a&e features
New album features everything we love about BETTY
An interview with Alyson Palmer, Amy Ziff, and Elizabeth Ziff
A new album by a band you love, especially one that takes its time between releases is cause for celebration. For me, that celebration takes on special meaning when it comes to BETTY, an all-female trio I have been following since the mid-1980s, during the band’s early years. Since that time, BETTY has amassed a sizeable following via its connection to “The L Word,” performing on the HBO/CTW series “Encyclopedia,” appearing in an original off-Broadway musical, and playing Pride and women’s music festival events. The newly released “EAT” (hellobetty.com) has everything we’ve come to know and love about BETTY: fabulous harmonies, a splendid cover tune, and songs with messages of empowerment, as well as humor. Alyson Palmer, and sisters Amy Ziff and Elizabeth Ziff generously made time for an interview to discuss the new album and their career. The D.C. natives perform their annual BETTY Holiday Show on Dec. 17 at Union Stage.
Blade: For those few who may not be in the know, please say something about how BETTY, the name of the band, came to be.
Alyson Palmer: We just needed a name fast for a party for Dodie Bowers, a dancer and music mogul who ran the legendary 9:30 Club on F Street in D.C. She invited us to sing without our full band at the time, On Beyond Zebra. There was a Nair ad on TV at the time where long-legged ladies walked past a besotted guy who said, “Helloooo, Betty!” and that’s what stuck with me. Surfer slang with a timeless appeal and just a smidge of street harassment.
Elizabeth Ziff: We said we would love to and thought she wanted the whole band, but she just wanted the three of us. We had no idea we would be BETTY for almost 40 more years.
Amy Ziff: BETTY is the all-American, smart, sassy, can-do gal with a twist. That’s us!
Blade: In BETTY’s early days, the band began selling t-shirts that read BETTY Rules (which are still available at hellobetty.com). How did that slogan come about?
AZ: It didn’t come from us! I think it’s a catch phrase that fans and friends started.
EZ: I remember that people would shout it to us on the street in DC. It just stuck. It was better than BETTY rocks….and it’s stood the test of time. Some people have theirs from back in the day, but lots of new, young fans are buying them now and wearing them proudly. It’s definitely a cult [laughs].
Blade: In addition to BETTY, the DC music scene has produced some legendary musical acts including Roberta Flack, Mary Timony, Fugazi, Trouble Funk, Shudder to Think, Minor Threat, E.U., Tommy Keene, Crystal Waters, and Mary Chapin Carpenter. What does it mean to you that BETTY is part of that legacy?
AZ: It means a lot. I love being part of that incredible music community.
EZ: It means everything. We played with a lot of those people. Roberta Flack, Trouble Funk, MCC, and the list goes on. It was such a great scene in DC In the 80’s. The underground go-go scene and the harDCore scene and the new wave scene. We all supported each other. As a matter of fact, Jason Carmer, who was in a lot of DC bands including 9353, is the producer on our new album “EAT.” DC was and always will be seminal to BETTY and our life.
AP: BETTY wouldn’t exist if it were for the bubbling gumbo of music, art, spoken word and politics that defined DC in the 80’s. All of us were raging against Reagan and the diabolical, hateful conservatives who swept into town. Regardless of our mode of expression, we all poured our passion for a better world into our art. Because the scene was relatively small, we supported each other and ran from party to venue to see what and how other artists were busting out. Essex Hemphill and Wayson Jones were at packed house parties with Brenda Files and other poets like you Gregg, everyone snapping fingers at the smooth truths flowing. Trouble Funk played out on the street where we all danced wildly on swampy summer nights while Bad Brains showed us how to slam dance in steamy venues. Chapin sang at Kramer Books and pop idol Tommy Keene was everywhere. The nexus of all new music was the 9:30 Club where a wild blonde wailed an entire set from the top of a grand piano jammed onto the tiny stage with her band, soon to sing solo as Cyndi Lauper. Natalie Merchant hid behind drums, REM jangled, Iggy Pop bled, The Bus Boys preened, Red Hot Chili Peppers came out for their encore stark naked with just sweat socks covering their johnsons and Henry Rollins mesmerized the packed room of sweating punk boys by grinding slowly for long delicious minutes as he sang and grew the biggest bone I’ve ever seen on stage, literally having sex with the crowd and popping minds open left and right. Fine artists flourished, including Mapplethorpe causing scandal at the Corcoran with his show. It was an amazing time to be a feminist art rock trio with a lot to say!
