Arts & Entertainment
Being gay might just save Andy Cohen’s career
He could shoot a twink in the middle of Ninth Avenue and not get arrested
The only person getting sued more than Donald Trump these days is Andy Cohen. Yes, the gay executive producer of the Real Housewives franchise and host of Bravo’s late night talk show “Watch What Happens Live” is facing a litany of litigation that could make the orange one come somewhere close to a blush. And, just like with Trump, he might be the only person to face a handful of inappropriate workplace behavior allegations and still hold onto his job. What’s Andy’s secret? It might be that he’s gay.
First, former “Real Housewives of Beverly Hills” star Brandi Glanville accused him of sexual harassment, claiming that Cohen sent her a sexually explicit video in which he said he was about to have sex with another Bravolebrity and wanted Glanville to watch. (Andy said on the artist formerly known as Twitter that it was a joke and Brandi seemed to acknowledge that at the time.)
Next up is Leah McSweeney, a former “Real Housewives of New York” cast member, who accused Cohen of contributing to a “rotted workplace culture.” She also alleges that he routinely does cocaine with some of the Housewives and the ones who enjoy a bit of the booger sugar with him get preferential treatment, including kinder edits on the show. (Andy dismissed this lawsuit as a “shakedown.”)
The day after McSweeney’s suit, Rachel Leviss, the former “Vanderpump Rules” star who was a lynchpin of a huge scandal last winter, sued her former castmates for potentially distributing an adult video of her. Cohen was not named in that suit because he’s not an executive producer of that show — nor in one by former Real Housewife of New Jersey, Caroline Manzo, accusing the aforementioned Brandi of sexual harassment.
These bombshell revelations — especially the sexual harassment and the cocaine use — were met by fans with disinterested shrugs. “This Andy Cohen slander is ridiculous. Why are people up in arms that he allegedly did cocaine and gossiped with the Housewives? Like pretty sure that’s his job,” one Twitter user says.
There are plenty of those sentiments on Twitter and many statements of support from the Housewives who say he never offered them coke. (But since when are we believing anything the Housewives say?) So how is it that, like Trump, Andy Cohen could shoot a twink in the middle of Ninth Avenue and not get arrested?
It’s because he’s always been totally honest about who he is. Andy was an openly gay TV exec way back in the early aughts, when it wasn’t cool and he faced potential repercussions both personally and career-wise by being open. But it wasn’t that he was just telling the truth about being gay, he made it part of his brand that he likes a drink (or seven) and that he likes to unwind by smoking weed, which he was vocal about before it was legal in New York.
Andy made his millions not just getting rich women to yell at each other on television, but also by being America’s slightly naughty but mostly fun gay BFF. The gossip, the drugs, the sexy jokes, they were all a part of the mystique that everyone bought into and it has served as Andy’s impenetrable force field for his entire career. On New Year’s Eve 2022, he was hosting CNN’s broadcast with his gay bestie Anderson Cooper and “overserved” himself, which led him to go on what the press would call a drunken rant making fun of fellow host Ryan Seacrest and New York Mayor Bill de Blasio. Did CNN fire him or fans turn against him? No. CNN did ban alcohol from the next year’s broadcast, but after Andy pleaded with them for his tipples they allowed him and Anderson to do shots at midnight.
A similar thing happened this past June when a video taken secretly in a gay club showed Andy getting handsy with a game stripper and tweaking his nipples. Instead of demanding his resignation, fans demanded the social media account that posted it to give Andy a break. He is a single working father of two who has never been quiet about the fact that he enjoys sleeping around. He was just blowing off some steam at Pride; in the words of Bethenny Frankel, get off his jock.
Speaking of Bethenny, could she be the one behind all of this litigation? Several of the people suing Andy and Bravo are using the same lawyers that Bethenny used to kick off the “reality reckoning” in which she is trying to get better workplace conditions and fair treatment for reality stars. That is surely a noble aim, but the way to do it is not by launching weak-sauce attacks at Andy, especially since Andy seems to have a learned a lesson that most members of the LGBTQ community learn early on: If you’re truthful about who you are, no one can use it as a weapon against you.
No one ever thought less of Andy because he was gay because he was always up front about it — same about the booze, the drug use, and tweaking a stripper’s nipples during Pride. While a court of law will definitely rule on whether or not any of these cases has any weight, the court of public opinion doesn’t seem to care — well, at least about these specifics. Andy has hired a crisis PR team, but it doesn’t seem like he really needs it. Everything he needs to know he learned by being gay, that once you open that closet door and show the public what is really inside, no matter what it is, they can never use that against you.
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)














Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages
They’re among the world’s greatest love stories.
You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.
Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.
That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”
She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.
Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.
She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.
And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.
And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”
“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.
If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.
These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.
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