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Previewing D.C.’s WorldPride Music Festival

Producer Jake Resnicow on unforgettable event with genres from disco to country

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The Dreamland WorldPride Music Festival is set to be held at RFK Stadium June 6-7, 2025. (Photo courtesy Club Glow)

As WorldPride draws closer, Washington, D.C. is getting ready to celebrate on multiple levels. One major event is the Dreamland WorldPride Music Festival, to be held at RFK Stadium (2400 East Capitol St., N.E.) from June 6-7, 2025. This music festival will serve as the centerpiece of the city’s WorldPride celebration, coinciding with the 50th anniversary of D.C. Pride.

Local electronic dance music event promoter Club Glow is putting on the show, bringing in celebrated producer Jake Resnicow, to create a giant festival. Under the direction of Resnicow and Club Glow, the festival will feature a diverse, yet-to-be-named lineup featuring pop superstars, live performers, DJs, and plenty of local talent. The festival aims to showcase the vibrant spectrum of LGBTQ culture, with musical genres ranging from disco to country, bringing together performers from a range of backgrounds who resonate with Capital Pride’s values and with the attendees.

The Washington Blade conducted an exclusive interview with Jake Resnicow about the festival. The interview has been slightly condensed for clarity.

BLADE: What is your background and role in the nightlife scene? 

RESNICOW: I’ve always been passionate about creating spaces where people can express themselves freely. My journey into live events began in 2010 with a Pride event on Governors Island. It was a transformative experience that showed me the power of live events to bring joy and build community. Since then, I’ve had the privilege of producing events like WorldPride at the Javits Center, where we raised over $500,000 for LGBTQ+ charities, as well as the first-ever Pride in Central Park. These events have been about more than just entertainment; they aim to support and uplift the LGBTQ+ community. 

BLADE: How did you get involved in the WorldPride Festival with Capital Pride?

RESNICOW: After producing several Pride festivals and witnessing their impact, the opportunity to bring this energy to the largest stage feels like a culmination of a long-held vision. I’m truly honored to collaborate with Pete Kalamoutsos, Heather Church, and Matt Cronin — the driving force behind Project GLOW. Pete has been a leader in the dance music scene for over 25 years. He, Heather, and Matt have not only shaped the East Coast’s electronic music landscape but have also shown unwavering support for the LGBTQ+ community. Their commitment to elevating dance culture, especially through Project GLOW, is remarkable. Beyond the music, the team has incorporated community-focused initiatives, such as highlighting Washington, D.C.’s LGBTQIA+ community through dedicated stages and collaborating with local charities like Sasha Bruce Youthwork. Working with Pete, Heather, and Matt is like joining a dream team — they have an incredible vision and are passionate about making a difference. Together, we aim to create a historic WorldPride 2025 Music Festival that resonates with attendees and leaves a lasting legacy. 

BLADE: What does this event mean to the LGBTQ nightlife community? 

RESNICOW: WorldPride 2025 is more than just a music festival; it’s a space for celebration, reflection, and visibility. For the LGBTQ nightlife community, it’s an opportunity to come together, celebrate our identities, and amplify voices that have been historically marginalized. In a world where less than 1% of charting artists identify as LGBTQIA+, this festival is a platform to change that narrative. I’m particularly proud to serve on the board of Femme House, where we work to address this underrepresentation by providing resources and opportunities for queer musicians to thrive. This festival symbolizes a safe, inclusive environment where everyone feels seen, heard, and celebrated. 

BLADE: What will the festival entail? 

RESNICOW: The festival will offer a multi-day experience filled with music, art, and community engagement. Attendees can expect a blend of live performances, immersive activations, art installations, and wellness zones. To me, queer entertainment has evolved beyond nightlife; it’s now a cultural movement that intertwines art, music, fashion, and activism. This evolution has shaped how I approach my events, pushing me to create spaces that are not just safe and inclusive but also challenge and redefine what live entertainment can be. WorldPride 2025 is about creating something larger than a single event; it’s about fostering a movement that celebrates the full spectrum of the LGBTQ+ community. We aim to offer spaces for connection, self-expression, and reflection, incorporating elements that give back to the community and support causes that matter most to us. 

BLADE: What are some elements and activations that are part of the festival? 

RESNICOW: Beyond the music, there will be a variety of interactive experiences and spaces that celebrate LGBTQ+ culture. This includes art installations, wellness zones, educational areas, and spaces for community organizations to engage with festival-goers. Our goal is to create a holistic experience that goes beyond the traditional festival setup, offering attendees a place to connect, learn, and celebrate in diverse ways. 

BLADE: How do WorldPride and the festival connect to the D.C. community?

RESNICOW: Washington, D.C. has a rich history of LGBTQ+ activism and culture, and this festival holds personal significance for me. Having attended Georgetown University, I feel a deep connection to this community and its legacy. WorldPride 2025 is my way of giving back, aiming to create a festival that resonates on a deeply personal level for all of us. I want to create a musical experience that the community will remember, one that celebrates our progress and inspires us for years to come. This event is designed to leave a lasting impression, not just as a festival but as a moment of unity and pride. 

A core aspect of WorldPride 2025 is its commitment to giving back. The festival will support the nonprofit Capital Pride Alliance, which serves the needs of the LGBTQ+ community year-round. We’re building on the legacy of our previous events, where we raised substantial funds for LGBTQ+ causes. This isn’t just about a single weekend of celebration; it’s about creating lasting change. Additionally, based on the overwhelming presale response, we’re on track to potentially set a new world record for the largest Pride festival ever. This reflects not only the excitement for the event but also the strength and unity of our community. We’re striving to make the festival a historic moment that has a meaningful, positive impact on both the local D.C. community and the LGBTQ+ community at large.

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Theater

A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’

Nonbinary actor Alyssa Keegan stars as Duke Orsino

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Alyssa Keegan (Photo courtesy Folger Theatre)

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu

Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within. 

Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.” 

Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few. 

In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting. 

WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about? 

ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all. 

BLADE: What’s your approach to the fetching, cod-piece clad nobleman?

KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness. 

So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.

Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.

BLADE: As an actor, do you ever risk taking on the feelings of your characters? 

KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character. 

So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character. 

BLADE: Has changing the way you work affected your performances?

KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way. 

BLADE: Is Orsino your first time playing a male role?

KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy. 

As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.

BLADE: Do you have a favorite part? Male or female? 

KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting. 

BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?

KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way. 

The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen.  It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.

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Photos

PHOTOS: WorldPride Boat Parade

Blade’s inaugural event held at The Wharf

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The WorldPride 2025 Boat Parade (Washington Blade photo by Michael Key)

The Washington Blade hosted the inaugural WorldPride Boat Parade at The Wharf DC on Friday, June 6. NBC4’s Tommy McFly served as the emcee.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: Capital Pride Honors

Annual awards ceremony held at National Building Museum

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From left, Raven-Symoné presents Kriston Pumphrey with the Capital Pride Breaking Barriers Award at the 2025 Capital Pride Honors on Thursday, June 5. (Washington Blade photo by Michael Key)

The 2025 Capital Pride Honors awards ceremony and gala reception was held at the National Building Museum on Thursday, June 5. Honorees included Cathy Renna, Jerry St. Louis, Ernest Hopkins, Lamar Braithwaite, Rev. Dr. Donna Claycomb Sokol, Kriston Pumphrey, Gia Martinez, Kraig Williams and SMYAL. Presenters and speakers included U.S. Rep. Mark Takano (D-Calif.), Amber Ruffin, Raven-Symoné and Paul Wharton.

(Washington Blade photos by Michael Key)

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