Blade: BETTY has also made a name for itself via the activism of its members, including the founding of the 501(c)3 not-for-profit organization The BETTY Effect. Is being an activist something that was ingrained in you by your family or was it something you came to on your own?
AP: Great question, Gregg! I think each of us had formative experiences that made us warriors. My dad grew up with severe corporal punishment and tried to lessen the degree with my brother and me but used it liberally. I found it abusive, unfair and unacceptable even at a young age – not so much for myself, but when this raging giant of a man would lash my gentle, artistic brother I couldn’t take it. When I was about 10, I threw myself between the two of them and yelled from my soul that never again would I allow him to take out his anger on a small defenseless being, never. He never did again. I became a protector. Some would say bossy, but I can’t tolerate unfairness and cruelty to weaker beings.
EZ: It was ingrained in me as a kid. We were Air Force brats living overseas and we grew up Jewish in some very anti-Semitic places. Paris, Virginia, etc. So, I learned at a very young age that life wasn’t fair, and people could be mean for no reason. I grew up knowing that girls were getting the raw end of the deal, and I wanted things to be fair…it’s never stopped. The more you know, the more you become aware of the wrongs in the world, the more you want it to be right.
AZ: BETTY was born in DC. We knew early on that it was our responsibility and privilege to speak (and sing) out as artists about things that needed to change, and causes we believe in.
Blade: Please tell the readers something about the mission of The BETTY Effect.
AP: The BETTY Effect is an organization that uses music and performance techniques to help strengthen, embolden and empower women, girls and LGBTQ+ folks. BETTY has found that anything can be achieved if done in harmony with community, no matter how long it may take. That’s why we travel around the world holding workshops and concerts to connect people in need of bolstering with the beauty of their inner rockstar, with their possees, and with local organizations that can serve their immediate needs and continue to help grow confidence. At the end of the day, that’s all it takes – believing in your mission and believing you are the right messenger. It’s so simple but can seem impossibly hard, until you have your crew wo believes in you. The BETTY Effect builds crews from inside out.
Blade: In late August, BETTY performed at the Women’s Equality Day event at Kennedy Center. What is that like for each of you playing for the hometown crowd?
AZ: Wonderful!
AP: I love DC. So many memories! Parties, playing and protests, like our first Pride Day hidden-away behind the trees on 21st Street to protect the still-closeted, Take Back the Night Rallies, and glorious Adams Morgan Day. At Kennedy Center we received our first award, “Entertainer of the Year,” so it’s a delight to be back at such a gorgeous place for celebrating all the arts, the best DC has to offer.
EZ: It’s been a long time since we’ve lived in DC. I love it there but consider myself a full-on New Yorker at this point. I still love going back to DC. It’s so cool there and political and fun. And it’s beautiful and the Kennedy Center is very posh, so I’ll have to wear clothes [laughs].
Blade: “EAT” is BETTY’s first new full-length album in a number of years. Were all the songs written over the course of the period or were they written in one burst for the purpose of the album?
AZ: Great question! Some were written recently, and a couple were actually rewritten and changed while recording.
AP: Every seven years we get the itch and pop out another album. Some of the songs have been incubating for quite a while but two burst out from skeletal beginnings in the studio with our fabulous producer, Jason Carmer and Human Fader, who are wildly creative and fun artists to create with in sexy Mexico City.
EZ: Some songs have been churning around and changing and forming for a few years, some were written during the pandemic, and some came together for this album. All of them are new in the way that they have changed and grown.
Blade: “EAT” opens with the song “Together,” which was originally recorded in a rock/funk version on 1999’s “Betty 3,” and is now heard in a dance music version. Please say a few words about why you chose to re-record that song.
AP: I am 1000% about community. The older I get the more I see that having a tribe, village, family, your bevy is everything. To accomplish the biggest goal, the actual changing of society, the only way is by connecting a web of like-minded souls to rise against an unfair status quo and create change. Ever since that nauseating November day when we woke to understand that America had elected a hateful, ignorant boor for President instead of a brilliantly over-qualified woman, it has been my daily mission to correct that wrong. As Gloria Steinem says, outrageous rebellions start with everyday acts. Creating unity with joy is a radical act, especially with music, together. It can’t be said enough.
AZ: Now, more than ever, we need unity. Otherwise, the world will not survive.
Blade: The anthemic “Pride,” the first single from “EAT,” was released in advance of Pride 2024. What does BETTY’s embrace by the LGBTQ+ community mean to you, as either a member or an ally?
