Arts & Entertainment

Being gay might just save Andy Cohen’s career

He could shoot a twink in the middle of Ninth Avenue and not get arrested

Published

2 years ago

March 11, 2024

Andy Cohen is being sued. (Photo by DFree/Bigstock)

The only person getting sued more than Donald Trump these days is Andy Cohen. Yes, the gay executive producer of the Real Housewives franchise and host of Bravo’s late night talk show “Watch What Happens Live” is facing a litany of litigation that could make the orange one come somewhere close to a blush. And, just like with Trump, he might be the only person to face a handful of inappropriate workplace behavior allegations and still hold onto his job. What’s Andy’s secret? It might be that he’s gay.

First, former “Real Housewives of Beverly Hills” star Brandi Glanville accused him of sexual harassment, claiming that Cohen sent her a sexually explicit video in which he said he was about to have sex with another Bravolebrity and wanted Glanville to watch. (Andy said on the artist formerly known as Twitter that it was a joke and Brandi seemed to acknowledge that at the time.)

Next up is Leah McSweeney, a former “Real Housewives of New York” cast member, who accused Cohen of contributing to a “rotted workplace culture.” She also alleges that he routinely does cocaine with some of the Housewives and the ones who enjoy a bit of the booger sugar with him get preferential treatment, including kinder edits on the show. (Andy dismissed this lawsuit as a “shakedown.”)

The day after McSweeney’s suit, Rachel Leviss, the former “Vanderpump Rules” star who was a lynchpin of a huge scandal last winter, sued her former castmates for potentially distributing an adult video of her. Cohen was not named in that suit because he’s not an executive producer of that show — nor in one by former Real Housewife of New Jersey, Caroline Manzo, accusing the aforementioned Brandi of sexual harassment.

These bombshell revelations — especially the sexual harassment and the cocaine use — were met by fans with disinterested shrugs. “This Andy Cohen slander is ridiculous. Why are people up in arms that he allegedly did cocaine and gossiped with the Housewives? Like pretty sure that’s his job,” one Twitter user says.

There are plenty of those sentiments on Twitter and many statements of support from the Housewives who say he never offered them coke. (But since when are we believing anything the Housewives say?) So how is it that, like Trump, Andy Cohen could shoot a twink in the middle of Ninth Avenue and not get arrested?

It’s because he’s always been totally honest about who he is. Andy was an openly gay TV exec way back in the early aughts, when it wasn’t cool and he faced potential repercussions both personally and career-wise by being open. But it wasn’t that he was just telling the truth about being gay, he made it part of his brand that he likes a drink (or seven) and that he likes to unwind by smoking weed, which he was vocal about before it was legal in New York.

Andy made his millions not just getting rich women to yell at each other on television, but also by being America’s slightly naughty but mostly fun gay BFF. The gossip, the drugs, the sexy jokes, they were all a part of the mystique that everyone bought into and it has served as Andy’s impenetrable force field for his entire career. On New Year’s Eve 2022, he was hosting CNN’s broadcast with his gay bestie Anderson Cooper and “overserved” himself, which led him to go on what the press would call a drunken rant making fun of fellow host Ryan Seacrest and New York Mayor Bill de Blasio. Did CNN fire him or fans turn against him? No. CNN did ban alcohol from the next year’s broadcast, but after Andy pleaded with them for his tipples they allowed him and Anderson to do shots at midnight.

A similar thing happened this past June when a video taken secretly in a gay club showed Andy getting handsy with a game stripper and tweaking his nipples. Instead of demanding his resignation, fans demanded the social media account that posted it to give Andy a break. He is a single working father of two who has never been quiet about the fact that he enjoys sleeping around. He was just blowing off some steam at Pride; in the words of Bethenny Frankel, get off his jock.

Speaking of Bethenny, could she be the one behind all of this litigation? Several of the people suing Andy and Bravo are using the same lawyers that Bethenny used to kick off the “reality reckoning” in which she is trying to get better workplace conditions and fair treatment for reality stars. That is surely a noble aim, but the way to do it is not by launching weak-sauce attacks at Andy, especially since Andy seems to have a learned a lesson that most members of the LGBTQ community learn early on: If you’re truthful about who you are, no one can use it as a weapon against you.

No one ever thought less of Andy because he was gay because he was always up front about it — same about the booze, the drug use, and tweaking a stripper’s nipples during Pride. While a court of law will definitely rule on whether or not any of these cases has any weight, the court of public opinion doesn’t seem to care — well, at least about these specifics. Andy has hired a crisis PR team, but it doesn’t seem like he really needs it. Everything he needs to know he learned by being gay, that once you open that closet door and show the public what is really inside, no matter what it is, they can never use that against you.

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Photos

PHOTOS: ‘Studio 69’

Glitterati Productions hold party at Bunker

Published

8 hours ago

May 11, 2026

Michael Key

'Studio 69' was held at Bunker on Friday. (Washington Blade photo by Michael Key)

Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.

(Washington Blade photos by Michael Key)

Arts & Entertainment

Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week

Pride on the Pier officially launches Pride Week in D.C.

Published

14 hours ago

May 11, 2026

Staff reports

The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.

Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.

“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”

Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.

Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.

Event Details:

📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026

⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

Theater

National tour of ‘Gatsby’ comes to National Theatre

Out actor Edward Staudenmayer talks playing the show’s gangster

Published

1 day ago

May 10, 2026

Patrick Folliard

Edward Staudenmayer plays Meyer Wolfsheim in ‘The Great Gatsby.’ (Photo courtesy National Theatre)

‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com

Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.

Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.

It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”

Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).

While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.

WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?

EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].

There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.

BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.

STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].

BLADE: When did the 1925 novel first surface on your radar?

STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.

Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.

BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?

STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.

Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.

BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?

STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.

BLADE: Have you had to do that in your career?

STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.

It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.

BLADE: What was your coming of age like?

STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.

BLADE: Did he live to see your success in theater?

STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.

BLADE: Looking ahead, is there a part you’d especially like to play?

STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.