the giftee on your list who loves to laugh, wrap up “In My Remaining Years” by Jean Grae (Flatiron Books). It’s part memoir, part comedy, a look back at the late-last-century, part how-did-you-get-to-middle-age-already? and all fun. Wrap it up with “Here We Go: Lessons for Living Fearlessly from Two Traveling Nanas” by Eleanor Hamby and Dr. Sandra Hazellip with Elisa Petrini (Viking). It’s about the adventures of two 80-something best friends who seize life by the horns – something your giftee should do, too.
If there’ll be someone at your holiday table who’s finally coming home this year, wrap up “How I Found Myself in the Midwest” by Steve Grove (Simon & Schuster). It’s the story of a Silicon Valley worker who gives up his job and moves with his family to Minnesota, which was once home to him. That was around the time the pandemic hit, George Floyd was murdered, and life in general had been thrown into chaos. How does someone reconcile what was with what is now? Pair it with “Homestand: Small Town Baseball and the Fight for the Soul of America” by Will Bardenwerper (Doubleday). It’s set in New York and but isn’t that small-town feel universal, no matter where it comes from?
Won’t the adventurer on your list be happy when they unwrap “I Live Underwater” by Max Gene Nohl (University of Wisconsin Press)? They will, when they realize that this book is by a former deep-sea diver, treasure hunter, and all-around daredevil who changed the way we look for things under water. Nohl died more than 60 years ago, but his never-before-published memoir is fresh and relevant and will be a fun read for the right person.
If celeb bios are your giftee’s thing, then look for “The Luckiest” by Kelly Cervantes (BenBella Books). It’s the Midwest-to-New-York-City story of an actress and her life, her marriage, and what she did when tragedy hit. Filled with grace, it’s a winner.
Your music lover won’t want to open any other gifts if you give “Only God Can Judge Me: The Many Lives of Tupac Shakur” by Jeff Pearlman (Mariner Books). It’s the story of the life, death, and everything in-between about this iconic performer, including the mythology that he left behind. Has it been three decades since Tupac died? It has, but your music lover never forgets. Wrap it up with “Point Blank (Quick Studies)” by Bob Dylan, text by Eddie Gorodetsky, Lucy Sante, and Jackie Hamilton (Simon & Schuster), a book of Dylan’s drawings and artwork. This is a very nice coffee-table size book that will be absolutely perfect for fans of the great singer and for folks who love art.
For the giftee who’s concerned with their fellow man, “The Lost and the Found: A True Story of Homelessness, Found Family and Second Chances” by Kevin Fagan (One Signal / Atria) may be the book to give. It’s a story of two “unhoused” people in San Francisco, one of the country’s wealthiest cities, and their struggles. There’s hope in this book, but also trouble and your giftee will love it.
For the person on your list who suffered loss this year, give “Pine Melody” by Stacey Meadows (Independently Published), a memoir of loss, grief, and healing while remembering the person gone.
LGBTQ fiction
For the mystery lover who wants something different, try “Crime Ink: Iconic,” edited by John Copenhaver and Salem West (Bywater Books), a collection of short stories inspired by “queer legends” and allies you know. Psychological thrillers, creepy crime, cozies, they’re here.
Novel lovers will want to curl up this winter with “Middle Spoon” by Alejandro Varela (Viking), a book about a man who appears to have it all, until his heart is broken and the fix for it is one he doesn’t quite understand and neither does anyone he loves.
LGBTQ studies – nonfiction
For the young man who’s struggling with issues of gender, “Before They Were Men” by Jacob Tobia (Harmony Books) might be a good gift this year. These essays on manhood in today’s world works to widen our conversations on the role politics and feminism play in understanding masculinity and how it’s time we open our minds.
If there’s someone on your gift list who had a tough growing-up (didn’t we all?), then wrap up “I’m Prancing as Fast as I Can” by Jon Kinnally (Permuted Press / Simon & Schuster). Kinnally was once an awkward kid but he grew up to be a writer for TV shows you’ll recognize. You can’t go wrong gifting a story like that. Better idea: wrap it up with “So Gay for You: Friendship, Found Family, & The Show That Started It All” by Leisha Hailey & Kate Moennig (St. Martin’s Press), a book about a little TV show that launched a BFF-ship.
Who doesn’t have a giftee who loves music? You sure do, so wrap up “The Secret Public: How Music Moved Queer Culture from the Margins to the Mainstream” by Jon Savage (Liveright). Nobody has to tell your giftee that queer folk left their mark on music, but they’ll love reading the stories in this book and knowing what they didn’t know.
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