EZ: Being a big lez, and also a gay man in lesbian clothing, I’m all about it. I pretty much assume everyone is gay until I find out shockingly that they’re not.
AP: It. Is. Everything. The two times I felt myself break bounds I realized that society had wrapped around me were the first time I saw LaBelle on TV as a child, where, terrified, I saw for the first conscious time that women could be fantastical and scary and explode with power without caring what men or anyone thought, and my first Pride Parade in DC. Seeing the riot of wit and color unleashed by people who had just as much right as anyone to love and be loved, but had to fight to exist, I had the epiphany that I stood surrounded by joyful warriors. They risked it all, proud on the streets, snapping their fingers under the nose of anyone who tried to deny them. I saw they were the evolved ones, the ones who lived like artists at least in that moment, freely, and I fell in love spiritually, not physically, with this tribe I understood.
Blade: “Pride,” as well as “Flow,” “Soundproof,” “Gangway,” and “Big Size Love,” have irresistible dance energy. Have you ever been at a club and heard a DJ spin a BETTY song? If so, how did it feel?
EZ: I’m a DJ (DJ ezgirl), so I’ve spun them, and it feels great to watch people dance to our music. Recently, we had the pleasure of hearing our song “Pride” and the remix by Bill Coleman and Peace Biscuit spun by the amazing and infamous DJ Lina Bradford in front of thousands of new folks and they dug it. So, that’s amazing. Let’s hope DJ’s all over the world spin our stuff.
AP: It’s a rollercoaster! At first you think. “I know this song. Who IS this?” Then you realize. Then you’re slightly embarrassed. Then you fling yourself into the experience with joyful abandon, loving it even more as it’s released into the wild!
AZ: Seeing people groove, dance, and respond to our music is what it’s all about!
Blade: BETTY is no stranger to cover tunes. Over the years BETTY has covered The Association (“Windy”), The Beatles (“Lucy In The Sky With Diamonds”), and Sammy Cahn and Jimmy Van Heusen (“High Hopes”), to name a few. “EAT” contains BETTY’s rendition of Burt Bacharach and Hal David’s “What the World Needs Now Is Love.” Please tell the readers why that song was chosen.
AP: That was Elizabeth’s idea. We‘re all mad for slinky cool vocals like Dionne Warwick and Shirley Bassey, so when she suggested it, we all dove right in!
EZ: We fought so much when we were arranging this song acapella. It’s so hard to sing and was intense to work out, but all three of us love this song and we chose to put it on this album because it’s acapella and important to us to do that. Also, in this time of division and strife, it’s important to us to remember that love is what we all need.
AZ: The world is upside down now. Especially since Oct. 7. I’ve never seen so much hatred and misinformation spewed in my lifetime. I’ve also never felt more unsafe being part of the Jewish community, for myself and my family. If love can’t find a way to survive and thrive, I worry for us all.
Blade: BETTY has some tour dates this fall. What are you most looking forward to about those shows?
AZ: Playing our new songs, seeing old friends, and connecting with new people. And wearing groovy new clothes and getting lots of prezzies from fans [laughs].
EZ: Playing our new music and meeting new fans. And, of course, continuing our wonderful career that never ends.
AP: I love playing live! Like I said, flinging yourself with wild abandon into a song you adore as it’s amplified into the wild is a thrill everyone should have a chance to feel. Like a chef serving a great meal to a crowd or an athlete moving with the stands cheering her on, experiencing the flow of your creative energy connecting with the electric desire of others is a feeling that ignites your whole being like a lighthouse. People flowing along with us by singing along to our songs feels absolutely incandescent.
Blade: Are there more tour dates in the works?
AP: Always. That’s the profound beauty of what we do. No matter how terrible (and there have been nightmares) or how glorious a show is, there’s always another one. Another adventure is waiting just ahead, with friends old and new to share it. We’re taking EAT to beloved Provincetown October 17-20 for Women’s Week at the Post Office and 2025 has some great escapades brewing. The BETTY Rulers on our email list (hellobetty.com) are always the first to know!
a&e features
Boomer Banks brings beats to MAL Weekend
From porn to the DJ booth, ’I’m the happiest I’ve ever been’
If you enjoy gay adult films, there is a high likelihood you have seen or at least heard of Boomer Banks. His tattoos, muscles, masculine presence, and thick mustache have made him one of the most recognizable — and awarded — Latinx gay adult performers in the industry. This weekend, Banks heads to the nation’s capital to partake in Mid-Atlantic Leather weekend.
As D.C. polishes its leather gay apparel for the annual MAL weekend, Banks, alongside a slew of other gay adult performers and leather lovers, is getting ready to make adult content, meet fans, buy some new leather goods, and perform in the name of sexual expression.
This year will be different for Banks compared to his past MAL weekends, though. He will still be go-go dancing as he has in years past, but this year he has a new hat on — headlining DJ. The Blade sat down with the 44-year-old performer to discuss his sex work career, the changing industry, and his passion for DJing.
On Friday night, Banks is one of three headlining DJs for the main dance event of the night, UNCUT XL. He explained that his love for music has always been there, but since the death of his best friend, with whom he connected on a shared love of music, his sets mean more than ever to him now.
“I loved music for my whole life,” Banks told the Blade when asked about how he got started in music. “My proximity to legendary New York DJs has always been there. I lost my best friend and brother over two years ago, and it just caused a lot of changes [for me]. We both loved music so much … I was talking to one of my DJ friends [about this connection to music], and they were talking to me, and all of a sudden I’m at their studio, playing around with the controller and all that, and it just happened. Here we are, two years later, and now I’m headlining at MAL with some legendary DJs that I have been a fan of since I was young.”
Banks went on to explain that this connection and newfound passion for DJing is what has made his career shift from studio porn to a solo career easier. He also said the continued support from his house music fans has made him want to work even harder on creating memorable sets.
And create memorable sets he has. Banks has headlined events all across the country over the past two years — from Provincetown to Rehoboth Beach and even headlining Folsom, which is the biggest leather event of the year. He explained that he has one overwhelming emotion —gratitude.
“I’m really grateful that Zach [Renovatés] and everybody at Kinetic and Bunker have really taken a liking to my storytelling through music, because that’s what it is for me,” Banks said. “I like taking people on a journey. It’s usually my journey. But I read the crowd, I read energy, and I’m always smiling, and that’s the only place that I do smile. I feel like people often categorize me as intimidating, and a lot of times that’s what I got in the porn industry. But with DJing, the people are always like, ‘You’re so happy up there. You’re smiling all the time.’ And, yeah, I’m the happiest I’ve ever been, and it’s exciting. I love doing it, and I’m grateful and very humbled that people are seeing that this isn’t just a gimmick.”
He went on to explain that this happiness wasn’t always at the base of his work —especially when he was involved with the studio porn system with CockyBoys and Raging Stallion. Various factors, including race, he shared with the Blade, were why it was less than enjoyable at times. But it provided a platform in which he was able to grow and gave him an opportunity to help newcomers in the industry.
“When I got into porn, other brown men were not nice to me; other people of color [were not nice to me]. I thought that it would have been different. So when I was established, I made sure not to do that. I have a few little Banks boys that I nurtured into the industry, and, not to claim them, but it’s just so that they had someone to talk to because I didn’t have that.”
Despite some structural problems within the industry, Banks felt he was able to get what he needed from the career, including a paycheck and a platform.
“Porn did work out for me,” he said. “I was very fucking successful, and I was not white. I did the work, but I just couldn’t keep doing it any more. It wasn’t good for my mental health, and so I knew how to bow out. Who knows? It [studio porn days] might happen again. I don’t know, but I know for today, I love music. It’s my heart. I’m grateful for the platform that sex work gave me because it’s given me a heads up with the music.”
That music has kept him going. More specifically, New York house-style music has kept him going. Banks’s ability to take in the music he loves has made him a stronger DJ, he said.
“’I’m a New York house DJ,” he said. “That’s the style that I bring. The craziest it gets is like tech house and maybe some early 2000s mid-2000s circuit music. It’s what I grew up with and what I love and what I like to put out there. I’m really grateful that I was not only showing up to these gigs, but I was absorbing the art that is music in a way that it seeped into my pores and my soul, that now I can share how I feel about music, and that’s exciting.”
He touched on how although many people can be fans of DJ music, it takes more to become a successful DJ.
“The thing about music is you can’t fake music tastes. You can learn all the knobs and the technical parts of DJing, but if you’re not playing good music, and if the room isn’t vibing, it doesn’t matter.”
When asked about the current political climate—seeing as the host hotel for MAL weekend is a mere half mile from the Capitol building—Banks reflected on the importance of weekends like this for the LGBTQ community, which is increasingly facing the backlash of conservative politicians.
“We are in uncertain times,” he said. “These are the weekends where we’re able to be who we are. And it’s unfortunate that we have to still have these events to express ourselves. Because a lot of these guys, they wait their whole year for this weekend to be able to express themselves. With what’s going on with the world, they’re basically being told that these are the only places they can. I know that in New York we live in a bubble. I know in D.C., we live in a bubble. But I want to show people that are coming from the middle of nowhere that they can have a good time, and even if it is for this weekend, they can rely on us. I want our community to know that I am here for them.”
You can find Boomer Banks headlining Friday’s main dance event UNCUT XL from 10 p.m. to 4 a.m. at REPUBLIQ Hall (2122 24th Pl NE) and go-go dancing during Saturday’s PERVERT XXL party at A.I. Warehouse (530 Penn St., N.E.) from 10 p.m. to 4 a.m. as well as on X @Boomer_Banks and on Instagram @baconlvr.
For more information about MAL events visit leatherweekend.com or kineticpresents.com.
Half a mile from the Capitol building on New Jersey Avenue, the Hyatt Regency Washington is getting ready for one of the city’s biggest, gayest, and kinkiest weekends of the year — the annual Mid-Atlantic Leather (MAL) Weekend.
The weekend, which has a long and fabled history that spans two different hosting Motorcycle Clubs (MC), multiple host cities, thousands of LGBTQ people dressed head to toe in leather, and as the Centaur MC website explains, all began with an hour of cocktails and a cock ring.
In 1976, members of the Links MC gathered in a room at New York City’s Waldorf-Astoria hotel to mingle and discuss shared interests (including leather and various sexual proclivities), when one of the party’s guests accidentally dropped his cock ring on the bathroom floor. The loud clang of a cock ring against the tile floor made everyone in attendance laugh. At the next party the Links MC hosted, another member intentionally dropped his cock ring on the floor too, calling back to the prior party’s fun and a tradition was established.
The event grew in popularity among LGBTQ leather lovers, moving to various East Coast cities before finding a permanent home with the Centaur MC in Washington in 1984. Since then, the city has hosted the Leather Cocktail party each year and has expanded to include an exhibitor hall, where leather makers and other kink product creators showcase their wares, the prestigious Mr. MAL Contest, and multiple high energy (and clothing optional) dance parties.
MCs comprised exclusively of queer members have been documented since at least the mid-1950s, with the Satyrs Motorcycle Club of Los Angeles being one of the earliest known examples. During the McCarthy era, when LGBTQ individuals were subjected to brutal discrimination due to unfounded fears that being queer was synonymous with being un-American or even suggested Communist leanings, the groups provided an essential refuge. While such fears were baseless, the formation of these clubs offered a vital safe space for queer people to express themselves in an environment where their identities were not just stigmatized but often criminalized. These MCs became much more than places for sexual expression — they were havens of protection and solidarity, offering a sense of community that would have been nearly impossible to find in the hostile, post-WWII social climate.
This year’s MAL is set to be the biggest year yet with four days of kinky queer fun. It all begins on Thursday at the Hyatt Regency Washington (400 New Jersey Ave., N.W.) with the Full Package/Three Day Pass Pick-Up from 5:30-8:30 p.m. Here guests who have purchased a Full Weekend Package can collect their wristbands.
On Thursday from 9 p.m.-3 a.m., the MAL kick-off Kinetic BOOTCAMP dance party will whip you into shape as international DJs Alex Lo and Dan Slater start off the weekend right. The venue has not been named yet, but Kinetic Events, which oversees this year’s official MAL dance parties have said the space will soon be announced and will “be complete with play zone designed for maximum seduction.”
After beginning MAL weekend on the dance floor, Friday is full of events to keep the kinky vibes going. From 3-10 p.m., guests who have not picked up their Full Package Pass on Thursday can continue to collect them in Capital Room A on the lobby level (located behind the north tower elevators) of the Hyatt Regency Washington. If you haven’t purchased a pass, no worries, both day and weekend passes for MAL hotel events are available for purchase online or at the hotel’s entrance from 3-10 p.m.
The passes vary in price depending on what day(s) you attend. The 3-day pass is $45 plus processing fees and provides access to the Hotel and Exhibitor Hall for the entire weekend, as well as the Mr. MAL Contest on Sunday. The Single Day Pass is $20 plus processing fees and allows access to the Hotel and Exhibitor Hall on either Friday or Saturday. The Sunday Day Pass is $30 plus processing fees and includes access to the Hotel and Exhibitor Hall on Sunday, along with entry to the Mr. MAL Contest. To purchase your pass online visit at sickening.events/e/mal-weekend-2025/tickets or at the hotel’s entrance.
To get in an elevator up to a hotel room a staff member will check for a hotel room wristband. Non-registered guests can only access host hotel rooms if they are escorted by a registered guest with a valid wristband. Registered guests are permitted to escort only one non-registered guest at a time. Non-registered guests with a wristband who are already in the hotel before 10 p.m. may remain until midnight. However, non-registered guests without a wristband will not be admitted after registration closes.
The Exhibit Hall is located on the ballroom level below the lobby. This year is slated to have 29 exhibitors selling leather and kink goods that range from harnesses to jockstraps and everything in between. The Exhibit Hall will be open on Friday from 4-10 p.m., on Saturday from 11 a.m.-6 p.m., and Sunday from 11 a.m.-5 p.m.
Back by popular demand, DC Health is partnering with Nasty Pig to provide preventative health services including MPox vaccines, Doxy PEP, HIV Testing, Narcan kits, and Fentanyl test strips. Their booth with these services will be available on Friday from 3-10 p.m. and on Saturday from 11 a.m.-6 p.m. at Capital Room B (located behind the north tower elevators next to Room A).
Also on Friday, the Centaur MC is holding its Welcome Reception from 6-8 p.m. on the ballroom floor. After the Centaur’s Welcome Reception, there will be an International Mister Rubber (IMR) Social from 8-11 p.m. in Congressional Room A.
Friday night’s dance party KINETIC UNCUT XL will be at REPUBLIQ Hall (2122 24th Place, N.E.) and has been billed as “largest and most debaucherous MAL event yet” with a “labyrinth of play zones” and two dance floors. DJ and adult film creator James Anthony kicks off the night and then allows for you to choose where to dance — either in room 1 with DJ Alex Ramos playing tribal beats or room 2 with DJ and adult creator Boomer Banks playing a tech house set. The dance party goes from 10-4 a.m. so make sure those boots are shined and ready to move.
On Saturday MAL will host its annual Puppy Mosh in Regency Ballroom C from 11 a.m.-1:30 p.m. During the Mosh, pups and their handlers can enjoy a playful puppy playdate while immersing themselves in pup culture. There are strict rules surrounding the Puppy Mosh. The Mosh Monitor has final say and has the right to eject anyone from the Puppy Park for violating the rules. For the full set of Puppy Mosh rules visit leatherweekend.com/puppy-park-rules/.
Immediately following the Puppy Mosh the Super Hero Meet-Up will be held in Capital Room A from 1:30- 3 p.m., where cosplayers and comic book enthusiasts can gather for an erotic meetup celebrating a rendezvous of capes, curves, and vibrant spandex.
From 2-6 p.m. on Saturday, the Onyx Fashion Show will take place in Congressional Rooms A & B for people of color to highlight Black brilliance in leather.
The Leather Cocktail Party that started it all will be held 7-10 p.m. in the Regency Ballroom. Only those with the Full Package Pass can attend and are encouraged to show off their leather and kink fantasy.
The Leather Cocktail Party isn’t the only cocktail party happening on Saturday; from 9-11 p.m., the MAL Cocktail Party will be in Congressional Room B for other MAL attendees to mingle and get a drink.
The last event of Saturday is the KINETIC and Matinée Group’s PERVERT XXL dance party. Beginning at 10 p.m., this will mark the first time that a dance party on MAL Weekend’s Saturday night is an official MAL event. The dance is at A.I. Warehouse in Northeast (address TBA) and has a slew of talent for the celebration. Gigi Goode from “RuPaul’s Drag Race” will “whip the crowd into submission” as DJs from around the world, including Erik Vilar (Brazil), Eliad Cohen (Israel), and Paulo (Los Angeles) play non-stop beats all night long (or at least until 4 a.m. when the party ends). In addition to drag royalty and internationally acclaimed DJs, the dance is held in a multi-level warehouse in Northeast D.C. complete with immersive lights, lasers, and play zones.
On Sunday at 1 p.m., the Mr. MAL Contest will be held in the Regency Ballroom. This highly sought after title gives one man the power to become the Mid-Atlantic Leather man of the year. The sash and title come with some requirements though: 1. You must be male, 2. You must be a resident of North America, 3. Must be at least 21 years of age, and 4. You must self-identify as gay. Additionally, if you enter, you must be prepared to represent the title as a contestant in the International Mr. Leather (IML) Contest in Chicago on Memorial Day Weekend 2025. Currently the list of applicants has hit its limit but if you are interested and can meet the criteria you can email [email protected] to be put on a standby list.
From 6 p.m. to 12 a.m. on Sunday, MAL will hold its Game Night in Capital Rooms A & B.
Last, but certainly not least, the final event and dance party of the weekend is the KINETIC LUST party, the perfectly sensual and sexy way to end MAL 2025. The party goes from 10 p.m.-3 a.m. as Grammy-nominated Abel and DJ Sam Blacky will end your weekend right with “dark, sexy beats and pulse-pounding rhythms” as erotic porn star performances and exclusive play zones are explored.
Each day of MAL a Recovery Meeting will be held in the Yosemite Room (located on the conference level/ second floor) from 10-11 p.m. with an additional session on Saturday from 11 a.m.-12 p.m. to provide a safe space for anyone who is struggling with addiction or for anyone who needs to take a sober step away from the weekend’s events.
All weekend there will also be a Bootblack station where MAL attendees can get any leather goods cleaned and polished. The money donated to the Bootblacks for their work helps raise money for a local charity (that changes each year) and to cover the Mr. MAL travel fund. Don’t forget to tip.
Even though the weekend is called the Mid-Atlantic Leather Weekend, leather is not required. There are some rules regarding outfits though. All expressions of kink are encouraged. Attendees in years past have worn everything from leather to rubber, to furries and even regular street clothes. Just make sure that they abide by the hotel’s dress code rules — in publicly accessible spaces (lobby, hallways, ballrooms, exhibit halls), nudity is not allowed. Men may walk around the hotel shirtless, in a jock, or in chaps with a jock. Women are not permitted to be shirtless or have their nipples exposed. If you are dining, your buttocks must be covered, and at least a vest must be worn.
Please note that all events are 21+ and require an ID check, including every day of events at the Hyatt Regency host hotel. Please make sure you bring your photo ID. Also note that all MAL “Full Weekend Package” pass holders have access to the LUST Sunday Closing Party.
For any additional information on official MAL weekend events and policies, please visit leatherweekend.com or kineticpresents.com.
a&e features
Looking back at the 10 biggest A&E stories of 2024
Menendez brothers, Chappell Roan, ‘Wicked,’ and more
Reflecting on a year in queer entertainment is never one dimensional. You get stories of joy, hate, and everything in between.
And 2024 was no different. For every Chappell Roan, you get a J.K. Rowling. But looking back on this year is vital in recognizing what progress was made in LGBTQ spaces, and which areas need more attention to make a better 2025.
Though there are no 10 stories that are truly “the most important,” here are some events that represented the good, the bad, and the gloriously gay this year.
#10: Joaquin Phoenix abruptly exits gay film: “Joker” star Joaquin Phoenix reportedly exited a gay romance film days before production was set to begin, stirring up a controversial storm in Hollywood.
Sets were built and distribution deals were already made, which left many owed compensation.
Described as a detective love story featuring two men in the 1930s, the film was allegedly made to receive an NC-17 rating and to feature authentic and graphic sex scenes.
#9: Adele snaps back at homophobic fan:What better way to kick off Pride month this year than Adele publicly humiliating a fan who shouted a homophobic comment?
The singer was performing her Las Vegas residency show when an audience member shouted, “Pride sucks.” Her response was appropriately filled with profanities.
“Did you come to my fucking show to say Pride sucks? Are you fucking stupid?” Adele said. “Don’t be so fucking ridiculous. If you have nothing nice to say, shut up, alright?”
A video of the interaction went viral online, and fans rallied on social media to show their support of the singer.
#8: Oprah receives GLAAD recognition: Oprah Winfrey received the GLAAD Lifetime Achievement Award in March. It was a culmination of her strong history of support for the LGBTQ community.
Winfrey used her platform on her self-titled show to raise awareness of HIV/AIDS and LGBTQ bias and hold open discussions to challenge stereotypes and promote acceptance.
“Winfrey’s unique blend of empathy, wisdom, and storytelling resonated with audiences, making her one of the most beloved and influential figures in media history,” Los Angeles Blade publisher Troy Masters wrote.
winner after 25 seasons.
Asher HaVon, who performed on team Reba McEntire, became a staple on the show for his hypnotic and rich tone. From Selma, Ala., HaVon also represents the fight for equality.
When former President Barack Obama visited Selma in 2015, HaVon sang for him and 200,000 other people at the historic Selma Bridge crossing.
“For the rest of us, in the LGBTQ community, in the dance clubs, and in the hearts of ones needing a new diva to love, Asher has arrived,” Los Angeles Blade reporter Rob Watson wrote in May.
#6: Out and proud: Many notable celebrities came out this year, including country singer Maren Morris, track star Trey Cunningham, actor Julia Fox and former “Saturday Night Live” star Sasheer Zamata. From sports stars to country idols, these icons are paving the way for LGBTQ visibility in underrepresented entertainment spaces.
#5: Defying box office charts: Jon M. Chu’s “Wicked” is ‘Popular’ with audiences, to say the least.
Roughly one week into its box office run, it became the biggest-grossing movie based on a Broadway musical in North America. It beat previous smashes like “Grease” and “Mamma Mia!” Beyond providing audiences with a faithful yet unique adaptation of the popular book and play, it also gave us numerous viral interviews between its two leading ladies, Ariana Grande and Cynthia Erivo, as well as a plethora of fan cams gushing over out actor Jonathan Bailey.
Your move, “Wicked: Part Two.”
#4: Emmys and Grammys and Tonys, oh my!: It was a historic year for queer representation at the biggest nights in entertainment. Jodie Foster collected her first Emmy for her role in “True Detective: Night Country,” while Jonathan Groff accepted his first Tony for his role in “Merrily We Roll Along.”
The Grammys were huge for women and queer artists, recognizing performers like Billie Eilish, SZA, Miley Cyrus, and Victoria Monet. It was a much different story than in 2018, when Grammy organizers responded to a lack of female recognition by telling women to “step up.”
#3: Misinformation fuels hate at Olympics: Olympic boxer Imane Khelif was the center of right-wing rage during this summer’s Paris games after many prominent celebrities and personalities said she is transgender. Khelif has differences of sex development (DSD), which is a group of rare conditions that causes one’s sex development to differ from most others. Women with DSD can have both an X and Y chromosome, which is typically only found in men, but it doesn’t make one transgender or intersex.
The facts didn’t matter to public figures like J.K. Rowling and Elon Musk, who were mentioned in a cyber harassment lawsuit after spreading misinformation online about Khelif’s identity. Rowling labeled Khelif a “male” on X, while others called for Khelif to be banned from competing. This outcry over false claims about her identity overshadowed her gold medal win.
#2: The rise, not fall, of a Midwest princess: It was a stellar year for women and queer performers, headlined by Chappell Roan’s rapid ascension to fame. The singer drew global recognition with notable hits like “HOT TO GO!” and “Good Luck, Babe!”.
More importantly, as a member of the community herself, fame never got in the way of her pro-LGBTQ messaging. She dedicated her Best New Artist VMA win to the “queer youth in the Midwest.” Roan, who’s from Missouri, also used her platform to support the art of drag. She enlisted local drag queens to open her shows this year, and gained instant approval when paraphrasing Sasha Colby’s famous saying: “I’m your favorite drag queen’s favorite drag queen.”
#1 Ryan Murphy strikes controversial gold again: The ethical implications of “Monsters: The Lyle and Erik Menendez Story” were hotly debated when it debuted on Netflix in September.
Some loved the show’s aesthetic and its gripping portrayal of the two brothers who killed their parents in 1989. Others criticized it for its flimsy factual representation and glorification of murder through its two overly attractive leads. Whatever your opinion, there’s no denying the show’s impact, which sparked a national debate over releasing the brothers from prison early. With LA electing a new district attorney in November, the push for an early release remains in the headlines and a strong possibility.
Regardless of your opinion of the show, there’s no denying the cultural impact it sparked. Out creator Ryan Murphy isn’t new to producing shows that divide people while generating ratings. The first installment of the “Monster” anthology, centered on Jeffrey Dahmer, was a huge hit despite facing intense scrutiny for similar creative decisions.
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District of Columbia5 days agoD.C. police demoted gay captain for taking parental leave: Lawsuit
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Politics5 days agoBiden to leave office revered as most pro-LGBTQ president in history
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Uganda4 days agoUgandan minister: Western human rights sanctions forced country to join BRICS
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District of Columbia5 days agoMany LGBTQ residents escaping D.C. for inauguration weekend